Ogata, Ken

Vengeance Is Mine - Criterion Collection

Long before Vengeance Is Mine, American directors like Jules Dassin (Naked City) invested the procedural with journalistic detail. Similarly, Japan's Shohei Imamura (The Eel) lays out all the facts for the viewer's delectation: names, dates, times of death, and methods of execution, i.e. "skull crushed with blunt object." (In the DVD booklet, Michael Atkinson compares him to journalist-turned-filmmaker Samuel Fuller.) The murderer, however, is no mystery. Imamura introduces us to the unrepentant Iwao Enokizu (Mishima's Ken Ogata) in the opening sequence. He then backtracks to the clutch of murders the con man committed in the early 1960s. At the same time, he keeps an eye on the cops as they follow his trail, while flashing back to Enokizu's rebellious youth. Based on Ryuzo Saki's true-crime novel, Vengeance Is Mine further deviates from the neo-realist noirs of old by withholding judgment. That isn't completely surprising, since it was preceded by nine years in which Imamura worked exclusively in the documentary realm. Vicious killer that he is, Enokizu is outgoing rather than downbeat. Further, his past includes a weak-willed father and an unfaithful wife, but that information doesn't make him sympathetic. Nor does it explain his crimes. Enokizu is an empty vessel for the audience to fill as it sees fit. As Imamura acknowledges in "My Approach to Filmmaking" (also part of the booklet), "I love all the characters in my films, even the loutish and frivolous ones." Vengeance Is Mine is a must for fans of Japanese cinema and unconventional thrillers alike. --Kathleen C. Fennessy

LIKE ALL GREAT SHOHEI IMAMURA PROTAGONISTS, VENGEANCE IS MINE'S IWAO ENOKIZU (KEN OGATA) LURKS ON THE MARGINS OF JAPANESE SOCIETY. A THIEF, MURDERER, AND CHARMING LADY-KILLER, IWAO IS ON THE RUN FROM THE POLICE. DIRECTOR SHOHEI IMAMURA TURNS THIS FACT-BASED STORY, OF THE SEVENTY-THREE-DAY KILLING SPREE OF A REMORSELESS MAN FROM A DEVOUTLY CATHOLIC FAMILY, INTO A COLD, PERVERSE, AND, AT TIMES, DIABOLICALLY FUNNY TALE OF THE PRIMITIVE COEXISTING WITH THE MODERN. MORE THAN JUST A TRUE-CRIME CASE, VENGEANCE IS MINE BARES MANKIND'S SNARLING ID.

Mishima: A Life in Four Chapters - Criterion Collection

Paul Schrader's visually stunning, structurally audacious collagelike portrait of acclaimed Japanese author and playwright Yukio Mishima (played by Ken Ogata) investigates the inner turmoil and contradictions of a man who attempted an impossible harmony between self, art, and society. Taking place on Mishima's last day, when he famously committed public seppuku (ritual suicide), the film is punctuated by extended flashbacks to the writer's life as well as gloriously stylized evocations of his fictional works. With its rich cinematography by John Bailey, exquisite sets and costumes by Eiko Ishioka, and unforgettable, highly influential score by Philip Glass, Mishima: A Life in Four Chapters is a sincere tribute to its subject, and a bold, investigative work of art in its own right.

Special Features

- DIRECTOR-APPROVED SPECIAL EDITION DOUBLE-DISC SET FEATURES
- New, restored high-definition digital transfer of the director's cut, supervised and approved by director Paul Schrader and cinematographer John Bailey
- Optional English and Japanese voice-over narrations, the former by Roy Scheider, the latter by Ken Ogata
- New audio commentary featuring Schrader and producer Alan Poul
- The Strange Case of Yukio Mishima, a 55-minute BBC documentary about the author
- New interviews with Donald Richie and John Nathan, collaborators and friends of Yukio Mishima
- New interviews with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka
- A new audio interview with coscreenwriter Chieko Schrader
- A video interview excerpt featuring Mishima talking about writing
- Theatrical trailer
- New and improved English subtitle translation
- PLUS: A booklet featuring a new essay by critic Kevin Jackson and a piece on the film s censorship in Japan

The Hidden Blade

The Pillow Book

Peter Greenaway (The Cook, the Thief, His Wife and Her Lover, Drowning by Numbers) continues to delight and disturb us with his talent for combining storytelling with optic artistry. The Pillow Book is divided into 10 chapters (consistent with Greenaway's love of numbers and lists) and is shot to be viewed like a book, complete with tantalizing illustrations and footnotes (subtitles) and using television's "screen-in-screen" technology. As a child in Japan, Nagiko's father celebrates her birthday retelling the Japanese creation myth and writing on her flesh in beautiful calligraphy, while her aunt reads a list of "beautiful things" from a 10th-century pillow book. As she gets older, Nagiko (Vivian Wu) looks for a lover with calligraphy skills to continue the annual ritual. She is initially thrilled when she encounters Jerome (Ewan McGregor), a bisexual translator who can speak and write several languages, but soon realizes that although he is a magnificent lover, his penmanship is less than acceptable. When Nagiko dismisses the enamored Jerome, he suggests she use his flesh as the pages which to present her own pillow book. The film, complete with a musical score as international as the languages used in the narration, is visually hypnotic and truly an immense "work of art." --Michele Goodson

The Ballad of Narayama

"From two-time Palme d'Or-winning director Shohei IMAMURA comes a powerful and unforgettable human drama with exquisite cinematography. A milestone in Japanese Cinema, this film will question your fundamental view of humanity, and offers a glimpse into a timeless world where survival overrules compassion, and the decisions of who shall live and die are born of starving necessity and animal instinct.

In a small village in a remote valley, everyone who reaches the age of 70 is banished to the top of Mt. Narayama to die, so as not to be a burden on the village and bring disgrace upon their family. Old Orin is 69, and despite being in good health, in the coming winter it will be her turn to leave. But first, there are a few things that need doing.

DVD Features:

Aspect Ratio: 1.85:1
Presented in Anamorphic Widescreen
Japanese with English Subtitles

Bonus Material Includes: Image Gallery
Program Notes
Original Theatrical Trailers
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Zatoichi - Darkness Is His Ally

As the 26th installment in a popular film series that lasted 27 years, Zatoichi is essentially a "greatest hits" compendium of all the films that preceded it. That makes it essential viewing for Zatoichi fans and anyone interested in the voluminous "source code" for Quentin Tarantino's Kill Bill. Known in Japan as Zatoichi 26 or Zatoichi '89, this lavish production was the last to star Shintaro Katsu, who originated the title role of "the Blind Swordsman" in 1962's The Tale of Zatoichi and served triple-duty as writer and director of this stylishly violent latter-day adventure. Now much older and still a wandering loner, the blind, peace-loving masseur Ichi (or, in Japanese, Zato Ichi) seeks a quiet life among the gentle people of Edo Period villages, but when he's caught in a power struggle between rival Yakuza clans, his reputation as a deadly defender of the innocent precedes him, and he's forced to fend for himself in a series of sword-wielding showdowns. Between geysers of spurting crimson, this gorgeous Zatoichi film delivers good humor and mild sentiment, although series devotees were justifiably disappointed when the familiar plot failed to advance Zatoichi's legend in a middle-aged context. Still, the action sequences are frequent and fun, and despite controversy surrounding an accidental death during the climactic battle (for which Katsu's son, playing a villain, was ultimately found not guilty), this was a fitting farewell to Katsu's involvement in the franchise, which was revived once again with the successful release of Takeshi "Beat" Kitano's Zatoichi in 2003. --Jeff Shannon

Mishima - A Life in Four Chapters

An acclaimed and auspicious biography of an infamous and brilliant Japanese author who performed ritual seppuku in 1970.

Virus

The fate of mankind lies in the hands of a group of scientists located in the barren, nether regions of Antarctica when a disastrous plane crash releases a genocidal virus engineered for chemical warfare by the military.

Izo (Special Edition)

Shogun's Shadow: The Sonny Chiba Collection