Ruehl, Mercedes

Gia (Unrated Edition)

It's late 70's New York. Studio 54 designer jeans drugs and disco. This is the outrageous breathtaking story of the first fashion super-model - her rise to the top and her fall caught up in a whirlwind of drugs sex and celebrity.Running Time: 126 min.Format: DVD MOVIE Genre: DRAMA UPC: 026359154027

There's a reason why Cindy Crawford was dubbed "Baby Gia" when she first hit the modeling scene. Indeed, Crawford, now the world's best-known supermodel, greatly resembled model Gia Carangi, who went from high school to the cover of British Vogue in less than two years. Carangi appeared on many more covers of Vogue (French, British, Italian, and American) and Cosmopolitan before dying of complications from AIDs (she was an IV heroin user) in 1986. Now most people recognize Carangi's name from this powerful HBO film that stars Golden Globe-winner Angelina Jolie, who comes by her talent honestly. Jolie is the daughter of veteran actor Jon Voight, and her own training as a model serves her well--she has the moves. Throughout, she's heartbreaking--as no doubt the real Carangi was--effective, and stunning.

With good source material (Stephen Fried's A Thing of Beauty: The Tragedy of Supermodel Gia), Jolie's stunning performance, and strong directing by Michael Cristofer, the movie goes beyond the merely sensational. The script was cowritten by Cristofer and novelist Jay McInerney, whose Bright Lights, Big City covers similar territory. As a cautionary tale, Gia works. But to watch Jolie in her character's tragic self-destruction is utterly compelling. --N.F. Mendoza

The Warriors (The Ultimate Director's Cut)

A battle of gigantic proportions is looming in the neon underground of New York City. The armies of the night number 100000; they outnumber the police 5 to 1; and tonight they're after the Warriors - a street gang blamed unfairly for a rival gang leader's death. This contemporary action-adventure story takes place at night underground in the sub-culture of gang warfare that rages from Coney Island to Manhattan to the Bronx. Members of the Warriors fight for their lives seek to survive in the urban jungle and learn the meaning of loyalty. This intense and stylized film is a dazzling achievement for cinematographer Andrew Laszlo.System Requirements:Running Time 93 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: RP UPC: 097360313840 Manufacturer No: 031384

The Warriors combines pure pulp storytelling and surprisingly poetic images into a thoroughly enjoyable cult classic. The plot is mythically pure (and inspired by a legendary bit of Greek history): When a charismatic gang leader is shot at a conclave in the Bronx meant to unite all the gangs in New York City, a troupe from Coney Island called the Warriors get blamed and have to fight all the way back to their own turf--which means an escalating series of battles with colorful and improbable gangs like the Baseball Furies, who wear baseball uniforms and KISS-inspired face make-up. Pop existentialism, performances that are somehow both wooden and overwrought, and zesty, kinetic filmmaking from director Walter Hill (Southern Comfort, 48 Hrs.) result in a delicious and unexpectedly resonant operatic cheesiness. The Ultimate Director's Cut doesn't radically alter the movie--some of the editing is tighter, the Greek legend has been added as an introduction--with one exception: in transitions, scenes begin and end as scenes from a comic book. While The Warriors always had a comic book flavor (and Hill, in an interview, says he deliberately pursued that sensibility), this device--similar to The Hulk--seems a bit overkill. But it's a minor problem; the movie holds its own, even 26 years later. The dvd has no audio commentary, but there are four short documentaries (really, one documentary in four parts). These include excellent interviews with Hill, actors Michael Beck, James Remar, David Patrick Kelly, and Deborah Van Valkenburgh. The producers, the cinematographer, the costume designer, the stunt coordinator, and many others give lively and in-depth descriptions of how the movie came to be. One of these documentaries includes portions of a deleted scene that was used when The Warriors was screened on television; no other deleted scenes are included. --Bret Fetzer

Frasier - The Complete Third Season

With this third season, Frasier scored an impressive hat trick, winning its third successive Emmy for Outstanding Comedy Series. You don't need too much analysis to get to the bottom of this unprecedented success. The series was a primetime oasis of wit and sophistication, with welcome forays into farce that pricked Frasier's bubble of pomposity. His priceless reactions to the assaults on his dignity are worthy of Jack Benny. Frasier (Kelsey Grammer) can be infuriating, as in "The Focus Group," in which he is obsessed with knowing why a lone focus group participant (guest star Tony Shalhoub) doesn't like him. But he is also endearing in his delusional view of himself as, in the words of one mocking bystander, a "man of the people." Frasier meets his match in new station owner Kate Costas (Oscar-winner Mercedes Ruehl). Their combative relationship turns to lust over the course of the first 10 episodes.

But the season's most pivotal story arc is the separation of Niles (David Hyde Pierce) and Maris. "Moon Dance," which marked Grammer's directorial debut, is a series benchmark, as a crestfallen Niles tangos with his unrequited love, Daphne (Jane Leeves), at a high society ball. Not that the Crane family still doesn't have issues to work out. Frasier cannot abide being beaten at chess by Martin (John Mahoney) in "Chess Pains." Frasier and Niles ill-advisedly go into joint practice in "Shrink Rap," and find themselves on the opposite sides of a sanity hearing in "Crane vs. Crane." Lilith is sorely missed, but in this season's blast-from-the-past episode, Shelley Long returns in "The Show Where Diane Comes Back." It is a joy to see Cheers resurrected, if only in Diane's self-absorbed new play, which Frasier agrees to back. And any episode with Frasier's amoral agent Bebe (Harriet Sansom Harris) is must-see television. Frasier's humor was character-based, rather than topical, giving it a longer shelf life. For those who lament the end of one of television's gold standard series, this boxed set will be excellent therapy. --Donald Liebenson

Big

A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

Big (Extended Edition)

Have you ever had a really big secret?A young boy makes a wish at a fairground machine to be big. He wakes up the following morning to find that his wish has been granted and his body has grown older over night. But he is still the same 12 year old kid on the inside. Now he must learn how to cope with the unfamiliar world of grown ups including getting a job and having his first romantic encounter with a woman. What will he find out about this strange world?System Requirements:Run Time: 120 minutesFormat: DVD MOVIE Genre: COMEDY Rating: PG UPC: 024543381570 Manufacturer No: 2238157

A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

The Secret of My Success

Derivative fluff from 1987, made tolerable by its bawdy exuberance and an appealing performance by Michael J. Fox, who was still enjoying TV stardom and the career momentum he earned by traveling Back to the Future. Here he plays a Kansas farm boy who dreams of scoring big in New York City, but reality turns out to be brutal to his ambition. When his uncle (Richard Jordan) gives him a mail-room job in the high-rise headquarters of a major corporation, Fox occupies an empty office and poses as a young executive, winning the attention of a lovely young colleague (Helen Slater) and having an affair with his boss's wife (Margaret Whitton). Sporadically amusing as a yuppie comedy and rather off-putting as a wannabe sex farce, the movie's still recommendable for its lively cast and a breezy style that almost succeeds in updating the conventions of vintage screwball comedy. Whitton is a standout performer here, so you may wonder why her comedic talent has been underrated, apart from a good role in the first two Major League movies. This may be little more than a big-screen sitcom, but it's not without its charms. --Jeff Shannon

The Fisher King

A homeless, former history professor helps a shock radio dj find redemption in his search for the Holy Grail in modern day New York.
Genre: Feature Film-Comedy
Rating: R
Release Date: 28-AUG-2001
Media Type: DVD

Arthurian mythology and modern day decay seem perfect complements to each other in this Terry Gilliam drama/comedy/fantasy. Shock jock Jack Lucas (Jeff Bridges) makes an off-handed radio remark that causes a man to go on a killing spree, leaving Lucas unhinged with guilt. Lucas's later, chance meeting with Parry (Robin Williams), a homeless man suffering from dementia, gets him involved in the unlikely quest for the Holy Grail. The rickety, and patently unrealistic stand that insanity is just a wonderful place to be, and that the homeless are all errant knights, wears awfully thin, but there are numerous moments of sad grace and violent beauty in this film. The screenplay by Richard LaGravenese launched his successful career and his smart wordplay helped garner Mercedes Ruehl an Oscar as Lucas's girlfriend. --Keith Simanton

Gia

There's a reason why Cindy Crawford was dubbed "Baby Gia" when she first hit the modeling scene. Indeed, Crawford, now the world's best-known supermodel, greatly resembled model Gia Carangi, who went from high school to the cover of British Vogue in less than two years. Carangi appeared on many more covers of Vogue (French, British, Italian, and American) and Cosmopolitan before dying of complications from AIDs (she was an IV heroin user) in 1986. Now most people recognize Carangi's name from this powerful HBO film that stars Golden Globe-winner Angelina Jolie, who comes by her talent honestly. Jolie is the daughter of veteran actor Jon Voight, and her own training as a model serves her well--she has the moves. Throughout, she's heartbreaking--as no doubt the real Carangi was--effective, and stunning.

With good source material (Stephen Fried's A Thing of Beauty: The Tragedy of Supermodel Gia), Jolie's stunning performance, and strong directing by Michael Cristofer, the movie goes beyond the merely sensational. The script was cowritten by Cristofer and novelist Jay McInerney, whose Bright Lights, Big City covers similar territory. As a cautionary tale, Gia works. But to watch Jolie in her character's tragic self-destruction is utterly compelling. --N.F. Mendoza

The Last Action Hero

A young boy's movie hero comes to life, and together they fight the bad guys.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 23-MAR-2004
Media Type: DVD

Jack Slater is an action-film hero played by Arnold Schwarzenegger. An old projectionist (Robert Prosky) hands a magic movie ticket to Jack's biggest preteen fan (Austin O'Brien), and the kid steps right inside the latest Jack Slater film, becoming the actor star's sidekick in gunfights and car chases. But when Jack's nemesis (Charles Dance) gets his hands on the ticket, the fight busts out into the real world and Jack (à la Toy Story's Buzz Lightyear) refuses to believe he's a fictional character. Director John McTiernan churns some nifty scenes out of this setup, although the fiction-to-reality shuffle is not as deft as in, say, Woody Allen's The Purple Rose of Cairo, and the plot needs the kind of logic and discipline found in that classic when-worlds-collide film Back to the Future. Still, Schwarzenegger has moments of wit and smashing action, and we get a faux-movie trailer advertising an intriguing new shoot-'em-up: "Something's rotten in the State of Denmark--and Hamlet is taking out the trash!"

Heart Burn

You'd have thought that Nora Ephron and Mike Nichols had remade Heaven's Gate: that was the critical reaction to this film version of Ephron's semiautobiographical novel about her own marital woes. The fact that they had Jack Nicholson and Meryl Streep playing thinly disguised versions of Carl Bernstein and Ephron probably made them bigger, fatter targets. In fact, the film was a genuinely funny and painful look at the effects of marital infidelity and divorce, in the story of two married writers and what happens when the pregnant wife finds out the husband has been fooling around behind her back. The film is more dramatic and less quip-filled than Ephron's novel, which made the Ephron character a food writer and was peppered with recipes. Nicholson stepped into his role at the last minute, when Nichols fired Mandy Patinkin for being too intense and not funny enough. --Marshall Fine