Prosky, Robert

The Great Outdoors

This hit-and-miss 1988 comedy pairs John Candy and Dan Aykroyd in a story of one family's summer vacation all but ruined by the uninvited appearance of another, more loutish family. Howard Deutch (Some Kind of Wonderful) directs from a half-hearted John Hughes script, which reduces Hughes's jokes-and-epiphanies formula (The Breakfast Club, Home Alone) to true gaudiness. On the other hand, Annette Bening makes her screen debut here. The DVD release has a widescreen presentation, production notes, trailer, optional French soundtrack, and optional Spanish subtitles. --Tom Keogh

The Natural (Director's Cut)

Nothing was going to stop Roy Hobbs from fulfilling his boyhood dream of baseball superstardom. Robert Redford stars in this inspiring fable that begins when 14-year-old Hobbs (Redford) fashions a powerful bat from a fallen oak tree. He soon impresses major league scouts with his ability fixing his extraordinary talent in the mind of sportswriter Max Mercy (Robert Duvall) who eventually becomesinstrumental in Hobb's career. But a meeting with a mysterious woman shatters his dream. Years passand an older Hobbs reappears as a rookie from The New York Knights. Overcoming physical pain and defying those who have a stake in seeing the Knights lose Hobbs with his boyhood bat has his chanceto lead the Knights to the pennant and to finally fulfill his dream.System Requirements:Run Time: 144 minutesFormat: DVD MOVIE Genre: DRAMA Rating: PG UPC: 043396184084 Manufacturer No: 18408

From the sun-dappled heartland, a young man (Robert Redford, in soft lighting) emerges as maybe the best baseball player anybody's ever seen. On his way to the majors, he is cut down by an enigmatic black widow (Barbara Hershey) and vanishes for many years. When he reemerges, a silent mystery, he lands a spot with the New York team and begins tearing up the league--he's still the natural. Fans of the Bernard Malamud novel will be dismayed at the pure mythical hokum of this film, but baseball fanatics have been known to watch and rewatch this one; after all, it's constructed as a kind of shrine to the national pastime. Barry Levinson (Rain Man) directs the movie with an unabashed devotion to the game, although the film could use more of the realities of chewing tobacco and pine tar. Redford is fine, and Kim Basinger and Oscar-nominated Glenn Close are effective as the women in his life. The crowning touch is the soaring, extraordinary music by Randy Newman, the singer-songwriter turned orchestral composer. --Robert Horton

Director Barry Levinson mentions in his video introduction the 1984 movie was rushed to theaters and this 2007 DVD is more the film he originally intended. This "director's cut" adds about 15 minutes of footage and deletes 5. It tightens the first third of the film, yet any fan of the lyrical prologue set in perfect synchronization with Randy Newman's score will be disappointed. Now the beginning is told in flashback as the elder Hobbs returns home. (It's also confusing to keep track of which Hobbs story you are watching when they are both on a train.) The changes do not improve the story or character; it simply packs in more information before Hobbs enters the Knight's dugout. After that, there are a few new scenes and many extensions, most involving Memo (Kim Basinger) and Red (Richard Farnsworth). None of the additions are exceptional. One could hope there is an Easter egg with the remastered original edition. What is on the second disc are above-average featurettes with interviews from most of the major talent. The best little ditties includes Newman's playful "lyrics" to his theme music and Levinson's divulgence that he is the radio play-by-play man. There's a good discussion on adapting (and changing) the novel, the allegorical myths, and the real-life inspirations including a heart-felt segment on Eddie Waitkus, a baseball player who was shot by an obsessed fan. A 5.1 Dolby soundtrack is now available and compliments an excellent video upgrade. --Doug Thomas

Gremlins 2 - The New Batch

Zach Galligan, the star of the first Gremlins, is back, along with Phoebe Cates, his girlfriend from the first film. They're both working in an ultramodern skyscraper owned by a Donald Trump clone (a hilarious John Glover). Galligan's furry little buddy is captured by a mad scientist, who not only helps it multiply, but invests the nasty, scaly offspring with intelligence and the ability to talk. (Watch for the one that has Tony Randall's voice.) What follows is imaginative mayhem that spoofs old movies, modern television, and the conveniences of postmodern technology. In some ways, the sequel is even more inventive and laughter-inducing than the original. --Marshall Fine

Billy Peltzer and Kate Beringer move to New York City and meet up with their Mogwai friend, Gizmo, when a series of accidents creates a new generation of diverse gremlins. Billy, Kate, and Gizmo must once again use all their experience to prevent another catastrophe.

Far and Away

A poor young Irish man immigrates to the United States along with the daughter of a wealthy land owner.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 27-FEB-2007
Media Type: DVD

Filmed in the widescreen splendor of "Panavision Super 70" and blessed with the finest production values that Hollywood clout can buy, this tale of spunky Irish immigrants forgot one crucial ingredient: a decent screenplay. The film is entertaining enough, and director Ron Howard brings his technical proficiency to the simple plot, culminating in a dynamic, breathtaking depiction of the Oklahoma land rush of 1893. But the movie is really just a vacuous vehicle for married stars Tom Cruise and Nicole Kidman as (respectively) the poor tenant farmer and rich landlord's daughter who flee Ireland to be American pioneers. The scenery and the stars are never less than stunning, but Howard falls short of the mark in his attempt to match the epic sweep of films by David Lean. On the other hand, this movie is certainly never boring even if it rarely makes sense, and Lean's own Irish epic, Ryan's Daughter, is a snoozer by comparison. --Jeff Shannon

Christine (Special Edition)

She was born in Detroit on an automobile assembly line. But she is no ordinary automobile. Deep within her chassis lives an unholy presence. She is CHRISTINE a red and white 1958 Plymouth Fury whose unique standard equipment includes an evil indestructible vengeance that will destroy anyone in her way. She seduces 17-year-old Arnie Cunningham (Keith Gordon) who becomes consumed with passion for her sleek rounded chrome-laden body. She demands his complete and unquestioned devotion and when outsiders seek to interfere they become the victims of Christine's horrifying wrath. John Carpenter brings Stephen King's best selling novel to life in this chilling thriller.DVD FeatuesWidescreen PresentationLanguages: English (Dolby Surround Sound) French Spanish PortugueseSubtitles: English French Spanish Portuguese Chinese ThaiCommentary with John Carpenter and Keith GordonDeleted ScenesFeaturette- Christine: Fast and FuriousFeaturette- Christine: Finish LineFeaturette- Christine: IgnitionFilmographiesSystem Requirements:Running Time 109 MinsFormat: DVD MOVIE Genre: HORROR Rating: R UPC: 043396031609 Manufacturer No: 03160

She can't (and won't) drive 55.... Stephen King's novel about the twisted love affair between a boy and his car gets transferred to the screen, courtesy of suspense master John Carpenter. Although lacking some of the more outré supernatural elements of the source material, this high-octane cinematic tune-up more than delivers the goods, horror-wise (Christine's midnight rampages will never be forgotten)--as well as being a sly exposé of the random cruelties within the high-school pecking order. Keith Gordon (who has gone on to become a stellar director in his own right, with films such as A Midnight Clear and Mother Night to his credit) gives a wonderfully controlled central performance. Carpenter's atmospheric original score is backed up by a well-chosen collection of rock classics, including George Thorogood's "Bad to the Bone" (the titular character's all-too-apt theme song). --Andrew Wright

The Natural

From the sun-dappled heartland, a young man (Robert Redford, in soft lighting) emerges as maybe the best baseball player anybody's ever seen. On his way to the majors, he is cut down by an enigmatic black widow (Barbara Hershey) and vanishes for many years. When he reemerges, a silent mystery, he lands a spot with the New York team and begins tearing up the league--he's still the natural. Fans of the Bernard Malamud novel will be dismayed at the pure mythical hokum of this film, but baseball fanatics have been known to watch and rewatch this one; after all, it's constructed as a kind of shrine to the national pastime. Barry Levinson (Rain Man) directs the movie with an unabashed devotion to the game, although the film could use more of the realities of chewing tobacco and pine tar. Redford is fine, and Kim Basinger and Oscar-nominated Glenn Close are effective as the women in his life. The crowning touch is the soaring, extraordinary music by Randy Newman, the singer-songwriter turned orchestral composer. --Robert Horton

Director Barry Levinson mentions in his video introduction the 1984 movie was rushed to theaters and this 2007 DVD is more the film he originally intended. This "director's cut" adds about 15 minutes of footage and deletes 5. It tightens the first third of the film, yet any fan of the lyrical prologue set in perfect synchronization with Randy Newman's score will be disappointed. Now the beginning is told in flashback as the elder Hobbs returns home. (It's also confusing to keep track of which Hobbs story you are watching when they are both on a train.) The changes do not improve the story or character; it simply packs in more information before Hobbs enters the Knight's dugout. After that, there are a few new scenes and many extensions, most involving Memo (Kim Basinger) and Red (Richard Farnsworth). None of the additions are exceptional. One could hope there is an Easter egg with the remastered original edition. What is on the second disc are above-average featurettes with interviews from most of the major talent. The best little ditties includes Newman's playful "lyrics" to his theme music and Levinson's divulgence that he is the radio play-by-play man. There's a good discussion on adapting (and changing) the novel, the allegorical myths, and the real-life inspirations including a heart-felt segment on Eddie Waitkus, a baseball player who was shot by an obsessed fan. A 5.1 Dolby soundtrack is now available and compliments an excellent video upgrade. --Doug Thomas

Nothing was going to stop Roy Hobbs from fulfilling his boyhood dream of baseball superstardom. Robert Redford stars in this inspiring fable that begins when 14-year-old Hobbs (Redford) fashions a powerful bat from a fallen oak tree. He soon impresses major league scouts with his ability, fixing his extraordinary talent in the mind of sportswriter Max Mercy (Duvall), who eventually becomes instrumental in Hobbs' career. But a meeting with a mysterious woman shatters his dream. Years pass and an older Hobbs reappears as a rookie for the New York Knights. Overcoming physical pain and defying those who have a stake in seeing the Knights lose, Hobbs, with his boyhood bat, has his chance to lead the Knights to the pennant and to finally fulfill his dream.

Outrageous Fortune

Sometimes a movie works despite all its faults. Outrageous Fortune has a flimsy, formulaic script, so-so production values, and an odd combination of stars, but somehow it's engaging and fun. Shelley Long and Bette Midler play two struggling actresses--one a hoity-toity priss and the other a brassy slob--who learn they've been sleeping with the same guy (Peter Coyote) when he gets blown up in a terrorist assault and they confront each other in the morgue. When they discover that he's still alive, the bickering pair track him down, traipsing across the U.S. in high heels, pursued all the way by government agents, using their dubious acting talents to get them out of tough situations. The absurd plot keeps things moving and director Arthur Hiller (Silver Streak, The Out of Towners) gets cheerful performances out of everyone, particularly the strong supporting cast--including Robert Prosky (Broadcast News, Mrs. Doubtfire) as a pompous acting teacher, comedian George Carlin as a burnt-out would-be Indian, and the underused John Schuck (M*A*S*H, McCabe & Mrs. Miller) as a long-suffering agent. Contrived, cliché-ridden, but just absurd enough to entertain. --Bret Fetzer

Lauren (Shelley Long, THE BRADY BUNCH MOVIE) is refinement, regimentation, and ballet slippers. Sandy (Bette Midler, THE FIRST WIVES CLUB) is brassy, bossy, and stiletto heels. They meet and it's hate at first sight. But these two opposites are shocked to discover a common bond: They share the same boyfriend -- a handsome schoolteacher (Peter Coyote, RANDOM HEARTS) who mysteriously and conveniently disappears. Mr. Right wronged them ... and when they decide to track the scoundrel down, they're thrown together in a cross-country pursuit for better or worse ... mosty for worse! Brilliantly cast and deviously written, this racy, riotous comedy provides sidesplitting laughs of outrageous proportions!

Broadcast News

Holly Hunter plays a network news producer who, much to her chagrin, finds herself falling for pretty-boy anchorman William Hurt. He is all glamour without substance and represents a hated shift from hard news toward packaged "infotainment," which Hunter despises. Completing the triangle is Albert Brooks, who provides contrast as the gifted reporter with almost no presence on camera. He carries a torch for Hunter; she sees merely a friend. Written and directed by James L. Brooks, this shows remarkable insight into the people who make television. On the surface it is about that love triangle. If you look a little deeper, however, you will see that this behind-the-scenes comedy is a very revealing look at obsessive behavior and the heightened emotions that accompany adrenaline addiction. It is for good reason this was nominated for seven Academy Awards (though it did not win any). There are scenes in this movie you cannot shake, such as Hunter's scheduled mini-breakdowns, or Brooks's furious "flop sweat" during his tryout as a national anchor. Watch for an uncredited Jack Nicholson as a senior newscaster. --Rochelle O'Gorman

In James L. Brooks' quirky, romantic comedy, three ambitious workaholics are set loose in a network TV newsroom where their professional and personal lives become hopelessly cross-wired. Tom (William Hurt) is the modern anchorman, smooth, handsome and a bit dumb. Jane (Holly Hunter) is his driven, brilliant producer, determined to turn Tom into a real newsman. And Aaron (Albert Brooks) is a seasoned, totally uncharismatic reporter who can't stand Tom's instant success on-camera or with Jane. It all adds up to one explosively funny romantic triangle.

Green Card

With the help of his lawyer, Georges (Gérard Depardieu), a composer and one-time petty thief who grew up in poverty, attempts to escape his life in Paris and begin anew in America by illegally marrying Bronte (Andie MacDowell), a prim and repressed young lady from a privileged life in Connecticut. Bronte, who has agreed to the scheme for her own self-serving reasons, is exasperated when the Immigration & Naturalization Service investigates their case, and she and Georges, whom she detests, must spend time together studying each other's lives to avoid disaster. The fallout, and how it ends, is infinitely more delightful than your run-of-the-mill Hollywood romantic comedy, and the very ending itself stops deliciously short of where Hollywood would feel compelled to drag the story. Fine performances are given by MacDowell, Depardieu--who is fiercely charming pounding the keyboard of a Steinway at an upper class Manhattan dinner party--and Bebe Neuwirth, who is perfect as an upper-class child turned artist who revels in her irresponsibility. --James McGrath

In the same romantic spirit as PRETTY WOMAN and GHOST, GREEN CARD lights up the screen with its irresistible charm and lighthearted humor! The fun starts when two strangers (Andie MacDowell, SEX, LIES, AND VIDEOTAPE), and Academy Award(R)-nominee Gerard Depardieu (CYRANO DE BERGERAC) agree to a marriage of convenience -- thinking it's going to be hassle-free. She'll get to live in the apartment of her dreams, he'll get a "green card" to live in the U.S. But before they know it, the two opposites encounter far greater differences than most married couples could ever imagine! And worst yet, this mismatched twosome just might be falling love. Winner of two Golden Globe Awards (Best Picture and Best Actor), this delightful tale enjoyed cheers from critics and audiences alike. With its sunny mix of wit, spirit, and charm, GREEN CARD is an entertaining hit you'll never forget!

Thief

Thief's dark noir spaces are tinged with the neon palette that has become the trademark of director Michael Mann (Miami Vice, Heat). This was his first theatrical film, and all the elements that characterize his later style (and this is a very stylistic film) are dominant. Equal parts grit and glamour, the story is simple. Frank (James Caan) is a lone-wolf jewel thief who was, in his words, brought up "by the state." In prison he was apprenticed to a master thief, played by Willie Nelson. When Frank's successful career comes to the attention of an avuncular syndicate boss (Robert Prosky), Frank is offered (and accepts against his better judgment) a deal that should allow him to retire and enjoy the family life he covets. But the deal sours, and Frank is left to decide what his nature truly is, lone wolf or family man. Thief melds its jazzy visual style with heightened realism: the jewel thief's tools of the trade are authentic, up to the 8,000 degree thermal lance used to cut through a nearly impregnable safe. Some of the bit parts are played by real-life, highly successful jewel thieves, who acted as consultants. And their presence informs the superb dialogue, as every word rings true. In one long, engrossing scene, James Caan gradually persuades the woman he wants to start a family with (Tuesday Weld in one of her most affecting performances) that they should be together. The film was photographed beautifully by Donald Thorin and further emboldened by the driving rhythms of Tangerine Dream. The DVD contains a very funny commentary track by the director and James Caan. --Jim Gay

James Caan is at his very best as a tough, wisecracking professional thief trapped between Chicago organized crime families and corrupt police in this gripping drum-tight tale (Los Angeles).Michael Mann, who directed Last of the Mohicans and Manhunter and produced Miami Vice and Crime Story, wrote and directed this taut, visually dazzling heist -drama called 'the bestof that breed since The Asphalt Jungle by New West. Filmed on rain-slicked Chicagostreets, Thief captures the chilling suspense and human drama of professional crime with incredibly'realistic details...heist technology straight out of Star Wars and dialog with 'the gutter pungency of a wood-alcohol cocktail (Rolling Stone). Co-starring country superstar Willie Nelson and James Belushi ('saturday Night Live ), 'thief envelops you in its tough, doom-laden grip and never lets go (Newsweek).