Ludwig, Pamela

Over the Edge

Return to the pre-Internet days of 1979, when teens had KISS on their T-shirts and Led Zeppelin on their walls (wait, other than the high-waisted pants, that could be today). Richie (Matt Dillon in an electrifying debut) and Carl (Michael Kramer) are two such teens stuck in the planned community of New Granada (rural Colorado). Richie is a two-bit hood in Jackie Earle Haley (Bad News Bears) mode. Carl, his partner in mischief (breaking curfew, setting off firecrackers), comes from a more stable environment. Once a gun enters the picture, petty crime leads to tragedy and then apocalyptic revenge. Over the Edge gets the details right: the kids, the era, and their frustration with an uncomprehending adult world. At times, it almost feels like documentary, except for a few moments of high Kubrick-meets-Walter Hill drama, as when Carl gets jumped by a couple of hoods, including Vincent Spano (Baby It's You). Directed by Jonathan Kaplan (The Accused) and shot by Andrew Davis (The Fugitive), Over the Edge was unavailable for too long and deserves to find the same audience as other teen rebellion classics like co-writer Tim Hunter's River's Edge. The period-perfect soundtrack ups the ante with potent tracks from Cheap Trick, the Ramones, and the Cars. --Kathleen C. Fennessy

"Tomorrow's city...today" is how the planned suburban paradise of New Granada promotes itself but something has been left out of the plans. No one is paying attention to the town's teens. Jonathan Kaplan directs this hot-blooded cult classic (a 1979 London Film Festival Outstanding Film Award winner) about kids left to discover their own values and coming up with enough drugs booze and discontent to push everyone Over the Edge. Fourteen-year-old Matt Dillon makes his screen debut as the kids' charismatic doomed leader Richie. The anthemic soundtrack by Van Halen The Ramones Cheap Trick and others provide the film's rock-n-roll heart.Running Time: 95 min.System Requirements:Running Time 95 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG UPC: 085393892920

Under the Cherry Moon

Kristin Scott Thomas (The English Patient) made her film debut swapping spit with Prince in this vanity piece directed by the rock legend himself. Prince plays a self-styled gigolo and musician in the south of France, and unlike his interesting grimness in Purple Rain, his character's affect is like one big, walking smirk here. Shot in black and white, the film is handsome enough to look upon for awhile. But even for people who admire Prince for his prodigious musical talents, the Song of Myself stuff in the movie is overwhelming. --Tom Keogh

Tex

This unassuming little coming-of-age drama features Matt Dillon in the title role as a sweet, slightly dim teenager living with his older brother Mason (Jim Metzler) in a rural Oklahoma town. With an absentee father and a deceased mom, the two eke out a marginal existence; things get desperate enough for Mason to sell his and Tex's horses to have enough money for groceries. Mason is ready to graduate high school and has his sights set on Indiana University and a basketball scholarship; he has little patience for his younger brother and his antics, feeling like he has to babysit him to keep him out of trouble. Tex's partner-in-mischief is Johnny (Emilio Estevez), while Johnny's sister Jamie (Meg Tilly) is the object of Tex's crush. The two live under the stern eye of their authoritarian dad (Ben Johnson), foiling any ideas Tex may have about Jamie. If this film seems reminiscent of The Outsiders, it's because it's similarly based on an S.E. Hinton novel; its tone and mood also calls to mind early-'80s kid dramas such as Breaking Away and My Bodyguard. It's a quiet little movie, capturing the boredom and tedium of small-town life nicely, with good characterizations and early roles by the Brat Pack. Dillon helped define himself early on with troubled-teen roles, and this is a fine example. Tex is also notable because it was one of the first adult dramas to come from Disney Studios. --Jerry Renshaw

Experience Disney's poignant coming-of-age tale based on the best-selling novel by S.E. Hinton. For Tex McCormick (Matt Dillon) and older brother Mason, just growing up is the ultimate adventure, especially when Dad is always gone, Mom has passed on, and life is dealing you one challenge after another. Times are so tough, brother Mason has to sell off Tex's favorite horse just to put food on the table. So begins the small-town saga of one teen's straightforward struggle to find friendship, love, and family -- and learning that growing up is about never giving up.

Rush Week

Tex

This unassuming little coming-of-age drama features Matt Dillon in the title role as a sweet, slightly dim teenager living with his older brother Mason (Jim Metzler) in a rural Oklahoma town. With an absentee father and a deceased mom, the two eke out a marginal existence; things get desperate enough for Mason to sell his and Tex's horses to have enough money for groceries. Mason is ready to graduate high school and has his sights set on Indiana University and a basketball scholarship; he has little patience for his younger brother and his antics, feeling like he has to babysit him to keep him out of trouble. Tex's partner-in-mischief is Johnny (Emilio Estevez), while Johnny's sister Jamie (Meg Tilly) is the object of Tex's crush. The two live under the stern eye of their authoritarian dad (Ben Johnson), foiling any ideas Tex may have about Jamie. If this film seems reminiscent of The Outsiders, it's because it's similarly based on an S.E. Hinton novel; its tone and mood also calls to mind early-'80s kid dramas such as Breaking Away and My Bodyguard. It's a quiet little movie, capturing the boredom and tedium of small-town life nicely, with good characterizations and early roles by the Brat Pack. Dillon helped define himself early on with troubled-teen roles, and this is a fine example. Tex is also notable because it was one of the first adult dramas to come from Disney Studios. --Jerry Renshaw

City Limits

Starring Darrell Larson, John Stockwell, Kim Cattrall, Rae Dawn Chong, Robby Benson and James Earl Jones. It is the year 2003, fifteen years after a killer plague has wiped out an entire generation. Gangs of youth now control society, resisting any atte

Rush Week/Fraternity Demon

Tex (Full Screen Edition)

This unassuming little coming-of-age drama features Matt Dillon in the title role as a sweet, slightly dim teenager living with his older brother Mason (Jim Metzler) in a rural Oklahoma town. With an absentee father and a deceased mom, the two eke out a marginal existence; things get desperate enough for Mason to sell his and Tex's horses to have enough money for groceries. Mason is ready to graduate high school and has his sights set on Indiana University and a basketball scholarship; he has little patience for his younger brother and his antics, feeling like he has to babysit him to keep him out of trouble. Tex's partner-in-mischief is Johnny (Emilio Estevez), while Johnny's sister Jamie (Meg Tilly) is the object of Tex's crush. The two live under the stern eye of their authoritarian dad (Ben Johnson), foiling any ideas Tex may have about Jamie. If this film seems reminiscent of The Outsiders, it's because it's similarly based on an S.E. Hinton novel; its tone and mood also calls to mind early-'80s kid dramas such as Breaking Away and My Bodyguard. It's a quiet little movie, capturing the boredom and tedium of small-town life nicely, with good characterizations and early roles by the Brat Pack. Dillon helped define himself early on with troubled-teen roles, and this is a fine example. Tex is also notable because it was one of the first adult dramas to come from Disney Studios. --Jerry Renshaw

Death of an Angel