Ralph, Sheryl Lee

Oliver & Company (Special Edition)

Disney does Dickens in this animated version of Oliver Twist, in which a homeless New York City cat falls in with a bunch of mischievous dogs under the leadership of the appealing scoundrel Fagin. The roots of Disney's success with animation in the '90s begins with this clever, energetic, atmospheric movie, which succeeds in capturing the grim world Dickens conjured. Lyricist Howard Ashman (The Little Mermaid) worked on the songs, the best of which is sung by Billy Joel, who provides the voice of (the Artful) Dodger. --Tom Keogh

A timeless classic inspired by Charles Dickens' novel "Oliver Twist," OLIVER & COMPANY is a fun-filled, action-packed musical adventure voiced and sung by one of the most talented casts in Disney history! And now you can own this Disney masterpiece on DVD! The film artfully blends lovable characters, cool songs, and action-packed adventure into a contemporary classic that's "charming, funny, musical, and thrilling!" (ABC-TV) Disney's hip, high-energy tale begins in the concrete canyons of New York City, where Oliver, an adorable orphaned kitten, is befriended by Dodger, a carefree mutt with a certain street savoir faire. The mischievous little cat is welcomed by Dodger's pack of pickpocket pooches, including dim-witted Einstein, ravishing Rita, and live-wire Tito. This ragtag family of misfits runs into trouble when the evil mastermind Sykes -- aided by his two daunting dobermans -- schemes to kidnap the lonely little rich girl who just adopted Oliver! It's up to the brave kitten and his newfound friends to race to the rescue in an electrifying chase through the city's subway system. Boasting five outstanding original songs and the musical talents of Billy Joel, Bette Midler, and Huey Lewis -- and overflowing with brilliant animation, OLIVER & COMPANY is a modern masterpiece.

Sister Act 2: Back in the Habit

Whoopi Goldberg returns in a gratuitous, poorly written sequel that contrives a reason to get her character back into Maggie Smith's convent. The "socially conscious" plot finds Goldberg being asked to relate to a bunch of street kids and pull them together into a choir. Since a bad guy is needed, the script grabs that old chestnut about a rich guy (James Coburn) preparing to close down the convent's school, and runs with it. The film is slow and unconvincing from start to finish, although costars Mary Wickes and Kathy Najimy get some good laughs, and the music is pretty spirited. --Tom Keogh

Everybody's favorite nun is back in the habit as Academy Award(R)-winner Whoopi Goldberg (Best Supporting Actress, 1990, GHOST) stirs up more laughs than ever before! This time, Whoopi goes undercover as Sister Mary Clarence at a troubled inner-city school. Equipped with a melody-marching lesson plan, she brings the gift of laughter, the power of music, and a touch of heavenly inspiration to the classroom -- before the streetwise students discover who she really is! Experience the joys of higher education with this crowd-pleasing favorite as Whoopi answers her calling once again and delivers her special brand of habit-forming fun!

The Distinguished Gentleman

"Mr. Murphy Goes to Washington." As a sly con man from Florida, Thomas Jefferson Johnson (a name he enjoys reciting), Murphy seems just about perfectly cast. And the notion that a crook would be drawn to Capitol Hill like a fly to honey is a cheap, cynical idea that could be milked for a few belly laughs. The chief bad guy, a greedy lobbyist aptly named Dick Dodge (Lane Smith), is a perfect, smarmy target, but the movie loses its cool and turns earnest and patriotic, striking a high-minded attitude that it has scarcely earned. It may have seemed a clever idea hiring a Brit, Jonathan Lynn (Clue) to direct, but he doesn't bring a fresh eye to the material. Sheryl Lee Ralph and Joe Don Baker bat cleanup. --David Chute

Comedy superstar Eddie Murphy (BOWFINGER, THE NUTTY PROFESSOR) brings down the house in THE DISTINGUISHED GENTLEMAN, the hilarious new comedy hit about a small-time con man who runs for Congress -- and miraculously wins! As Thomas Jeffferson Johnson, Murphy hustles his way to the big time and wins an elected seat in the U.S. Congress. But that's only the beginning -- with the perks and power of his new position, Murphy cons for cash and doesn't have to break the law to bamboozle the big bucks! You can be sure you'll love it when Eddie Murphy goes to Washington!

The Flintstones (Collector's Edition)

This pleasant, lightweight live-action version of the popular cartoon is about as good as you might expect. The kids should love the broad humor and the Henson Studios creatures, but like The Addams Family movies, the look and the cast are the best things going for it. Considering that the nature of the material is so sparse, the thinly plotted story works better than other TV-to-movie fare. Our fabulous Stone Age man is promoted per a calculated move by a scheming exec (Kyle MacLachlan, whose casting ensured at least one cute guy). As a comedy, the humor is one-note and flat for anyone older than 12. The special-effects creatures look wondrous, though not as seamless as in other movies, such as in Roger Rabbit. The most joyous moments come during the full-scale re-creations of the famous credits. The Flinstones provided a major launching pad for Halle Berry as a vamping secretary. --Doug Thomas

The Flintstones Yabba-Dabba Pack (The Flintstones/Viva Rock Vegas)

The Mighty Quinn

A highly enjoyable sleeper. The plot of The Mighty Quinn is a variation on one of those '30s studio pictures about two boyhood friends who grow up on different sides of the law--but it's 1989, and things are a bit different. Denzel Washington, smooth as Jamaican rum, plays the police chief of a Caribbean island, a place where crime isn't exactly a pressing concern. Thus the chief is put out when the clues in a murder case point to his old buddy, a dreadlocked ne'er-do-well played by a mischievous Robert Townsend. Director Carl Schenkel is much more interested in friendships and great island atmosphere than in the actual unlocking of the case, and that's just fine. Add in a bouncy soundtrack of reggae music, and The Mighty Quinn becomes one of those hard-to-resist vacation movies. --Robert Horton

OscarÂ(r) winner* Denzel Washington (The Hurricane) and Robert Townsend (Hollywood Shuffle) star in this witty, romantic, entertaining and light-hearted who-dun-it (Vincent Canby, The New York Times). Filled with spice and adventure, The Mighty Quinn is delightful...a sunny Caribbean caper as seductive as a great big umbrella drink (The Washington Post)! Life in the easygoing Caribbean is hard on Police Chief Xavier Quinn (Washington). Dubbed 'theMighty Quinn by sarcastic islanders and nagged by a wife who d rather he were babysitting, Quinn is suddenly thrust into action when his childhood friend Maubee (Townsend) is accused of murder. Forced to search for his elusive friend, Quinn meets up with a colorful array of suspects, including thedead man's beautiful mistress who dreams of being a lounge singer (Mimi Rogers), an eccentric voodoo sorceress with snakes in her parlor (Esther Rolle) and a mysterious American visitor with dubious intentions (M. Emmet Walsh). *2001: Actor, Training Day; 1989: Supporting Actor, Glory

Bogus

A young boy's bigger-than-life imaginary friend ends up being as much help to the boy's disbelieving godmother. Whoopi Goldberg and Gerard Depardieu in a spirited all-family charmer directed by Norman Jewison (Moonstruck). Year: 1996 Director: Norman Jewison Starring: Whoopi Goldberg Gerard Depardieu Haley Joel OsmentRunning Time: 112 min.Format: DVD MOVIE Genre: COMEDY UPC: 085393183127

Doing for orphaned children what Ghost did for grieving lovers, Bogus is a sweet-natured fantasy that's sure to have some viewers reaching for a Kleenex. With The Sixth Sense still three years in his future, Haley Joel Osment plays 7-year-old Albert, whose happy life is disrupted when his mother (Nancy Travis) is killed in a traffic accident. Her will stipulates that Albert be placed in the custody of his mom's little-known half-sister, Harriet (Whoopi Goldberg), a New Jersey restaurant-supply owner who's anything but motherly. That's when Albert invents Bogus (Gerard Depardieu), an imaginary friend who springs to life from a coloring book drawing--clearly the product of Albert's need for love and companionship. It's easy to see why director Norman Jewison was drawn to the challenge of this delicate, charmingly cast fantasy/drama whimsically written by Alvin Sargent (Oscar®-winner for Ordinary People), and there are some lovely moments that capture a fleeting sense of wonder. But like the similar fantasy Three Wishes, the magic is lightweight and it doesn't always work. Your best bet is to just surrender to the sentiment, and don't be surprised if you shed a tear or two. --Jeff Shannon

White Man's Burden

The premise is interesting, but the execution fails to live up to any of its potential. White Man's Burden imagines an America where black people are the ruling class and whites are underprivileged minorities. John Travolta stars as a factory worker who is fired after making a delivery to the house of the factory owner (Harry Belafonte) and accidentally peeping the man's naked wife through a window. Now jobless and unable to support his family, his wife (Kelly Lynch) leaves him. In desperation he kidnaps Belafonte. The best part of the film is seeing African American actors filling the smaller, background roles that usually go to white actors (such as police officers and wealthy suburbanites), but the movie fails in its poorly thought-out ideas. Transposing the characters' skin color out of the thinly veiled metaphor, John Travolta's portrayal of the poor black man as violent and uneducated (but family oriented), combined with Belafonte's rich white man as just and compassionate (and also family oriented), borders on being truly offensive. The fact that it's helmed by an Asian American director, Desmond Nakano, only makes you wonder why Asian Americans are conspicuously absent (as are Hispanics) and where the heck they would fit into this world, anyway. --Andy Spletzer

From the producer of "Pulp Fiction" --set in a time where color roles have been reversed, John Travolta is Louis Pinnock--a poor man struggling to keep his wife and children fed and clothed. But when he loses his job, Pinnock snaps and decides to fight back the only way he knows how.

The Flintstones - DTS

This pleasant, lightweight live-action version of the popular cartoon is about as good as you might expect. The kids should love the broad humor and the Henson Studios creatures, but like The Addams Family movies, the look and the cast are the best things going for it. Considering that the nature of the material is so sparse, the thinly plotted story works better than other TV-to-movie fare. Our fabulous Stone Age man is promoted per a calculated move by a scheming exec (Kyle MacLachlan, whose casting ensured at least one cute guy). As a comedy, the humor is one-note and flat for anyone older than 12. The special-effects creatures look wondrous, though not as seamless as in other movies, such as in Roger Rabbit. The most joyous moments come during the full-scale re-creations of the famous credits. The Flinstones provided a major launching pad for Halle Berry as a vamping secretary. --Doug Thomas

Deterrence

Deterrence offers a welcome throwback to such sweaty-palmed chamber pieces as Fail-Safe and Twelve Angry Men, and in his debut as writer-director, Rod Lurie, a West Point graduate and former film critic, has crafted a taut, one-set drama that would have been ideal for live television. With its provocative what-if scenario and a sharp cast confined to a claustrophobic space, this movie's more clever than coherent, but it grabs your attention for 103 briskly paced minutes.

The year is 2008, and U.S. President Walter Emerson (Kevin Pollak) has something to prove. He wasn't elected (he took office upon the death of the previous president), and he needs a pivotal boost in a current primary election. While he and his entourage are trapped under heavy snowfall in a tiny Colorado diner, Emerson must decide whether to unleash a nuclear arsenal on the son of Saddam Hussein, who has invaded Kuwait and taken hundreds of American lives. With his chief of staff (Timothy Hutton), top advisers, and a cluster of terrified diners, Emerson sorts through his options as tensions come to a boil.

This all works well on the surface, and Deterrence gains depth by depicting a president who is potentially as evil as his unseen enemy. But the film is almost fatally vague (clearly Lurie wants viewers to bring their own interpretation to these events) and ends with a twist that's too contrived to be dramatically satisfying. Until that point, however, Deterrence will certainly keep you engaged. --Jeff Shannon