Neal, Elise

Hustle & Flow (Widescreen Edition)

The idea of a soulful pimp as the hero of a movie will strike some viewers as objectionable and perhaps even repellent, but Terrence Dashon Howard's complex and fierce performance will challenge such easy moral decisions. DJay (Howard, Crash, The Best Man) hustles a small stable of whores, including corn-rowed Nola (Taryn Manning, A Lot Like Love). When he learns that former local rapper turned superstar named Skinny Black (real life rapper Ludacris) is coming back to town for the 4th of July, DJay teams up with a frustrated sound engineer (Anthony Anderson, Kangaroo Jack) and a geeky musician (DJ Qualls, Road Trip) to put together a demo tape that he hopes will be his ticket to fame and fortune. What's most impressive about Hustle & Flow is that it doesn't oversell its hero. DJay's aspirations are more economic than poetic--he's not out to create art, he just wants a better life. This lack of pretension allows the movie to capture a genuine sense of how creativity can improve people's lives, which surprises DJay as much as anyone. The movie's other strength is a keen eye for social behavior, in particular the ways in which DJay manipulates everyone around him. Howard, who's almost always stood out in every movie he's made, plays these scenes with what can only be called smooth desperation. The entire cast gives substantial performances, but it's Howard who drives the movie irresistibly forward. --Bret Fetzer

DJay is a Memphis hustler who spends most days in a parked Chevy philosophizing about life while Nola (Taryn Manning), turn tricks in the backseat. He's not very good at pimping, but he can hustle almost anything or anyone and makes enough to keep himself and three girls satisfied and housed in his shotgun home. DJay however is in the midst of a midlife crisis; he quietly harbors dreams of becoming a respected rapper. When he learns from a local club owner, Arnel (Isaac Hayes), that rap mogul Skinny Black (Ludacris), is rolling through town, DJay decides to record his flow with the hopes of slipping his demo to Skinny. With little help from his friends and "family" DJay sets in motion the hustle of his life, and galvanizes the lives of those around him as they learn that "Everybody's gotta have a dream."

Mission To Mars

If Brian De Palma directed Mission to Mars for 10-year-olds who've never seen a science fiction film, he can be credited for crafting a marginally successful adventure. Isolated moments in this film serve the highest purpose of its genre, inspiring a sense of wonder and awe in the context of a fascinating future (specifically, the year 2020). But because most of us have seen a lot of science fiction films, it's impossible to ignore this one's derivative plot, cardboard characters, and drearily dumb dialogue. Despite an awesome and painstakingly authentic display of cool technology and dazzling special effects, Mission to Mars is light years away from 2001: A Space Odyssey on the scale of human intelligence.

After dispensing with a few space-jockey clichés, the movie focuses on a Mars-bound rescue mission commanded by Jim McConnell (Gary Sinise), whose team (Tim Robbins, Connie Nielsen, Jerry O'Connell) has been sent to retrieve the sole survivor (Don Cheadle) of a tragic Mars landing. During the sequence en route to Mars, De Palma's in his element with two suspenseful scenes (including a dramatic--albeit somewhat silly--space walk) that are technically impressive. But when this Mission gets to Mars, the movie grows increasingly unconvincing, finally arriving at an alien encounter that more closely resembles an astronomical CGI video game. But this is a $75 million Hollywood movie, and no amount of technical wizardry can lift the burden of a juvenile screenplay. Kudos to Sinise, his costars, and the special effects wizards for making the most of hoary material; shame on just about everyone else involved. --Jeff Shannon

From the director of MISSION: IMPOSSIBLE comes the thrilling, eye-popping science fiction adventure MISSION TO MARS, starring Gary Sinise (SNAKE EYES) and Tim Robbins (HIGH FIDELITY). The year is 2020, and the first manned mission to Mars, commanded by Luke Graham (Don Cheadle, OCEANS 11), lands safely on the red planet. But the Martian landscape harbors a bizarre and shocking secret that leads to a mysterious disaster so catastrophic, it decimates the crew. Haunted by a cryptic last message from Graham, NASA launches the Mars Recovery Mission to investigate and bring back survivors -- if there are any. Confronted with nearly insurmountable dangers, but propelled by deep friendship, the team finally lands on Mars and makes a discovery so amazing, it takes your breath away. MISSION TO MARS is an action-packed rocket ride that will enthrall you with its stunning special effects and keep you on the edge of your seat.

Paid in Full

Hot stars Mekhi Phifer (8 MILE, SHAFT, TV's ER) and Wood Harris (REMEMBER THE TITANS) team up in an edgy, hard-hitting film with a slammin' soundtrack! Stuck in a nowhere job, Ace (Harris) is a restless teenager who envies the expensive cars, flashy clothes, and high-rolling lifestyle of his drug-dealing friends. Then when he sees his chance, Ace makes the move that suddenly changes his life! Drawn by the seductive lure of easy money in the illicit Harlem underground, he uses his skills to quickly take control of the streets and seize all the power than comes with it! Also starring rap star Cam'ron (WOO) and Chi McBride (GONE IN 60 SECONDS, TV's BOSTON PUBLIC) -- you don't want to miss this gripping look at chasing the American dream ... from the wrong side of the tracks!

Scream 2 (Dimension Collector's Series)

To repeat the phenomenal success of their collaboration on 1996's hit thriller Scream, horror maven Wes Craven and screenwriter Kevin Williamson did a fair amount of recycling (same movie, slightly different situations), but this sequel comes surprisingly close to matching its popular predecessor. Neve Campbell, Courteney Cox, David Arquette, Jamie Kennedy, and Liev Schreiber reprise their roles from Scream, and this time they're caught in a new cycle of murders near a college campus, just as the slasher movie Stab (based on the events from Scream) is about to make its local premiere. That's the setup for another frantic guessing game involving a number of possible suspects, and the mystery is fatally complicated by the reappearance of the eerily masked killer from the first film. Who's under the mask? Craven and Williamson set up a roller-coaster series of wild plot twists and deadly encounters, and the snappy dialogue once again caters to those in the know about fright flicks, sequels, and all the movie rules that do (and sometimes don't) apply to the escalating body count. Featuring several scenes that will have you biting your nails and gripping your seat, this movie's an exception to the rule--a sequel that beats the odds to satisfy its target audience. Everyone else--you've been warned! --Jeff Shannon

Here's the incredible follow-up to the smash hit phenomenon SCREAM! Away at college, Sidney Prescott (Neve Campbell -- SCREAM, WILD THINGS) thought she'd finally put the shocking murders that shattered her life behind her ... until a copycat killer begins acting out a real-life sequel! Now, as history eerily repeats itself, ambitious reporter Gale Weathers (Courteney Cox -- SCREAM, SCREAM 3), deputy Dewey (David Arquette -- SCREAM, SCREAM 3), and other SCREAM survivors find themselves trapped in a terrifyingly clever plotline where no one is safe -- or beyond suspicion! Director Wes Craven (SCREAM) and hit-making writer Kevin Williamson (SCREAM, I KNOW WHAT YOU DID LAST SUMMER) team up once again and deliver the big screen's hippest, coolest, edgiest thrill-ride ever!

Rosewood

In 1982 a reporter visiting Levy County in Florida noticed a lack of black residents. So he asked questions and a long-ago tragedy came to light. John Singleton directs Jon Voight and Ving Rhames in this powerful true drama. It is January 1 1923 in Rosewood but in this largely black town built on family faith and hard work hopes for the new year abruptly end. In a few harrowing nights a white mob razes Rosewood into oblivion. As the rampage gains cataclysmic force a heroic World War I veteran (Rhames) and a shopkeeper (Voight) join forces. Dozens of terrified women and children have fled into nearby swamps. Somehow they must be led to safety.Format: DVD MOVIE Genre: DRAMA UPC: 085391163244 Manufacturer No: 116324

How to Be a Player

Rosewood

A shameful chapter in American history is powerfully dramatized in Rosewood, but moviegoers in 1997 may not have been ready for the African American equivalent of Schindler's List. And while the massacre that occurred in the nearly all-black town of Rosewood, Florida, in 1922 cannot compare in scale to the Nazi holocaust, it potently illustrates the same issues of racism and inherited intolerance that percolate at every level of human existence. An estimated 40 to 150 blacks were killed in Rosewood by an all-white lynch mob from the neighboring town of Sumner, where a white woman falsely claimed she'd been assaulted by a black man. The resulting mayhem ignited a tinderbox of resentment toward the flourishing citizens of Rosewood, and those few who survived were so traumatized that they remained silent until the truth was revealed by an investigative journalist in 1982.

The film is blessed with richly authentic production design, lush cinematography, and a subtly effective John Williams score, and director John Singleton and screenwriter Gregory Poirier embellish the truth of Rosewood with a fictional hero named Mann (Ving Rhames), who arrives to buy a five-acre plot coveted by Rosewood's white grocer (John Voight). The emerging trust between these two characters--and the fate of an extended family led by a defiant father (Don Cheadle)--gives shape to the movie's devastating depiction of racism and the courage of those who opposed the lynch mob's brutality. Singleton and Poirier fall prey to some bad dialogue and a broadly unbalanced depiction of bloodthirsty hayseeds, but the film's passion is maintained by its superb cast and the timeless echoes of history. --Jeff Shannon

In 1982 a reporter visiting Levy County in Florida noticed a lack of black residents. So he asked questions and a long-ago tragedy came to light. John Singleton directs Jon Voight and Ving Rhames in this powerful true drama. It is January 1, 1923 in Rosewood, but in this largely black town built on family, faith and hard work, hopes for the new year abruptly end. In a few harrowing nights, a white mob razes Rosewood into oblivion. As the rampage gains cataclysmic force, a heroic World War I veteran (Rhames) and a shopkeeper (Voight) join forces. Dozens of terrified women and children have fled into nearby swamps. Somehow they must be led to safety.

DVD Features:
Audio Commentary
Production Notes
Theatrical Trailer

Brian's Song

Restaurant

Chris (Adrien Brody), an aspiring playwright, pays the bills as a bartender at an upscale New York restaurant and pours his frustrations into his work. Jeanine (Elise Neal), an aspiring singer from a musical family, is the newest waitress on the staff. He's Italian American and she's African American, but the chemistry is there. All that stands between them is Chris's unresolved feelings for his ex (pop star Lauryn Hill in a cameo), the reverberations of his blue-collar father's dinner-table racism, and the unspoken and usually ignored but unavoidable issue of race. Eric Bross (Ten Benny, also with Brody) has a light touch with his ensemble cast--which also features Malcolm-Jamal Warner as a well-spoken law student and Jesse L. Martin of TV's Law and Order as a philosophical line cook--and the thoughtful script. The issues simmer below the surface of the individual dramas, romantic complications, and personal struggles with self-esteem and responsibility that buzz through the restaurant, finally boiling over in a raw but dramatically restrained finale. Much of the drama floats between clear-eyed honesty and hip glibness, but Bross and his cast anchor the drama in vivid, complicated characters who bring the film to life. Restaurant, which sat on the shelf before receiving a short theatrical run, is no Do The Right Thing, but in its own respectful way manages to cast a fresh look at race relations. --Sean Axmaker

4 Life

Dayvon (Wood Harris), is an accomplished street enforcer, while his best friend Ty (Page Kennedy) is incarcerated on a suspect charge. Dayvon and Ty ran the drug game in West Baltimore as the leaders of underground organization DFL (Dogs For Life). The two begin to feud when Ty suspects that Dayvon, who wants to leave the DFL lifestyle, was involved in his incarceration. Ty proceeds to plot a brutal revenge against Dayvon, who vows to stand his ground and not give up without a fight.