Preston, Billy

A Concert for George

A tribute to George Harrison under the musical direction of Eric Clapton.
Genre: Music Video: Concerts
Rating: NR
Release Date: 18-NOV-2003
Media Type: DVD

Exceptionally moving but not the least bit sentimental, Concert for George is a splendid tribute to the late George Harrison, whose contributions to the Beatles were so often hidden in the long shadows of John Lennon and Paul McCartney. A year to the day after Harrison's November 29, 2001 death, Eric Clapton assembled some musicians--people who had played with Harrison and known him intimately, including McCartney, Ringo Starr, and Tom Petty--to perform his music at London's Royal Albert Hall. They take on not just the predictable ("My Sweet Lord" and "Something," beautifully sung by Billy Preston and Sir Paul, respectively), but also lesser-known fare like "Old Brown Shoe" and "Beware of Darkness," all to superbly empathetic effect. But the tune most likely to make you misty-eyed is "While My Guitar Gently Weeps," which brings together three of the five musicians who played on the original recording: Ringo on drums, Clapton replicating his own classic solo, and McCartney playing piano and harmonizing with Clapton's lead vocal. Concert for George enjoyed a brief theatrical release, but even those who caught it on the big screen will delight in this two-disc DVD edition. Disc 1 features the complete concert (sans interview and rehearsal footage, but with a few additional songs and in the original running order), while disc 2 contains the theatrical version and some additional backstage and photo material. All in all, a beautiful piece of work. Wish you were here, George--but man, what a way to be missed. --Sam Graham

Sgt. Pepper's Lonely Hearts Club Band

If it weren't for a couple of inspired performances, as well as the time-capsule weirdness of it all, Sgt. Pepper's Lonely Hearts Club Band would be definitively unwatchable. This misguided effort to dramatize the classic Beatles album (the Fab Four had nothing to do with it, thank goodness) also includes tunes from other Beatles LPs, strung together in lumbering '70s rock-opera style. Peter Frampton, then at the crest of his brief run at the top, stars as Billy Shears, with the Bee Gees wearing the glossy day-glo band jackets from the Pepper album cover. Earth, Wind & Fire turn in a spirited revamp of "Got to Get You into My Life," and Aerosmith thrash their way through "Come Together"; but most of the performances are pretty awful. Out-and-out novelties include Steve Martin doing "Maxwell's Silver Hammer" and George Burns (but of course) warbling "Fixing a Hole." This high-profile 1978 flop helped kill the hot streak (Saturday Night Fever, Grease) of record and movie producer Robert Stigwood and sink his RSO movie-music empire. --Robert Horton

The Derby Stallion

Dissatisfied in following his father's path to a baseball career, a teen boy begins training as steeplechase rider with a grizzled race veteran.
Genre: Feature Film Family
Rating: NR
Release Date: 5-JUN-2007
Media Type: DVD

Part of growing up is discovering something that inspires a true passion within and allowing that passion to guide one's actions and choices. The process of self-discovery isn't easy, and when 15-year-old Patrick McCardle (High School Musical's Zac Efron) realizes that playing baseball is more his father's dream than his own, it's an unlikely friendship with old man Houston Jones (Bill Cobbs), a recluse and horse trainer, that inspires Patrick's newfound passion for the exciting world of horse jumping. Patrick and his father (William R. Moses) clash over Patrick's decision to give up baseball and spend time training for the Derby Cup race with Houston, but eventually Patrick and his father come to a mutual understanding and gain a whole new sense of respect for one another as they begin to really talk about and listen to each other's dreams and desires. The road to becoming a derby rider is difficult, but as Houston and Patrick work together, the two share dreams and disappointments and become incredibly close. In the end, Houston, a most unlikely role model, winds up having a profoundly positive impact on Patrick's life both on and off the racetrack. (Ages 5 and older) --Tami Horiuchi

Concert for Bangladesh (2pc)

Before We Are the World, before the Amnesty International concerts, before Live Aid, Live 8, 46664, and all the other charitable and/or political events that have used popular music as their principal draw, there was George Harrison's 1971 Concert for Bangladesh, a stirring affair released here in a fine two-disc set. The cause--raising money for the beleaguered people of Bangladesh (formerly East Pakistan), who were ravaged by war, floods, and famine--was enough to attract the support of stars like the former Beatle, who had never fronted a band before, along with Bob Dylan and Eric Clapton, both of whom had been out of the limelight for some years due to various personal problems and choices. Given the little time that Harrison, whose help had been solicited by sitar master Ravi Shankar, had to organize the affair, the results are very impressive indeed: the enormous band, which also features Ringo Starr, Leon Russell, and Billy Preston, is tight, the music (spotlighting tunes from Harrison's All Things Must Pass, along with a few Beatle numbers) inspired, the musicians at the top of their games. (Only Clapton is sub-par; looking out of it and playing weakly, he's a far cry from the guy who, some 30 years later, would spearhead the magnificent Concert for George.) For some, the opportunity to see Dylan onstage with Harrison, Starr, and Russell (playing bass) will be the big attraction. Others will thrill to the remastered DVD sound and restored picture. Still others will revel in an entire disc of bonus material, including three previously-unreleased performances and a documentary featuring new interviews with many of the participants. 1971 was a bleak period in rock history; the Beatles had broken up, Hendrix, Joplin, and Morrison were dead, Woodstock was a distant memory. The Concert for Bangladesh shone like a beacon, a revelation of the better angels that reside within us all. And it still does. --Sam Graham

The Concert for Bangladesh was the first benefit concert of its kind in that it brought together an extraordinary assemblage of major artists collaborating for a common humanitarian cause-setting the precedent that music could be used to serve a higher purpose. The concert sold out Madison Square Garden and has helped to generate millions for UNICEF and raised awareness for the organization around the world, as well as among other musicians and their fans. It is acknowledged as the inspiration and the forerunner to the major global fundraising events of recent years. To quote the United Nations Secretary General Kofi Annan, "George and his friends were pioneers." All artists' royalties from the sales of the DVD will go to UNICEF.

Come Together - A Night for John Lennon's Words and Music

A disparate group of performers gathers to celebrate the life and music of John Lennon in this 90-minute concert, recorded in 2001 at New York's Radio City Music Hall and originally broadcast on the WB Television Network. Considering both the setting and the fact that it came just three weeks after the events of September 11, it's not surprising that the show has a somewhat somber tone, but that makes Lennon's message of universal peace somehow all the more relevant. As for the songs, the majority come from Lennon's Beatle days, including "In My Life" (Dave Matthews), "Strawberry Fields Forever" (Cyndi Lauper), and "Dear Prudence" (Alanis Morissette); but it's the material from his solo years that yields the most passionate performances, especially by Shelby Lynne ("Mother") and Lou Reed ("Jealous Guy"). Host Kevin Spacey does a surprisingly effective turn on "Mind Games," and the inclusion of Lennon's son Sean is both appropriate and touching. Nice. --Sam Graham

The Concert for Bangladesh (Limited Deluxe Edition)

Before We Are the World, before the Amnesty International concerts, before Live Aid, Live 8, 46664, and all the other charitable and/or political events that have used popular music as their principal draw, there was George Harrison's 1971 Concert for Bangladesh, a stirring affair released here in a fine two-disc set. The cause--raising money for the beleaguered people of Bangladesh (formerly East Pakistan), who were ravaged by war, floods, and famine--was enough to attract the support of stars like the former Beatle, who had never fronted a band before, along with Bob Dylan and Eric Clapton, both of whom had been out of the limelight for some years due to various personal problems and choices. Given the little time that Harrison, whose help had been solicited by sitar master Ravi Shankar, had to organize the affair, the results are very impressive indeed: the enormous band, which also features Ringo Starr, Leon Russell, and Billy Preston, is tight, the music (spotlighting tunes from Harrison's All Things Must Pass, along with a few Beatle numbers) inspired, the musicians at the top of their games. (Only Clapton is sub-par; looking out of it and playing weakly, he's a far cry from the guy who, some 30 years later, would spearhead the magnificent Concert for George.) For some, the opportunity to see Dylan onstage with Harrison, Starr, and Russell (playing bass) will be the big attraction. Others will thrill to the remastered DVD sound and restored picture. Still others will revel in an entire disc of bonus material, including three previously-unreleased performances and a documentary featuring new interviews with many of the participants. 1971 was a bleak period in rock history; the Beatles had broken up, Hendrix, Joplin, and Morrison were dead, Woodstock was a distant memory. The Concert for Bangladesh shone like a beacon, a revelation of the better angels that reside within us all. And it still does. --Sam Graham

The Concert for Bangladesh was the first benefit concert of its kind in that it brought together an extraordinary assemblage of major artists collaborating for a common humanitarian cause-setting the precedent that music could be used to serve a higher purpose. The concert sold out Madison Square Garden and has helped to generate millions for UNICEF and raised awareness for the organization around the world, as well as among other musicians and their fans. It is acknowledged as the inspiration and the forerunner to the major global fundraising events of recent years. To quote the United Nations Secretary General Kofi Annan, "George and his friends were pioneers." All artists' royalties from the sales of the DVD will go to UNICEF.

Concert For Bangladesh

Before We Are the World, before the Amnesty International concerts, before Live Aid, Live 8, 46664, and all the other charitable and/or political events that have used popular music as their principal draw, there was George Harrison's 1971 Concert for Bangladesh, a stirring affair released here in a fine two-disc set. The cause--raising money for the beleaguered people of Bangladesh (formerly East Pakistan), who were ravaged by war, floods, and famine--was enough to attract the support of stars like the former Beatle, who had never fronted a band before, along with Bob Dylan and Eric Clapton, both of whom had been out of the limelight for some years due to various personal problems and choices. Given the little time that Harrison, whose help had been solicited by sitar master Ravi Shankar, had to organize the affair, the results are very impressive indeed: the enormous band, which also features Ringo Starr, Leon Russell, and Billy Preston, is tight, the music (spotlighting tunes from Harrison's All Things Must Pass, along with a few Beatle numbers) inspired, the musicians at the top of their games. (Only Clapton is sub-par; looking out of it and playing weakly, he's a far cry from the guy who, some 30 years later, would spearhead the magnificent Concert for George.) For some, the opportunity to see Dylan onstage with Harrison, Starr, and Russell (playing bass) will be the big attraction. Others will thrill to the remastered DVD sound and restored picture. Still others will revel in an entire disc of bonus material, including three previously-unreleased performances and a documentary featuring new interviews with many of the participants. 1971 was a bleak period in rock history; the Beatles had broken up, Hendrix, Joplin, and Morrison were dead, Woodstock was a distant memory. The Concert for Bangladesh shone like a beacon, a revelation of the better angels that reside within us all. And it still does. --Sam Graham

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