Firehouse Dog (Full Screen Edition)
by Todd Holland
from 20th Century Fox
Adolescence is an emotionally stormy time for kids, but it's especially so for Shane (Josh Hutcherson), a teenager being raised by single firefighter father Connor (Bruce Greenwood). Add the recent death of Shane's fire-captain uncle (Connor's brother) in the line of duty and the pending closure of their neighborhood "Dogpatch" fire station, and both Shane's propensity for skipping school and brooding in his room and his father's obsession with work seem easily explainable. When a mutt called Dewey, really a very spoiled superstar dog named Rexxx who's been presumed dead after a parachuting stunt gone wrong, turns up in a burning building and is rescued by the Dogpatch crew, Connor puts Shane in charge of caring for the dog and finding its owner. Shane and Dewey clash immediately and Shane is extremely resentful toward both the dog and his father. However, Dewey's special talents (like skateboarding and trampoline jumping), combined with his good fire-fighting instincts, soon win the admiration and affection of Shane and the entire Dogpatch crew. A series of mysterious fires causes Shane and Connor to begin to really communicate and reconnect, but those fires also threaten their very lives. At the same time, Dewey's former owner discovers Dewey's true identity and demands the return of his superstar companion. An engaging dog story that explores the difficulties of growing up and dealing with personal tragedy, Firehouse Dog is a fun family film that's rated PG due to some mildly crude humor (think potty jokes), language, and action peril. --Tami Horiuchi
Firehouse Dog Extras
![]() Watch the firemen of Firehouse Dog take you behind the scenes in this exclusive clip. |
Beyond Firehouse Dog
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Stills from Firehouse Dog
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Rex Hollywood's top K-9 star gets lost and is reluctantly adopted by a young boy. His father fire chief of a rundown station agrees to the adoption only if his defiant son takes care of the K-9. Little do they realize Rexx will not only bring them closer but also bring some much-needed faith back to the fire station.System Requirements:Running Time: 111 Mins.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: PG UPC: 024543450689 Manufacturer No: 2245068
Spider-Man 3 (Widescreen Edition)
by Sam Raimi
from Sony Pictures
New York City is in the throes of Spider-mania and Peter Parker finally has the girl of his dreams. But just when it seems like things can t get any better Spider-Man must fight the most terrifying trio of villains he s ever encountered the deadly Sandman the New Goblin and Venom plus the enemy he discovers within himself.System Requirements:Running Time: 139 minutes Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 043396159280 Manufacturer No: 15928
How does Spider-Man 3 follow on the heels of its predecessor, which was widely considered the best superhero movie ever? For starters, you pick up the loose threads from that movie, then add some key elements of the Spidey comic-book mythos (including fan-favorite villain Venom), the black costume, and the characters of Gwen Stacy and her police-captain father. In the beginning, things have never looked better for Peter Parker (Tobey Maguire): He's doing well in school; his alter ego, Spider-Man, is loved and respected around New York City. And his girlfriend, Mary Jane Watson (Kirsten Dunst), has just taken a starring role in a Broadway musical. But nothing good can last for Spidey. Mary Jane's career quickly goes downhill; she's bothered by Peter's attractive new classmate, Gwen Stacy (Bryce Dallas Howard); and the new Daily Bugle photographer, Eddie Brock (Topher Grace), is trying to steal his thunder. Enter a new villain, the Sandman (Thomas Haden Church), who can transform his body into various forms and shapes of sand and who may be connected to Peter's past in an unexpected way. There's also the son of an old villain, Harry Osborne (James Franco), who unmasked Spidey in the previous movie and still has revenge on his mind. And a new black costume seems to boost Spidey's powers, but transforms mild-mannered Peter into a mean and obnoxious boor (Maguire has some fun here).
If that sounds like a lot to pack into one 140-minute movie, it is. While director Sam Raimi keeps things flowing, assisted on the screenplay by his brother Ivan and Alvin Sargent, there's a little too much going on, and it's inevitable that one of the villains (there are three or four, depending on how you count) gets significantly short-changed. Still, the cast is excellent, the effects are fantastic, and the action is fast and furious. Even if Spider-Man 3 isn't the match of Spider-Man 2, it's a worthy addition to the megamillion-dollar franchise. --David Horiuchi
More Spiderman on DVD
![]() The Spiderman Toy Store | ![]() More Spider-man on Amazon | ![]() Spider Man on the small screen |
![]() The Soundtrack | ![]() For PlayStation 2 | ![]() The Book |
More Superheroes on DVD
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Stills from Spider-Man 3 (click for larger image)
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He Got Game
by Spike Lee
from Walt Disney Video
- Classic DVD
- Exclusive interviews, highlights, and behind the scenes coverage
- DVD's main menu allow you to jump directly to the action
- Presented in full-screen digital video
As a filmmaker and passionate fan of basketball, Spike Lee was the perfect director for this ambitious and heartfelt sports drama, which brought out the best in both Lee and his well-chosen cast. In his third film for Lee, Denzel Washington plays Jake Shuttlesworth, who is in prison for the manslaughter of his wife. His estranged son Jesus (well played by Milwaukee Bucks basketball player Ray Allen) is the nation's best high school basketball star, and Jake receives a compelling offer from the state's governor: If Jake can convince Jesus to sign a letter of intent to attend Big State University, the governor will reduce his sentence. Lee turns this back-room bargain into a fascinating examination of capitalism in college and professional sports, but the film also works as the moving story of a father's desperate attempt to regain his son's respect. Lee handles the basketball angle with an insider's awareness, and takes a few stylistic risks (including a memorable final image) that pay off with considerable emotional effect. He Got Game fully explores the visual poetry of basketball and the greed that fuels this particular vision of the American dream, but Lee never loses sight of the sport's inherent beauty, or the higher priorities of redemption and family that form the solid foundation of this exceptional film. --Jeff Shannon
Academy Award(R)-winner Denzel Washington (Best Actor, 2001, TRAINING DAY) stars in this must-see story about a convict given one shot at a second chance to be a father! With promises of a reduced sentence, Jake Shuttlesworth (Washington) is granted temporary release from state prison in order to persuade the nation's top basketball recruit ... his estranged son, Jesus (Ray Allen of NBA's Milwaukee Bucks), to play ball for the governor's alma mater! But just as Jesus faces intense pressures and irresistible temptations contemplating his big decision, Jake is also forced to consider not only what's best for himself ... but what's best for his son! With a groundbreaking soundtrack by the legendary Public Enemy -- plus great cameos from John Turturro and basketball personalities Dick Vitale, John Thompson, Dean Smith, and more, HE GOT GAME is a critically acclaimed hit you don't want to miss!
A Raisin in the Sun
by Kenny Leon
from Sony Pictures
Based on the play that inspired a generation, A Raisin in the Sun tells the story of a family living and struggling on Chicago's South Side in the 1950s. A fiercely moving portrait of people whose hopes and dreams are constantly deferred, A Raisin in the Sun was the first play written by an African American woman to be produced on Broadway. The classic, still-relevant story now will be showcased in this totally new television movie adaptation.
Sean Combs reprises the role which brought him critical acclaim in the highly anticipated, special three-hour television movie adaptation of the award-winning Broadway revival. Joining him is the cast of the award-winning production, including Emmy and Tony Award winner Phylicia Rashad, four-time Tony Award winner Audra McDonald, Tony Award nominee Sanaa Lathan, plus ER star John Stamos.
Pride and poverty collide in this excellent television movie of the classic play A Raisin in the Sun. When Walter Younger (Sean Combs, a.k.a. P. Diddy), his wife Ruth (Audra McDonald, Private Practice), and his sister Beneatha (Sanaa Lathan, Something New) learn that their deceased father has left their mother Lena (Phylicia Rashad, The Cosby Show) with $10,000 in life insurance, their separate ideas of how to spend it threaten to pull the family apart. Lorraine Hansberry's passionate play ranks in the same tier as Death of a Salesman and Long Day's Journey Into Night. This version is taken from an acclaimed stage production, but the actors have expertly re-pitched their performances for the intimacy of the camera and the script has been subtly but effectively opened up to allow scenes to take place at multiple locations. Lathan, McDonald, and Rashad all deliver rich, multilayered performances; the casting of rapper Combs could have been a mere stunt, but though he lacks the chops of the powerhouse women, he acquits himself decently. Excellent supporting performances from Bill Nunn (Do the Right Thing) and John Stamos round out the cast. All in all, a rewarding adaptation of a play that continues to resonate with America's ongoing struggle with race. --Bret Fetzer
Spider-Man 3 (Two-Disc Special Edition)
by Sam Raimi
from Sony Pictures
How does Spider-Man 3 follow on the heels of its predecessor, which was widely considered the best superhero movie ever? For starters, you pick up the loose threads from that movie, then add some key elements of the Spidey comic-book mythos (including fan-favorite villain Venom), the black costume, and the characters of Gwen Stacy and her police-captain father. In the beginning, things have never looked better for Peter Parker (Tobey Maguire): He's doing well in school; his alter ego, Spider-Man, is loved and respected around New York City. And his girlfriend, Mary Jane Watson (Kirsten Dunst), has just taken a starring role in a Broadway musical. But nothing good can last for Spidey. Mary Jane's career quickly goes downhill; she's bothered by Peter's attractive new classmate, Gwen Stacy (Bryce Dallas Howard); and the new Daily Bugle photographer, Eddie Brock (Topher Grace), is trying to steal his thunder. Enter a new villain, the Sandman (Thomas Haden Church), who can transform his body into various forms and shapes of sand and who may be connected to Peter's past in an unexpected way. There's also the son of an old villain, Harry Osborne (James Franco), who unmasked Spidey in the previous movie and still has revenge on his mind. And a new black costume seems to boost Spidey's powers, but transforms mild-mannered Peter into a mean and obnoxious boor (Maguire has some fun here).
If that sounds like a lot to pack into one 140-minute movie, it is. While director Sam Raimi keeps things flowing, assisted on the screenplay by his brother Ivan and Alvin Sargent, there's a little too much going on, and it's inevitable that one of the villains (there are three or four, depending on how you count) gets significantly short-changed. Still, the cast is excellent, the effects are fantastic, and the action is fast and furious. Even if Spider-Man 3 isn't the match of Spider-Man 2, it's a worthy addition to the megamillion-dollar franchise. --David Horiuchi
More Spiderman on DVD
![]() The Spiderman Toy Store | ![]() More Spider-man on Amazon | ![]() Spider Man on the small screen |
![]() The Soundtrack | ![]() For PlayStation 2 | ![]() The Book |
More Superheroes on DVD
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Stills from Spider-Man 3 (click for larger image)
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Peter Parker (Tobey Maguire) finally has the girl of his dreams Mary Jane Watson (Kirsten Dunst) and New York City is in the throes of Spider-mania! But when a strange alien symbiote turns Spider-Man s suit black his darkest demons come to light changing Spider-Man inside as well as out. Spider-Man is in for the fight of his life against a lethal mix of villains - the deadly Sandman (Thomas Haden Church) Venom (Topher Grace) and the New Goblin (James Franco) - as well as the enemy within himself.System Requirements:Run Time: 139 Mins. Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 043396225978 Manufacturer No: 22597
Spider-Man 2 (Widescreen Special Edition)
by Sam Raimi
from Sony Pictures
More than a few critics hailed Spider-Man 2 as "the best superhero movie ever," and there's no compelling reason to argue--thanks to a bigger budget, better special effects, and a dynamic, character-driven plot, it's a notch above Spider-Man in terms of emotional depth and rich comic-book sensibility. Ordinary People Oscar-winner Alvin Sargent received screenplay credit, and celebrated author and comic-book expert Michael Chabon worked on the story, but it's director Sam Raimi's affinity for the material that brings Spidey 2 to vivid life. When a fusion experiment goes terribly wrong, a brilliant physicist (Alfred Molina) is turned into Spidey's newest nemesis, the deranged, mechanically tentacled "Doctor Octopus," obsessed with completing his experiment and killing Spider-Man (Tobey Maguire) in the process. Even more compelling is Peter Parker's urgent dilemma: continue his burdensome, lonely life of crime-fighting as Spider-Man, or pursue love and happiness with Mary Jane Watson (Kirsten Dunst)? Molina's outstanding as a tragic villain controlled by his own invention, and the action sequences are nothing less than breathtaking, but the real success of Spider-Man 2 is its sense of priorities. With all of Hollywood's biggest and best toys at his disposal, Raimi and his writers stay true to the Marvel mythology, honoring Spider-Man creators Stan Lee and Steve Ditko, and setting the bar impressively high for the challenge of Spider-Man 3. --Jeff Shannon
DVD Features:
The first commentary track is by director Sam Raimi and a self-deprecating Tobey Maguire speaking in tandem, and producer (and Marvel CEO) Avi Arad and coproducer Grant Curtis speaking in tandem. They discuss a number of topics, including Raimi's memory of his excitement over Richard Donner's Superman and how the character of Black Cat had to be dropped from the film. The second commentary is by six members of the Oscar-nominated effects team, and one of their primary focuses is how Doc Ock's arms were achieved by a combination of puppetry and CGI.
The centerpiece of the second disc is a massive two-hour documentary that can be viewed all at once or in 12 separate pieces. It covers the development of the story, the visual effects, costumes, stunts, and sound and music. Three shorter featurettes cover Peter Parker's struggle between his personal and hero lives, Doc Ock, and the women in Spider-Man's life, and what's interesting is how they discuss those topics not just in relation to the movies but to the comic books as well. (For example, Betty Brant and Gwen Stacy had a much greater impact in the comics.) There's a scene in which you can toggle among three different camera angles, and a gallery of 17 paintings Alex Ross created for the opening sequence. The sound and picture are spectacular, though only the Superbit edition has DTS. --David Horiuchi
More Spiderman on DVD
![]() The Spiderman Toy Store | ![]() The First Film | ![]() Spider Man on the small screen |
![]() The Soundtrack | ![]() Game Boy Advance | ![]() The Book |
More Superheroes on DVD
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Stills from Spider-Man 2 (click for larger image)
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Peter Parker's adventures as Spider-man continue as he battles Dr. Otto Octavius.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 4-APR-2006
Media Type: DVD
Spider-Man (Widescreen Special Edition)
by Sam Raimi
from Sony Pictures
For devoted fans and nonfans alike, Spider-Man offers nothing less--and nothing more--than what you'd expect from a superhero blockbuster. Having proven his comic-book savvy with the original Darkman, director Sam Raimi brings ample energy and enthusiasm to Spidey's origin story, nicely establishing high-school nebbish Peter Parker (Tobey Maguire) as a brainy outcast who reacts with appropriate euphoria--and well-tempered maturity--when a "super-spider" bite transforms him into the amazingly agile, web-shooting Spider-Man. That's all well and good, and so is Kirsten Dunst as Parker's girl-next-door sweetheart. Where Spider-Man falls short is in its hyperactive CGI action sequences, which play like a video game instead of the gravity-defying exploits of a flesh-and-blood superhero. Willem Dafoe is perfectly cast as Spidey's schizoid nemesis, the Green Goblin, and the movie's a lot of fun overall. It's no match for Superman and Batman in bringing a beloved character to the screen, but it places a respectable third. --Jeff Shannon
Directed by Sam Raimi Spider-Man centers on student Peter Parker (Tobey Maguire) who after being bitten by a genetically-altered spider gains superhuman strength and the spider-like ability to cling to any surface. He vows to use his abilities to fight crime coming to understand the words of his beloved Uncle Ben: "With great power comes great responsibility." System Requirements:Starring: Willem Dafoe Kirsten Dunst Tobey Maguire. Directed: Sam Raimi. Running Time: 121 Minutes Color. This film is presented in "Widescreen" format. Copyright 2002 Colombia Pictures Industries Inc. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 043396096615 Manufacturer No: 09661
Spider-Man - The Motion Picture DVD Trilogy (Spider-Man / Spider-Man 2 / Spider-Man 3)
by Sam Raimi
from Sony Pictures
No Description Available.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 30-OCT-2007
Media Type: DVD
Spider-Man 3
How does Spider-Man 3 follow on the heels of its predecessor, which was widely considered the best superhero movie ever? For starters, you pick up the loose threads from that movie, then add some key elements of the Spidey comic-book mythos (including fan-favorite villain Venom), the black costume, and the characters of Gwen Stacy and her police-captain father. In the beginning, things have never looked better for Peter Parker (Tobey Maguire): He's doing well in school; his alter ego, Spider-Man, is loved and respected around New York City. And his girlfriend, Mary Jane Watson (Kirsten Dunst), has just taken a starring role in a Broadway musical. But nothing good can last for Spidey. Mary Jane's career quickly goes downhill; she's bothered by Peter's attractive new classmate, Gwen Stacy (Bryce Dallas Howard); and the new Daily Bugle photographer, Eddie Brock (Topher Grace), is trying to steal his thunder. Enter a new villain, the Sandman (Thomas Haden Church), who can transform his body into various forms and shapes of sand and who may be connected to Peter's past in an unexpected way. There's also the son of an old villain, Harry Osborne (James Franco), who unmasked Spidey in the previous movie and still has revenge on his mind. And a new black costume seems to boost Spidey's powers, but transforms mild-mannered Peter into a mean and obnoxious boor (Maguire has some fun here).
If that sounds like a lot to pack into one 140-minute movie, it is. While director Sam Raimi keeps things flowing, assisted on the screenplay by his brother Ivan and Alvin Sargent, there's a little too much going on, and it's inevitable that one of the villains (there are three or four, depending on how you count) gets significantly short-changed. Still, the cast is excellent, the effects are fantastic, and the action is fast and furious. Even if Spider-Man 3 isn't the match of Spider-Man 2, it's a worthy addition to the megamillion-dollar franchise. --David Horiuchi
Spider-Man 2
More than a few critics hailed Spider-Man 2 as "the best superhero movie ever," and there's no compelling reason to argue--thanks to a bigger budget, better special effects, and a dynamic, character-driven plot, it's a notch above Spider-Man in terms of emotional depth and rich comic-book sensibility. Ordinary People Oscar-winner Alvin Sargent received screenplay credit, and celebrated author and comic-book expert Michael Chabon worked on the story, but it's director Sam Raimi's affinity for the material that brings Spidey 2 to vivid life. When a fusion experiment goes terribly wrong, a brilliant physicist (Alfred Molina) is turned into Spidey's newest nemesis, the deranged, mechanically tentacled "Doctor Octopus," obsessed with completing his experiment and killing Spider-Man (Tobey Maguire) in the process. Even more compelling is Peter Parker's urgent dilemma: continue his burdensome, lonely life of crime-fighting as Spider-Man, or pursue love and happiness with Mary Jane Watson (Kirsten Dunst)? Molina's outstanding as a tragic villain controlled by his own invention, and the action sequences are nothing less than breathtaking, but the real success of Spider-Man 2 is its sense of priorities. With all of Hollywood's biggest and best toys at his disposal, Raimi and his writers stay true to the Marvel mythology, honoring Spider-Man creators Stan Lee and Steve Ditko, and setting the bar impressively high for the challenge of Spider-Man 31. --Jeff Shannon
DVD Features:
The first commentary track is by director Sam Raimi and a self-deprecating Tobey Maguire speaking in tandem, and producer (and Marvel CEO) Avi Arad and coproducer Grant Curtis speaking in tandem. They discuss a number of topics, including Raimi's memory of his excitement over Richard Donner's Superman and how the character of Black Cat had to be dropped from the film. The second commentary is by six members of the Oscar-nominated effects team, and one of their primary focuses is how Doc Ock's arms were achieved by a combination of puppetry and CGI.
The centerpiece of the second disc is a massive two-hour documentary that can be viewed all at once or in 12 separate pieces. It covers the development of the story, the visual effects, costumes, stunts, and sound and music. Three shorter featurettes cover Peter Parker's struggle between his personal and hero lives, Doc Ock, and the women in Spider-Man's life, and what's interesting is how they discuss those topics not just in relation to the movies but to the comic books as well. (For example, Betty Brant and Gwen Stacy had a much greater impact in the comics.) There's a scene in which you can toggle among three different camera angles, and a gallery of 17 paintings Alex Ross created for the opening sequence. The sound and picture are spectacular, though only the Superbit edition has DTS. --David Horiuchi
Spider-Man
For devoted fans and nonfans alike, Spider-Man offers nothing less--and nothing more--than what you'd expect from a superhero blockbuster. Having proven his comic-book savvy with the original Darkman, director Sam Raimi brings ample energy and enthusiasm to Spidey's origin story, nicely establishing high-school nebbish Peter Parker (Tobey Maguire) as a brainy outcast who reacts with appropriate euphoria--and well-tempered maturity--when a "super-spider" bite transforms him into the amazingly agile, web-shooting Spider-Man. That's all well and good, and so is Kirsten Dunst as Parker's girl-next-door sweetheart. Where Spider-Man falls short is in its hyperactive CGI action sequences, which play like a video game instead of the gravity-defying exploits of a flesh-and-blood superhero. Willem Dafoe is perfectly cast as Spidey's schizoid nemesis, the Green Goblin, and the movie's a lot of fun overall. It's no match for Superman and Batman in bringing a beloved character to the screen, but it places a respectable third. --Jeff Shannon
Kiss the Girls
by Gary Fleder
from Paramount
Coming after The Silence of the Lambs and Seven, this thriller about a collaboration between two serial killers feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any dozen similar thrillers. --Jeff Shannon
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