Dancing at the Blue Iguana
by Michael Radford
from Lions Gate
At the Blue Iguana, in the heart of LA's San Fernando Valley, the lives of five strip club dancers converge over the course of one week. Angel (Daryl Hannah), attempts to qualify as a foster mother; Jasmine (Sandra Oh), is a clandestine poet who finds love at a coffee house reading; Jo (Jennifer Tilly), faces an unplanned pregnancy; Stormy (Sheila Kelley), confronts her bewildering past and Jesse (Charlotte Ayanna) gets a tough introduction to life in LA. This glimpse into the oft-misunderstood world of the strip club bares each girl inside and out both onstage and off, providing an insight to the story behind the dance.
If Someone Had Known (True Stories Collection TV Movie)
by Eric Laneuville
from Mpi Home Video
Katie Liner (Kellie Martin) is a teenaged girl with a bright future who is swept off her feet by an attractive, but dubious young man, Jimmy Pettit (Ivan Sergei). The two soon marry and live a storybook life on the outside. But, on the inside they live with a terrible secret - he's physically abusive and she's too afraid to confide in anyone, especially her domineering father (Kevin Dobson), a police detective. When their son is born, the beatings increase in frequency due to Jimmy's jealousy over the baby. Yet, each time he apologizes and promises it will never happen again. Upon the impending birth of their second child, Katie realizes the situation will only get worse and makes an earnest attempt to leave her husband. When he threatens to kill her, she turns the tables and murders him in self defense. Faced with a life sentence, will a jury believe Katie's story and find her not guilty?
The 6th Day
by Roger Spottiswoode
from Sony Pictures
For a movie about cloning, it's only appropriate that The 6th Day, starring Arnold Schwarzenegger, is instilled with a strong sense of déjà vu, namely from Arnold's previous "Who am I?" outing, Total Recall. In that movie, Arnold is a normal Joe who discovers that his entire reality has been co-opted by an evil conspiracy, and has to take his life back by force. The same premise applies here for Roger Spottiswoode's clever if overlong sci-fi thriller--Arnold thinks he's a regular guy leading a regular life, until a twist of fate puts him on the lam from a vast conspiracy that's replaced him with a clone. While he's trying to evade the evil genetics corporation--and its trendy, deadly, clone-friendly assassins (who don't care how many times they're killed: there's more where that came from)--his double is snuggling at home with his wife and daughter. And new legislation outlaws the existence of human clones, so somebody's got to go. But who gets to be live and who gets to be the dead Memorex man?
Why does said genetics corporation want to clone people? How does the kindly scientist (Robert Duvall) fit in? What's the mystery behind the slick billionaire (Tony Goldwyn) who runs everything? It's all kind of irrelevant in the end, as long as it provides a chance for Arnold to indulge in some energetic mayhem and explosive action. What distinguishes The 6th Day is its sneaky, humorous--and chilling--look at the near future, taking everyday technological advances and turning them up just a couple notches, envisioning an era with cloned pets, virtual girlfriends, and computers running most everything, from the refrigerator to your car. Arnold is supposed to be a throwback to the "real" world--you can tell because he cherishes his vintage, navigation-system-free Cadillac--but as usual, he just brings his behemoth presence to the role and not much else. Still, he's a friendly enough hero, and he rolls with the punches (literally) all the way through to the end. Too bad the film overstays its welcome by about half an hour--a little shorter and it could have been a breezy sci-fi/action romp. With scene stealers Michael Rooker, Sarah Wynter, and Rod Rowland as the trio of cloned assassins who always come back--again and again. --Mark Englehart
In the not-too-distant future, when cloning plants, pets, and human organs is accepted, a sinister corporation has begun illegally duplicating entire human beings. They mistakenly clone the wrong man; a man who is now the only one with the power to expose their evil. They desperately want to kill him, but he will do anything to reclaim his family and life.
Mr. Fix It
by Darin Ferriola
from First Look Pictures
Lance Valenteen (David Boreanaz) is a lovelorn Casanova who tricks woman into returning to their ex-boyfriends. Men who have recently been dumped by their girlfriends hire Lance to prove to their ex-girlfriends that they really weren t that bad after all by befriending the clients ex-girlfriend dating her and becoming the epitome of why the client was dumped sending the woman straight back into her ex-boyfriend s arms. Bob Smith (Pat Healy) hires Lance to mend his former relationship with Sophia Fiori (Alana De La Garza) and with the money he makes from that job Lance can finally afford to fix up his 1985 Camaro for a shot at winning a prestigious local race a life-long dream. But Lance finds himself falling for Sophia which puts his plan in jeopardy. Does he go through with his ruse in order to have the money to make his dream come true or now that love is within reach does he choose Sophia? Race day is tomorrow and Lance has no idea that the surprise of his life is less than twenty four hours away.System Requirements:Run Time: 93 minsFormat: DVD MOVIE Genre: COMEDY Rating: N/A UPC: 687797115393 Manufacturer No: FLP-11539
The 6th Day (Special Edition)
by Roger Spottiswoode
from Sony Pictures
For a movie about cloning, it's only appropriate that The 6th Day, starring Arnold Schwarzenegger, is instilled with a strong sense of déjà vu, namely from Arnold's previous "Who am I?" outing, Total Recall. In that movie, Arnold is a normal Joe who discovers that his entire reality has been co-opted by an evil conspiracy, and has to take his life back by force. The same premise applies here for Roger Spottiswoode's clever if overlong sci-fi thriller--Arnold thinks he's a regular guy leading a regular life, until a twist of fate puts him on the lam from a vast conspiracy that's replaced him with a clone. While he's trying to evade the evil genetics corporation--and its trendy, deadly, clone-friendly assassins (who don't care how many times they're killed: there's more where that came from)--his double is snuggling at home with his wife and daughter. And new legislation outlaws the existence of human clones, so somebody's got to go. But who gets to be live and who gets to be the dead Memorex man?
Why does said genetics corporation want to clone people? How does the kindly scientist (Robert Duvall) fit in? What's the mystery behind the slick billionaire (Tony Goldwyn) who runs everything? It's all kind of irrelevant in the end, as long as it provides a chance for Arnold to indulge in some energetic mayhem and explosive action. What distinguishes The 6th Day is its sneaky, humorous--and chilling--look at the near future, taking everyday technological advances and turning them up just a couple notches, envisioning an era with cloned pets, virtual girlfriends, and computers running most everything, from the refrigerator to your car. Arnold is supposed to be a throwback to the "real" world--you can tell because he cherishes his vintage, navigation-system-free Cadillac--but as usual, he just brings his behemoth presence to the role and not much else. Still, he's a friendly enough hero, and he rolls with the punches (literally) all the way through to the end. Too bad the film overstays its welcome by about half an hour--a little shorter and it could have been a breezy sci-fi/action romp. With scene stealers Michael Rooker, Sarah Wynter, and Rod Rowland as the trio of cloned assassins who always come back--again and again. --Mark Englehart
Air Panic
from 20th Century Fox
From a secret location, a psychotic computer genius named Cain carries out a personal crusade of distruction. With a group of innocent people in Cain's site, a brilliant federal agent sets out to bring him down. Unfortunately, time is running out.
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