Powell, Nosher

A Fistful of Dollars (2-Disc Collector's Edition)

A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himself. --Edward Buscombe

An anonymous but deadly man rides into a town torn by war between two factions the Baxters and the Rojo's. Instead of fleeing or dying as most other would do the man schemes to play the two sides off each other getting rich in the bargain.Run Time: 100 minutesFormat: DVD MOVIE Genre: WESTERN/MISC. Rating: R UPC: 027616077387 Manufacturer No: M107738

Demetrius and the Gladiators

Amid a cast of all-stars in 1953's The Robe, Victor Mature made the strongest impression as the Greek slave, Demetrius. It was only natural, then, that Mature should star in this 1954 sequel, in which the newly liberated Demetrius forges an alliance with his Christian brethren to hide the sacred robe of Christ, coveted for its "magic" by the vile emperor Caligula (Jay Robinson, also reprising his role in The Robe). Captured and manipulated into believing his beloved Lucia (Debra Paget) has been killed, Demetrius rejects his pacifist faith, plots vengeance while becoming a rising star in the bloody arena, and falls prey to the scheming senator's wife Messalina (Susan Hayward), who craves his... affection. It all leads to a crisis of faith that will determine Demetrius's fate as a noble Christian or downfallen hedonist.

Inheriting The Robe's CinemaScope production values, Demetrius and the Gladiators has everything you'd want in a Biblical epic, riding the wave that would crest two years later with Cecil B. DeMille's The Ten Commandments. It's campy, of course--Robinson is outrageously over-the-top; Mature is too contemporary (preceding the absurdity of Richard Gere's King David by 30 years); and Hayward seems closer to Rodeo Drive than ancient Rome. Still, there are abundant pleasures here, from the lavish arena battles (a bit cheesy, but still impressive) to a straightforward morality tale that doesn't compromise its themes of religious loyalty. You don't watch movies like this for historical accuracy, but for the combination of thrills, passion, and glory that were Hollywood trademarks of 1950s epics, long before the more secular ambition of Gladiator. --Jeff Shannon

Rome, soon after the death of Christ. The depraved and mad Caligula is on the throne, obsessed with two things: the Robe, the garment that fell from Jesus' shoulders on the cross, and brutal gladiatorial displays. Victor Mature is the devout Christian entrusted with the Robe by Peter (Michael Rennie). But he turns his back on God, enters the arena, and becomes the most famous gladiator in Rome. Sharing the bed of the powerful and diabolical Messalina (Susan Hayward), he may even betray the Robe - and any hope he has for redemption!

A Fistful of Dollars

A mysterious gunman (Eastwood) has just arrived in San Miguel a grim dusty border town where two rival bands of smugglers are terrorizing the impoverished citizens. A master of the "quick-draw" the stranger soon receives offers of employment from each gang. But his loyalty cannot be bought; he accepts both jobs...and sets in motion a plan to destroy both groups of criminals pitting one against the other in a series of brilliantly orchestrated set-ups showdowns and deadly confrontations.System Requirements:Starring: Clint Eastwood Marianne Koch John Wels W. Lukschy S. Rupp and Joe Edger. Directed By: Sergio Leone Running Time: 110 Mins. Color This film is presented in both "Widescreen" and "Standard" formats. Copyright 1999 MGM Home Entertainment Inc.Format: DVD MOVIE Genre: WESTERN/MISC. Rating: R UPC: 027616785824 Manufacturer No: 907858

A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himself. --Edward Buscombe

Virgin Terror/Spider's Venom

Circus of Fear

Eat the Rich

In this outrageous British black comedy of manners, resentment against the ruling class explodes, thanks to a ticked-off waiter who, with the aid of revolutionary cohorts, turns an upper-crust restaurant into a jet-set banquet - literally. The laughs come fast and furious, thanks to a once-in-a-lifetime cast, including: Jennifer Saunders (Absolutely Fabulous), Dawn French (The Vicar of Dibley), Rik Mayall (The Young Ones), Miranda Richardson (The Hours), Motorhead's Lemmy, rock legend Paul McCartney, The Rolling Stones' Bill Wyman, Robbie Coltrane (Goldeneye), Katrin Cartlidge (Breaking the Waves) and many, many more!

Circus of Fear

A Fistful of Dollars [Region 2]

A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himself. --Edward Buscombe

Boom Boom! The Best of the Original Basil Brush Show [Region 2]

Demetrius and the Gladiators [Region 2]

Amid a cast of all-stars in 1953's The Robe, Victor Mature made the strongest impression as the Greek slave, Demetrius. It was only natural, then, that Mature should star in this 1954 sequel, in which the newly liberated Demetrius forges an alliance with his Christian brethren to hide the sacred robe of Christ, coveted for its "magic" by the vile emperor Caligula (Jay Robinson, also reprising his role in The Robe). Captured and manipulated into believing his beloved Lucia (Debra Paget) has been killed, Demetrius rejects his pacifist faith, plots vengeance while becoming a rising star in the bloody arena, and falls prey to the scheming senator's wife Messalina (Susan Hayward), who craves his... affection. It all leads to a crisis of faith that will determine Demetrius's fate as a noble Christian or downfallen hedonist.

Inheriting The Robe's CinemaScope production values, Demetrius and the Gladiators has everything you'd want in a Biblical epic, riding the wave that would crest two years later with Cecil B. DeMille's The Ten Commandments. It's campy, of course--Robinson is outrageously over-the-top; Mature is too contemporary (preceding the absurdity of Richard Gere's King David by 30 years); and Hayward seems closer to Rodeo Drive than ancient Rome. Still, there are abundant pleasures here, from the lavish arena battles (a bit cheesy, but still impressive) to a straightforward morality tale that doesn't compromise its themes of religious loyalty. You don't watch movies like this for historical accuracy, but for the combination of thrills, passion, and glory that were Hollywood trademarks of 1950s epics, long before the more secular ambition of Gladiator. --Jeff Shannon