Palmer, Betsy

Mister Roberts

Henry Fonda re-created his Broadway hit for this 1955 film that was mostly directed by Fonda's frequent collaborator, John Ford (Young Mr. Lincoln, My Darling Clementine)--an ailing Ford was replaced at some point by Mervyn LeRoy--and the results are exceptionally fine. A perfect cast, including James Cagney's irascible captain, William Powell's thoughtful physician, and Jack Lemmon's Oscar-winning Ensign Pulver, give Fonda the right boost to portray his ennui-burdened officer with dignity, self-effacing humor, and not a trace of self-pity. A wonderful film. --Tom Keogh

The Long Gray Line

John Ford pours on the sentiment like syrup in The Long Gray Line, a tribute to the traditions of West Point. Tyrone Power ages 50 years to play real-life West Point legend Martin Maher, the scrappy Irish immigrant who rises from "another Mick waiter" to hot-tempered cadet to one of the best-loved instructors of the institution. Power is at his best as the charming rogue with a thick brogue, who ages into a feisty, gray-haired foster father to the cadets he and his fiery Irish wife (Maureen O'Hara) adopt over the years, among them Harry Carey Jr. (as young Dwight D. Eisenhower). Ford claims he didn't care for CinemaScope, but you wouldn't know it from the handsome, lush images that fill the frame. It lolls along at a lazy 140 minutes, balancing the respectful tributes with boisterous humor and boyish pranks but always centered by the generous heart of Maher. --Sean Axmaker

Friday the 13th

This splatter flick, along with John Carpenter's Halloween, helped spawn the great horror-movie movement of the '80s, not to mention eight sequels, many of which had nothing to do with the films that preceded them. It also gave birth to Jason Voorhees, one of the three biggest horror-movie psychos of the modern era (the other two being Halloween's Michael Myers and A Nightmare on Elm Street's Freddy Krueger). Forever duplicated, the original Friday the 13th popularized a number of themes and techniques that today are now clichés: the increasingly gory murders, the remote forest location, the anonymous and nubile cast, the murderer as cult hero, and, of course, the moral that if you have sex, you will die, very painfully. Still, if you have to see a Friday the 13th movie, this is the one to check out. A group of eager (and horny) teenagers decide to reopen Camp Crystal Lake, which 20 years earlier was closed after the shocking and mysterious murders of two amorous camp counselors. You can take it from there, as the teens get picked off one by one, during a dark and stormy night; of course, their car won't start and there's no phone. The ending stole shamelessly from Brian De Palma's Carrie, but it still provides a slight if campy shock. Look for a young Kevin Bacon as the requisite stud--you can tell that's what he is because when the cast appears in swimsuits, he's wearing a Speedo--who's the beneficiary of the film's best murder sequence, an arrowhead to the throat. Right after having sex, of course. --Mark Englehart

Mister Roberts (Keepcase)

Henry Fonda re-created his Broadway hit for this 1955 film that was mostly directed by Fonda's frequent collaborator, John Ford (Young Mr. Lincoln, My Darling Clementine)--an ailing Ford was replaced at some point by Mervyn LeRoy--and the results are exceptionally fine. A perfect cast, including James Cagney's irascible captain, William Powell's thoughtful physician, and Jack Lemmon's Oscar-winning Ensign Pulver, give Fonda the right boost to portray his ennui-burdened officer with dignity, self-effacing humor, and not a trace of self-pity. A wonderful film. --Tom Keogh

Henry Fonda, James Cagney, William Powell and Academy Award(R) winner Jack Lemmon steer a ramshackle Navy cargo ship into the wartime comedy hall of fame. An all-time classic. Year: 1955

Queen Bee

"Any man's my man if I want it that way." The speaker could only be Joan Crawford, as a wicked man-eater terrorizing her Deep South household in Queen Bee. Crawford's the whole show in this campy 1955 melodrama, which aspires to be second-rate Lillian Hellman but doesn't even reach that level. Having trapped a wealthy Southerner (Barry Sullivan) into marriage, Crawford takes her main pleasure in making life miserable for the other women of the mansion. This is fun to watch for a while, but director Ranald MacDougall (he wrote Mildred Pierce for Crawford) can't get the pace moving, and the final comeuppance is all too predictable. Crawford was going into her final high-diva phase at this point in her career, all chalky makeup and yard-long eyebrows, and Queen Bee clearly points the way toward What Ever Happened to Baby Jane? Star power prevails, however, and at least the picture summons up its share of unintentional laughs. --Robert Horton

The Tin Star

Anthony Mann made some of the greatest Westerns of the 1950s, all in partnership with James Stewart. Perhaps needing to prove himself as his own man, in 1957 Mann dropped out of Night Passage to do this film. It's a rather schematic character study about a lawman-turned-bounty-hunter (Henry Fonda) who undertakes the professional shaping-up of an effete young sheriff (Anthony Perkins) too tentative to police the streets of his town. Those streets are compositionally present right outside the oversize window of the office where Perkins undergoes a lot of his soul-searching and arguments with Fonda. That's typical of the film--scrupulously designed, yet abstract to the point of dramatic aridity. The VistaVision black-and-white of cameraman Loyal Griggs (Oscar®-winner for Shane) is at once stark and glossy. Fonda's own reclamation as a social being is accomplished by way of a not-very-interesting subplot involving Betsy Palmer and a half-breed child played by Michel Ray. --Richard T. Jameson

Friday the 13th, Part 2

As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark Englehart

Friday the 13th (1980) / Friday the 13th Part 2 (1981) (Double Feature)

FRIDAY THE 13TH: They comprise the most successful and shocking tales of terror in cinema history. Now, for the first time, the first eight classic Friday The 13th movies are available together in this killer DVD collection. Beginning with the picture that critics have called the original slasher flick, this collection spans nine years and includes seven additional blood-soaked, suspense-filled sagas starring one of the most horifying characters ever to wear a hockey mask and wield a machete: Jason Voorhees. It's a splatterfest of fear all the way from Crystal Lake to the mean streets of Manhattan. In addition, the collection includes a special disc filled with never-before-seen footage and fabulous extras that will slay even the most jaded horrorfilm aficionado! FRIDAY THE 13TH PART 2: Two months after the events of the original Friday the 13th, Alice (Adrienne King), the lone survivor or Mrs. Vorhees' killing spree, meets a grisly end in her city apartment. Five years later, a new group of co-eds converges near Camp Crystal Lake, scene of the original massacre and the drowning of Jason Vorhees that preceded it. This time around, the horny collegians attend a nearby training school for camp counselors. As half the group parties in town, an unseen assailant picks off the other half one by one. Only when camp leader Paul (John Furey) and his girlfriend, Ginny (Amy Steel), return to camp do they uncover the identity of their stalker — none other than Jason (Warrington Gillette) himself, alive but grotesquely deformed as a result of his childhood drowning. Flashbacks chronicle Jason's behind-the-scenes activities in the first film (perhaps explaining how his mother was able to throw the dead bodies of muscular youths through windows with such apparent ease). The young couple's only hope to defeat the fiend lies in psych major Ginny's insights in Jason's mental state.

TV's Greatest Game Shows - A Tribute to the Pioneers of Television Quiz Shows

An Incredible Collection of Over 20 Classic Shows - Celebrity Hosts - Guest Appearances from the Biggest Names in Hollywood! America's love affair with television grew by leaps and bounds in the 50's and 60's and so did its appetite for TV game shows. Night after night, network and syndicated shows kept Americans glued to their sets waiting to see who would become the next BIG WINNER! From the wacky and weird to the quickest and most challenging games ever created, you'll be treated to over 90 minutes of some of the best and worst game shows to ever hit the tube! Laugh along at live bloopers, learn little known facts about the shows and re-live great moments with some of the most famous hosts and celebrity contestants in television game show history! I'VE GOT A SECRET TO TELL THE TRUTH TRUTH OR CONSEQUENCES STUMP THE STARS BEAT THE CLOCK YOU BET YOUR LIFE MASQUERADE PARTY THE $64,000 CHALLENGE THE PRICE IS RIGHT TIC TAC DOUGH CHANCE OF A LIFETIME THE NAME'S THE SAME PDQ And many more... INCLUDES THESE PIONEERS OF TELEVISION GAME SHOW PRIME TIME TV: GARY MOORE BILL CULLEN SEBASTIAN CABOT BERT PARKS JUNE LOCKHART ROSS MARTIN GROUCHO MARX VINCENT PRICE BETSY PALMER BESS MYERSON JAN MURRAY BOB CRANE MONTY HALL And many more... Color & B/W

James Dean - Forever Young

A brief career. A timeless stardom. In just three major movie roles James Dean became an icon for the ages. Now his legacy shines even brighter thanks to this fascinating film that filled with an astonishing treasure trove of newfound or rare glimpses of Dean's TV performances is like a road map to his meteoric success. Michael J. Sheridan directs and Martin Sheen narrates this revealing documentary showcased at the 2005 Cannes Film Festival. Movie clips romances photos that are part of our national DNA (and the stories behind them) and the small-screen work that paved the way to the big screen are all part of the James Dean you couldn't see until now. Forever young. Endlessly fascinating.Running Time: 88 min.System Requirements: Running Time 88 MinFormat: DVD MOVIE Genre: DOCUMENTARIES/MISC. Rating: NR UPC: 012569597266