Pace, Judy

Brian's Song

While women shed more than a few tears over Love Story back in 1970, men had their equivalent with Brian's Song on TV. This biopic about the Chicago Bears' Brian Piccolo and Gale Sayers is no mere sports film. It's one of those transcendent stories that struck a rare cultural nerve, a sensitive film about love, friendship, cancer, racial harmony, and football that came along at just the right time. James Caan is at his free-spirited best as Piccolo, and Billy Dee Williams is very charming as the quiet Sayers destined for superstardom. Roommates and rivals, these two rookies soon become best friends because of their competitive natures and complementary personalities. When Piccolo becomes stricken with cancer, his relentless will to live inspires the talented Sayers to reach his athletic potential. Jack Warden, as the masterful coach George Halas, superbly manipulates the ying and yang relationship for all it's worth. Michel Legrand's melancholy theme still lingers in the mind as one of the all-time greats. --Bill Desowitz

Cotton comes to Harlem

Based on Chester Himes's novel, this film marked actor-writer Ossie Davis's directing debut. Godfrey Cambridge and Raymond St. Jacques play Himes's volatile police detectives, Gravedigger Jones and Coffin Ed Johnson, who are on the trail of white men who pulled an armed stickup at a Back to Africa rally in Harlem. The money belongs to the poor people who paid for a chance to return to the motherland--but was it really a stickup? Or is the flashy preacher at the center of the Back to Africa movement (Calvin Lockhart) involved in a scam to rip off his own people? The plot drags; the best part of the film are the performances (as well as spotting cameos by such actors as the then-unknown Cleavon Little) and the on-location shooting in parts of New York where a camera had rarely ventured previously. Redd Foxx shows up in a small part as a ragpicker that led to his role in TV's Sanford and Son. --Marshall Fine

One of the most influential Soul Cinema pix ever to shoot onto the screen, Cotton Comes To Harlem spawned the blaxploitation boom by delivering a "refreshingly different detective action yarn with soul and humor" (Cue) and an unbeatable mix of "fast-paced adventure [and] comic lunacy" (Pacific Film Archive). Detectives "Gravedigger" Jones (Godfrey Cambridge) and "Coffin Ed" Johnson(Raymond St. Jacques) are on the case and in everyone's face when they investigate Rev. Deke O'Malley (Calvin Lockhart)a brother whose "Back To Africa" campaign is nothing more than a big scam forbigga' bucks. But when $87,000 of O'Malley's laundered cash gets stashed in a bail of cotton, Gravedigger and Coffin find they're not the only dudes suddenly interested in soaring cotton prices! Trailing the bale all over Harlem, the detectives come up against the mafia, the police, black militantsand more in an all-out dash to nab the $87,000 cashand to 86 anyone who stands in the way!

Frogs

Millionaire Jason Crockett (Ray Milland. No, really. Ray Milland) hates frogs. Naturally, he lives on an island estate in the middle of a big Southern swamp. His family also hates frogs, so much so that they clap their hands over their ears and scream about the horrible, horrible noise. Everybody joins in spraying toxic chemicals around, little realizing that these frogs are not just moist, they're mad. Hopping mad. The family gathers for Grandpa's annual birthday celebration, unaware that doom is hopping toward them on wet, flapping feet. The point is driven home with shot after shot of the frogs hopping... hopping... hopping... and occasionally being tossed by a helpful stagehand. Actually, the whole swamp is mad--snakes, snapping turtles, and even crocodiles- -which is really for the best because the only thing the frogs seem to have in the way of menace is that hopping thing. One by one, family members go flailing into the swamp, never to return, while those still in the house watch death hop closer. Frogs is almost as remarkable for the sartorial issues it brings up as the environmental ones. Why is everyone wearing sweaters with blazers in Florida in July? How did Joan Van Ark manage to find an outfit that combines the practicality of hot pants with the beauty of a terrycloth jumper? Will Ray Milland ever be able to get the slime off that bright white suit? And still, the frogs hop closer... --Ali Davis

"A shocker reminiscent of Alfred Hitchcock's The Birds" (Variety), this amphibious horror flick is teeming with thousands of nasty-tempered creatures that are hopping madand murderous. Jumping with action, suspense, revenge and Southern Gothic charm, Frogs' stars Sam Elliott, Joan Van Ark and Ray Milland are constantly a lily pad away from croaking! Jason Crockett (Milland) is an aging, physically disabled millionaire who invites his family to his island estate for hisbirthday party. The old man is more than crotchety he's crazy! Hating nature, Crockett poisons anything that crawls on his property. But on the night of his shindig, it's nature's payback time, as thousands of frogs whip up every bug and slimy thing into a toxic frenzy until the entire environment goes environ-mental.