Nicholls, Phoebe

Persuasion

A young couple's stormy romance scandalizes English society in this acclaimed adaptation of Jane Austen's classic love story. Amanda Root and Ciaran Hinds of the Royal Shakespeare Company are the star-crossed lovers Anne and Wentworth whose passion is thwarted by a scheming socialite. Eight yearslater when Anne is considered an old maid and her once-rich family is on the verge of bankruptcy Wentworth returns. Will their second chance at love be ruined by the social conventions that destroyed it once? Or will the heart be persuaded by rules of its own? Adding flirtatious fun to Austen's irresistible romance PERSUASION takes your breathe away! A dazzling five-star feast.Run Time: 155Format: DVD MOVIE Genre: DRAMA Rating: PG UPC: 043396039520 Manufacturer No: 03952

Movie adaptations of Jane Austen's classic novels were all the rage (relatively speaking) in the mid-1990s. Clueless updated Austen's Emma, which was more conventionally adapted in another version (Emma) starring Gwyneth Paltrow. Emma was produced yet again, this time for British television, as were a celebrated miniseries of Pride and Prejudice and this splendid film of Austen's Persuasion. Persuasion is the story of a love that survives eight years of dormancy and the frustrating obstacles of class prejudice in 19th century England. Anne (Amanda Root) is captivated when she meets the dignified naval officer Capt. Wentworth (Ciarán Hinds), but she is advised to discourage his romantic overtures because he has no fortune. They meet again eight years later, but now Capt. Wentworth has become wealthy while Anne's father is in reduced circumstances in the wake of reckless extravagance. A series of circumstances ensue which prevent Anne and Wentworth from expressing their mutual and inevitable love. The film's success depends entirely on the subtle, superb performances of Root and Hinds. The film builds slowly, occasionally leaving you wondering if anything at all is going to happen. When it does, you realize how carefully crafted a film this is, and the final result is grandly rewarding. --Jeff Shannon

Fairy Tale - A True Story

When her father is declared missing in action during World War I, Elsie Wrigth (Florence Hoath) goes to live in England with her cousin Frances Griffiths (Elizabeth Earl) for whom the topic of fairies is forbidden. Immediately, the girls discover the winged creatures in the garden and photograph them for Frances's startled parents. This leads to another kind of adventure for the girls. They become the toasts of London as Sir Arthur Conan Doyle (Peter O'Toole) and Harry Houdini (Harvey Keitel), who have seen the photographs, escort them around town. Mildly villainous reporters chase the girls and curious spectators invade their garden after the pictures are printed publicly.

Although fairies are the visible subjects, the enchanting video is really about faith. Frances's parents (Phoebe Nicholls and Paul McGann) recently lost their son, Joseph, who had originally discovered the fairies and would like to think he may be an angel. Sir Arthur also lost his son and is courted by clairvoyants who claim they can talk to the boy. Elsie waits patiently for her father to come home, although it appears hopeless that he will. Harry Houdini is an illusionist but acts against the fraudulent claims of greedy mediums and the like. They are all touched by a need to truly believe in what remains hidden. The story is very loosely based on an early 20th-century controversy involving the real Frances and Elsie who faked pictures of fairies similar to the ones in the video. The real girls never confessed, but the video suggests the manner in which the real life photos may have been produced. --Margaret Griffis

In the midst of World War I, two little English girls breathe some mystery, magic and belief into people's lives when they take pictures of fairies.
No Track Information Available
Media Type: DVD
Artist: O'TOOLE/KEITEL
Title: FAIRYTALE-TRUE STORY
Street Release Date: 11/11/2003
Domestic
Genre: FAMILY

Prime Suspect 6 - The Last Witness

Helen Mirren returns in triumph to the role that brought her international stardom, British police inspector Jane Tennison, in the sixth series of Prime Suspect. Tennison finds herself being pressured to retire and responds by seizing a difficult homicide investigation: A young female Bosnian refugee has been tortured and murdered. As the trail begins to suggest connections to war atrocities in the Balkans, Tennison finds herself struggling with resistance from higher up, uncooperative and ambitious underlings, and deeply buried secrets. The strength of Prime Suspect has always been how it merges suspenseful detective work with an intricate grasp of police politics, and The Last Witness is no exception. The plot unfolds masterfully, the program is directed with striking visual style, and Mirren (The Cook, the Thief, His Wife, and Her Lover, Gosford Park) commands the screen. Her authority in this role, honed through five previous series, is unmatchable; the richness of the character--steely, sexy, obsessive, rash, cunning--makes Prime Suspect essential viewing. --Bret Fetzer

It's been 30 years of police work for Detective Superintendent Jane Tennison. She's older in some ways wiser still fighting the urge for a cigarette and still fighting the "men only" attitude of the force. Ripe for retirement in the eyes of some. Tennison is still up for a fight and she'll need all the energy she can muster when she takes on the darker forces of British government in search of a sadistic killer with a guilty past.Running Time: 208 min.Format: DVD MOVIE Genre: MYSTERY/SUSPENSE UPC: 026359227622

Maurice - The Merchant Ivory Collection

The second of the three Merchant/Ivory films adapting E.M. Forster novels (between A Room with a View and Howard's End), Maurice deals with a theme few period pieces dare mention--a young man's struggle with his homosexuality. It's not just a gay coming-of-age story, however. The hero wrestles with British class society as much as his personal and sexual identity.

The film opens on a stormy, windswept beach, as an older man awkwardly instructs young, fatherless Maurice Hall (James Wilby) in the "sacred mysteries" of sex. The same turbulent, wordless struggle with passion lasts throughout this slowly evolving, beautifully filmed story. Novelist E.M. Forster's brainy, British melodrama hinges on choice and compulsion, as the pensive hero falls for two completely different men. First comes frail, suppressed Clive (Hugh Grant), who wants nothing more than classical Platonic harmony... and a straight lifestyle. (Grant's performance is so convincing, one wonders how he ever became a heterosexual sex symbol.) After Clive's wedding, Maurice turns to hypnosis to cure his unspeakable longings. Unfortunately, his "cure" is interrupted by Clive's lustful, brooding, barely literate gamekeeper Scudder (Rupert Graves), a worker more at home gutting rabbits than discussing the classics. Maurice's love for a "social inferior" forces him to confront his illicit desire and his ingrained class snobbery. --Grant Balfour

Set against the stifling conformity of pre-World War I English society, E.M. Forster's Maurice is a story of coming to terms with one's sexuality and identity in the face of disapproval and misunderstanding. Maurice Hall (James Wilby) and Clive Durham (Hugh Grant) find themselves in love at Cambridge. In a time when homosexuality was punishable by imprisonment, the two must keep their feelings for one another a complete secret, even though Clive refuses to allow their relationship to move beyond the boundaries of "platonic" love. After a friend is arrested and disgraced for "the unspeakable crime of the Greeks," Clive abandons his forbidden love, marries, and enters into the political arena. Maurice, however, struggles with questions of his identity and self-confidence, even seeking the help of a hypnotist to rid himself of his undeniable urges. But while staying with Clive and his shallow wife, Anne, Maurice is seduced by the affectionate and yearning servant Alec Scudder, (Rupert Graves), an event that brings about profound changes in Maurice's life and outlook. Sparking direction by James Ivory, a distinguished performance from the ensemble cast, and a charged score by Richard Robbins all combine to create a film of undeniable power, one that is both romantic and moving, and a story of love and self-discovery for all audiences.

Shackleton - The Greatest Survival Story of All Time (3-Disc Collector's Edition)

Shackleton is not a biopic of the great Anglo-Irish explorer but a dramatization of the failed trans-Antarctic expedition of 1914-1916. As written and directed by Charles Sturridge (Longitude), the production, filmed on real ice floes in Greenland, stays remarkably close to the facts, capturing the look of the surviving expedition photos by Frank Hurley (collected in the book South with Endurance) with great fidelity. Kenneth Branagh makes no attempt at an authentic accent but otherwise gives a powerful impression of a most commanding personality. When the expedition ship Endurance became locked in the Antarctic ice, Shackleton vowed to bring every man home alive, and against virtually impossible odds, including a 700-mile journey in an open boat through some of the worst seas in the world, he did just that. This superlative miniseries realizes the story with production values and cinematography that would not disgrace a big-budget feature (South, Hurley's 1919 silent movie featuring some motion-picture footage from the expedition, is also available on video). Intense physical drama, strong performances, and Adrian Johnston's fine score combine here to deeply moving effect, marred only a little by a rushed conclusion. With Roland Huntford, author of the definitive Shackleton biography, as production advisor, this easily stands as the benchmark for all future comparable films. --Gary S. Dalkin

The Elephant Man

You could only see his eyes behind the layers of makeup, but those expressive orbs earned John Hurt a well-deserved Oscar nomination for his moving portrayal of John Merrick, the grotesquely deformed Victorian-era man better known as The Elephant Man. Inarticulate and abused, Merrick is the virtual slave of a carnival barker (Freddie Jones) until dedicated London doctor Frederick Treves (Anthony Hopkins in a powerfully understated performance) rescues him from the life and offers him an existence with dignity. Anne Bancroft costars as the actress whose visit to Merrick makes him a social curiosity, with John Gielgud and Wendy Hiller as dubious hospital staffers won over by Merrick. David Lynch earned his only Oscar nominations as director and cowriter of this somber drama, which he shot in a rich black-and-white palette, a sometimes stark, sometimes dreamy visual style that at times recalls the offbeat expressionism of his first film, Eraserhead. It remains a perfect marriage between traditional Hollywood historical drama and Lynch's unique cinematic eye, a compassionate human tale delivered in a gothic vein. The film earned eight Oscar nominations in all, and though it left the Oscar race empty-handed, its dramatic power and handsome yet haunting imagery remain just as strong today. --Sean Axmaker

Women in Love

Before director Ken Russell's name became synonymous with cinematic extravagance and overkill, he actually directed what is one of the most passionate and involving adaptations of D.H. Lawrence in recent memory. Oliver Reed and Alan Bates star as friends who fall in love with a pair of sisters (Jennie Linden and Glenda Jackson, who won an Oscar for the role). But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Bates and Linden learn to give themselves to each other; the more withdrawn Reed cannot, finally, connect with the demanding and challenging Jackson. Shot with great sensuality, it was surprisingly frank for its period (1970) and includes one of the most charged scenes in movie history: Bates and Reed as manly men, wrestling nude by firelight. --Marshall Fine

This compelling rendition of the literary masterpiece is a visual stunner and very likely the mostsensuous film ever made (N.Y. Daily News). Glenda Jackson garnered the first of her two Oscars®* for her superb performance in director Ken Russell and writer Larry Kramer's brilliant exploration of the complexities of sexuality and romantic love. Growing up in the sheltered society of 1920s England, Gudrun (Jackson) and Ursula (Jennie Linden) know little about the ways of love. So when they pursue thrilling, torrid affairs with a notorious playboy (Alan Bates) and abrooding philanderer (Oliver Reed), what they discover about their lovers, and themselves, may be more all-consumingand dangerously volatilethan they ever dared imagine.

Gulliver's Travels

Ebulliently imaginative and far more cleverly presented than you would expect from a TV miniseries, this satirical adventure succeeds by never pandering to the lowest common denominator. Closely based on Jonathan Swift's 1726 classic, it is enhanced by dazzling special effects from Jim Henson Productions and a superb, multi-ethnic cast. The biggest surprise is Ted Danson in the title role--one of his best performances, even if he is the only person in England without an accent. He conveys amusement, amazement, and intelligence as he travels from one strange country into another. Not that anyone back in Merry Old England believes Mr. Gulliver's tales of little people or giants. The story is told in flashback from an insane asylum, where he is forcibly confined. This far outshines several previous adaptations of Swift's satirical novel. --Rochelle O'Gorman

Gulliver's Travels

Gulliver s Travels is a brilliant satire and inventive fantasy that basically invented the idea of even-television. With ground-breaking special effects by Jim Henson Productions, Gulliver s Travels is
the story of an 18th century physician who journeys are something of legend he towers over the tiny city of Lilliput, matches wits with a cunning sorcerer, and proves his mettle in a realm where horses rule and humans are beasts. Gulliver s Travels Special Edition now presents the classic for the first time in widescreen picture and includes new bonus features including a Making Of segment and interviews with the cast, photo galleries.

The Missionary

Michael Palin (A Fish Called Wanda) and Maggie Smith (Divine Secrets of the Ya-Ya Sisterhood) star in this delectable wicked little comedy (Playboy) that puts a devout missionary into a precarious position! Reverend Charles Fortescue (Palin) has a problem. His boss the bishop (Denholm Elliott) wants him to minister to the city s fallen women. But when Fortescue begins recruiting converts from the streets he discovers that these lusty ladies are only willing to submit to salvation if they are permitted to share his bed! Hilarious and sexy The Missionary is charming [and] buoyant (The New York Times)!System Requirements:Running Time: 87 Min.Format: DVD MOVIE Genre: COMEDY Rating: R UPC: 027616884473 Manufacturer No: 1004367