Novak, Kim

Picnic

Drama on the impact of a virile, egotistical drifter on the lives of 5 women in a small Kansas town.
Genre: Feature Film-Drama
Rating: PG
Release Date: 18-APR-2000
Media Type: DVD

William Holden is the hunky drifter who rides the rails into a small Midwest town with dreams of landing a "respectable" job with his rich college buddy (Cliff Robertson). Kim Novak is the small-town beauty queen engaged to Robertson who falls for the cocky dreamer, as do repressed schoolmarm spinster Rosalind Russell and Novak's tomboyish kid sister Susan Strasberg. Their unleashed passions reach a crescendo at the Labor Day picnic.

Joshua Logan directed William Inge's play on Broadway and carried it to Hollywood, earning Oscar nominations for Best Picture and Best Director in his screen-directing debut. Holden is years too old for the role but oozes sex appeal and makes a swoony stud when he takes his shirt off (or when, better yet, it's ripped from his back by a boozing Russell), and Novak is a lovely lost girl yearning for something she can't quite grasp. Arthur O'Connell earned an Oscar nomination as Russell's tippling boyfriend. The film was a huge popular and critical hit, but Logan's stiff and strident direction hasn't dated well. He makes his points in big capital letters--subtlety was never his strong point--and loses the natural beauty of the Kansas locations when he takes the climactic picnic scenes into an obviously artificial soundstage. Picnic remains a loved American classic, largely for Holden's tough-guy vulnerability and James Wong Howe's brilliant widescreen color photography. --Sean Axmaker

Vertigo (Collector's Edition)

Although it wasn't a box-office success when originally released in 1958, Vertigo has since taken its deserved place as Alfred Hitchcock's greatest, most spellbinding, most deeply personal achievement. In fact, it consistently ranks among the top 10 movies ever made in the once-a-decade Sight & Sound international critics poll, placing at number 4 in the most recent survey. (Universal Pictures' spectacularly gorgeous 1996 restoration and rerelease of this 1958 Paramount production was a tremendous success with the public, too.) James Stewart plays a retired police detective who is hired by an old friend to follow his wife (a superb Kim Novak, in what becomes a double role), whom he suspects of being possessed by the spirit of a dead madwoman. The detective and the disturbed woman fall ("fall" is indeed the operative word) in love and...well, to give away any more of the story would be criminal. Shot around San Francisco (the Golden Gate Bridge and the Palace of the Legion of Honor are significant locations) and elsewhere in Northern California (the redwoods, Mission San Juan Batista) in rapturous Technicolor, Vertigo is as lovely as it is haunting. --Jim Emerson

Bell, Book and Candle

Staid, secure publisher James Stewart leads a quiet life until he meets his bewitching downstairs neighbor, Kim Novak. John Van Druten's lighthearted Broadway comedy becomes a lush if lightweight romantic vehicle for Stewart and Novak, who would reunite for Hitchcock's Vertigo the next year. Novak is at her best as a Greenwich witch halfway between the worlds of magic and mortals, looking after her dotty aunt (Elsa Lanchester) and mischievous warlock brother (Jack Lemmon) as they keep their skills in practice. Novak's specialty is making men fall for her, but it's a one-way street: when a witch falls in love, she loses her powers. Director Richard Quine gives the witches an almost beatnik sensibility, a real Greenwich Village subculture hanging out in underground clubs and smart curio shops. Elegantly photographed in rich, glowing colors by James Wong Howe, Bell, Book and Candle is a fantasy world in New York set to a funky bongo-laced jazz score by George Duning. Quine's gliding camera is somewhat marred by abrupt editing, but his handling of actors is superb, in particular Novak, whose mysterious beauty masks inner turmoil and romantic yearnings. Ernie Kovacs appears as a wry author whose specialty is the supernatural, and Hermione Gingold is suitably florid as a witch elder with a penchant for theatricality. For once in his life Stewart is actually upstaged by the slyly comic performances around him. --Sean Axmaker

Pal Joey

First born in the pages of The New Yorker, then translated into a hit Rodgers and Hart Broadway musical, the title character of Pal Joey had undergone quite a transformation by the time he hit the movies in 1957. He was a singer, rather than a dancer, but more importantly he'd had his rough edges sweetly softened; the callous heel dreamed up by novelist John O'Hara was more of a naughty scamp in the film version. However, Pal Joey remains delightfully watchable for two very good reasons: a terrific song score and a surplus of glittering star power. Frank Sinatra, at the zenith of his cocky, world-on-a-string popularity, glides through the film with breezy nonchalance, romancing showgirl Kim Novak (Columbia Pictures' new sex symbol) and wealthy widow Rita Hayworth (Columbia Pictures' former sex symbol). The film also benefits from location shooting in San Francisco, caught in the moonlight-and-supper-club glow of the late '50s. Sinatra does beautifully with the Rodgers and Hart classics "I Didn't Know What Time It Was" and "I Could Write a Book," and his performance of "The Lady Is a Tramp" (evocatively shot by director George Sidney) is flat-out genius. Sinatra's ease with hep-cat lingo nearly outdoes Bing Crosby at his best, and included in the DVD is a trailer in which Sinatra instructs the audience in "Joey's Jargon," a collection of hip slang words such as "gasser" and "mouse." If not one of Sinatra's very best movies, Pal Joey is nevertheless a classy vehicle that fits like a glove. --Robert Horton

The Eddy Duchin Story

La Jetee/Sans Soleil (Criterion Collection)

One of the most influential radical science-fiction films ever made and a mind-bending free-form travelogue La jet e (The Jetty) and Sans soleil (Sunless) couldn t seem more different yet they re the twin pillars of one of the most daring and uncompromising careers in cinema history. Chris Marker filmmaker poet novelist photographer editor and now videographer and digital multimedia artist has been challenging moviegoers philosophers and himself for years with his complex queries about time memory and the rapid advancement of life on this planet. These two films a tale of time travel told in still images and a journey to Africa and Japan remain his best-loved and most widely seen. Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: UNRATED UPC: 715515023924 Manufacturer No: CC1694DVD

The Man with the Golden Arm

When Frankie Machine (Frank Sinatra) comes back to the old neighborhood after a spell in the big house, he wants to stay straight and become a drummer. But his old life--as a poker dealer and heroin addict--comes rushing back to meet him. The subject matter of Nelson Algren's novel was still shocking in 1955, and The Man with the Golden Arm was released without the seal of approval from Hollywood's Production Code. The director, Otto Preminger, used the controversy to whip up interest in the film, and his championing of non-Code pictures such as The Moon Is Blue and The Man with the Golden Arm helped end the influence of the restrictive policy. For Frank Sinatra, the role was a high point; his performance is searching, honest, and (in long scenes of going cold turkey to kick the habit) frighteningly naked. He's touchingly matched with Kim Novak, in one of her best performances; adding a bit of method-acting madness is Eleanor Parker as Frankie's hysterical wife. Sinatra was nominated for the Best Actor Oscar, but lost to Ernest Borgnine--the same guy who beat him senseless in From Here to Eternity. The propulsive jazz score is by Elmer Bernstein. Even the credits sequence staked out new territory: the mod images created by Saul Bass were among his first in a long-standing collaboration with Preminger, and were highly influential on other designers. --Robert Horton

Frank Sinatra gives a searing Oscar(R)-nominated performance as an aspiring drummer struggling to break free of his drug habit. A Hollywood landmark directed by Otto Preminger. Bonus: Original Theatrical Trailer. Year: 1955 Director: Otto Preminger Starring: Frank Sinatra Eleanor Parker Kim NovakRunning Time: 119 min.Format: DVD MOVIE Genre: DRAMA/CLASSICS UPC: 085393337124 Manufacturer No: 1000012250

Agatha Christie Mysteries (Death on the Nile / Evil Under the Sun / The Mirror Crack'd)

Death on the Nile
Following Albert Finney's quirky and compelling performance as Agatha Christie's Belgian detective, Hercule Poirot, in 1974's Murder on the Orient Express, Peter Ustinov capably took over the role in this 1978 adaptation of Christie's river-bound whodunit. While on a pleasure cruise along the Nile with a taciturn companion (David Niven), Poirot slips into action following the murder of a much-despised heiress (Lois Chiles). There's no shortage of suspects... until, that is, they also start dying off, obfuscating the investigation by suggesting that several killers may be at work. With a disciplined screenplay by Anthony Shaffer, the film is solid enough and is graced immeasurably by a glittery cast including Bette Davis, Maggie Smith, Mia Farrow, Olivia Hussey, Jack Warden, and Angela Lansbury. Directed with customary efficiency by John Guillermin (King Kong, The Towering Inferno). --Tom Keogh

Evil Under the Sun
Mostly for Poirot completists and admirers of then-trendy, all-star ensemble casts from the 1970s and early '80s, Evil Under the Sun finds Peter Ustinov in his second outing as Agatha Christie's famous Belgian detective (three years after 1978's Death on the Nile). As the title promises, the action this time takes place on an Adriatic island (though Christie fans will surely balk at the switch from the novel's setting on the English coast), where a famous stage star (Diana Rigg) is murdered, and the list of likely suspects is unusually high. The parade of legendary performers--Roddy McDowall, James Mason, Sylvia Miles, Maggie Smith, Jane Birkin--plus Ustinov's energetic performance keep things hopping. But Anthony Shaffer's lazy screenplay and director Guy Hamilton's superficial approach nudge everything (action, characters, tone) toward campy, near-parody, with bitchy sniping, tacky costumes, and an obligatory soundtrack of Cole Porter tunes. It's only in the last lap that the film transcends such obviousness and finds its way back to the glories of detective fiction. --Tom Keogh

The Mirror Crack'd
Angela Lansbury does the honors as Agatha Christie's determined sleuth, Miss Marple, in this adaptation of Christie's novel. A washed-up movie star (Elizabeth Taylor) is attempting to make a comeback but is driven to distraction by a mysterious event from her past. Also problematic for Taylor's struggling actress is a series of murders occurring with clockwork regularity in the quiet, 1950s English village where a film is being produced--killings that are all somehow connected to her. Despite the British backdrop, most of the suspects, including Rock Hudson, Kim Novak, and Tony Curtis, are American in this 1980 feature directed by Guy Hamilton (Evil Under the Sun). (At least Miss Marple's nephew, the redoubtable Inspector Craddock, is played by Edward Fox.) The bad news: this is a curiously flat, monotonous film, with a mystery hook that, sad to say, is among Christie's more familiar and predictable. Hamilton doesn't demand much of his largely ornamental cast, and they don't volunteer much to fill the void. Still, fans of Miss Marple and Christie, especially those with a burning hunger to see every film or television program based on the books, will want to check it out. --Tom Keogh

Strangers When We Meet

STRANGERS WHEN WE MEET features an all-star cast including Kirk Douglas Kim Novak Ernie Kovacs Barbara Rush and Walter Matthau. Douglas stars as Larry Coe a gifted architect who unhappily married falls in love with his beautiful neighbor Maggie (Novak) whose marriage is also on the rocks. The two meet secretly while Larry is at work building a dream house for the eccentric writer and playboy Roger Altar (Kovacs). These clandestine trysts are known only to one other person their mutual friend Felix Anders (Matthau). But when Larry is offered a tremendous career opportunity in Hawaii he is suddenly torn between his home his career and his love for Maggie. And when Felix starts making passes at Larry s wife (Rush) the foundations of his entire life starts to crumble. Based on Evan Hunter s novel STRANGERS WHEN WE MEET is a film in the tradition of classics such as Peyton Place and No Down Payment. System Requirements:Running Time: 117 Min.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 043396050389 Manufacturer No: 05038

Kiss Me, Stupid

In 1964 director Billy Wilder was at the top of his game. Following a string of hits that had begun in 1959 with Some Like It Hot, he now intended to direct a bawdy boudoir farce in the grand tradition of the French theater. The contorted plot involves one Orville J. Spooner, an aspiring song writer (originally to be played by Peter Sellers, but replaced by Ray Walston after Sellers suffered a heart attack, which he partly blamed on Wilder), and his crazed lyricist, buddy Barney Milsap. Together they toil away in the town of Climax, Nevada, Orville working as a piano teacher and Barney pumping gas across the street. Along comes Dean Martin, playing a thinly veiled caricature of himself, who just wants to fill up his tank. Instead, the songwriting duo rig his car so he's forced to spend the night at Orville's, giving the dolts a chance to pitch their songs. But Dino also wants Orville's wife. No problem! They hire Polly the Pistol (Kim Novak), the local prostitute, to masquerade as her. Thus begin the high jinks. The film plays like an extended dirty joke that could have been told around the office water cooler in 1960. It was a colossal failure both critically and commercially, and was banned by the Catholic League of Decency, to boot. Nonetheless, the film has aged well and was ahead of its time (think of it as the grandfather of Caddyshack and the great-grandfather of There's Something About Mary). Wilder eventually renounced the film and moved on. --Kristian St. Clair

Dean Martin is full of charm wit and snappy one-liners in this "sly irreverent brash and daring comedy" (The Film Daily) from the legendary team of Billy Wilder and I.A.L. Diamond (Some Like It Hot The Apartment)!When the world-renowned singer "Dino" (Martin in a hilarious self-parody) passes through Climax Nevada he doesn't count on meeting two would-be songwriters with a plan to trap him there and serenade him with their songs. But then again they weren't counting on Dino's insatiable appetite... for wine and women! And when one of the men learns that his own wife was once president of Dino's fan club he hires a replacement wife (Kim Novak) to help lure the carousing star into a song-buying mood!System Requirements:Starring: Dean Martin Kim Novak Felicia Farr Cliff Osmond Ray Walston Directed By: Billy Wilder Running Time: 126 Min. Color Copyright 2003 MGM Studios.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 027616887627 Manufacturer No: 1004722