Lynch, John Carroll

Tuesdays with Morrie

This warmhearted TV offering based on Mitch Albom's nonfiction bestseller of the same name dives right into the action, with Morrie (Jack Lemmon) collapsing within the first three minutes. Then it's cut to Mitch's hectic life as a sports columnist cum television host and long-term, often long-distance boyfriend. But this Mick Jackson-directed film slows considerably after the introductions as former student Mitch (Hank Azaria) learns his beloved professor is dying of ALS (Lou Gehrig's disease). He reconnects with his mentor and begins learning from him all over again, this time about life. Oprah Winfrey produced this 88-minute film, and her renowned touchy-feely quality is prominent as Mitch learns to love both Morrie and his own girlfriend. Azaria, better known for somewhat goofy roles (The Birdcage, the dogwalker on TV's Mad About You) conveys an intelligent, if edgy dignity, and double Oscar winner Lemmon turns in his usual exquisite performance, giving even the most obvious moments touches of subtlety. --Kimberly Heinrichs

Based on a true-life story, TUESDAYS WITH MORRIE is a loving memoir to a man whose lessons on life have much to teach us about ourselves. Academy Award(R)-winner Jack Lemmon (Best Actor, 1974, SAVE THE TIGER) delivers an outstanding performance as Morrie Schwartz, the Brandeis University professor upon whom the best-selling book is based. Hank Azaria (GODZILLA) plays Mitch, an accomplished journalist so driven by his job, he has little time or energy left for anything else. One night, Mitch happens to catch Morrie's appearance on a national news program and learns his old professor is battling Lou Gehrig's disease. After the telecast, Mitch contacts Morrie, and what starts as a visit turns into a pilgrimage as Mitch opens his heart to the lessons Morrie has to teach him. As the bond grows between these two men, Mitch learns that professional commitments don't mean anything without the love of family and friends. Sure to inspire, TUESDAYS WITH MORRIE may just change your views on the meaning of life ... forever.

Things We Lost in the Fire

Academy Award® winners Halle Berry and Benicio Del Toro star in director Susanne Bier s (the Oscar®-nominated After the Wedding ) powerful new drama Things We Lost in the Fire Audrey Burke (Berry) is reeling from the shock of the news that has just been delivered to her door by the local police: her warm and loving husband Brian (David Duchovny) the father of their two young children has been killed in a random act of violence. Once anchored by the love and comforts of their 11-year marriage Audrey is now adrift. Impulsively she turns to Jerry Sunborne (Del Toro) a down-and-out addict who has been her husband s close friend since childhood. Desperate to fill the painful void caused by her husband s death Audrey invites Jerry to move into the room adjacent to their garage in the hope that he can help her and her children cope with their sudden loss. Jerry is facing a daily battle to stay off drugs but in his unexpected role as surrogate parent and friend to Audrey s son and daughter he finds a core of inner resilience. As Jerry and Audrey navigate grief and denial their fragile bonds are constantly tested. Working together however they discover the strength to move forward.DVD Features: Commentary: A Discussion About Things We Lost In The Fire Additional Scenes: Neal Does "Mumsie" For Dory Additional Scenes: Dwayne ODs Additional Scenes: Howard Tests Jerry Additional Scenes: Jerry Makes Breakfast Additional Scenes: It All Comes Down To The Finish Additional Scenes: Family Breakfast Additional Scenes: Audrey Gives Jerry the Cupboard Trailers: Theatrical TrailerFormat: DVD MOVIE Genre: DRAMA/STARTING OVER Rating: R UPC: 097363500940 Manufacturer No: 350094

"Dad, what does 'fluorescent' mean?" asks a winsome young Dory of his doting dad, played by David Duchovny. Pondering a moment, dad answers, "It means, 'lit from within." "So Dad, am I fluorescent?'" "Yes, Dory, you are." The touching, brief moment telegraphs the bond Duchovny's character, Brian, has with his family, including wife Audrey (Halle Berry) and daughter Harper (Alexis Llewellyn), and the love that radiates through and around him. When tragedy strikes early in the film, Berry and the children must acknowledge, and somehow heal, the hole left in their lives. And in that human effort, so little explored in American films, Things We Lost in the Fire holds a luminous candle to the hope left in life--sometimes when all that seems to be left is hope. Directed by the talented Danish director Susanne Bier (Brothers), Fire is allowed to unfold almost in real time as grief washes over the family, and Berry gives one of her most memorable performances, captured mostly in tiny details that will hit the viewer in the soul. Her eyes, the carriage of her head, her slim shoulders appearing to buckle under the weight of her sorrow--Berry is well directed here and shows that her performance in Monster's Ball was no fluke. As she begins to connect with Brian's childhood friend Jerry (Benicio Del Toro), a new family web is woven--irregular, to be sure, but strong and comforting. Other affecting performances are given by the talented charater actor John Carroll Lynch, as Brian's friend and neighbor, and by the heartbreaking Llewellyn, an actress of stunning range for a child so young. Things We Lost in the Fire holds a torch in the deepest darkness, and lets souls connect--a rare gift indeed. --A.T. Hurley

Zodiac (Widescreen Edition)

Closer in spirit to a police procedural than a gory serial-killer flick, David Fincher's Zodiac provides a sleek, armrest-gripping re-invention of the crime film. It surveys the investigation of the Zodiac killings that terrorized the San Francisco Bay area in the late -60-early -70s; Zodiac not only killed people, but cultivated a Jack the Ripper aura by sending icky letters to the newspapers and daring readers to solve coded messages. But the film's focus isn't on the killer. We follow the reporters and detectives whose lives are taken over by the case, notably an addictive crime writer (a sartorially splendid Robert Downey Jr.), an awkward editorial cartoonist (Jake Gyllenhaal), and a hard-working cop (Mark Ruffalo). Fincher and his brilliant cinematographer Harris Savides are deft at capturing the period feel of the city, without laying on the seventies kitsch, and James Vanderbilt's script doles out its big moments to major and minor characters alike. Fincher's confidence is infectious; the movie glides through its myriad details with such dexterity that even the blind alleys and red herrings seem essential. The well-chosen cast includes unexpected people popping up all over: Anthony Edwards as a lunch-bucket homicide cop; Charles Fleischer as a mysterious suspect; Elias Koteas and Donal Logue as small-town policemen whose districts are hit by Zodiac; Chloe Sevigny as Gyllenhaal's sweet-natured wife; Brian Cox as the media-friendly lawyer Melvin Belli, so famous he once appeared on Star Trek; and the mighty John Carroll Lynch, as a supremely creepy suspect. The film is based on non-fiction books by Robert Graysmith (he's portrayed by Gyllenhaal), although Fincher and co. did extensive research on their own. The result is a propulsive whodunit without (thus far) an ending, but the uncertainty makes the film even more intriguing. --Robert Horton

Beyond Zodiac

The Zodiac (2005)

Curse of the Zodiac (2007)

The Novel

Based on the actual case files of one of the most intriguing unsolved crimes in the nation s history Zodiac is a thriller from David Fincher director of Se7en and Panic Room. As a serial killer terrifies the San Francisco Bay Area and taunts police with his ciphers and letters investigators in four jurisdictions search for the murderer. The case will become an obsession for four men as their lives and careers are built and destroyed by the endless trail of clues. System Requirements:Running Time: 157 Mins.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 097363460145 Manufacturer No: 346014

Grumpy Old Men/Grumpier Old Men

They're Grumpy Old Men [Side A]. And since they're played by famed screen odd couple Jack Lemmon and Walter Matthau they're also Funny Old Men. The wit hits the fan as the two play Minnesota ice-fishing pals whose crusty friendship grows hilariously icier as they vie for an attractive widow (Ann-Margret). Also in the cast are Daryl Hannah Kevin Pollak Ossie Davis and an outrageously randy Burgess Meredith. The two leads grab their fishing rods to reel in another comic whopper in the sequel Grumpier Old Men [Side B]. Most of the original cast returns and Sophia Loren plays the vivacious newcomer who wants to turn the beloved bait shop into a chichi ristorante. Of course in this part of the Land of 1000 Lakes that means war! Enjoy. And yes this is the movie with the "man-sized manicotti" outtakes!Running Time: 93 min.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 012569817487 Manufacturer No: 81748

Face/Off

At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker

At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker

Beautiful Girls

This town drama from Ted Demme centers on former classmates coming together for their 10-year reunion. Scott Rosenberg's (Things to Do in Denver When You're Dead) script thoughtfully passes over the usual grumblings of young adults who can't believe they still live in the same snowbound town. They accept--even welcome--their blue-collar jobs, whether plowing snow or cutting hair. Willie (Timothy Hutton), the lone wanderer, returns to his listless house in a state of flux, the piano-bar circuit wearing thin as is his relationship with Tracy, a well-off attorney (Annabeth Gish). He isn't the only one with problems. Tommy (Matt Dillon) occasionally sleeps with his now-married high school sweetheart Darian (Lauren Holly) while the earnest Sharon (Mira Sorvino) is left to wait. Paul (another thickheaded role for Michael Rapaport) refuses to commit to Jan (Martha Plimpton) until it's too late. Paul is enamored with the idea of the supermodel (the title's "beautiful girls") that, he believes, can make life perfect. It's a very satisfying comedy, with some forced poignancy (Willie's description of Tracy as a "seven and a half" comes off as a death sentence). Rosie O'Donnell's dissertation on why Playboy and Penthouse have ruined males' expectations is much like Meg Ryan's orgasm scene in When Harry Met Sally...: it's hilarious, even memorable, never wholly believable.

The two wild cards thrown into Beautiful Girls give the film its kick. Uma Thurman enters as the local barkeep's (Pruitt Taylor Vince) radiant cousin. From the big city, she can flirt with the awestruck guys and still keep her head. Willie's real emotional tug is from Marty, the precocious 13-year-old neighbor. If you didn't see Natalie Portman's sophisticated work in the The Professional, her performance here will come as a revelation. You deeply believe that Willie and Marty are connected despite their age difference. Their courtship will never come to be, but the way the two talk (and talk some more) about their lives is the most insightful part of Rosenberg's script. Everyone's so comfortable in his or her roles that you may truly feel sad when the film ends. --Doug Thomas

An all-star cast sparks this captivating comedy about a group of old friends whose 10-year high school reunion creates some hilariously unexpected surprises. Willie (Timothy Hutton -- FRENCH KISS), Tommy (Matt Dillon -- TO DIE FOR), and Paul (Michael Rapaport -- MIGHTY APHRODITE) may have lost a bit of their youth, but they're still ready to party with Uma Thurman (PULP FICTION), Rosie O'Donnell (TV's THE ROSIE O'DONNELL SHOW), Lauren Holly (DUMB AND DUMBER), and Mira Sorvino (AT FIRST SIGHT) -- the "beautiful girls" who've turned their lives upside down! Also featuring a hot soundtrack, BEAUTIFUL GIRLS is a must-see comic delight that's sure to entertain you!

The Cure

This heartfelt drama tells us it's an AIDS movie that's not about AIDS. When this film keeps its promise (roughly the first three-quarters), it's a winner, a film about a truly notable friendship between two 11-year-old boys. Diagnosed with AIDS from a blood transfusion, Dexter (Joseph Mazzello) has gratefully bypassed most of Kübler-Ross's stages of death. He is, however, an outcast among his peers until Erik (Brad Renfro) comes along and finds him quite normal. Their bond deepens as they look for a cure for the disease using odd forms of scientific theory. Part educational text, part Mark Twain adventure, part tearjerker, the movie relies on something not found in movies these days: a love affair of male friendship. At its center are two of the best pre-actors around. Mazzello (Jurassic Park) has a professional presence on screen. The wild card is Renfro in only his second role (the other was The Client). As the outgoing, Huck Finn-ish boy, he has impressive physical abilities that communicate a naturalness on screen. The film's sappy hospital scenes bog down the picture tremendously, but they do lead to two special scenes that end the movie. The Cure is an assured directorial debut by TV actor Peter Horton (thirtysomething). An interesting note: single mothers raise both kids, a fact never lingered on--refreshingly so--in the script written by Robert Kuhn. --Doug Thomas

Volcano

Get mindless for awhile with this 1997 disaster flick, starring the La Brea Tar Pits in Los Angeles as a funky place for lava to spew, plus Tommy Lee Jones and Anne Heche as the brave souls who know how to shut off the spout. Director Mick Jackson (The Bodyguard) wastes no time getting to the good stuff--it's happening even before opening credits are over--and neither should anyone in the mood for technical efficiency without the burden of art. --Tom Keogh

When a volcano erupts in the La Brea tar pits and sends a stream of lava down Wilshire Blvd., the city Emergency Officer organizes a crew to channel the lava to a safe area.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 1-JUN-2004
Media Type: DVD

Grumpy Old Men

Two old men, rivals for fifty years, put new energy into their squabbles when a beautiful, young widow moves in across the street from them.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 8-FEB-2005
Media Type: DVD

Jack Lemmon and Walter Matthau are reunited in this popular 1993 comedy, in which the Odd Couple veterans play John and Max (respectively), a pair of elderly bachelors whose lifelong friendship is based on mutual aggravation and constant bickering. Their competitive natures kick into overdrive when the beautiful Ariel (Ann-Margret) moves into their otherwise snowbound Minnesota neighborhood. She takes a liking to John, but after a lover's spat she also gives Max a chance at romance, and the long-time buddies reach a peak of grumpy rivalry. It's a stretch to think that Ann-Margret's dating choices would be limited to a pair of grouchy codgers, but sarcastic attitude and snappy dialogue made this a surprise hit (followed by a 1995 sequel), and Burgess Meredith adds plenty of spice as Lemmon's amorous old father. Don't forget to watch the hilarious outtakes during the closing credits! --Jeff Shannon

Bubble Boy

A sheltered young man who lives in a protective bubble decides to stop the wedding of the girl he loves.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 5-AUG-2003
Media Type: DVD

Innocuous, innocent, and somewhat idiotic, Disney's bubbleheaded road-movie comedy plays as a farcical remake of the 1976 cult TV-movie melodrama The Boy in the Plastic Bubble. Jake Gyllenhaal is the goodhearted innocent raised in a sort of human Habitrail of plastic rooms and rubber tunnels. To win back the girl of his dreams (Marley Shelton), he steps out of his indoor greenhouse and into a homemade Ziplock bubble suit. It's the usual story: naive innocent bounces down the highway like a beach ball with legs and wins over the wacky supporting cast of soft-hearted bikers, zombielike teenage cultists, and orphaned "freaks" through purity and pluck. The premise wears thin after a while, but Gyllenhaal keeps the film bounding along with goofy innocence and energetic eagerness. Swoosie Kurtz costars as his religious-zealot clinging mom. Watch for Fabio in an inspired cameo. --Sean Axmaker