Quaid, Dennis

Vantage Point (Single-Disc Edition)

Vantage Point, which aspires to be a cunningly twisted thriller, comes equipped with plenty of hurtling action, handheld camerawork, what-was-that? editing, and a plot that has multiple, contradictory agendas writhing like a nest of snakes. It's all set a-boil within a few blocks of a town square in Spain where a U.S. President is targeted for assassination. Although the movie lasts 90 minutes, the events it depicts are mostly over with in a quarter-hour or so--but seen, rewound, and reseen from half a dozen different (you guessed it) vantage points. The first line in the credits reads "Original Film," apparently the name of the production company. "Gimmick Movie" would be more accurate; the opening reel, effectively jolting, affords an initial overview of the events through the eyes, lenses, monitors, and dueling sensibilities of a TV news producer (Sigourney Weaver), her activist-minded reporter (Zoe Saldana) and crew. Everybody's in Salamanca (actually, Mexico City) for the start of an international conference to reaffirm Arab-Western commitment to the fight against terrorism. Terrorism, of course, sees this as an ideal moment to break out. As gunshots and explosions reduce everything to chaos, the clock is reset to zero and we proceed to revisit the scene as experienced by several Secret Service agents (namely Dennis Quaid and Matthew Fox), an American tourist with camcorder (Forest Whitaker), sundry locals--including three who may be caught up in a love triangle or a conspiracy or both--and even the President himself (William Hurt).

For a while, this is mildly diverting: that guy, or that gesture, so sinister when glimpsed across the plaza in one run-through, now appears harmless in close-up--or vice versa. But there's no real ambiguity (so stop with the careless comparisons to Kurosawa's Rashomon)--this is a shell game in which the peas aren't worth tracking. Despite decent actors, the characters might as well be holograms (although poor Forest Whitaker is saddled with "motivation" of surpassing sappiness), and the casting telegraphs several twists: one redoubtable good guy practically gives a wink-wink, nudge-nudge that he's really bad, etc. The movie declines to specify which nutjob philosophy the terrorists espouse, and their numbers are multi-ethnic. There's also a laborious suggestion that they have bloodthirsty, reactionary counterparts among the President's inner circle, which perhaps qualifies as redeeming socio-political comment and prompts a meaningless declaration of deep meaning from the Prez. The whole megilleh finally comes down to an extended car chase through impassably claustrophobic streets that would mark a lurch into unintentional self-parody--if only that point hadn't been passed a couple of rewinds earlier. --Richard T. Jameson

Stills from Vantage Point (click for larger image)

During an historic counter-terrorism summit in Spain the President of the United States is struck down by an assassin's bullet. Eight strangers have a perfect view of the kill but what did they really see? As the minutes leading up to the fatal shot are replayed through the eyes of each eyewitness the reality of the assassination takes shape. But just when you think you know the answer the shattering final truth is revealed. VANTAGE POINT is a mindbending political action-thriller starring Dennis Quaid Matthew Fox Academy Award® Winner Forest Whitaker (Best Actor 2006 The Last King of Scotland) with Sigourney Weaver and Academy Award® winner William Hurt (Best Actor 1985 Kiss of the Spider Woman).System Requirements:Running Time: 90 minutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS Rating: PG-13 UPC: 043396216167 Manufacturer No: 21616

Smart People

From the producer of SIDEWAYS -- get to know a lovable yet dysfunctional family everyone can relate to in this lighthearted comedy PEOPLE (Leah Rozen) calls "smart and enjoyable." When Lawrence Wetherhold (Dennis Quaid) -- a widowed and self-absorbed professor -- falls for his attractive former student (Sex And The City's Sarah Jessica Parker) his all-too-predictable life suddenly turns sunny side up. That is until his freeloading brother (Thomas Haden Church) and his sharp-tongued overachieving daughter (Juno's Ellen Page)speak up making "chaos" the word of the day. Now on DVD SMART PEOPLE is even funnier with never-before-seen interviews deleted scenes and hilarious outtakes.System Requirements:Running Time: 95 minutesFormat: DVD MOVIE Genre: COMEDY/BUDDY FILMS Rating: R UPC: 786936755916 Manufacturer No: 5650603

Much in the manner of Curtis Hanson's Wonder Boys, the very funny and bracingly intelligent Smart People concerns a college instructor meandering through life until unexpected developments force a cascade of personal changes. Lawrence Wetherhold (Dennis Quaid), a recently widowed literature professor, is a numb and chilly intellectual who rebuffs his students, ignores his all-but-emancipated teen kids (Ashton Holmes and Juno's Ellen Page), and spurns cries for financial assistance from his ne'er-do-well but rather soulful adopted brother, Chuck (Thomas Haden Church). After an accident lands Lawrence in the hospital and deprives him of the right to drive, someone else falls into his bleak sphere: Janet (Sarah Jessica Parker), a physician and former student of Lawrence who remembers her disappointment in him as a teacher and role model. Against all logic, Janet and Lawrence become a romantic item, a choice for which neither of them is entirely prepared. Meanwhile, Chuck and Vanessa (Page) enter an awkward phase in their relationship as niece and uncle, just another sign that the Wetherhold clan has become too insular and self-referential. Screenwriter Mark Poirier's inspired and literate story sets up lots of chaos, attitude, and cross-conflict, then hangs back and lets the characters verbally spar, much to our great amusement. What's happening, however, are deep changes in relationships and destinies that Lawrence and the others naturally resist, until they can't. Director Noam Murro knows one of his most important contributions to the film is to stay out of the characters' way and provide Poirier's barbed humor a supportive setting. Quaid is outstanding as the pivotal figure in this tale, a man who looks creaky and washed up beyond his years, but who is not entirely past redemption. --Tom Keogh

The Parent Trap (Special Edition)

If you were a kid in the early 1960s, then you saw The Parent Trap with Hayley Mills--it's as simple as that. Now Disney has pulled the beloved comedy--about a pair of twins who meet for the first time at summer camp and vow to reunite their long-divorced parents--out of the mothballs and remade it with a decidedly '90s feel. This time, the twins act is performed by newcomer Lindsay Lohan, who plays both Hallie and Annie, who each live with one of their parents (Dennis Quaid and Natasha Richardson). Adversaries when they first meet at camp, Hallie and Annie become, well, sisters when they figure out that they are siblings. The comedy springs from their efforts to sabotage Dad's impending marriage to the gold-digging Elaine Hendrix, while reintroducing Dad to Mom. Quaid has a nice, loosey-goosey way with slapstick, as does Richardson, who plays a very funny drunk scene. --Marshall Fine

What makes the Special Edition of THE PARENT TRAP so cool isn't just that you get to enjoy Lindsay Lohan's amazing theatrical debut, but that's it's filled with bonus materials you've never seen before. Hallie Parker, a hip Californian, and Annie James, a proper London miss (both played by Lohan) are identical twins who don't even know each other exists -- until they accidentally meet at summer camp. Now they're up to their freckles in schemes and dreams to switch places, get their parents (Dennis Quaid and Natasha Richardson) back together, and have the family they've always wished for!

The Day After Tomorrow (Widescreen Edition)

A climatologist and his family must find a way to survive the devastation caused by an extreme shift in the global climate.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 12-JUN-2007
Media Type: DVD

Supreme silliness doesn't stop The Day After Tomorrow from being lots of fun for connoisseurs of epic-scale disaster flicks. After the blockbuster profits of Independence Day and Godzilla, you can't blame director Roland Emmerich for using global warming as a politically correct excuse for destroying most of the northern hemisphere. Like most of Emmerich's films, this one emphasizes special effects over such lesser priorities as well-drawn characters and plausible plotting, and his dialogue (cowritten by Jeffrey Nachmanoff) is so laughably trite that it could be entirely eliminated without harming the movie. It's the spectacle that's important here, not the lame, recycled plot about father and son (Dennis Quaid, Jake Gyllenhaal) who endure an end-of-the-world scenario caused by the effects of global warming. So sit back, relax, and enjoy the awesome visions of tornado-ravaged Los Angeles, blizzards in New Delhi, Japan pummeled by grapefruit-sized hailstones, and Manhattan flooded by swelling oceans and then frozen by the onset of a modern ice age. It's all wildly impressive, and Emmerich obviously doesn't care if the science is flimsy, so why should you? --Jeff Shannon

Something to Talk About

This well-intentioned but strangely cold tale concerns an emotionally repressed Southern belle (Julia Roberts) who separates from her husband (Dennis Quaid) after discovering he is an unabashed philanderer. Pressed by her dominating father (Robert Duvall) into reconciling with her spouse, Roberts's character chafes against so much male control over her destiny. Defended by a fiercely independent sister (a catchy performance by Kyra Sedgwick), the heroine develops the nerve to plot her own course in life while her mother (Gena Rowlands) finds the gumption to throw her own mate out of the house. The script by Callie Khouri (Thelma & Louise) is intelligent but hardly clear, and direction by Lasse Hallström (Once Around) can't keep Khouri's unfocused scenes and uncertain purpose from dissolving like sand castles in the rain. --Tom Keogh

Grace has a picture-perfect life. And it goes dizzyingly out of focus the day she discovers her husband Eddie has been unfaithful. Julia Roberts headlines this acclaimed movie that aims for the heart and funnybone - and scores a bull's eye. In her best screen role yet Roberts is Grace whose reaction to the infidelities of Eddie (Dennis Quaid) turns the lives and loves of the people around her into something like falling dominoes. Robert Duvall Gena Rowlands Kyra Sedgwick and others in "the years best ensemble of characters" (Jack Matthews Newsday) join Roberts for this juicy truthful story written by Callie Khouri (Thelma and Louise) and directed by Lasse Hallstrom (What's Eating Gilbert Grape?). Folks are talking about Grace. You owe it to yourself to see why.Running Time: 106 min.Format: DVD MOVIE Genre: DRAMA UPC: 085391421726

Breaking Away (Widescreen Edition)

Peter Yates's flag-waving film stands with To Kill a Mockingbird and American Graffiti as one of the best films about small-town Americana. Steve Tesich won an Oscar for his semi-biographical screenplay about four 19-year-olds who don't know what to do after high school. Dave Stohler (Dennis Christopher) and his three friends--ex-football star Mike (Dennis Quaid), wily comedian Cyril (Daniel Stern), and tough kid Moocher (Jackie Earle Haley)--are doomed to live in the college town of Bloomington, Indiana, where the local kids (nicknamed "Cutters"--a derogatory reference to quarry workers and their blue-collar families) are looked down on by the uppity students of nearby Indiana University.

Stohler escapes into a world of Italian bicycling, picking up the lingo, the accent, and a good share of the talent of his heroes. He is also the scourge of his father's life. The used-car salesman (Paul Dooley) doesn't understand his son's affection for bicycling or, for that matter, his pride in being a "Cutter."

Breaking Away rehabilitates the word heartwarming as Tesich's uncommonly intelligent script gives us well-rounded characters and a potent sense of place. The grandstanding finale--the real life "Little 500" bike race--gives the film a perfect, crowd-pleasing end. However, the film never sacrifices the development of characters for the action. Dooley is especially effective in one of those once-in-a-lifetime roles. The lifelong character actor's place in film history is established with this indispensable performance. --Doug Thomas

This charming, Academy Award winner (1979, Screenplay) cycles high on comedy as four friends come to terms with life after high school. When top-notch cyclist Dave (Dennis Christopher) learns that the world's bicycling champions are always Italian, he attempts to turn himself into an Italian, driving his parents (Barbara Barrie, Paul Dooley) crazy. But everything changes after he meets the Italian racing team-an encounter that ultimately leads him and his friends (Dennis Quaid, Daniel Stern, Jackie Earle Haley) to challenge the local college boys in the town's annual bike race.

The Right Stuff (Two-Disc Special Edition)

In the middle of the 20th century America pondered its future - and looked to the skies. Based on Tom Wolfe's book The Right Stuff is the tale of how that future began a thrilling epic of intrepid test pilot Chuck Yeager and the seven pioneering astronauts of the Project Mercury space program. Philip Kaufman scripts and directs pushing the envelope with a filmmaking bravado that matches this soaring story of training and heroism; and of sudden fame for which there is no training. Ed Harris Barbara Hershey Sam Shepard Dennis Quaid and Fred Ward are among the perfect cast of this winner of 4 Academy Awards* that in a pristine 20th-anniversary digital transfer remains the stuff of must-see entertainment. Let's light this candle flyboys!Running Time: 193 min.Format: DVD MOVIE Genre: DRAMA UPC: 085392449927

Philip Kaufman's intimate epic about the Mercury astronauts (based on Tom Wolfe's book) was one of the most ambitious and spectacularly exciting movies of the 1980s. It surprised almost everybody by not becoming a smash hit. By all rights, the film should have been every bit the success that Apollo 13 would later become; The Right Stuff is not only just as thrilling, but it is also a bigger and better movie. Combining history (both established and revisionist), grand mythmaking (and myth puncturing), adventure, melodrama, behind-the-scenes dish, spectacular visuals, and a down-to-earth sense of humor, The Right Stuff chronicles NASA's efforts to put a man in orbit. Such an achievement would be the first step toward President Kennedy's goal of reaching the moon, and, perhaps most important of all, would win a crucial public relations/morale victory over the Soviets, who had delivered a stunning blow to American pride by launching Sputnik, the first satellite. The movie contrasts the daring feats of the unsung test pilots--one of whom, Chuck Yeager, embodied more than anyone else the skill and spirit of Wolfe's title--against the heavily publicized (and sanitized) accomplishments of the Mercury astronauts. Through no fault of their own, the spacemen became prisoners of the heroic images the government created for them in order to capture the public's imagination. The casting is inspired; the film features Sam Shepard as the legendary Yeager, Ed Harris as John Glenn, Dennis Quaid as "Gordo" Cooper, Scott Glenn as Alan Shepard, Fred Ward as Gus Grissom, Scott Wilson as Scott Crossfield, and Pamela Reed and Veronica Cartwright are superb in their thankless roles as astronauts' wives. --Jim Emerson

Jaws 3

The Big Easy

Highly original crime yarn with steamy romance and unique New Orleans atmosphere. A stylish homicide detective (Quaid) runs afoul of the new uptight assistant D. A. (Barkin) while investigating a local mob murder; soon theyre romantically involved even while theyre at odds professionally. Sassy and sexy with terrific Cajun music score. Written by Daniel Petrie Jr. Later a cable TV series.System Requirements:Director: Jim McBride Starring: Dennis Quaid et al. Region 1 encoding (for use in US and Canada only) Color Closed-captioned Theatrical trailer(s) Widescreen letterbox format Number of discs: 1 Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 031398700234 Manufacturer No: 71048

An atmospheric and sexy crime caper, this stars Dennis Quaid as a New Orleans police detective. He's a smooth talker who butts heads with the new assistant district attorney, Ellen Barkin. She's rigid and plays by the rules; he is mildly corrupt. They soon find themselves romantically entwined, and a bit chagrined.

Director Jim McBride (Great Balls of Fire) was in top form with this 1987 sizzler. You may not remember the particulars of the plot, which concerns supposed gang killings and police corruption, because it is the romance that has staying power. Blame this on Quaid and Barkin, who send off enough sparks to light up Bourbon Street. They are not only sexy together, but endearing, which makes you want to like them as much as they like each other. --Rochelle O'Gorman

Postcards from the Edge

As its title might suggest, this movie based on Carrie Fisher's Hollywood struggle works better as a snapshot than as a complete film. Meryl Streep plays Suzanne Vale, a successful actress who is lost in her addictions. Her episodes are never as bombastic as Clean and Sober or other antidrug movies of the 1990s, however. Vale's a more lovable person, and as with all lovable people in Hollywood, other Hollywood people care for her: an understanding director (Gene Hackman), a philandering boyfriend (Dennis Quaid), and a bemused doctor (Richard Dreyfuss). But if you are going to talk about Fisher, you are going to mention her mom, Debbie Reynolds. And here Vale's mom is the die-hard Doris Mann, played with appropriate virtuosity by Shirley MacLaine. The love-hate mother-daughter relationship takes over the film in an entertaining way, with Fisher's sharp comic writing coming into play. You nearly forgive Vale's troubles for having to live under a hurricane like Mann (who goes into her nightclub act at the drop of a hat). The film's sweetest pleasure is seeing Streep loose and modern, nary a drab outfit or an accent in sight. Streep and director Mike Nichols make a risky--and rewarding--finale (fueled by the Oscar-nominated "I'm Checking Out" by Shel Silverstein) work effortlessly. --Doug Thomas