Palin, Michael

The Complete Monty Python's Flying Circus 16-Ton Megaset

This unassuming case is packed with 16 tons of funny: 14 discs of THE COMPLETE MONTY PYTHON S FLYING CIRCUS packed with every madcap moment from the programme s four year run plus 2 MONTY PYTHON LIVE! discs featuring--well you figure it out.While to the uninitiated they may look like ordinary .65 oz. digital video discs due to the unique physics of comedy (it s like quantum but with fewer dead cats) each disc actually weighs a full metaphoric ton! Please remember to lift with your knees.This 16-Ton Megaset contains every single episode of MONTY PYTHONG S FLYING CIRCUS--four years of blood sweat and blancmange--jammed into slivers of plastic the size of a tea plate and MONTY PYTHON LIVE!--Legendary live performances the 20-year celebration of Monty Python Parrot Sketch Not Included and the all-German Monty Python s Fligender Zirkus episode #1 squashed like pancakes. Sad really.Want to find the funny fast? Jump right to your favorite sketches in The Flying Circus with this index!Disc 1: The Funniest Joke in the World The Wrestling Episode and Nudge NudgeDisc 2: Art Critic Silly Job Interview and Crunchy FrogDisc 3: Dead Parrot Lumberjack Song and Vocational Guidance CounselorDisc 4: Undertaker s Film Upperclass Twit of the Year and AlbatrossDisc 5: The Ministry of Silly Walks The Spanish Inquisition and ComplaintsDisc 6: The Bishop Blackmail and DungDisc 7: Attila the Nun Silly Vicar and Exploding Penguin on the TV SetDisc 8: Scott of the Antarctic Dirty Hungarian Phrase-book and Exploding Blue DanubeDisc 9: Icelandic Saga Fish-Slapping Dance and Argument ClinicDisc 10: Blood Devastation War and Horror Mount Everest - Hairdresser Expedition and Gumby Brain SpecialistsDisc 11: Cheese Shop A Naked Man and The Olympic Hide and Seek FinalDisc 12: Elizabethan Pornography Smugglers Kamikaze Scotsman and PenguinsDisc 13: Montgolfier Brothers Department Store and RAF BanterDisc 14: Hamlet and Ophelia Mr. Neutron and Most Awful Family in BritainDisc 15: Live at the Holl

New for 2005, The Complete Monty Python's Flying Circus 16-Ton Megaset packs together the original 14-DVD megaset with the two-disc Monty Python Live in space-saving Thinpaks. While more cautious fans may want to pick and choose among the previously released individual volumes of Monty Python for their collection, true Pythonites will want to own this definitive megaset that contains all 45 episodes (in chronological order) of Monty Python's Flying Circus. This "persistently silly" collection encompasses three-and-a-half seasons of dead parrots, cross-dressing lumberjacks, loonies, upper class twits, and spam, spam, spam, spam, spam, spam, spam, baked beans, spam, spam, and spam. Click past the occasional clunker and go directly to such signature sketches as the Ministry of Silly Walks, the Spanish Inquisition, the Fish-Slapping Dance, the Dead Parrot Sketch, the Lumberjack Song, the Cheese Shop, the Argument Clinic, and Nudge, Nudge. Taken as a whole, one marvels at how Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam thoroughly subverted television convention with "something completely different," like sketches with no punch lines ("Your average TV viewer isn't going to understand this"). A warning to the uninitiated: there is much "material that some may find offensive, but which is really smashing." Violations of something called the "Strange Sketch Act" are the least of the troupe's offenses, as witness the Oscar Wilde Sketch, the Dirty Vicar Sketch, and the Most Awful Family in Britain Sketch, all of which achieve "the really gross awfulness" all Python fans are looking for. Say no more.

Monty Python TV shows, movies, records, and books are a time capsule of their anarchic lunacy. But more precious is an audience with Python, and as close as we can get is Live at the Hollywood Bowl, the long-sought-after 1982 concert film in which the Fab Six perform their greatest hits before a wildly enthusiastic crowd. Robert Klein moderates Live at Aspen, the irreverent 1998 U.S. Comedy Arts Festival tribute that reunited John Cleese, Eric Idle, Michael Palin, Terry Gilliam, and Terry Jones onstage for the first time in 18 years on the occasion of the troupe's 30th anniversary. Highlights include a shockingly funny moment involving Graham Chapman's ashes, and a joyous "Always Look on the Bright Side of Life" sing-along. Less essential is 1989's clip show Parrot Sketch Not Included: 20 Years of Python, which also does not include "The Oscar Wilde Sketch," "Cheese Shop," "Nudge-Nudge," and many other signature sketches. --Donald Liebenson

Monty Python and the Holy Grail (Special Edition)

Could this be the funniest movie ever made? By any rational measure of comedy, this medieval romp from the Monty Python troupe certainly belongs on the short list of candidates. According to Leonard Maltin's Movie & Video Guide, it's "recommended for fans only," but we say hogwash to that--you could be a complete newcomer to the Python phenomenon and still find this send-up of the Arthurian legend to be wet-your-pants hilarious. It's basically a series of sketches woven together as King Arthur's quest for the Holy Grail, with Graham Chapman as the King, Terry Gilliam as his simpleton sidekick Patsy, and the rest of the Python gang filling out a variety of outrageous roles. The comedy highlights are too numerous to mention, but once you've seen Arthur's outrageously bloody encounter with the ominous Black Knight (John Cleese), you'll know that nothing's sacred in the Python school of comedy. From holy hand grenades to killer bunnies to the absurdity of the three-headed knights who say "Ni--!," this is the kind of movie that will strike you as fantastically funny or just plain silly, but why stop there? It's all over the map, and the pace lags a bit here and there, but for every throwaway gag the Pythons have invented, there's a bit of subtle business or grand-scale insanity that's utterly inspired. The sum of this madness is a movie that's beloved by anyone with a pulse and an irreverent sense of humor. If this movie doesn't make you laugh, you're almost certainly dead. --Jeff Shannon

Time Bandits (Special Edition)

Divimax is a High Definition (HD) film transfer process that provides state-of-the-art picture quality--and can be viewed on any home entertainment system.

Monty Python and the Holy Grail (Extraordinarily Deluxe Three-Disc Edition)

Yoiks! Here be theiPython's tale of good King Arthur (Graham Chapman) andihis knightsias they questifor theiHoly Grail. Watchias they face great odds andisilly sots. See them wage battle against theifierce Killer Rabbit ("Run away! Run away!") And see them confront theidreaded Knights Who Say "Ni!"Oh these be trying times. Can these good knights pass theitest of valor andicut down yon tree with herring? Or will they blow themselvesito smithereens with Holy Hand Grenades? Courage Lancelot! Onward Galahad!A hysterical historical tour-de-farce from Terry Gilliam andiTerry Jones.System Requirements:Running Time: 91 MinFormat: DVD MOVIE Genre: COMEDY Rating: PG UPC: 043396124516 Manufacturer No: 12451

Could this be the funniest movie ever made? By any rational measure of comedy, this medieval romp from the Monty Python troupe certainly belongs on the short list of candidates. According to Leonard Maltin's Movie & Video Guide, it's "recommended for fans only," but we say hogwash to that--you could be a complete newcomer to the Python phenomenon and still find this send-up of the Arthurian legend to be wet-your-pants hilarious. It's basically a series of sketches woven together as King Arthur's quest for the Holy Grail, with Graham Chapman as the King, Terry Gilliam as his simpleton sidekick Patsy, and the rest of the Python gang filling out a variety of outrageous roles. The comedy highlights are too numerous to mention, but once you've seen Arthur's outrageously bloody encounter with the ominous Black Knight (John Cleese), you'll know that nothing's sacred in the Python school of comedy. From holy hand grenades to killer bunnies to the absurdity of the three-headed knights who say "Ni--!," this is the kind of movie that will strike you as fantastically funny or just plain silly, but why stop there? It's all over the map, and the pace lags a bit here and there, but for every throwaway gag the Pythons have invented, there's a bit of subtle business or grand-scale insanity that's utterly inspired. The sum of this madness is a movie that's beloved by anyone with a pulse and an irreverent sense of humor. If this movie doesn't make you laugh, you're almost certainly dead. --Jeff Shannon

Brazil

If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly branding poor Sam as a miscreant.

The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. This DVD version of Brazil is the special director's cut that first appeared in Criterion's comprehensive (and expensive) six-disc laser package in 1996. Although the DVD (at a fraction of the price) doesn't include that set's many extras, it's still a bargain. --Jim Emerson

Monty Python's the Meaning of Life

Perhaps only the collective brilliant minds of the Monty Python film and television troupe are up to the task of tackling a subject as weighty as the Meaning of Life. Sure, Kierkegaard, Wittgenstein, and their ilk have tried their hands at this puzzler, but only Python has attempted to do so within the commercial motion picture medium. Happily for us all, Monty Python's the Meaning of Life truly explains everything one conceivably needs to know about the perplexities of human existence, from the mysteries of Catholic doctrine to the miracle of reproduction to why one should avoid the salmon mousse to the critical importance of the machine that goes ping! Using fish as a linking device (and what marvelous links those aquatic creatures make), The Meaning of Life is presented as a series of sketches: a musical production number about why seed is sacred; a look at dining in the afterlife; the quest for a missing fish (there they are again); a visit from Mr. Death; the cautionary tale of Mr. Creosote and his rather gluttonous appetite; an unflinching examination of the harsh realities of organ donation, and so on. Sadly, this was the last original Python film, but it's a beaut. You'll laugh. You'll cry (probably because you're laughing so hard). You may even learn something about the Meaning of Life. Or at least about how fish fit into the grand scheme of things. --Jim Emerson

A Fish Called Wanda

Kevin Kline took home an Oscar for his performance as a self-absorbed lothario who prepares for lovemaking by drinking in his own "manly" musk, but it would be hard to single him out as the best thing about the film. The fact is, the entire cast of this hilarious comedy is perfect: John Cleese as the conservative barrister defending a member of sexy Jamie Lee Curtis's gang, Ms. Curtis as the conniving crook out to grab the haul for herself, and Michael Palin as the stuttering, animal-loving hit man whose attempts to murder a little old lady only decrease the size of her poodle pack. Cleese cowrote the zingy script with British comedy veteran Charles Crichton (The Lavender Hill Mob), whose smooth direction balances Monty Python farce, hysterically tasteless gags, and an unexpectedly romantic subplot with style and confidence. --Sean Axmaker

Tour-de-force performances from an unparalleled comic cast highlight this much-loved hit that Roger Ebert calls "the funniest movie I have seen in a long time!" Monty Pythoners John Cleese and Michael Palin (Search For The Holy Grail, The Meaning Of Life) join OscarÂ(r) winner* Kevin Kline (In & Out) and Jamie Lee Curtis (True Lies) in an entertainment so impeccably timed and executed that Time Magazine hailed it as: "Geniu[a film that] Redefines a great comic tradition!" Four conniving jewel thieves...three Yorkshire terriers...two heaving bosoms and one proper British barrister. It all adds up to "a non-stop barrage of...outrageous plot twists and over-the top performances" (L.A. Weekly) when a girl called Wanda (Curtis) tries to deceive her Nietzche-quoting boyfriend (Kline), an animal-loving hitman (Palin) and an embarrassment-prone counselor (Cleese) out of a fortune in jewels in this hilariously funny farce! *1988: Best Supporting Actor, A Fish Called Wanda

Fierce Creatures

In an attempt to catch lightning in a bottle, Monty Python veteran John Cleese wrote this slapstick farce for the purpose of reuniting the comedic cast of A Fish Called Wanda. Fierce Creatures is all about a media mogul (Kevin Kline) who owns a London zoo. He demands that the park raise more profit, so the new zoo director (Cleese) orders that only dangerous animals be displayed in order to maximize ticket sales. In a dual role, Kline also plays the mogul's son, who plans to run the zoo with the help of displaced employees (including Michael Palin) and zoo programmer Willa Weston (Jamie Lee Curtis). The situation lends itself to comedic confusion and split-second timing, and for a few good laughs the film is a pretty safe bet. It's not as hilarious as A Fish Called Wanda (that's a pretty tall order), but Cleese knows comedy, and his efforts are worth a look. --Jeff Shannon

And Now For Something Completely Different

Monty Python's first feature is essentially a reworking of their best skits from the first two seasons of their cult TV series Monty Python's Flying Circus, shot on film outside the usual studio sets (Nudge Nudge, for example, is set in a tavern filled with passersby). As the TV series was as yet unseen in the U.S. at the time of this feature, And Now for Something Completely Different became for many Americans their first taste of the Pythons' brand of surreal, silly humor and remains a fond favorite. The writing and performances are fine and the film is packed with some of their best bits: How to Avoid Being Seen, Hell's Grannies, Blackmail, The Lumberjack Song, and The Upper Class Twit of the Year, among others. Many of the sketches have been shortened, however, and the loss of the overbright video sheen (the film has a muddy, dull look to it) and the invigorating presence of a live audience leaves the film sluggish at times. They're still feeling out the possibilities of the feature-length, which they finally conquer with Monty Python and the Holy Grail, still their finest hour and a half. --Sean Axmaker

The Rutles - All You Need Is Cash

Originally hatched in 1978 as a short film parody for Saturday Night Live, this expanded, 70-minute mockumentary on a trend-setting quartet of British mop-tops bloomed into one of Eric Idle's better projects outside Monty Python. Taking the career (and hagiography) of the Beatles and inverting them quite nicely, Idle conjures up four doppelgangers who offer the familiar mannerisms but practically none of the intelligence of their models. If that sounds like the same gag that powered This Is Spinal Tap (which emerged six years later), it is, with the crucial difference that Idle's lampoon is precise where Tap was consciously generic.

In telling the saga of the Rutles, Idle (who doubles as earnest narrator and McCartney-esque Rutle Dirk McQuigley) works from a rich and immediately familiar trove of pop lore, and he has a ball revisiting and reinventing milestones from the Fab Four's fabled history. The attention to period detail helps elevate the gags further, but Idle's real secret weapon is Neil Innes, standing in as Ron Nasty, the Rutles' answer to John Lennon: it's Innes who serves as the musical architect for the wonderful Beatles parodies that give All You Need Is Cash a delicious kick, and Innes, a one-time principal in the legendary Bonzo Dog Band, is gifted enough to capture the band's lyricism and energy as well as their shifting sense of style.

With the blessing and on-camera participation of George Harrison, and wry cameos from Mick Jagger and Paul Simon, All You Need Is Cash is a perfect companion to the Beatles' own glorious screen comedies and a great antidote to sanctimonious pop documentaries. --Sam Sutherland