*Batteries Not Included
by Matthew Robbins
from Universal Studios
Quite possibly the nadir of Steven Spielberg's career as a producer, this piece of sentimental junk from 1987 concerns five little spacecraft which arrive on Earth just in time to help out some New Yorkers getting kicked out of a tenement. The script's goo just sticks to the viewer, and the cast looks silly by trying not to be silly. You get the feeling that Spielberg's Amblin Entertainment was pretty much throwing stuff at the wall to see what would hang there, and they came up with this ridiculous thing. --Tom Keogh
To Live and Die in L.A. (Special Edition)
by William Friedkin
from MGM (Video & DVD)
Secret Service agent Richard Chance will do anything--whether legal or not--to nail the creep who murdered his partner. Then he gets a lead on the killer...but the wily criminal is smooth enough to keep eluding capture.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 027616886453 Manufacturer No: 1004604
William Friedkin briefly revived his faltering career with this sleek, bleak thriller of a pair of secret service agents on the trail of a counterfeiter. William L. Peterson is the hotshot protégé of a career agent killed by the ruthless, almost feral counterfeiting genius Willem Dafoe (Platoon). Now Petersen, teamed with the smart but still green John Pankow (TV's Mad About You), is ready to twist arms, lean on criminals, steal, and even murder to exact his revenge. The harrowing chase through the streets of Los Angeles that climaxes on the freeway at rush hour, where Friedkin's brilliant twist sends them heading the wrong way, careening through a sea of cars coming straight at them, is still one of the most breathtaking car chases ever filmed. Friedkin's edgy crime thriller, stylishly shot in steely blues against hazy red and orange skies by Robby Muller (Paris, Texas), paints a very thin line between the good guys and the bad guys, and Wang Chung's techno soundtrack sets the proper mood--jumpy and alienated. It's a cynical and very brutal look into the world of law enforcement (adapted by Friedkin and former Secret Service man Gerald Petievich from his novel) and a cold portrayal of the power games between cops and feds, and cops and informants. John Turturro, Dean Stockwell, and Robert Downey Sr. are featured in supporting roles. --Sean Axmaker
Life as a House (New Line Platinum Series)
by Irwin Winkler
from New Line Home Video
A respectable tearjerker, Life as a House is a welcome throwback to angst-ridden family dramas like Ordinary People and Terms of Endearment. It falls short of those modern classics, but you'll probably still need Kleenex if you appreciate Kevin Kline's underrated dramatic skills. As the title suggests, Kline's project is a broad metaphor for repairing damaged lives from the foundation up. Playing an architect with terminal cancer, he gives an Oscar®-caliber performance, reaching out to his estranged, nihilistic son (future Star Wars star Hayden Christensen) and ex-wife (Kristin Scott-Thomas) as he wrecks and rebuilds the Malibu cliff-top home that contained his most painful memories. Director Irwin Winkler's flair with actors helps to minimize lapses in a script (by As Good As It Gets scribe Mark Andrus) that occasionally borders on maudlin. Overall, this is a fine reminder that Hollywood hasn't lost its soul to action and special effects. --Jeff Shannon
Mad About You - The Complete First Season
by Helen Hunt
from Sony Pictures
This 2-disc set contains the entire first season of 22 full episodes including the pilot! Get ready for romance and hilarious bickering in the Big Apple. Join Jamie and Paul Buchman (Academy Award winner Helen Hunt and Paul Reiser) as they navigate marriage in this 6 time Emmy Award winning series.
The Hunger
by Tony Scott
from Warner Home Video
Catherine Deneuve and David Bowie are rich, beautiful, and oh-so chic as denizens of the night. Dressed in sleek outfits and stylish sunglasses, they haunt rock & roll clubs on the prowl for young blood, whom they bring home to their impossibly luxurious mansion for a late-night snack. Being a vampire never looked more sexy, but there's a price: Bowie starts to age so fast he wrinkles up in the waiting room of a doctor's (Susan Sarandon) office. The agelessly elegant Deneuve, evoking Delphine Seyrig's Countess Bathory from Daughters of Darkness, is perfectly cast as a millenniums-old bloodsucker who seeks a new mate in Sarandon and seduces her in a sunlight-bathed afternoon of smooth, silky sex. Tony Scott's (Ridley's brother) directorial debut, adapted from the Whitley Strieber novel, revises the vampire myth with Egyptian inflections and removes all references to garlic and crosses and wooden stakes--these bloodsuckers can even walk around in the daylight--but the ties between blood and sex are as strong as ever. Scott's background as an award-winning commercial director is evident in every richly textured frame and his densely interwoven editing, but the moody atmosphere comes at the expense of dramatic urgency. At times the film is so languid it becomes mired in its hazy, impeccably designed visual style. In its own way, The Hunger is the perfect vampire film for the '80s, all poise and attitude and surface beauty. Sarandon talks candidly about the film in the documentary The Celluloid Closet. --Sean Axmaker
The Secret of My Success
by Herbert Ross
from Universal Studios
Derivative fluff from 1987, made tolerable by its bawdy exuberance and an appealing performance by Michael J. Fox, who was still enjoying TV stardom and the career momentum he earned by traveling Back to the Future. Here he plays a Kansas farm boy who dreams of scoring big in New York City, but reality turns out to be brutal to his ambition. When his uncle (Richard Jordan) gives him a mail-room job in the high-rise headquarters of a major corporation, Fox occupies an empty office and poses as a young executive, winning the attention of a lovely young colleague (Helen Slater) and having an affair with his boss's wife (Margaret Whitton). Sporadically amusing as a yuppie comedy and rather off-putting as a wannabe sex farce, the movie's still recommendable for its lively cast and a breezy style that almost succeeds in updating the conventions of vintage screwball comedy. Whitton is a standout performer here, so you may wonder why her comedic talent has been underrated, apart from a good role in the first two Major League movies. This may be little more than a big-screen sitcom, but it's not without its charms. --Jeff Shannon
The Chosen
by Jeremy Kagan
from 20th Century Fox
Chaim potok's novel about the friendship between two very different jewish youths in 1940's brooklyn.
A Stranger Among Us
by Sidney Lumet
from Walt Disney Video
Academy Award(R)-nominated star Melanie Griffith (Best Actress nominee -- WORKING GIRL, 1988) turns in a winning performance as detective Emily Eden, a tough New York City cop forced to go undercover to solve a puzzling murder. Her search for the truth takes her into a secret world of unwritten law and unspoken power, a world where the only way out is deeper in! Delivering edge-of-your-seat excitement that won't let you go, this action-packed thriller is sure to entertain you with its sizzling star power, electrifying story, and nonstop surprises!
The Object of My Affection
by Nicholas Hytner
from 20th Century Fox
In this ultra-hip, multilayered comedy, triangles and emotional imbroglios take on a new meaning. Well, at least they try. Jennifer Aniston plays a straight woman who falls in love with a gay man (Paul Rudd). She invites him to move in with her just hours after they meet. As their friendship progresses, she learns she is pregnant, and wants Rudd to act as daddy to her newborn, much to the consternation of her overbearing boyfriend (John Pankow).
The film takes itself too seriously, although there is some genuine emotion buried in Wendy Wasserstein's clunky script. It is not that the relationships are unbelievable; it is that the story lurches forward from one stilted setup to another. And unfortunately, characters are motivated by unknown forces to take on major life changes without explanation. More fortunate are two very likable performances by Rudd, who wisely plays this without cute, homosexual tics, and a most perky and appealing Aniston. Supporting actor Nigel Hawthorne walks away with the film as a gay drama critic who imparts a few important life lessons as he learns one of his own. --Rochelle O'Gorman
Jennifer Aniston stars in this sly romantic comedy as Nina, a young woman who falls in love with her new roommate, George, (Paul Rudd) even though he's gay and loves her purely as a friend. When Nina becomes pregnant, she realizes she'd rather raise her c
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