Norton, Barry

To Catch a Thief

This minor 1955 work by Alfred Hitchcock, one of the lighter entries of his creative peak in the 1950s, is still imbued with the master's stock themes of shared guilt and romantic ambivalence. It is also hardly lacking in Hitchcockian cinematic inventiveness, such as a famous, often-imitated sequence in which some smooching between stars Cary Grant and Grace Kelly is intercut with a fireworks show that just happens to be going on outside in a Riviera setting. Grant plays a reformed cat burglar who is suspected of reviving his trade, though he knows someone else is using his old methods. A very enjoyable experience, but don't get this confused with Hitchcock's other Cary Grant film of that decade, which was a masterpiece: North by Northwest. --Tom Keogh

Imitation of Life (Two Movie Collection) 1934/1959

Imitation of Life (1959)
The last film in Hollywood of director Douglas Sirk (Written on the Wind), the 1959 Imitation of Life--an adaptation of Fannie Hurst's novel--is an endlessly fascinating film that speaks volumes about the American journey toward materialism and the racial tensions that are inseparable from it. Lana Turner plays a white single mother and aspiring actress who takes in a black housekeeper (Juanita Moore) and her daughter (played by an adolescent Susan Kohner), the latter so light-skinned she passes for white. As the years pass and success mounts for Turner, Moore also becomes more comfortable but her status as a domestic never changes. Meanwhile, Kohner's character, chafing against social constraints, rebels at every opportunity and throws a wrench into the perfect order Sirk chillingly captures through the precise, architectural design of his images. On one hand a '50s weepie and on the other a daring allegory, Imitation of Life is an unusual masterpiece. --Tom Keogh

Imitation of Life (1934)
In this Academy Award-nominated Best Picture, Claudette Colbert and Louise Beavers are superb as two women with young daughters who build a fortune together. But success doesn't save them from sorrow with the passing years.

Delilah's light-skinned teenager rejects her mother and her race, while Bea must choose between the man she loves and the daughter who loves him, too. Now all of them will pay the price of love in this spellbinding classic.

Imitation of Life (1959)
Lana Turner heads the outstanding cast with Juanita Moore in the second screen version of this emotionally-charged story about two widows and their troubled daughters.

Lora's search for success causes her to neglect her daughter, while Annie's daughter rejects her culture by trying to pass for white. As the years pass, each of the four women realizes that she has been living out an emotionally fruitless existence.

Camille

Life in 1847 Paris is as spirited as champagne and as unforgiving as the gray morning after. In gambling dens and lavish soirees men of means exert their wills and women turned courtesans exult in pleasure. One such woman is Marguerite Gautier (Greta Garbo) the Camille of this sumptuous romance tale based on the enduring Alexandre Dumas story. Garbo's aloof mystique and alabaster beauty illuminate this George Cukor-directed film featuring what many call her finest performance. Her Camille is a movie paragon of true love found (in suitor Armand Duval memorably played by Robert Taylor) then sacrificed for a greater good. Garbo earned an Academy Award nomination and the New York Film Critics Best Actress Award for her memorable work.Running Time: 109 min.System Requirements: Running Time 109 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012569524620

One of Greta Garbo's touchstone films, this 1937 adaptation of the Alexandre Dumas novel finds the actress playing a dying courtesan who falls in love with a young nobleman (a slightly miscast Robert Taylor) and must sacrifice her happiness. Directed by George Cukor (The Philadelphia Story), the supreme "women's director" in Hollywood at the time, the film could have existed just to give Garbo room to be luminous (despite her character's illness) and a great star. But it is also a gorgeous MGM production with strong performances from Lionel Barrymore and the rest of the cast. (Henry Daniell is a standout as the villain.) --Tom Keogh

Lady for a Day

Based on a story by Damon Runyon, this Frank Capra film was nominated for several Oscars® after it was released in 1933 (it was remade by Capra as Pocketful of Miracles in 1961). A tenderhearted Depression-era comedy, it tells the story of Apple Annie (May Robson), a panhandling street vendor who has kept her real identity hidden from a daughter being reared in Europe. When the grown-up daughter comes to New York for a visit, Annie turns to gambler Dave the Dude (Warren William) for help. He transforms her--temporarily--into a high-society grande dame, but not without complications. The film is nearly stolen by Guy Kibbee, as a judge posing as Annie's husband, but Warren William, a John Barrymore lookalike, and dour Ned Sparks get laughs too. --Marshall Fine

A Cinderella fairy tale set in the early 1930s, Lady for a Day is a delightfully charming mix of drama and comedy that earned four Academy Award nominations and propelled Frank Capra to the top ranks of popular filmmakers. Based on a Damon Runyon short story, Lady for a Day tells the tale of Apple Annie, a cantankerous New York City fruit peddler who has been pretending to be a high-society matron in letters to her daughter. When her daughter comes to visit with her aristocratic fiance, Apple Annie enlists her seedy gangster friends, who hilariously transform her into the grandest of dames!

Dracula (Universal Studios Classic Monster Collection)

When Universal Pictures picked up the movie rights to a Broadway adaptation of Dracula, they felt secure in handing the property over to the sinister team of actor Lon Chaney and director Tod Browning. But Chaney died of cancer, and Universal hired the Hungarian who had scored a success in the stage play: Béla Lugosi. The resulting film launched both Lugosi's baroque career and the horror-movie cycle of the 1930s. It gets off to an atmospheric start, as we meet Count Dracula in his shadowy castle in Transylvania, superbly captured by the great cinematographer Karl Freund. Eventually Dracula and his blood-sucking devotee (Dwight Frye, in one of the cinema's truly mad performances) meet their match in a vampire-hunter called Van Helsing (Edward Van Sloan). If the later sections of the film are undeniably stage bound and a tad creaky, Dracula nevertheless casts a spell, thanks to Lugosi's creepily lugubrious manner and the eerie silences of Browning's directing style. (After a mood-enhancing snippet of Swan Lake under the opening titles, there is no music in the film.) Frankenstein, which was released a few months later, confirmed the horror craze, and Universal has been making money (and countless spin-off projects) from its twin titans of terror ever since. Certainly the role left a lasting impression on the increasingly addled and drug-addicted Lugosi, who was never quite able to distance himself from the part that made him a star. He was buried, at his request, in his black vampire cape. --Robert Horton

Dracula (The Restored Version) Although there have been numerous screen versions of Bram Stoker's classic tale, none is more enduring than the 1931 original. The ominous portrayal of Count Dracula by Bela Lugosi, combined with horror specialist director Tod Browning, help to create the film's eerie mood. Dracula remains a masterpiece not only of the genre, but for all time. Dracula (Featuring New Music By Philip Glass) The original version of Dracula starring Bela Lugosi has been remastered to feature a specially-composed musical score by world-renowned composer Philip Glass and performed by Kronos Quartet. Glass' music lends greater depth to an already timeless classic! Dracula (Original Spanish Version) Filmed simultaneously with the English language version, the Spanish version of Dracula is completely different, yet equally ominous vision of the horror classic. Utilizing the same sets and identical script, cinematographer George Robinson and a vibrant cast including Carlos Villarias and Lupita Tovar deliver this chilling and evocative tale.

The Black Pirate

The silent era's greatest swashbuckler, Douglas Fairbanks, took to the sea with cutlass in hand and gypsy earrings dangling for the first great pirate movie and a gorgeous example of early Technicolor. In a story that's become almost cliché in the intervening years, Fairbanks is the sole survivor of a pirate attack who infiltrates the high-seas criminals by posing as a master pirate. Defeating their leader in an acrobatic duel, Fairbanks proceeds to capture their next ship single-handedly in a sequence that has him swinging from mast to mast and, in the film's most memorable stunt, slicing the ship's sails with his knife as he slides down the sheet. Along with booty, however, the pirates discover a beautiful noblewoman (Billie Dove) and the Black Pirate must devise a plan to save the prisoners and himself in the face of a bloodthirsty band of brigands. Packed with every classic pirate device in the book, from saber duels to walking the plank, The Black Pirate shows off Fairbanks at his best, a jaunty, resourceful hero performing the most amazing acrobatic feats. The restoration shows the two-strip Technicolor classic at its best as well: a beautiful, delicately hued marvel, painstakingly restored and color-balanced from the original negative by film preservationist David Shepard. This edition also includes 19 minutes of rare black-and-white outtakes. --Sean Axmaker

Murder at Glen Athol

Gene Autry: Twilight on Rio Grande (New Version)

Gene Autry saddles up for Mexico in a fabulous fiesta of flying fists and sparkling songs the way only Gene can swing 'em and sing 'em. When his partner is killed Gene finds himself in a border town where he must solve the murder and round up a gang of border smugglers. A beautiful Cantina singer sidekick Pokie the Cass County Boys and Champion Jr. are along for the ride in this film full of hell-for-leather action of a western combined with a thrill-packed whodunit.System Requirements:Running Time: 71 Mins.Format: DVD MOVIE Genre: WESTERN/CLASSICS Rating: NR UPC: 014381447828 Manufacturer No: ID4478UQDVD

Sunrise [Region 2]

There are those who rate Sunrise the greatest of all silent films. Then again, some consider it the finest film from any era. Such claims invite a backlash, but do yourself a favor and give it a look. At the very least, you'll know you've seen a movie of extraordinary visual beauty and emotional purity. This universal tale of a farm couple's journey from country to city and back again was the first American film for F.W. Murnau, the German director of Nosferatu and The Last Laugh whose everyday scenes seemed haunted by phantoms and whose most extravagant visions never lost touch with reality. Hollywood afforded him the technical resources to unleash his imagination, and in turn he opened up the power of camera movement and composition for a generation of American filmmakers. You'll never forget the walk in the swamp, the ripples on the lake, the trolley ride from forest to metropolis. This movie defines the cinema. --Richard T. Jameson

The Black Pirate

The silent era's greatest swashbuckler, Douglas Fairbanks, took to the sea with cutlass in hand and gypsy earrings dangling for the first great pirate movie and a gorgeous example of early Technicolor. In a story that's become almost cliché in the intervening years, Fairbanks is the sole survivor of a pirate attack who infiltrates the high-seas criminals by posing as a master pirate. Defeating their leader in an acrobatic duel, Fairbanks proceeds to capture their next ship single-handedly in a sequence that has him swinging from mast to mast and, in the film's most memorable stunt, slicing the ship's sails with his knife as he slides down the sheet. Along with booty, however, the pirates discover a beautiful noblewoman (Billie Dove) and the Black Pirate must devise a plan to save the prisoners and himself in the face of a bloodthirsty band of brigands. Packed with every classic pirate device in the book, from saber duels to walking the plank, The Black Pirate shows off Fairbanks at his best, a jaunty, resourceful hero performing the most amazing acrobatic feats. The restoration shows the two-strip Technicolor classic at its best as well: a beautiful, delicately hued marvel, painstakingly restored and color-balanced from the original negative by film preservationist David Shepard. This edition also includes 19 minutes of rare black-and-white outtakes. --Sean Axmaker

An unqualified masterpiece of the silent era, "The Black Pirate" is now restored to its original Technicolor splendor. Made at the height of Douglas Fairbanks' career, this grand-scale epic tells the story of Michel, the sole survivor of a ship pillaged by buccaneers. To infiltrate the nest of bandits, he poses as the mysterious Black Pirate in order to recover the pilfered treasure and save a divine princess.