Orth, Zak

Music and Lyrics (Widescreen Edition)

A has-been singer is asked to write and record a duet with a popular teen singer to reignite his career, having never written lyrics before he turns to a woman who has a way with words.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 4-SEP-2007
Media Type: DVD

Music and Lyrics is frothy and sweet, like the top of a perfect cappuccino shared a deux. Hugh Grant is a self-professed "happy has-been," playing his befuddled, adorable persona more spot-on than he has since Four Weddings and a Funeral. As Alex, former member of an '80s pop band who years later is playing at water parks and high school reunions, he's settled into a life of lesser expectations. Drew Barrymore, quietly radiant, is Sophie, the underachieving girl Friday who arrives to water--make that overwater--Alex's plants--and to explode him out of that comfy rut. If the plot's a bit farfetched, it matters not, since the two lead characters are so likable--and make such beautiful music together. Big bonus: the supportive role of Kristen Johnston as Rhonda, Sophie's older sis (and longtime Alex fan) whose hilarious performance threatens to steal the show whenever she's onscreen. (The owner of a chain of successful weight-loss centers, Rhonda tries to comfort a rattled Sophie: "Want to do some stress eating?") The film also marks the remarkable debut of Haley Bennett, who plays a pop star of Britney/Cristina proportions with deadpan sincerity radiating through her skimpy outfits and mega-extensions. As Alex and Sophie work on crafting musical magic, something else is taking hold. It's music to the ears of anyone needing a sweet romantic comedy that hits all the right notes. --A.T. Hurley

Wet Hot American Summer

Tasty and nutrition-free as a snow cone on a hot summer day, Wet Hot American Summer is a silly, hilarious throwback to those mildly smutty early-'80s teen comedies. It takes place on the last day of Camp Firewood's 1981 season, and it's everyone's last chance for romance, self-realization, and of course the Big Talent show. The movie is filled with brilliant comic performances; it looks like the cast just took over a summer camp and had a great time. Writers Michael Showalter and David Wain have captured the essence of parody: absolutely nailing the conventions of their subject, kidding the hell out of it, and all the while showing a real fondness for the genre. People unfamiliar with Meatballs and its many imitators may well be left cold by Wet Hot American Summer, but anyone born between 1965 and 1980 will love it. --Ali Davis

In & Out

When a Hollywood heartthrob (Matt Dillon, playing a Brad Pitt look-alike) "outs" his small-town high-school drama teacher Howard Brackett (Kevin Kline) during the Oscar telecast, the entire (fictional) town of Greenleaf, Indiana, wonders if Howard's really gay. More to the point, Howard wonders, too--quite a dilemma considering his pending marriage to Emily (Joan Cusack), who's patiently tolerated a three-year engagement. While a TV reporter (Tom Selleck) covers the ensuing furor, screenwriter Paul Rudnick and director Frank Oz make good-natured humor their highest priority, turning the "crisis" of coming out into a laugh-out-loud spin on conventional romantic comedy. The result is a film that delivers constant laughs and a golden opportunity for its fine cast to show off their considerable comedic talents--especially Cusack, who deservedly earned an Oscar nomination for her hilarious performance as the bride who's almost as confused as her would-be husband. That Rudnick and Oz have made a great comedy that's both old-fashioned and relevant to the late 20th century is no small feat, but In & Out has no hidden agenda apart from its triumphant desire to entertain. --Jeff Shannon

High school teacher Howard Brackett is outed by former student during the Oscars and does his frantic best to assert his manliness.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 9-AUG-2005
Media Type: DVD

When Trumpets Fade

First broadcast on HBO in June of 1998--shortly before the theatrical release of Steven Spielberg's Saving Private Ryan--this World War II drama offers an equally intimate and devastating study of combat and its tragic aftermath. Set in Germany during the closing days of the war, the film uses a little-known episode of U.S. military history--the bloody battle of the Hurtigen Forest--as the backdrop for the story of a battle-weary private (Ron Eldard) who is the only surviving member of his platoon. Despite his request for dismissal on the grounds of mental disability and shell-shock, he is considered a promising soldier by his superiors, promoted to sergeant, and assigned to command a fresh platoon of young, inexperienced soldiers. The cycle of war continues, and the film ends as it began--with one soldier carrying a mortally wounded comrade from a scene of devastating loss. A veteran of several war films, director John Irvin emphasizes the gritty, physically exhausting realities of combat with keen attention to detail on location in Hungary. This film is decidedly downbeat (don't look for any Spielbergian uplift here), but its depiction of warfare is undeniably powerful, earning praise for Irvin and HBO for tackling such an uncompromising project. --Jeff Shannon

Down to You

Al (Freddie Prinze Jr., from She's All That and I Know What You Did Last Summer) and Imogen (Julia Stiles from 10 Things I Hate About You) take turns narrating the story of their college romance. Al has a celebrity chef for a father (an amusing turn from Henry Winkler) and a rising porn star for a best friend (Zak Orth). The dialogue is stale, the story flounders, and the movie can't seem to decide whether it wants to be a sweet romance or a social satire. Down to You keeps dropping into odd fantasy bits that have nothing to do with, well, much of anything. But all the stars--including Selma Blair (Cruel Intentions) and Shawn Hatosy (Outside Providence) are pleasant and well groomed (well, except for Hatosy, who bears the brunt of being the poster boy for every fad of the '90s), and the soundtrack (featuring Cibo Matto, early David Bowie, Yo La Tengo, and others) is excellent. --Bret Fetzer

Hot screen favorites Freddie Prinze Jr. (SHE'S ALL THAT, I KNOW WHAT YOU DID LAST SUMMER) and Julia Stiles (10 THINGS I HATE ABOUT YOU) sizzle in a fun and sexy comedy where the magic of first love collides with the challenges of real life! From the moment they meet amid the chaos of college in New York City, Al (Prinze) and Imogen (Stiles) begin a romantic journey where true love often competes with the temptation to stray from commitment! As time passes and an outrageous array of friends enter the scene, they'll celebrate all the highs and confront all the lows that greet their passionate affair. Also featuring Henry Winkler (THE WATERBOY), Selma Blair (CRUEL INTENTIONS), and Shawn Hatosy (OUTSIDE PROVIDENCE, THE FACULTY) in a stellar cast -- you'll want to join this irresistible couple as they face the future ... with some wildly unexpected results!

William Shakespeare's Romeo & Juliet (Special Edition)

Baz Luhrmann (Strictly Ballroom) takes a shot at reinventing Shakespeare's story of star-crossed lovers as a visual pastiche inspired by MTV imagery, Hong Kong action-picture clichés, and Luhrmann's own taste for deliberate, gaudy excess. The result is explosive chaos, both in terms of bullets and visual sensibility, which some may find impossible to stick with for more than a few minutes. Leonardo DiCaprio and Claire Danes play the leads, though not with much distinction, while Pete Postlethwaite makes a huge impression as this movie's version of Friar Laurence. The film is successful in spots, but overall its fever-dream game plan is difficult to ride out. --Tom Keogh

Baz Luhrmann's dazzling and unconventional adaptation of William Shakespear's classic love story is spellbinding. Leonardo DiCaprio and Claire Danes portray Romeo and Juliet, the youthful star-crossed lovers of the past. But the setting has been moved from it's Elizabethan origins to the futuristic urban backdrop of Verona Beach.

Music and Lyrics (Full Screen Edition)

Music and Lyrics is frothy and sweet, like the top of a perfect cappuccino shared a deux. Hugh Grant is a self-professed "happy has-been," playing his befuddled, adorable persona more spot-on than he has since Four Weddings and a Funeral. As Alex, former member of an '80s pop band who years later is playing at water parks and high school reunions, he's settled into a life of lesser expectations. Drew Barrymore, quietly radiant, is Sophie, the underachieving girl Friday who arrives to water--make that overwater--Alex's plants--and to explode him out of that comfy rut. If the plot's a bit farfetched, it matters not, since the two lead characters are so likable--and make such beautiful music together. Big bonus: the supportive role of Kristen Johnston as Rhonda, Sophie's older sis (and longtime Alex fan) whose hilarious performance threatens to steal the show whenever she's onscreen. (The owner of a chain of successful weight-loss centers, Rhonda tries to comfort a rattled Sophie: "Want to do some stress eating?") The film also marks the remarkable debut of Haley Bennett, who plays a pop star of Britney/Cristina proportions with deadpan sincerity radiating through her skimpy outfits and mega-extensions. As Alex and Sophie work on crafting musical magic, something else is taking hold. It's music to the ears of anyone needing a sweet romantic comedy that hits all the right notes. --A.T. Hurley

A has-been singer is asked to write and record a duet with a popular teen singer to reignite his career, having never written lyrics before he turns to a woman who has a way with words.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 4-SEP-2007
Media Type: DVD

Romeo & Juliet - The Music Edition

Baz Luhrmann's dazzling and unconventional adaptation of William Shakespeare's classic love story is spellbinding.Leonardo DiCaprio and Claire Danes portray Romeo and Juliet the youthful star-crossed lovers of the past. But the setting has been moved from its Elizabethan origins to the futuristic backdrop of Verona Beach.This brilliant and contemporary retelling of the world's most tragic love affair makes this wildly inventive Romeo + Juliet unforgettable.System Requirements:Run Time: 120 minsFormat: DVD MOVIE Genre: DRAMA Rating: PG - 13 UPC: 024543403623 Manufacturer No: 2251564

The Ten

It's inevitable that a director with a sketch-comedy background, like The State's David Wain, would make a movie comprised of sketches. Written with his Wet Hot American Summer collaborator Ken Marino, The Ten brings the Big Man's commandments to life via 10 mini-movies or "stories," as host Paul Rudd calls them. (Rudd is joined by Famke Janssen, as his wife, and Jessica Alba, as his girlfriend.) The narratives rarely play out in a predictable manner, but laughs are in surprisingly short supply (possibly because each runs a few beats longer than necessary). Still, it's fun to see so many actors cast against type. In "Thou Shalt Not Take the Name of the Lord Thy God in Vain," Gretchen Mol's 35-year-old virgin falls for Justin Theroux's Mexican carpenter, while in "Thou Shalt Not Steal," Winona Ryder's newlywed falls for a ventriloquist's dummy--and runs off with the little wooden man. Unlike Krysztof Kieslowski's Decalogue, the acclaimed dramatic series inspired by the same source material, Wain and Marino have no trenchant observations to offer about modern morality. Their aim is to amuse. If that means references to prison rape ("Thou Shalt Not Covet Thy Neighbor's Wife" with Marino and The Daily Show's Rob Corddry) and loose bowels (Aaron Augenblick's "Lying Rhino," the only animated vignette), so be it. As a reinvention of retro sketch fests, like Kentucky Fried Movie, The Ten falls short, but it's worth a look for the cast, which includes Liev Schreiber, Adam Brody, and Oliver Platt. --Kathleen C. Fennessy

No one will mistake Jeff Reigert (Paul Rudd) for Moses or even Charlton Heston but they all have something in common. Like Moses and Heston Jeff's job is to introduce the world to the Ten Commandments. But in David Wain's loopy comedy "The Ten" he is not exactly the picture of virtue... In fact surrounded as he is by gigantic replicas of the famous stone tablets the genial host to his special presentation is so busy juggling wife Gretchen (Famke Janssen) and girlfriend (Jessica Alba) that he can barely get through a single commandment without breaking one himself. But that venality is part of the charm of the amiable outrageous and frequently hilarious biblical parody. Wain and Marino use the commandments as an excuse to indulge in ridiculous often surreal and sometimes tasteless humor... it lives up to the one unbendable commandment of comedy: It's funny.System Requirements:Running Time: 96 minutesFormat: DVD MOVIE Genre: COMEDY/SATIRE Rating: R UPC: 897246001171 Manufacturer No: 00117

Snow Falling on Cedars

Australian director Scott Hicks's follow-up to his widely beloved Shine comes as a small shock. Based on David Guterson's bestselling novel, Snow Falling on Cedars is far removed from the character-driven, pure storytelling of Shine and a comparative plunge into moody atmospherics. Action insinuates itself through the director's determined eye for watercolor composition and free-floating perspective, like random shoots of new growth in an overwhelming rain forest. It's impossible to be complacent as a viewer because Hicks's meditative style paradoxically forces one to locate and make the story happen internally.

The approach makes good aesthetic sense in that Guterson's story couches courtroom drama in dreamy textures, and Hicks is determined to reflect that even if it means turning an audience's idea of narrative on its head. He also gets a lot of help from the weather in the Pacific Northwest: the setting is one of Washington State's San Juan Islands, where rain embraces earth and sky in a singular, introverted personality. There, a Japanese American war hero (Rick Yune) stands accused of murdering a white fisherman in the years following World War II. His wife (Youki Kudoh) is the former childhood sweetheart and lover of a local newspaperman (Ethan Hawke) whose bitterness over the loss--as well as his helplessness during the internment of Japanese Americans, and the crusading legacy of his journalist father (Sam Shepard)--prevents him from coming to the defense of the accused man.

Layered emotions, layered sensations, layered clouds. This is historical fiction of a sort that works best as an experience of time's relativity: flowing, stopping, trickling. Ironically, the film's most commercial element, the trial, is the least interesting aspect, though old pro Max Von Sydow makes those scenes great fun as a wily defense counsel. --Tom Keogh