Lustig, Aaron

Tuesdays with Morrie

This warmhearted TV offering based on Mitch Albom's nonfiction bestseller of the same name dives right into the action, with Morrie (Jack Lemmon) collapsing within the first three minutes. Then it's cut to Mitch's hectic life as a sports columnist cum television host and long-term, often long-distance boyfriend. But this Mick Jackson-directed film slows considerably after the introductions as former student Mitch (Hank Azaria) learns his beloved professor is dying of ALS (Lou Gehrig's disease). He reconnects with his mentor and begins learning from him all over again, this time about life. Oprah Winfrey produced this 88-minute film, and her renowned touchy-feely quality is prominent as Mitch learns to love both Morrie and his own girlfriend. Azaria, better known for somewhat goofy roles (The Birdcage, the dogwalker on TV's Mad About You) conveys an intelligent, if edgy dignity, and double Oscar winner Lemmon turns in his usual exquisite performance, giving even the most obvious moments touches of subtlety. --Kimberly Heinrichs

Based on a true-life story, TUESDAYS WITH MORRIE is a loving memoir to a man whose lessons on life have much to teach us about ourselves. Academy Award(R)-winner Jack Lemmon (Best Actor, 1974, SAVE THE TIGER) delivers an outstanding performance as Morrie Schwartz, the Brandeis University professor upon whom the best-selling book is based. Hank Azaria (GODZILLA) plays Mitch, an accomplished journalist so driven by his job, he has little time or energy left for anything else. One night, Mitch happens to catch Morrie's appearance on a national news program and learns his old professor is battling Lou Gehrig's disease. After the telecast, Mitch contacts Morrie, and what starts as a visit turns into a pilgrimage as Mitch opens his heart to the lessons Morrie has to teach him. As the bond grows between these two men, Mitch learns that professional commitments don't mean anything without the love of family and friends. Sure to inspire, TUESDAYS WITH MORRIE may just change your views on the meaning of life ... forever.

The Shadow

A mixed bag that received mixed reviews when released in 1994, this lavish film works overtime to honor the spirit and style of the vintage pulp novels and radio shows that made The Shadow a household name in the 1930s and '40s. Alec Baldwin plays the Shadow, a.k.a. Lamont Cranston, who arrives in New York from his decadent life in Tibet, fully reformed and disciplined in his ability "to cloud men's minds." A crime fighter who lurks in the dark recesses of the city, the Shadow faces his most deadly challenge when Shiwan Khan (John Lone), the last surviving descendant of Genghis Khan, hatches a plot to conquer the world. The scheme involves a madman (Tim Curry), a hapless scientist (Ian McKellen), and various traps designed to catch and kill the Shadow, who must also contend with his blossoming romance with Margo Lane (Penelope Ann Miller), a slender beauty capable of a little mind play of her own. The movie's art deco production design turns out to be a scene-stealer when the plot drags, and in the title role Baldwin is never given enough good material to create a compelling character. Still, The Shadow is true to the legacy that inspired it, admirably avoiding any conspicuous compromise of its 1930s style and setting. If you can't get into the story, you're sure to be hooked by the look of the production, which is never less than dazzling. --Jeff Shannon

Bedazzled

Brendan Fraser stars in Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from Mansfield Park), a coworker who barely knows he exists. When he blithely says he'd give his soul for Alison, the Devil appears (Elizabeth Hurley, Austin Powers) and says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a little wiggle room. When he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides. When he asks to be a successful, well-endowed writer, the Devil adds a male lover to the mix. The setup and situations are clever, though Bedazzled doesn't delve into any real moral or theological questions and has a little less bite than the original it's based on (from 1968, starring Dudley Moore and Peter Cook). But it does provide some better comic substance than Fraser has had in most of his previous roles (George of the Jungle, Encino Man). Fraser demonstrated in Gods and Monsters that he could hold his own dramatically with the likes of Brit thespian Ian McKellen, and he's consistently been a charming presence in movies enjoyable (The Mummy) and not so enjoyable (Dudley Do Right). Bedazzled may not give him any more movie-making clout, but it does give his fans something to enjoy. O'Connor is entirely pleasant in her largely straight role, and Hurley fills out her part by delectably filling out a number of revealing outfits. An enjoyable bit of froth. --Bret Fetzer

A timid man sells his soul to a sultry devil for seven wishes.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 15-APR-2003
Media Type: DVD

If These Walls Could Talk

IF THESE WALLS COULD TALK is a powerful intimate portrait of how times and freedoms have changed It will shock you. It will surprise you. And no matter where you stand on the issue it will force you to think again. A recently widowed nurse (Demi Moore) struggling to take control of her life in the early 50's. A mother of four (Sissy Spacek) overwhelmed by trying to raise a family and maintain a career in the 70's. A young student (Anne Heche) making a decision with the help of one woman (Cher) that will change the course of both their lives in the 90's. These women living in the same house at different times share one thing in common-The decision they must come to on how to deal with an unplanned pregnancy.Running Time: 97 min.Format: DVD MOVIE Genre: DRAMA UPC: 026359136528

Virtually no one is ambivalent about abortion; the issue polarizes people like no other. HBO tackles the subject head-on with a trilogy of shorts, and, regardless of your opinion on the topic, If These Walls Could Talk is a bold and provocative examination of how the laws and attitudes about abortion in the United States have both changed drastically and remained so much the same.

Three women, three time periods, one house: each finds herself in trouble and must face the overwhelming decision about what to do with the unwanted pregnancy. The first segment is the most powerful, featuring Demi Moore as a young, recently widowed nurse in 1952. With no one to turn to and limited financial means, her options are few. Catherine Keener costars as her harshly judgmental sister-in-law. The next piece occurs in 1974, as Sissy Spacek, a mother of four who is trying to earn a college degree, discovers she's pregnant with her fifth child. Her utterly modern feminist daughter encourages Spacek to get a newly legal abortion, but it's a complex decision. In the final segment, college student Anne Heche becomes pregnant by her married professor. Her best friend, played by Jada Pinkett, is resolutely against abortion and the two wrangle over right and wrong. As the young woman tries to learn about her options, she finds herself enmeshed in the pro-life demonstrations outside the abortion clinic. Cher, who directs this segment (the other two are directed by Nancy Savoca), costars as a doctor at the clinic.

While trying to be evenhanded and demonstrating the different choices different women make, the film does have a decidedly pro-choice leaning. Yet the power of the movie is undeniable and it raises significant questions on both sides of the abortion debate, making it an important film for women (and men) everywhere to watch and talk about. --Jenny Brown

Pinocchio's Revenge

A mother brings home an evil Pinocchio wooden puppet that supposedly caused a man to kill his son. Her little girl finds the doll and takes it as her own. They go along causing accidents until the real killings start and the doll takes over the little girl.

Darkman

When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbor. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy which numbs his nerves to feeling--but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman, and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy, and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside. --Bryan Reesman

Surviving Gilligan's Island - The Incredibly True Story Of The Longest Three-Hour Tour In History

While this documentary about the behind-the-scenes machinations that occurred during the production of Gilligan's Island will have its strongest appeal for fans of the TV series, even viewers with a passing interest will find some entertainment in this surprisingly deluxe DVD presentation. Based largely on the recollections of executive producer and original cast member Dawn Wells (Mary Ann), with contributions from Bob Denver (Gilligan) and Russell Johnson (the Professor), the documentary explores the many conflicts endured by the show's cast and production staff before and during the show's network run. None of the gossip is particularly damning (no fistfights or secret trysts between cast members), so viewers looking for Behind the Music-type dirt may be somewhat disappointed. But for classic TV fans and Gilligan aficionados, Surviving Gilligan's Island is a pleasant and well-produced diversion. --Paul Gaita

The Shadow - DTS

A mixed bag that received mixed reviews when released in 1994, this lavish film works overtime to honor the spirit and style of the vintage pulp novels and radio shows that made The Shadow a household name in the 1930s and '40s. Alec Baldwin plays the Shadow, a.k.a. Lamont Cranston, who arrives in New York from his decadent life in Tibet, fully reformed and disciplined in his ability "to cloud men's minds." A crime fighter who lurks in the dark recesses of the city, the Shadow faces his most deadly challenge when Shiwan Khan (John Lone), the last surviving descendant of Genghis Khan, hatches a plot to conquer the world. The scheme involves a madman (Tim Curry), a hapless scientist (Ian McKellen), and various traps designed to catch and kill the Shadow, who must also contend with his blossoming romance with Margo Lane (Penelope Ann Miller), a slender beauty capable of a little mind play of her own. The movie's art deco production design turns out to be a scene-stealer when the plot drags, and in the title role Baldwin is never given enough good material to create a compelling character. Still, The Shadow is true to the legacy that inspired it, admirably avoiding any conspicuous compromise of its 1930s style and setting. If you can't get into the story, you're sure to be hooked by the look of the production, which is never less than dazzling. --Jeff Shannon

No Dessert Dad 'Til You Mow The Lawn

Lily in Love