Lowery, Robert

McLintock! (Authentic Collector's Edition)

John Wayne's most popular vehicle of the 1960s is a broad, boisterous comedy-Western and a family movie in every sense--in subject matter, casting, personnel, and the audience it aims to bear-hug. Wayne and his Quiet Man partner Maureen O'Hara reprise their large-boned lovers' quarrel in a Wild West variation on The Taming of the Shrew, while a cast of familiar supporting players do their best to avoid becoming collateral damage.

The picture is fascinating as an attempt to adjust and update the Duke as all-American icon. Rancher George Washington McLintock owns most of the town that bears his name, but James Edward Grant's screenplay is at didactic pains to establish the benevolence and socio-political enlightenment of his reign. G.W.'s former Indian foes have become his pals, he enjoys nothing so much as playing chess with his Jewish merchant buddy (Jack Kruschen), and he's tolerant--as his fellow landowners are not--of the homesteaders crowding into the territory. In what now seems like prescience about where things were headed in the 1960s, he even does his best to achieve rapport with (gasp!) impatient youth.

McLintock! was the first movie produced by eldest son Michael Wayne, and the first major assignment for director Andrew V. McLaglen (son of Quiet Man costar Victor). It steals like a bandit from a host of much better movies, but the Duke's great good humor and professionalism redoubtably anchor the proceedings. --Richard T. Jameson

The Mark of Zorro (Special Edition) (Colorized / Black and White)

When they say they don't make 'em like they used to, they're talking about 20th Century Fox's exhilarating The Mark of Zorro, starring Tyrone Power as the caped one, Linda Darnell as his love interest, and Basil Rathbone at his scurrilous best as Zorro's nemesis. More textured than the 1920 original with Douglas Fairbanks, this 1940 version has Don Diego/Zorro (Powers) returning from Madrid to defend his father and rally the caballeros (noblemen) against Los Angeles's corrupt new governor (J. Edward Bromberg), intent on taxing the peons to death.

If this all sounds like an Old California redo of the classic Adventures of Robin Hood, that's because it is. Powers has a field day as Don Diego, the "fancy clown" betrothed to the governor's niece, Lolita (Darnell). Don Diego the effete snob performs silly parlor tricks, peers through pince-nez, and yawns disdainfully at one and all. Power's cowardly alter ego is so believable, his transformation to masked superhero becomes all the more thrilling. Imagine Captain Pasquale's (Rathbone) shock when, in the film's brilliantly choreographed showdown, this annoying fop turns out to be a world-class swordsman.

Director Rouben Mamoulian, known for great period melodramas, does a skillful job of alternating garrison intrigue with big action scenes, including a nighttime ride that climaxes with Zorro on horseback leaping off a bridge. In the romantic highlight, Lolita confides her innermost desires to a suspiciously worldly friar. The first-rate supporting cast includes Gale Sondergaard as the governor's treacherous wife and the frog-voiced Eugene Pallette (Friar Tuck in The Adventures of Robin Hood) as a padre in cahoots with the masked one. Technically, this retelling rates an unqualified "Wow!" The cinematography, obviously influenced by Goya, makes full use of chiaroscuro shadows, and Alfred Newman's Latin-flavored score is irresistibly rousing and romantic. --Glenn Lovell

This swashbuckling remake of the silent classic stars Tyrone Power as the dashing masked avenger who single-handedly saves Los Angeles from Spanish despots. Don Diego Vega (Power) is summoned home from his elite training corps in Spain to California, where he finds his father deposed and the people living in tyranny. Disguised as Zorro, a sword-wielding mystery man dressed in black, he works to restore his father to power and return the tax money stolen by the villains (J. Edward Bromberg, Basil Rathbone). He even finds time to romance the ruling tyrant's beautiful niece (Linda Darnell).

Drums Along the Mohawk

Nineteen thirty-nine is often proposed as the movies' halcyon year, and three reasons why were directed by John Ford: Stagecoach, Young Mr. Lincoln, and Drums Along the Mohawk. In that exalted company Drums... would have to be accounted "merely superb"--even if it's the best film ever made about the American Revolution and, oh, only about eighth-best picture of its year.

Henry Fonda and Claudette Colbert play newlyweds in New York's Mohawk Valley at the time of the Revolutionary War. That war is more a distant rumor than a direct concern of people with cabins to raise, crops to harvest, and firstborn on the way. When it comes to their valley, in the form of hitherto-peaceable Indians whipped up by a gaunt Tory with an eyepatch (John Carradine), life changes as though with the passing of a cloud shadow.

In this, his first color film, Ford created indelible images of the dawning of America: a lone wagon making its way through acres of long grass rippling in the wind; the Indians, at the onset of their first raid, seeming to materialize out of the mist, out of the very trunks of trees; a ragged line of farmers with flintlocks passing along a split-rail fence, then resolving into a column, an army, marching toward a distant horizon. (Utah's Wasatch mountain country stands in persuasively for upstate New York in pioneer days.) Edna May Oliver scored a best-supporting-actress Oscar nomination as a memorably crusty frontier widow, while Ward Bond--oddly omitted from the opening credits--claimed a place of honor in the John Ford Stock Company playing Fonda's best friend. --Richard T. Jameson

Lawless frontier. Indian attacks. Settlers protecting themselves the only way they know how-with guns and courage. In the years before the Revolutionary War, the East was as wild as the West would be one hundred years later. Henry Fonda delivers one of his most memorable performances ever as a young frontier leader protecting his family in the backwoods of New York state. Claudette Colbert so-stars as his spirited wife. With a fine supporting cast that also includes Edna May Oliver and John Carradine, this is one of John Ford's most exciting historical dramas.

Batman and Robin - The Complete 1949 Movie Serial Collection

There's no Batmobile, and Robert Lowery looks a bit, ahem, well-fed as the Caped Crusader, but Columbia Pictures' 1949 black-and-white serial Batman and Robin is up to its cape and cowl in cliffhangers, crime capers, and good old-fashioned rock-em-sock-em action. Directed at a breakneck pace by serial vet Spencer Gordon Bennett, the Complete 1949 Movie Serial Collection's 15 episodes pits Lowery's Batman and Johnny Duncan as the Boy Wonder against arch-villain The Wizard, who has designs on a remote-control device that doubles as a death ray. Jane Adams's Vicki Vale is on hand to fall into peril at least once per episode, while Ed Wood regular Lyle Talbot looks on sternly as Commissioner Gordon. Viewers weaned on Tim Burton's dark, sleek interpretation of the Batman mythos will undoubtedly groan over the creaky dialogue and performances (creator Bob Kane was no fan, either), but fans with designs on absorbing every bit of Bat-trivia possible will probably get a kick out of this well-intentioned attempt at bringing the Dark Knight's adventures to screen. The episodes are divided onto two DVDs, which offer no extras. --Paul Gaita

Join superheroes Batman (Robert Lowery) and Robin (John Duncan) as they help Commissioner Gordon (Lyle Talbot) battle the Wizard a villainous madman who steals a top-secret remote device allowing him to control all the moving vehicles in Gotham. Between The Wizard trying to destroy them and Bruce Wayne's love interest Vicky Vale (Jane Adams) working to uncover their identities The Dynamic Duo careen from one nail-biting cliffhanger to the next as they set out to save Gotham and foil The Wizard's plan for world domination.System Requirements:Running Time: 263 Min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR UPC: 043396105218 Manufacturer No: 10521

Mr. Moto Collection - Vol. 2 (Mr. Moto's Gamble / Mr. Moto in Danger Island / Mr. Moto Takes a Vacation / Mr. Moto's Last Warning)

When Mr. Moto the no-nonsense martial arts-savvy Japanese detective inspired by J. P. Marquand's best-selling books hit the big screen he infused the genre with an exotic flare it hadn't previously known. Fans of film noir mystery and crime thrillers had a new hero. This outstanding collection includes four favorite Mr. Moto hits all starring the inimitable Peter Lorre as the world famous sleuth. And as a special bonus the 1965 feature film The Return Of Mr. Moto starring Henry Silva is included!Includes:Mr. Moto In Danger IslandMr. Moto's GambleMr. Moto's Last WarningThink Fast Mr. MotoSystem Requirements:Run Time: 265 minsFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: NR UPC: 024543381808 Manufacturer No: 2238180

Classic Film Noir, Vol. 3 - 10 Movie Pack

Immortal Sergeant

Out on patrol in the war-time desert a Canadian corporal reminisces about the woman he has left behind in London and ponders whether she will fall for the charms of his rival in love. At the same time he worries about how he would get on with his outfit if his crack sergeant was not there to guide him. Circumstances combine to give answers to both questions.System Requirements:Running Time: 91 MinFormat: DVD MOVIE Genre: DRAMA UPC: 024543238911 Manufacturer No: 2233891

McLintock!

John Wayne and Maureen O'Hara were born to star in "The Taming of the Shrew," and this is the closest they ever got. Wayne plays a cattle baron whose estranged wife (O'Hara) wants a divorce. The film is basically one long, funny brawl between them, ending with a mud pit melee and Wayne publicly spanking O'Hara, which doesn't look quite so politically correct anymore. This is no great shakes--director Andrew V. McLaglen is simply hosting a party here--but it's worth a few chuckles and the stars' broad performances. --Tom Keogh

McLINTOCK! He Tamed the West--But Could He Tame Her? Cattle baron, banker, and model citizen George McLintock (John Wayne) has the world in his hands. The only thing missing is his wife, Katherine (Maureen O'Hara, who co-starred with the Duke in Rio Grande and The Quiet Man), who left him two years earlier, suspecting him of adultery. In an effort to get on with his life, McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook, welcoming both her and her two children into his home. Sparks begin to fly and McLintock's simple and serene lifestyle comes to a crashing halt as an unexpected turn of events results in brawls, gunfire, an Indian attack, the engagement of his only daughter and...the return of Mrs. McLintock! This Westernized Taming of the Shrew was produced by John Wayne's son, Michael. McLINTOCK! Starring JOHN WAYNE MAUREEN O'HARA With PATRICK WAYNE STEFANIE POWERS * JACK KRUSCHEN * CHILL WIILLS Original Screen Play by JAMES EDWARD GRANT Produced by MICHAEL WAYNE Directed by ANDREW V. McLAGLEN Music Under License from EMI This program is not authorized by the John Wayne estate or any other entity. Approximately 128 minutes Color

The Mark of Zorro

When they say they don't make 'em like they used to, they're talking about 20th Century Fox's exhilarating The Mark of Zorro, starring Tyrone Power as the caped one, Linda Darnell as his love interest, and Basil Rathbone at his scurrilous best as Zorro's nemesis. More textured than the 1920 original with Douglas Fairbanks, this 1940 version has Don Diego/Zorro (Powers) returning from Madrid to defend his father and rally the caballeros (noblemen) against Los Angeles's corrupt new governor (J. Edward Bromberg), intent on taxing the peons to death.

If this all sounds like an Old California redo of the classic Adventures of Robin Hood, that's because it is. Powers has a field day as Don Diego, the "fancy clown" betrothed to the governor's niece, Lolita (Darnell). Don Diego the effete snob performs silly parlor tricks, peers through pince-nez, and yawns disdainfully at one and all. Power's cowardly alter ego is so believable, his transformation to masked superhero becomes all the more thrilling. Imagine Captain Pasquale's (Rathbone) shock when, in the film's brilliantly choreographed showdown, this annoying fop turns out to be a world-class swordsman.

Director Rouben Mamoulian, known for great period melodramas, does a skillful job of alternating garrison intrigue with big action scenes, including a nighttime ride that climaxes with Zorro on horseback leaping off a bridge. In the romantic highlight, Lolita confides her innermost desires to a suspiciously worldly friar. The first-rate supporting cast includes Gale Sondergaard as the governor's treacherous wife and the frog-voiced Eugene Pallette (Friar Tuck in The Adventures of Robin Hood) as a padre in cahoots with the masked one. Technically, this retelling rates an unqualified "Wow!" The cinematography, obviously influenced by Goya, makes full use of chiaroscuro shadows, and Alfred Newman's Latin-flavored score is irresistibly rousing and romantic. --Glenn Lovell

Zebra in the Kitchen

When a young boy discovers the horrible conditions the animals at the zoo are kept in, he sets them all free.

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