Ralph, Jessie

Shirley Temple - America's Sweetheart Collection, Vol. 5 (The Little Princess / Stand Up and Cheer / The Blue Bird)

Disc 1: THE BLUE BIRD Disc 2: THE LITTLE PRINCESS Disc 3: STAND UP AND CHEER

Captain Blood

This is the story of Dr. Peter Blood and english surgeon who is sold into slavery in the West Indies after treating the leader of the rebellion against King James II. Bought by the beautiful Arabella Blood leads a revolt with his fellow prisoners and escapes. Seeking retribution he turns his fellow escapees into a private crew with himself as the elader - Captain Blood. Thrilling sea battles and exhilarating scenery highlights this Best Picture Oscar(R) nominee that made stars out of Errol Flynn and Olivia de Havilland. Year: 1935 Director: Michael Curtiz Starring: Errol Flynn Olivia de Havilland Lionel Atwill Basil RathboneRunning Time: 119 min.Format: DVD MOVIE Genre: TELEVISION/CLASSIC UPC: 012569591424

The swashbuckler had been around long before Errol Flynn drew a cutlass, but the Tasmanian-born bit player reinvigorated the genre with his mix of dashing good looks, haughty insolence, and alluring confidence. Adapted from the novel by Rafael Sabatini (who also penned The Sea Hawk), this rousing adventure chronicles the travails of Peter Blood (Flynn), a righteous doctor unjustly sold into slavery for treating the wounds of rebels, a kind of British Dr. Mudd. Sent to a Jamaican plantation where he toils under the brutal whip of Lionel Atwill and seethes with passion for his fair niece (the astonishingly beautiful Olivia de Havilland), he escapes from bondage with his fellow prisoners and becomes the gentleman rogue pirate of the Caribbean. Director Michael Curtiz builds from one set piece to another, including a nimble beachside sword fight with pirate nemesis Basil Rathbone and climaxing with a grand sea battle that belies the film's modest budget. Flynn's bravado and charisma are apparent from his entrance, but once he leaps into action he takes command of the picture, overcoming his still-green dramatic skills with sheer personality. Captain Blood made stars of Flynn and de Havilland and catapulted Curtiz to the top ranks of Warner directors. The three reunited for some of the studio's best-loved adventures: The Charge of the Light Brigade, The Adventures of Robin Hood, and Dodge City. --Sean Axmaker

Drums Along the Mohawk

Nineteen thirty-nine is often proposed as the movies' halcyon year, and three reasons why were directed by John Ford: Stagecoach, Young Mr. Lincoln, and Drums Along the Mohawk. In that exalted company Drums... would have to be accounted "merely superb"--even if it's the best film ever made about the American Revolution and, oh, only about eighth-best picture of its year.

Henry Fonda and Claudette Colbert play newlyweds in New York's Mohawk Valley at the time of the Revolutionary War. That war is more a distant rumor than a direct concern of people with cabins to raise, crops to harvest, and firstborn on the way. When it comes to their valley, in the form of hitherto-peaceable Indians whipped up by a gaunt Tory with an eyepatch (John Carradine), life changes as though with the passing of a cloud shadow.

In this, his first color film, Ford created indelible images of the dawning of America: a lone wagon making its way through acres of long grass rippling in the wind; the Indians, at the onset of their first raid, seeming to materialize out of the mist, out of the very trunks of trees; a ragged line of farmers with flintlocks passing along a split-rail fence, then resolving into a column, an army, marching toward a distant horizon. (Utah's Wasatch mountain country stands in persuasively for upstate New York in pioneer days.) Edna May Oliver scored a best-supporting-actress Oscar nomination as a memorably crusty frontier widow, while Ward Bond--oddly omitted from the opening credits--claimed a place of honor in the John Ford Stock Company playing Fonda's best friend. --Richard T. Jameson

Lawless frontier. Indian attacks. Settlers protecting themselves the only way they know how-with guns and courage. In the years before the Revolutionary War, the East was as wild as the West would be one hundred years later. Henry Fonda delivers one of his most memorable performances ever as a young frontier leader protecting his family in the backwoods of New York state. Claudette Colbert so-stars as his spirited wife. With a fine supporting cast that also includes Edna May Oliver and John Carradine, this is one of John Ford's most exciting historical dramas.

San Francisco

Romantic drama combines with humor starpower combines with lavish spectacle and the walls come tumbling down! This Academy Award winning* extravanganza's street-splitting brick-cascading fire-raging recreation of the cataclysmic earthquake remains "one of the greatest action sequences in the history of the cinema rivalling the chariot race in both Ben-Hurs" (Adrian Turner Time Out Film Guide). Clark Gable plays rakish Barbary Coast kingpin Blackie Norton. Jeanette MacDonald portrays a singer torn by her love for Blackie and her need to succeed among the operagoing elite. Earning the first of nine career Best Actor Oscar nominations* Spencer Tracy is a priest who supplements spiritual advice with a mean right hook. He urges Blackie to change. But if love and religion can't reform Blackie Mother Nature will.Running Time: 115 min.System Requirements:Run Time: 115 minutesFormat: DVD MOVIE Genre: DRAMA UPC: 012569528826 Manufacturer No: 65288

"San Francisco, open your Golden Gate...." If the classic city anthem isn't part of your life already, it will be after a viewing of this 1936 hit, a wonderful blend of cornpone, spectacle, and song. It's set in 1906, the year the earthquake flattened much of Baghdad by the Bay. Like the disaster movies that followed (including In Old Chicago, a Fox cash-in from a couple of years later), San Francisco slowly establishes its characters before unleashing the destruction. Clark Gable is Blackie Norton, a cocky and ruthless Barbary Coast character whose heart is--well, not softened, but at least dented by the arrival of an opera singer (Jeanette MacDonald) looking for a job. He hires her for his rowdy club, while his childhood chum, Father Tim Mullin (Spencer Tracy), disapproves. As they would subsequently demonstrate in Test Pilot and Boom Town, Gable and Tracy have great he-man rapport together (Blackie's rampant maleness is challenged only by the fact that he knows the priest could punch him out). Director W.S. Van Dyke (The Thin Man) keeps everything cracking along, except for those moments when Cultcha rears its head and MacDonald sings an aria. When the quake hits, and the fire follows, the movie uncorks some really quite awesome special effects, including the unforgettable image of a street heaving up and separating under people's feet--much superior to the disaster effects in The Last Days of Pompeii, made just a year earlier. Needless to say, this could only be MGM in its heyday, laying on the big budget, an acceptable level of naughtiness, and a dose of religious turnaround in the end. It worked then; it still does. --Robert Horton

W.C. Fields Comedy Collection (The Bank Dick / My Little Chickadee / You Can't Cheat an Honest Man / It's a Gift / International House)

For anyone who loves classic comedy, the W.C. Fields Comedy Collection is absolutely essential. Film for film, this may be the best DVD showcase ever devoted to a single comedian, including all five of Fields's acknowledged classics in a sturdy, beautifully designed library-quality slipcase. One could easily lament the relative lack of bonus features (it would have been nice to have some vintage Fields radio shows and newsreel footage), but the inclusion of A&E's 1994 Biography documentary W.C. Fields: Behind the Laughter is sufficiently informative about Fields's life, career, irascible personality, and tragic alcoholism. That's all that's really needed when the films themselves are so timelessly entertaining, and they're all remarkably pristine in sound and image quality. The best way to appreciate Fields's evolving screen persona is to view these films in chronological order: In International House (1933), Fields was merely one of many Paramount stars of screen and radio (including Rudy Vallee, Burns & Allen, Bela Lugosi, Sterling Holloway, and manic bandleader Cab Calloway), but he handily steals the show, invading a Shanghai hotel in his airplane/helicopter and delivering the classic line (to Franklin Pangborn), "Don't let the posy fool ya!" It's one of Paramount's best all-star revues.

It's a Gift (1934) is a remake of Fields's 1926 silent It's the Old Army Game, and was the first sound feature devoted to Fields's inimitable talent. As beleaguered husband and would-be orange farmer, Fields revives vintage routines from Vaudeville and Broadway, and his first encounter with Baby LeRoy is comedy gold. You Can't Cheat an Honest Man (1939) features Edgar Bergen and Charlie McCarthy and Fields's classic, still-hilarious ping-pong routine, while 1940's My Little Chickadee matches Fields (as "Guthbert J. Twillie") with Mae West, whose unforgettable on-screen banter with Fields shows no sign of their notorious off-screen animosity. In his raucous masterpiece The Bank Dick (also 1940), Fields is "Egbert Souse," lowly bank guard, unlikely hero, and manic driver in perhaps the greatest slapstick car-chase scene ever filmed. Despite the regrettable absence of Fields's final starring feature Never Give a Sucker an Even Break, this classy five-disc set is a veritable cornucopia of comedy, offering ample proof of Fields's comic genius through classic one-liners, physical routines, memorable costars, and perfect bits of business that never grow old. --Jeff Shannon

W.C. Fields is an American original, the curmudgeonly master of wit and good, mean fun. In this collection of madcap classics, the famously top-hatted Fields unleashes his unique comic zing, proving himself the king of the one-liner. This special DVD collection includes The Bank Dick, My Little Chickadee, You Can't Cheat an Honest Man, It's a Gift and International House. The W.C. Fields Comedy Collection is Fields at his finest, and a must-have for anyone who loves to laugh!

Blue Bird

A poignant story of a selfish young German girl's search for happiness, Blue Bird is a classic Shirley Temple film with a storybook Hansel and Gretel feel. This restored and remastered 1940 film opens with a purposely grainy, black and white world that reinforces Mytyl's (Shirley Temple) ill-humored attitude toward life. Mytyl consistently complains about everything and fails to see that she and her family are really quite blessed until her father is summoned to war. A dramatic switch to Technicolor, now bright and clear thanks to restoration efforts, marks the fairy Berylone's (Jessie Ralph) nighttime appearance and the beginning of Mytyl's and her brother Tyltyl's (Johnny Russell) quest to find the blue bird of happiness. Lead by "Light" (Helen Ericson), the children and their faithful dog Tylo (Eddie Collins) and scheming cat Tylette (Gale Sondergaard) journey through the lands of the past, future, and luxury only to find a prevailing unhappiness. In the end, it's a journey of self-discovery that leads Mytyl to find true happiness in a most unexpected place. This film marks a departure from the typically sunny and cheerful characters played by Shirley Temple and was, in spite of its lavish scenery and nominations for Academy Awards in both cinematography and special effects, unsuccessful at the box office. (Ages 5 and older) --Tami Horiuchi

Visually beautiful, full of imaginative sets, and splendidly photographed in rich Technicolor, this enchanting fantasy was Twentieth Century Fox's answer to "The Wizard of Oz". In a rare departure from her usual screen persona, Shirley plays a selfish, spoiled little girl named Mytyl, who doesn't appreciate her loving family. Only after a good fairy sends her and her brother (Johnny Russell) on a journey to find "the bird that means happiness" does she end up discovering happiness right in her own home.

Little Lord Fauntleroy (1936) (B&W)

Set in the late 19th century, this David O. Selznick masterpiece brings Burnett's classic literary tale to life with a refreshing flair. Cedric "Ceddie" Erroll is an endearing Brooklyn boy who can hold his own in a street fight, often aided by r

David Copperfield (1935)

The rich beauties of Dickens come to flavorful life in David Copperfield, a scrupulous example of a sprawling novel distilled into manageable movie form. The saga of young master Copperfield moves quickly through Dickens' marvelous gallery of eccentrics, with David played as a youth by the exceptionally good Freddie Bartholomew (you'll see why he became a star) and as an adult by Frank Lawton. The remainder of the cast is an almost unbelievable feast of acting, most famously with W.C. Fields stepping out of character--but not too far--as the grandiloquent Mr. Micawber ("You perceive before you the shattered fragments of a temple that was once called Man"). Basil Rathbone is David's stepfather, the ice-cold Murdstone; Lionel Barrymore is warm-hearted Dan Peggoty; Maureen O'Sullivan the adorable Dora; and Roland Young a creepy-crawly Uriah Heep. But best of all is Edna May Oliver, whose Betsy Trotwood bustles through the movie like a no-nonsense field general (if Oscars for supporting acting had been invented in 1935 instead of 1936, Oliver surely would have bagged the first award). The film is a shining example of producer David O. Selznick's Tradition of Quality approach, given all the sheen MGM could apply. Director George Cukor brings empathy and an unfailing sense of dramatic craftsmanship to the episodic material, which throbs with genuinely Dickensian wit and heart. --Robert Horton

"We are friends for life." The man speaking: Micawber, played by W.C. Fields with great comedic charm and human warmth. The child addressed: David, played by Freddie Bartholomew in his Hollywood debut. The movie: David Copperfield, still one of the best-ever screen adaptations of a Charles Dickens novel. "To call the casting inspired is to underrate it," historian David Shipman wrote in his The Story of Cinema. Lionel Barrymore, Edna May Oliver, Maureen O'Sullivan, Basil Rathbone and more joined Fields and Bartholomew in portraying the eccentrics, cads and loving family of this film directed by George Cukor. David O. Selznick produced, insisting on an attention to Dickensian detail that included matching the sets to the first edition's illustrations. The result: one of the greatest page-to-screen adaptations ever.

DVD Features:
Other
Theatrical Trailer

Camille

Life in 1847 Paris is as spirited as champagne and as unforgiving as the gray morning after. In gambling dens and lavish soirees men of means exert their wills and women turned courtesans exult in pleasure. One such woman is Marguerite Gautier (Greta Garbo) the Camille of this sumptuous romance tale based on the enduring Alexandre Dumas story. Garbo's aloof mystique and alabaster beauty illuminate this George Cukor-directed film featuring what many call her finest performance. Her Camille is a movie paragon of true love found (in suitor Armand Duval memorably played by Robert Taylor) then sacrificed for a greater good. Garbo earned an Academy Award nomination and the New York Film Critics Best Actress Award for her memorable work.Running Time: 109 min.System Requirements: Running Time 109 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012569524620

One of Greta Garbo's touchstone films, this 1937 adaptation of the Alexandre Dumas novel finds the actress playing a dying courtesan who falls in love with a young nobleman (a slightly miscast Robert Taylor) and must sacrifice her happiness. Directed by George Cukor (The Philadelphia Story), the supreme "women's director" in Hollywood at the time, the film could have existed just to give Garbo room to be luminous (despite her character's illness) and a great star. But it is also a gorgeous MGM production with strong performances from Lionel Barrymore and the rest of the cast. (Henry Daniell is a standout as the villain.) --Tom Keogh

Clark Gable - The Signature Collection (Dancing Lady / China Seas / San Francisco / Wife vs. Secretary / Boom Town / Mogambo)

Named as the seventh greatest actor on AFI's List of "50 Greatest Screen Legends" Clark Gable reigned supreme as a screen icon during the 1930's and 40's. Six of Gables 75 feature films are remastered and now available on DVD in the new Clark Gable: The Signature Collection.Format: DVD MOVIE Genre: DRAMA UPC: 012569679948 Manufacturer No: 67994

Clark Gable was "The King" of Hollywood in his heyday, and why not? He carried himself in his movies as though entitled by royal birthright, erect and cocky, not especially curious about the rest of the world because he already owned it. Sure, Gable's characters frequently had to be humbled, but that's not what you remember about him; what you remember is the utter self-confidence, the brash American energy, and--sure--the jug ears. Clark Gable: The Signature Collection is not just a topnotch collection of the King in his court, it's also a look at just how good the Hollywood studio system (in this case, MGM) was in its glory years.

Except for late entry Mogambo from 1953, these titles are from Gable's peak run--1933 to 1940. First up chronologically is Dancing Lady, which pairs Gable with Joan Crawford; he's a gruff Broadway director, she's a plucky young dancer who moves up from burlesque to the legit theater thanks to wealthy suitor Franchot Tone. It's not a great movie, but the formula is pleasing, and there's a young fellow named Fred Astaire (his film debut) in a couple of scenes. Some surreal comedy is provided by Ted Healy and His Stooges (whose names happen to be Moe, Larry and Curly).

Tay Garnett's China Seas, from 1935, was a reunion with Jean Harlow, with whom Gable had struck gold in Red Dust. The script by James Kevin McGuinness and the gifted Jules Furthman might have a preposterous plot--cribbed from Red Dust--but the dialogue is deliciously vulgar and the actors perfectly cast. Gable is the captain of a boat on the Hong Kong-Singapore run, carrying secret gold and fending off pirates and a typhoon. His real problem, however is that the classy woman (Rosalind Russell) he has long pined for has come aboard at the exact moment his bawdy mistress (Harlow) has also tagged along. Clarence Brown's Wife vs. Secretary (1936) brings Harlow back, this time as the executive assistant to Gable's wealthy tycoon. Their relationship is strictly professional, although wife Myrna Loy eventually has suspicions. Gable and Loy are cute together, and the film is a reminder of how playful he could be outside the manly-man world of many of his films.

The blockbuster San Francisco, also 1936, gives a pretty good blueprint of what audiences craved at the time. Gable is the rakish owner of a wild Barbary Coast club, Jeannette MacDonald the opera-ready songbird who performs for him, Spencer Tracy the no-nonsense priest and childhood friend who would love to reform Gable. Director W.S. Van Dyke keeps it all cracking along (well, except when MacDonald sings and Cultcha comes in) and the special effects for the San Francisco earthquake are really rather awesome. Boom Town (1940) was another box-office smash, with Gable and Tracy as Texas oil wildcatters who team up, split, team up, split, etc. Claudette Colbert is the woman loved by both, although the male bonding is the most engaging thing about this entertaining spectacle.

Mogambo is an official remake of Red Dust, with Gable returning, this time as an African safari leader. Even with gray hair, his masculinity is enough to entice good-time girl Ava Gardner and ladylike Grace Kelly. John Ford directed, which means the location exteriors and studio interiors alike are alive with Ford's expressive compositional eye. Included on the San Francisco disc is a TNT documentary profile of Gable. But these titles give a pretty good profile all by themselves. --Robert Horton