Powell, William

The Complete Thin Man Collection (The Thin Man / After the Thin Man / Another Thin Man / Shadow of the Thin Man / The Thin Man Goes Home / Song of the Thin Man / Alias Nick and Nora)

Almost as welcome as a shaker full of martinis, The Complete Thin Man Collection represents an eagerly awaited DVD milestone for fans of the fizzy MGM movie series. The best film in the series came first: The Thin Man (1934), W.S. Van Dyke's marvelous adaptation of a Dashiell Hammet novel. The movie gods were in a generous mood when they paired William Powell and Myrna Loy as Nick and Nora Charles, the upper-class sophisticates whose sleuthing escapades somehow joined the classic form of the whodunit with the giddyup of screwball comedy. Among the series' many attributes, one of its most radical notions was the idea that a married couple might find each other delightful and view life as a goofy adventure together.

It is common wisdom that the Thin Man sequels adhere to the law of diminishing returns, and while none of the follow-ups reach the diamond level of the first film, all afford pleasures. There's the cocktail-swilling chemistry of Powell and Loy, for one thing, as well as the considerable satisfaction of average movies made during the studio system: the craftsmanship of studio hands, and a gallery of terrific character actors filling in supporting roles. First sequel After the Thin Man (1936) is very good, with the couple in San Francisco and a supporting part for rising player James Stewart. The scenery moves again, to Long Island, for the rather impudently-titled Another Thin Man (1939), which adds baby Nick, Jr., to the mix (a "bad idea," thought Pauline Kael, perhaps a sign of the domestication of the series).

Shadow of the Thin Man (1941) sets the action around a racetrack, and is the last of the series to be directed by the fast-working Van Dyke. The Thin Man Goes Home (1944) finds Nick escorting family to his parents' house for a visit. Song of the Thin Man (1947) engagingly adds a jazz milieu to the Charles's detective work; at this point, Nick, Jr. was played by child star Dean Stockwell. The series stuck with certain staples: the unveiling of the guilty party, a wirehaired terrier named Asta (who became a star in its own right), and booze. When Nick opines, in the first film, that a dry martini should always be shaken to "waltz time," you know why audiences fell in love with these guilt-free comedies. --Robert Horton

The sparkling series featured the irresistible William Powell and Myrna Loy chemistry as husband and wife sleuths who solved murders with the aid of their wire-haired terrier Asta. Set in the glamorous world of 1930s upper-class Manhattan The Thin Man and its sequels established the standard for witty comedy clever dialogue and urbane one upmanship. The 7-Disc set includes THE THIN MAN AFTER THE THIN MAN ANOTHER THIN MAN SHADOW OF THE THIN MAN SONG OF THE THIN MAN THE THIN MAN GOES HOME and the ALIAS NICK & NORA bonus documentary disc.Running Time: 592 min.Format: DVD MOVIE Genre: TELEVISION/CLASSIC UPC: 012569673991 Manufacturer No: 67399

Myrna Loy and William Powell Collection (Manhattan Melodrama / Evelyn Prentice / Double Wedding / I Love You Again / Love Crazy)

This set includes: Manhattan Melodrama Loy and Powell's first screen pairing showcases an on-screen magic that also sparks the tense courtroom thriller Evelyn Prentice. Comedies however - urbane to insane - were the duo's mainstays and this set has three of their bubbliest. In Double Wedding Loy doesn't want her sister to wed bohemian Powell. Any guess who does? A clunk to the head convinces fuddy-duddy Powell he's a con man - and Loy finds her changed hubby appealing in I Love You Again. And the loopiness gets loopier when Powell pretends he's off his rocker to stop Loy's divorce proceedings in Love Crazy.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012569798229 Manufacturer No: 79822

The Thin Man was just the beginning. Myrna Loy and William Powell were one of Hollywood's best-matched screen teams, with the chemistry fairly bubbling in their scenes together, as this Warner treasure trove boxed set shows. Audiences in the '30s and '40s delighted in the fact that Loy's urbane sophisticate characters could match Powell's quip for quip, martini for martini.

Manhattan Melodrama (1934) showcases Powell and Clark Gable as longtime friends on opposite sides of the law, and is the first pairing of Loy and Powell (and the first of four films they would make in 1934 alone. The film is briskly directed and the crackling screenplay won an Oscar the next year. Evelyn Prentice (1934) is the troubled wife (Loy) of a preoccupied attorney (Powell) who appears oblivious. The story isn't one of the strongest in the collection, but the cast sparkles nonetheless. A witchy Rosalind Russell makes her memorable film debut as a femme fatale.

Double Wedding (1937) lets Loy and Powell flex their comedic chops. The plot is full of switchbacks and misunderstandings, but the key point is that their pal Waldo (John Beal) is that dreaded '30s male screen archetype, the milquetoast. Much of the film's fun is watching Powell's character coach poor Waldo to grow a backbone: "Women don't like noble, self-sacrificing men. Women are not civilized like we are. They like bloodshed!"

I Love You Again (1940) is one of the top screwball comedies of all time. George (Powell) is bonked on the head and realizes he's had amnesia for the past several years, has been terribly boring and has been, yes, a milquetoast--who's about to be divorced by his fed-up wife, Kay (Loy). The crazy plot is lofted by the brilliant screenplay and the delivery of the two leads, who spar like expert fencers: George: "You be careful, madam, or you'll turn my pretty head with your flattery!" Kay: "I often wished I could turn your head--on a spit, over a slow fire." Divine! Love Crazy (1941) is another classic farce, featuring Powell in drag, Powell faking insanity, Powell conniving to win back Loy's love--all in a witty, urbane way, of course.

The set is also chockfull of great extras, with each feature paired with a classic comedy or musical short, plus cartoon or audio radio interviews. The icing on the cake: The fabulous packaging, including an image from the original movie posters on the discs themselves. Film lovers won't want to miss this splendid collection. --A.T. Hurley

Mister Roberts

Henry Fonda re-created his Broadway hit for this 1955 film that was mostly directed by Fonda's frequent collaborator, John Ford (Young Mr. Lincoln, My Darling Clementine)--an ailing Ford was replaced at some point by Mervyn LeRoy--and the results are exceptionally fine. A perfect cast, including James Cagney's irascible captain, William Powell's thoughtful physician, and Jack Lemmon's Oscar-winning Ensign Pulver, give Fonda the right boost to portray his ennui-burdened officer with dignity, self-effacing humor, and not a trace of self-pity. A wonderful film. --Tom Keogh

How To Marry A Millionaire

Nunnally Johnson's Broadway comedy was brought to the big screen by director Jean Negulesco, built around a trio of female stars, Lauren Bacall, Marilyn Monroe, and Betty Grable. They play friends who come up with a plan to find and marry rich men. They rent a lavish penthouse and use it as their launching pad to lure men with money in the bank. But each eventually finds that love is more important that material possessions, though it takes a while. One running joke has Monroe so insecure about her looks that she refuses to wear glasses, though this means she bumps into furniture and walls. The other has Bacall rejecting suitor Cameron Mitchell because he doesn't wear a tie, assuming this means he's low-class when, in fact, he's the Donald Trump of 1954. Pre-feminist comedy captures the mindset of an era in which women's identities were based on the men they married. It has its moments, but much of the humor seems dated, though its take on sexual politics is occasionally acute. --Marshall Fine

Three women rent an expensive New York penthouse apartment in the hope of catching rich husbands.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 20-APR-2004
Media Type: DVD

Life with Father

Ah, remember those good old days when father ruled the roost, keeping a tight rein on the money, the kids, and the docile wife? Well, neither does Clarence Day (William Powell), the title character in Life with Father. Taking place in New York in 1883, this charming comedy purports to show the life of a strict father managing his house and his family, only to be constantly--and unknowingly--out-manipulated by his somewhat ditzy wife, Vinnie (Irene Dunne). Day is terrifying enough that maids keep quitting, but Vinnie manages to keep Day under control--that is, until she discovers that he was never baptized. A battle ensues as she desperately tries to ensure that they will one day meet in heaven, and all the while he severely maintains that the church has no business messing with a man's soul. Meanwhile, young Clarence Day Jr. (Jimmy Lydon) is busy falling for visiting Mary Skinner (played gigglingly by Elizabeth Taylor), and his brother John concocts a money-making scheme that involves the selling of a rather dubious potion. The costumes, the characters, and the wonderful story line--based on a play that was based on the memoir written by Clarence Day Jr.--make this a delightful movie that's perfect for a family-film night. --Jenny Brown

Libeled Lady

Newspaper comedy doesn't seem like an MGM genre--ink-stained wretches don't go with Adrian gowns and white deco furniture--but Jack Conway, the designated bull in the Metro china shop (Boom Town, Too Hot to Handle) does what he can to bring some dash and flair to a wildly complicated script. Spencer Tracy is the tough city editor who goes to some spectacular extremes when socialite Myrna Loy files a $5 million libel suit against his paper for calling her a notorious home-wrecker; he hires celebrated ladies' man William Powell to seduce Loy and asks his long-suffering fiancée, Jean Harlow, to marry Powell temporarily so she can play the wronged wife when Loy and Powell are discovered together. The couples crisscross, with frenetic and not entirely unpredictable results, but much of the pleasure here lies in seeing these iconic stars being so thoroughly themselves. The dialogue strains for champagne wit, but the movie's most memorable moment is pure, rotgut slapstick--Powell's bout with an unruly fly-fishing rod. --Dave Kehr

Bill Chandler (William Powell) is one of America's great anglers a sports fisherman without peer. That's not the only fish story Chandler tells. Four of Hollywood's greatest stars - Powell Jean Harlow Myrna Loy and Spencer Tracy - reel in this whopper of a screwball romantic comedy classic nominated for a Best Picture Oscar. It all starts when society diva Loy slaps newsman Tracy with a libel suit. Tracy enlists fiancee Harlow and down-on-his-luck Powell in a counter-maneuver involving a rigged marriage a phony seduction a fabulously funny fishing scene fisticuffs broken promises and hearts and eventually true love for all. This Lady is one fine catch.Running Time: 98 min.Format: DVD MOVIE Genre: COMEDY UPC: 012569591929

The Kennel Murder Case

The Thin Man (Keepcase)

The intoxicating chemistry and repartee between the oft-teamed William Powell and Myrna Loy as Nick and Nora Charles--America's favorite soused detectives--is fully 100-proof in the marvelously witty Thin Man movies. You simply won't find more delightful movie company than Nick and Nora. The title, of course, refers not to Nicky the dick, but to the mysteriously missing scientist he and his lovely partner set out to find. Powell and Loy deliver their sparkling dialog with giddy enthusiasm (and occasionally slurred speech) in this rapid-fire, three-martini suspense comedy directed by famously speedy W.S. Van Dyke and adapted from the novel by Dashiell Hammett. The success of The Thin Man spawned a litter of sequels, including After the Thin Man (featuring a young James Stewart), Another Thin Man (in which a baby is added to the Charles family), Shadow of the Thin Man, The Thin Man Goes Home, and Song of the Thin Man. --Jim Emerson

Nick and Nora Charles cordially invite you to bring your own alibi to The Thin Man the jaunty whodunit that made William Powell and Myrna Loy the champagne elite of sleuthing. Bantering in the boudoir enjoying walks with beloved dog Asta or matching each other highball for highball and clue for clue they combined screwball romance with mystery. The resulting triumph nabbed four Academy AwardO nominations* (including Best Picture) and spawned five sequels. Credit W.S. "Woody" Van Dyke for recognizing that Powell and Loy were ideal together and for getting the studio's okay by promising to shoot this splendid adaptation of Dashiell Hammett's novel in three weeks. He took 12 days. They didn't call him "One-Take Woody" for nothing.Running Time: 93 min.Format: DVD MOVIE Genre: COMEDY UPC: 012569675681

The Great Ziegfeld

Winner of three Academy Awards including Best Picture, The Great Ziegfeld stars William Powell in a biopic "suggested by romances and incidents in the life of America's greatest showman, Florenz Ziegfeld Jr." With admirable accuracy, the film follows Ziegfeld's career from small-time sideshow barker to creator of the famous Ziegfeld Follies, the collection of singing, dancing, and comedy vaudeville acts that launched the careers of such luminaries as Fanny Brice, Ray Bolger, and Harriet Hoctor, all of whom play themselves in the film. In the title role, Powell offers a believable combination of ambition and hucksterism, and his Thin Man costar Myrna Loy makes a late appearance as his second wife, but it's large-eyed Luise Rainer who has the showier role (and won an Oscar) as Ziegfeld's first big star and first wife. The musical numbers, however, don't hold up quite as well as the plot, and the film is overlong at 185 minutes. It's fascinating, though, to see the vintage stars performing, and the eight-minute spectacle "A Pretty Girl Is Like a Melody" is an eye-popper, with an elaborate revolving set supporting a large cast singing and dancing to the Irving Berlin tune while throwing in some Puccini, Strauss, Leoncavallo, and Gershwin for good measure. --David Horiuchi

Flo Ziegfeld's midway attraction isn't drawing flies. "How's business Ziggy?" a rival taunts. This winner of three Academy Awards including Best Picture provides the career-chronicling answer. Florenz Ziegfeld Jr.'s business was good (with Broadway's legendary Follies and more) bad (including times the showman could scarcely rub two nickels together) and rarely lacking optimistic excess. Year: 1936Running Time: 186 min.Format: DVD MOVIE Genre: MUSICALS/MUSICALS UPC: 012569512429 Manufacturer No: 65124

Carole Lombard - The Glamour Collection (Hands Across the Table/ Love Before Breakfast/ Man of the World/ The Princess Comes Across/ True Confession/ We're Not Dressing)

In the 1930s, nobody combined glamour, romantic comedy, and drama better than Carole Lombard. Having entered show-biz at the age of 12, the former Jane Alice Peters (b. Oct. 6, 1908, in Fort Wayne, Indiana) distinguished herself from equally stellar contemporaries like Katharine Hepburn, Claudette Colbert, and Jean Arthur by establishing her versatility as a fashion icon whose beauty was matched by playful intelligence and a bright, independent persona (on screen and off) that predated feminism by 40 years and made her an appealing foil for admiring male costars. As this delightful half-dozen of her lesser-known features makes abundantly clear, her meteoric success was entirely well-deserved, and The Glamour Collection shows her as a star on the rise, gaining confidence and adoring fans with each new picture. As one of Paramount's most valued contract players, she starred in five of the six films included here (Love Before Breakfast was a loan-out to Universal), beginning with 1931's Man of the World, a Parisian romance written by Herman J. Mankiewicz (10 years before Citizen Kane) and headlined by future Thin Man star William Powell as an expatriate con artist who falls for Lombard's spoiled heiress--a romantic pairing made all the more believable by the stars' real-life marriage later that year.

A loose adaptation of The Admirable Crichton, We're Not Dressing (1934) is Depression-era entertainment at its most diverting, employing a full stable of Paramount players (including George Burns and Gracie Allen, Ethel Merman, and a young "Raymond" Milland) in a shipwreck romance between socialite Lombard and singing sailor Bing Crosby, who croons songs aplenty (including "Stormy Weather") and shares equal screen-time with an affectionate bear! Directed by Norman Taurog (best known for his later work with Dean Martin, Jerry Lewis, and Elvis Presley), it's every bit as fun as the Marx Brothers hits from the same period. Arguably the best film in this set, Hands Across the Table is noteworthy for the typically stylish direction of Mitchell Leisen, who brings his reliable sophistication to the tale of a New York manicurist (Lombard) who must choose between potential suitors Fred McMurray (as a would-be heir to a fortune) and disabled ex-pilot Ralph Bellamy. (This being 1934, Norman Krasna's otherwise excellent script restricts Bellamy to the romantic sidelines with outdated feel-good sentiment.) Love Before Breakfast (1936) is a similarly enjoyable but typically chauvinistic dose of '30s high-society love-play, in which Lombard bounces between boyfriend Cesar Romero and a Wall Street tycoon (Preston Foster) who knows what's best for her and bosses her around accordingly. In the mystery/comedy The Princess Comes Across (1936), McMurray returns as a lovestruck bandleader, falling for Lombard's radiant Swedish princess (played as a playful nod to Greta Garbo) on a cruiser bound for Hollywood.

After completing the classic Nothing Sacred, Lombard (who married Clark Gable in 1939) teamed with McMurray yet again in True Confession (1937), a black screwball thriller/comedy elevated by the presence of comedy stalwarts John Barrymore, Edgar Kennedy and Una Merkel. It rounds out The Glamour Collection in fine form (Lucille Ball is said to have modeled her TV persona after Lombard's character), and leads the way to such later classics as Made for Each Other (1939) and To Be or Not to Be (1942). Tragically, Lombard's outstanding career was cut short when she perished (along with her mother and 20 other passengers) in a 1942 plane crash. Fortunately for DVD collectors, these six films (all remarkably well-preserved with clear image and sound) serve as a fitting tribute to Lombard's unique talent, allowing movie lovers of all ages to rediscover one of the most alluring queens of the silver screen. --Jeff Shannon

A queen of the silver screen Hollywood star Carole Lombard carved a place for herself in film history with her roles in the six films gathered here: MAN OF THE WORLD WE'RE NOT DRESSING HANDS ACROSS THE TABLE LOVE BEFORE BREAKFAST THE PRINCESS COMES ACROSS and TRUE CONFESSION. See individual descriptions for details.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 025192845420 Manufacturer No: 28454