Royle, Selena

A Date with Judy

Interesting early postwar musical that combines the musicomedy warhorses of the '40s with the rising Hollywood stars of the '50s including the lovely Taylor. Choreography by Donen distinguishes plot of teenage doings before a big dance. Includes the songs "It's a Most Unusual Day" and "Cuanto La Gusta" (with Miranda!).System Requirements:Running Time: 113 minutesFormat: DVD MOVIE Genre: DRAMA/CLASSICS Rating: NR UPC: 012569648449 Manufacturer No: 1000015117

Shot in soft-focus Technicolor by Oklahoma!'s Robert Surtees, A Date with Judy offers a candy-colored version of the high-school musical. In a cozy seaside town, 16-year-old Judy Foster (tiny soprano Jane Powell) and poor little rich girl Carol Pringle (a stunning Elizabeth Taylor, dubbed) prepare for the school dance. When Carol's brother, Oogie (former child star Scotty Beckett), stands up Judy--on Carol's advice--she takes new soda jerk Stephen (Written on the Wind's Robert Stack). Though Stephen can't take his eyes off Carol, he concedes, "You're the prettiest girl in Santa Barbara--and you know it." Afterwards, the girls compete for his affections, while Judy's dad, Melvin (The Champ's Wallace Beery), takes rumba lessons from Carmen Miranda's Rosita in preparation for his 20th wedding anniversary. Carol's mild conniving aside, there are no bad guys here, and all's well that ends well. Notable numbers include Powell's "It's a Most Unusual Day" and Miranda's "Cuanto le Gusta" with the Xavier Cugat Orchestra. Aside from the ladies on screen, Dorothy Cooper and Pal Joey's Dorothy Kingsley adapted the script from Aleen Leslie's 1941 radio play, hence lines like, "Don't try to understand women, just accept them." With direction by Ivanhoe's prolific Richard Thorpe and choreography from Singin' in the Rain's Stanley Donen, MGM's A Date with Judy serves up wholesome entertainment for all ages. Special features include the original trailer and two shorts, Martin Block's Musical Merry-Go-Round #3 with Ray Noble and Buddy Clark and Tom and Jerry's Professor Tom. --Kathleen C. Fennessy

The Harvey Girls

Musical western about a mail order bride who ditches her bashful suitor and joins a group of women intent on opening a remote whistle stop restaurant.Running Time: 102 min.Format: DVD MOVIE Genre: WESTERN/MISC. Rating: NR UPC: 012569534827

Sometimes lively, sometimes pokey, this Technicolor MGM musical inspires mixed feelings in aficionados of the form--except on one point. No viewer will question why "On the Atchison, Topeka, & the Santa Fe" won the best song Oscar for 1946. This is a brilliant, inventive song given an epic staging. Director George Sidney pulls out all the stops for this wowser--even Marjorie Main sings, an eardrum-testing sound. The real-life Harvey Girls were waitresses imported to the far-flung Fred Harvey Hotels, civilizing oases along the railroad lines out west. The fictional Harvey Girls is set in Sandrock, where the traveling waitresses are joined by a sort of mail-order bride (Judy Garland) whose prospective husband is a bust--he's a roughhewn rancher played by Chill Wills. Garland is in fine spunky form; unfortunately, her romance is with John Hodiak (as the owner of a dance hall), that uninspiring World War II-era lead. The film's other great Johnny Mercer-Harry Warren song is the unexpectedly melancholy "It's a Great Big World," performed in a lovely trio by Garland, Virginia O'Brien, and the young Cyd Charisse. The tall, deadpan O'Brien also does a comic take on "The Wild, Wild West" while shoeing a horse. With kewpie-faced Angela Lansbury as a bespangled dance-hall gal and Ray Bolger high-stepping through a dance solo, there are enough good people on board to keep the wheels a-turning "all the way to Californ-eye-yay." --Robert Horton

The Cary Grant Signature Collection (Mr. Blandings Builds His Dream House / Destination Tokyo / The Bachelor and the Bobby-Soxer / My Favorite Wife / Night and Day)

Mr. Blandings Builds His Dream House The Bachelor and The Bobby-Soxer My Favorite Wife Destination Tokyo Night and DayFormat: DVD MOVIE Genre: DRAMA UPC: 085393498221

Greatest movie star ever? How can you argue against Cary Grant, the graceful clown, the ironic romantic? Equally at home in an Alfred Hitchcock suspense piece or a Howard Hawks screwball comedy, the superb Mr. Grant (born Archie Leach) could handle just about anything. And it's a testament to his appeal that this boxed set, which contains not a single great movie, is nevertheless an entertaining catalog of Grant's splendid run during the 1940s.

The earliest picture, and a sheer delight, is 1940's My Favorite Wife, one of Grant's blissful pairings with the wonderful Irene Dunne. He's about to remarry when his first wife washes up again after having been lost on a desert island (with he-man Randolph Scott) for seven years. Destination Tokyo is a WWII submarine picture, with Grant as the stalwart skipper--slightly odd casting, but he brings it off with admirable professionalism. (The film's propagandistic jabs at demonizing the Japanese enemy have not aged well.)

Night and Day is one of those composer biographies that veers rather radically from reality, with Grant playing Cole Porter. A ton of great songs and the canny casting of Cary as the champagne-sophisticate Porter make it passably de-lovely, despite the whitewash of the composer's real-life story. The Bachelor and the Bobby-Soxer puts Grant in deliciously antic mode, mooned over by teenager Shirley Temple but preferring the company of her older sister, Myrna Loy. He re-teams with Loy in Mr. Blandings Builds His Dream House, an artless but regularly hilarious tale of Manhattanites whose Connecticut fixer-upper becomes a money pit. --Robert Horton

The Fighting Sullivans - Commemorative Edition

The Guts and Glory of the Navy! This is the movie that inspired "Saving Private Ryan." It's the true story of five brothers who fought and died together when their ship, the American cruiser Juneau, was sunk in the South Pacific during World War II. The Fighting Sullivans is something more than a worthy tribute to a pair of small town parents and the five sons they lost when the Juneau blew up in a battle off Guadalcanal on November 13, 1942. It is a heartwarming slice of Americana that will fill in the background of any number of Americans on the fighting front. The audience's awareness of the news in store for the Sullivan family adds considerably to the film's effect. The Fighting Sullivans generates emotion strictly on it's own terms and without bidding for tears. This Commemorative Edition marks the 63rd anniversary of the sinking of the Juneau. DVD features: 2005 Interview with Frank Holmgren (last living survivor of the sinking)| Video Inside the 5 Sullivan Brothers Veterans Museum| A message from Bob Neymeyer of the Grout Museum| Family Photos| Last Muster List| Memorials from family members| Survivor List| Juneau Action account letter by Lieutenant Roger W O'Neil - Mc-V (G) U S Naval Reserve| Personal Letters| Letter from President Franklin D Roosevelt| New Digital Transfer| Original Theatrical Trailer.

Night and Day

Swellegant and elegant. Deluxe and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda whose serendipitous meetings with Cole lead to a meeting at the altar. More than 20 Porter songs grace this tale of triumph and tragedy with Grant lending his amiable voice to You're the Top Night and Day and more. Monty Woolley a Yale contemporary of Porter portrays himself. And Jane Wyman Mary Martin Eve Arden and others provide vocals and verve. Lights down. Curtain up. Standards embraced by generations are yours to enjoy Night and Day.Format: DVD MOVIE Genre: DRAMA UPC: 012569596221

With Michael Curtiz (Casablanca) as director, Cary Grant in the lead, and wall-to-wall songs by Cole Porter, how could Night and Day lose? Why, by taking broad liberties with the composer's life story and failing to live up to expectations. If you can overlook such shortcomings, however, it's lively entertainment that doesn't completely deserve the scorn it has elicited. Grant is good as a bon vivant who had a way with words but lacked the discipline to pursue a career in law. As a singer, on the other hand, he's merely adequate. Curtiz wisely has the fine supporting actresses (Jane Wyman, Ginny Simms, etc.) handle the big numbers such as "You're the Top." Also, Porter's story was meant for black and white. The Technicolor process adds an unfortunate garishness to the tale of a man whose very name has become a synonym for elegance. With Mary Martin and Monty Woolley as themselves. --Kathleen C. Fennessy

Joan of Arc

The lavish 1948 production of Joan of Arc may not qualify as a great movie, but it scores a triumphant victory as a great DVD. Thanks to a stunning restoration by the renowned UCLA Film and Television Archive, this relic from Hollywood's golden age can now be appreciated in all its magnificent Technicolor glory, restored to its original theatrical length of 145 minutes after decades of truncated TV broadcasts. Under the direction of Victor Fleming (whose credits include Gone with the Wind and The Wizard of Oz), this is a stodgily respectable mini-epic, adapted from Maxwell Anderson's acclaimed play Joan of Lorraine and giving 33-year-old Ingrid Bergman one of her quirkiest star turns as the 19-year-old "Maid of Lorraine," destined by divinely inspired fate to rescue imperiled France from British occupation, and face trial on charges of witchcraft. Winner of three Oscars (for cinematography and costumes, and an honorary award to Producer Walter Wanger for boosting Hollywood's "moral stature") and five nominations (including acting nods for Bergman and José Ferrer, making his screen debut as the French Dauphin), the film suffers from an abundance of talky exposition and stage-bound incident, but the battle scenes are still rousing, Bergman glowing beatifically in polished armor and surrounded by a seasoned cast of studio-era character players in a rampant case of Hollywood anachronism (somehow, Ward Bond just doesn't belong in medieval France!). If you get bored during the slow parts, you can always marvel at the pristine restoration, full of heavenly sunbeams, masterful matte paintings, and enough colorful detail to make most 1948-vintage films pale by comparison. Frame by gorgeous frame, martyrdom never had a classier showcase. --Jeff Shannon

Academy Award-winner Ingrid Bergman (Casablanca) is spellbinding as the 15th century French peasant girl who rouses a nation and inspires the world with her faith and bravery. Fiercely believing that she is directed by God, Joan triumphantly leads an army into battle against the British, who are driven from France. When a new king (Jose Ferrer in a extraordinary film debut) is crowned, Joan's influence grows and makes him wary of her power, ultimately betraying her to martyrdom. This powerful, visually stunning epic of one of history's most fascinating heroines features spectacular action and unforgettable drama! Completely restored, original full-length version with footage not seen in the U.S.,from Victor Fleming, Director of Gone with the Wind and The Wizard of Oz. Winner of three Academy Awards®: Best Cinematography, Best Costume Design, Honorary Award to producer Walter Wanger with Five additional Academy Award®: nominations: Best Actress (Ingrid Bergman), Best Supporting Actor (Jose Ferrer), Best Art Direction, Best Film Editing, Best Score.

The Damned Don't Cry

It's a man's world. And Ethel Whitehead learns there's only one way for a woman to survive in it: be as tempting as a cupcake and as tough as a 75-cent steak. In the first of three collaborations with director Vincent Sherman Joan Crawford brings hard-boiled glamour and simmering passion to the role of Ethel who moves from the wrong side of the tracks to a mobster's mansion to high society one man at a time. Some of those men love her. Some use her. And one a high-rolling racketeer abuses her. When the racketeer murders his rival in Ethel's swanky living room she flees a sure murder rap right back to the poverty she thought she had escaped. And this time there may not be a man to pick up the pieces of her shattered life.Running Time: 103 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569683648

Joan Crawford bashes her way through this melodrama inspired by the Bugsy Siegel-Virginia Hill story. Our girl walks out of tacky poverty at the beginning and re-shapes herself into a fur-lined mobster's moll, her will of steel out-pointing the men at every stop. David Brian (recently her Flamingo Road co-star) is the looming blond monster who runs the organization, Steve Cochran is the Bugsy guy building his own network in Nevada, and Kent Smith is the meek accountant Joan bullies into becoming a syndicate player. It's all from that mid-career post-Mildred Pierce period that served Crawford so well, with the full-on film noir look (Ted McCord photographed) and the strong whiff of American sleaze.

Joan Crawford's face had assumed its masklike quality at this point, and at times she seems more of a business manager than an actress: organizing each scene, pushing the story along to its next stop. In its own over-the-top way, it works: there isn't a moment when she doesn't seem capable of devouring anybody that stands in her way. Everything is writ large in this movie, which makes it a fitting target for a Carol Burnett send-up... and which also makes it a great deal of fun. --Robert Horton

The Fighting Sullivans (1944 USA)

With ANNE BAXTER, THOMAS MITCHELL, SELENA ROYLE, WARD BOND, BOBBY DRISCOLL. Directed by LLOYD BACON. This heart-wrenching drama was made at the height of World War II, when American mothers and fathers were sending their sons off to battle. In too many cases, these young men never were to return. It opens with a simple declaration: "This is a true story." What follows is the account of five young men named Sullivan. They enjoy a typical all-American small town childhood as they share youthful adventures and mischief. The Sullivans go fishing and boating. They worship in church. They boyishly slide down the banister of their house and squabble among themselves and with others. Their hardworking father tries to set for them a good example. Their mother cooks their meals, cleans their clothes and mediates their differences. The years pass too quickly and the Sullivans become young men. They date and go to dances. One of them falls in love and marries. Then terrible news comes, on December 7, 1941. The Japanese have launched a surprise attack on Pearl Harbor. America is at war. "Its always been the five of us," one of the Sullivans proclaims. So they join the navy to do their patriotic duty. This is a tremendously moving account of boys grown into men and of honor and obligation, courage and sacrifice. The film is extremely well-acted, especially by Thomas Mitchell as the Sullivans father and Anne Baxter as the bride of the youngest Sullivan. Highly recommended. 113 minutes. NO REGIONAL CODING - PLAYS WORLDWIDE on any NTSC compatible player or computer. We are licensed to publish by Video Yesteryear. GENERIC CASE - NO ARTWORK

Robot Monster

Phil Tucker's Robot Monster has rightfully earned a place in the pantheon of bad movies over the years, and for good reason--it makes anything done by Ed Wood look like an Orson Welles masterpiece. Picture, if you will, a gorilla in a diving helmet (the Ro-Man) who wipes out all of the Earth's population except for one family (the Hu-Mans), whom he terrorizes through the rest of the film. From his headquarters in a Bronson Canyon cave, he communicates with his superiors via World War II surplus radio gear and a Lawrence Welk-style bubble machine, then shambles around the woods looking for his quarry. The plot of this post-holocaust sci-fi nonsense is hardly worth going into past that point, except to say that it's stupendously, staggeringly awful filmmaking. It's even more incredible when you consider that the writers and director undoubtedly believed that they were making a deep, serious, grave statement about the horrors of nuclear war... and wound up with several reels of celluloid flotsam. Any self-respecting fan of bad cinema who hasn't seen this notorious wreck of a movie isn't worth his or her salt. Poor Phil Tucker--when Robot Monster was released, it received such a thorough shellacking that he tried to commit suicide. Tucker failed, though, and went on to make the even less comprehensible Broadway Jungle and the marginally better Cape Canaveral Monsters. --Jerry Renshaw

Incredible! Unbelievable! Told the untamed way! Ro-Man, a sex-starved robot monster (dressed in gorilla suit and diving helmet), has destroyed all of humanity with the exception of a small band of survivors. It's up to these last brave souls to re-populate the human race and to destroy the mighty Ro-Man and his commander, The Great Guidance. A Golden Turkey Award winner!

Branded

They don't make 'em like Branded anymore. Actually, they hardly make 'em at all. Westerns, that is, with their big skies and scenic technicolor vistas, rousing musical scores, cattle and cowpokes, bad guys and prairie damsels, horses and wagons and dust. Branded has all of that, and a good story, decent acting, and superior writing to go with it. Alan Ladd plays Choya, a morally ambiguous loner (asked if he has any friends or kinfolk, he submits "my guns" and "my horse") and falsely-accused bandit who gets pulled into a "foolproof" million dollar scam that involves impersonating the long-lost son of a rich Texas cattle rancher. Needless to say, complications ensue. The villain (Robert Keith) starts getting antsy; the rancher, Lavery (Charles Bickford), and his wife turn out to be kind, decent folks; Choya takes an interest in his "sister" (Mona Freeman) that goes well beyond fraternal devotion; and his conscience kicks in, too. His ruse revealed, feeling guilt-ridden and seeking redemption, Choya spends the second half of the film on a quest to find the real missing Lavery heir (no easy task, as "Tonio" has been raised by a notorious Mexican outlaw)… and, in the end, to discover that what he really wants and needs is the family he's just betrayed. We all know how it will turn out, of course, but Branded is a good, wholesome family fare, and a lot of fun to boot. This DVD release contains no bonus features. --Sam Graham

In BRANDED, Ladd plays Choya, a bandit who poses as the long-lost son of a wealthy Texas rancher. Shamed by the kindness of his new family and attracted to his lovely "sister," Choya vows to right the wrong he's done them. He rides out in search of the real missing heir...and into adventure as big as the western sky.