Dirty Dancing (20th Anniversary Edition)
from Lions Gate
The summer of 1963 innocent 17-year-old Baby (Grey) vacations with her parents at a Catskill's resort. One evening she is drawn to the staff quarters by stirring music. There she meets Johnny the hotel dance instructor who is as experienced as Baby is naive. Baby soon becomes Johnny's pupil in dance and love.Special Features: DISC ONE: Commentary with Writer/ Co-Producer Eleanor Bergstein Trivia Track Newly Remastered Audio DISC TWO: DIRTY DANCING with Patrick Swayze Tribute to Jerry Orbach Deleted Scenes Alternate Scenes Extended Scenes Outtakes Original Screen Tests Multi Angle Dance Sequences The Classic Story on Stage Interactive Photo Gallery Jennifer Grey Interview Eleanor Bergstein Interview Kenny Ortega Interview Emile Ardolino Tribute "Hungry Eyes" Music Video "She's Like The Wind" Music Video "(I've Had) The Time Of My Life" Music Video TrailersSystem Requirements:Running Time: 105 Mins.Format: DVD MOVIE Genre: DRAMA Rating: PG - 13 UPC: 012236212775 Manufacturer No: 21277
Dirty Dancing (Ultimate Edition)
from Lions Gate
An innocent young girl is introduced to the sensuality of dance when she meets the dance instructor at her resort hotel.
Genre: Musicals
Rating: PG13
Release Date: 9-DEC-2003
Media Type: DVD
As with Grease (1978) and Footloose (1984) before it, Dirty Dancing was a cultural phenomenon that now plays more like camp. That very campiness, though, is part of its biggest charm. And if the dancing in the movie doesn't seem particularly "dirty" by today's standards--or 1987's--it does take place in an era (the early '60s) when it would have. Frances "Baby" Houseman (Jennifer Grey, daughter of ageless hoofer Joel Grey) has been vacationing in the Catskills with her family for many years. Uneventfully. One summer, she falls under the sway (as it were) of dance instructor Johnny Castle (Patrick Swayze). Baby is a pampered pup, but Johnny is a man of the world. Baby's father, Jake (Law and Order's Jerry Orbach), can't see the basic decency in greaser Johnny that she can. It should come as no surprise to find that Baby, who can be as immature as her name, learns more about love and life--and dancing--from free-spirited Johnny than traditionalist Jake.
Dirty Dancing spawned two successful soundtracks, a short-lived TV series, and a stage musical. It may be predictable, but Grey and Swayze have chemistry, charisma, and all the right moves. It's a sometimes silly movie with occasionally mind-boggling dialogue--"No one puts Baby in a corner!"--that nonetheless carries an underlying message about tolerance and is filled with the kind of exuberant spirit that's hard for even the most cynical to resist. Not that they'd ever admit it. --Kathleen C. Fennessy
Leonard Bernstein's Candide (Great Performances)
from Image Entertainment
When a show's pit band is the New York Philharmonic, you can expect something special, and that's what this all-star Candide delivers. It is a concert performance, without scenery but with costumes, makeup, a bit of dancing, and a lot of acting. Musically, it sounds like the best of all possible Candides. Besides an unusually talented cast, its strong points include the pacing and accentuation of Marin Alsop, one of the brightest individuals in the younger generation of conductors; the polished presence of Thomas Allen, who doubles as the narrator and Dr. Pangloss, and the spirited participation of the brilliant Westminster Symphonic Choir.
Taught in childhood to believe they live in "the best of all possible worlds," the young characters struggle to preserve their optimism through a harrowing sequence of war, famine, shipwreck, piracy, slavery, rape, and disease with a sparkle in their eyes and a tune on their lips, until, with difficulty, they finally reach a sense of reality.
Candide spans the traditional division between opera and Broadway. The soloists, all headliners, are recruited from both worlds. Broadway is represented by Patti LuPone, who became a legend in Evita, and Tony award winner Kristin Chenoweth. Paul Groves and Stanford Olsen have distinguished operatic backgrounds. They all sing Leonard Bernstein's catchy tunes and the show's clever lyrics with gorgeous voices, a lot of acting skill and a witty, flippant response to Voltaire's cynical (or, rather, realistic) philosophy. --Joe McLellan
Leonard Bernstein's brilliant comic operetta comes to dazzling new life under theguidance of director Lonny Price (A Class Act). Based on the classic Voltaire tale of an innocent young man's journey through a life filled with colorful characters and unexpected life lessons, this tune-filled frolic features Tony Award©-winners Patti LuPone and Kristin Chenoweth heading a dazzling cast with Paul Groves, Stanford Olsen, Sir Thomas Allen and the Westminster Symphonic Choir. The impeccable score (with lyrics by luminaries including Lillian Hellman, Dorothy Parker, Stephen Sondheim, Richard Wilbur and John La Touche) includes a host of delightful songs such as "Life Is Happiness Indeed," "It Must Be So," "You Were Dead, You Know" and "Make Our Garden Grow." Now enjoy this all-new production of a musical comedy favorite with Broadway's top stars!
Dirty Dancing (Collector's Edition)
from Live / Artisan
As with Grease (1978) and Footloose (1984) before it, Dirty Dancing was a cultural phenomenon that now plays more like camp. That very campiness, though, is part of its biggest charm. And if the dancing in the movie doesn't seem particularly "dirty" by today's standards--or 1987's--it does take place in an era (the early '60s) when it would have. Frances "Baby" Houseman (Jennifer Grey, daughter of ageless hoofer Joel Grey) has been vacationing in the Catskills with her family for many years. Uneventfully. One summer, she falls under the sway (as it were) of dance instructor Johnny Castle (Patrick Swayze). Baby is a pampered pup, but Johnny is a man of the world. Baby's father, Jake (Law and Order's Jerry Orbach), can't see the basic decency in greaser Johnny that she can. It should come as no surprise to find that Baby, who can be as immature as her name, learns more about love and life--and dancing--from free-spirited Johnny than traditionalist Jake.
Dirty Dancing spawned two successful soundtracks, a short-lived TV series, and a stage musical. It may be predictable, but Grey and Swayze have chemistry, charisma, and all the right moves. It's a sometimes silly movie with occasionally mind-boggling dialogue--"No one puts Baby in a corner!"--that nonetheless carries an underlying message about tolerance and is filled with the kind of exuberant spirit that's hard for even the most cynical to resist. Not that they'd ever admit it. --Kathleen C. Fennessy
The Chosen
by Jeremy Kagan
from 20th Century Fox
Chaim potok's novel about the friendship between two very different jewish youths in 1940's brooklyn.
Dumb and Dumberer: When Harry Met Lloyd
from Home Line Home Video
As with Grease (1978) and Footloose (1984) before it, Dirty Dancing was a cultural phenomenon that now plays more like camp. That very campiness, though, is part of its biggest charm. And if the dancing in the movie doesn't seem particularly "dirty" by today's standards--or 1987's--it does take place in an era (the early '60s) when it would have. Frances "Baby" Houseman (Jennifer Grey, daughter of ageless hoofer Joel Grey) has been vacationing in the Catskills with her family for many years. Uneventfully. One summer, she falls under the sway (as it were) of dance instructor Johnny Castle (Patrick Swayze). Baby is a pampered pup, but Johnny is a man of the world. Baby's father, Jake (Law and Order's Jerry Orbach), can't see the basic decency in greaser Johnny that she can. It should come as no surprise to find that Baby, who can be as immature as her name, learns more about love and life--and dancing--from free-spirited Johnny than traditionalist Jake.
Dirty Dancing spawned two successful soundtracks, a short-lived TV series, and a stage musical. It may be predictable, but Grey and Swayze have chemistry, charisma, and all the right moves. It's a sometimes silly movie with occasionally mind-boggling dialogue--"No one puts Baby in a corner!"--that nonetheless carries an underlying message about tolerance and is filled with the kind of exuberant spirit that's hard for even the most cynical to resist. Not that they'd ever admit it. --Kathleen C. Fennessy
Jacob Have I Loved
by Victoria Hochberg
from Bonneville Ent.
Sixteen-year-old Louise Bradshow (Bridget Fonda, It Could Happen To You, Point of No Return, Camille) dreams of the time when she can leave her isolated Chesapeake Bay fishing community and escape the shadow of her beautiful, confident, and talented twin sister Caroline (Jenny Robertson). It takes a special friendship and the birth of a new set of twins on the island to help Louise move beyond jealousy and to discover her own talents and goals.
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