Devil's Advocate
by Taylor Hackford
from Warner Home Video
Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money. Think of the story as a twist on John Grisham's The Firm, with the corporate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, gleefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. The film was directed by Taylor Hackford (Against All Odds, Dolores Claiborne), who provides alternate-track commentary for the movie itself, plus a dozen deleted scenes. Also note: due to a settlement with artist Frederick Hart over the movie's use of a sculpture resembling his Ex Nihilo in Washington's National Cathedral, future releases of the film will be altered. --Jim Emerson
Kevin Lomax (Reeves) an ambitious talented young district attorney joins a powerful New York law firm headed by the mysterious and charismatic John Milton (Pacino). as Lomax faces the intense seduction of success and money he is increasingly tempted.Running Time: 144 min.System Requirements:Produced by Arnon Milchan Arnold Kopelson; written by Jonathan Lemkin Tony Gilroy; DVD released on 12/01/1998; running time of 144 minutes; Closed Captioned. Copyright: 1997 Warner Bros.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 085391617228
Jumpin' Jack Flash
by Penny Marshall
from 20th Century Fox
Whoopi Goldberg (The Color Purple) gives one of her earliest and finest film performances as Terry Doolittle, a computer programmer who unwittingly becomes embroiled in an international espionage scheme, forced to outmaneuver the CIA and KGB in this riotous 1986 Cold War comedy. Doolittle, the outspoken and irreverent employee of an international bank, is working overtime one evening when her terminal receives an encrypted message pleading for help from Jumpin' Jack Flash, code name for a British spy (Jonathan Pryce) trapped in Eastern Europe. At first reluctantly and then audaciously, Doolittle becomes privy to his predicament and essential to his escape while delivering a steady stream of ribald one-liners and witty slapstick—whether it's her Mick Jagger impersonation, police station meltdown, or infamous dress-caught-in-the-paper-shredder escapade at the British Consulate ball. A host of supporting talent includes Annie Potts, Jon Lovitz, Jim Belushi, the late Phil Hartman, and Stephen Collins (who shines as Marty, the mole), yet the film belongs to Whoopi. Though the plot is far-fetched and often flimsy, Penny Marshall (in her directorial debut) gives Goldberg enough latitude to showcase her immense talent in a role she obviously relishes—and audiences will too. Rated R for extreme profanity and mature themes. --Lynn Gibson
A computer operator (Goldberg) at a bank is plunged into an exciting world of international intrigue, danger and romance when her terminal gets an S.O.S. from "Jumpin' Jack Flash," a British spy stranded in Eastern Europe. She is soon matching wits with the deadliest members of the CIA to the KGB. Jon Lovitz and Jim Belushi co-star in this suspenseful, fast-paced and murderously funny comedy.
Phenomenon
by Jon Turteltaub
from Walt Disney Video
An ordinary man experiences a piercing, bright light one night and soon begins to develop powers and intelligence beyond normal human capabilities.
Genre: Feature Film-Drama
Rating: PG
Release Date: 4-FEB-2003
Media Type: DVD
John Travolta's should've-been-nominated-for-an-Oscar performance is the best reason to see this largely moving work, which is a little reminiscent of the novel Flowers for Algernon (basis for the film Charly). Travolta plays a mechanic who sees a bright light in the sky one night and wakes up the next morning a genius, hungry for knowledge and so smart he figures out national defense secrets in his own living room (and gets in hot water for it). The more interesting drama, however, is not with the government but with the character's longtime neighbors and friends, who come to reject him for being different. Robert Duvall gives a stirring performance as a doctor who has known the hero all his life, and Kyra Sedgwick is very good as an ambivalent love interest. If you missed this one in the theaters, then you haven't seen one of Travolta's best performances since his comeback. The DVD release presents a widescreen image, optional French soundtrack, optional Spanish subtitles, and theatrical trailer. --Tom Keogh
The Fast and the Furious
from Universal Studios
A guilty pleasure with excess horsepower, The Fast and the Furious efficiently combines time-honored male fantasies (hot cars, hot women, hot action) into a vacuous plot of crystalline purity. It's trash, but it's fun trash, in which a hotshot Los Angeles cop named Brian (Paul Walker) infiltrates a gang of street racers suspected of fencing stolen goods from hijacked trucks. The gang leader is Dom (Vin Diesel), ex-con and reigning king of the street racers, who lives for those 10 seconds of freedom when his high-performance "rice rocket" (a highly modified Asian import) hurtles toward another quarter-mile victory. Racing is street theater for a lawless youth subculture, and Dom is a star behind the wheel--charismatic, dangerous, and protective toward his sister Mia (Jordana Brewster), who's attracted to Brian as the newest member of Dom's car-crazy team.
Director Rob Cohen treats this like Roman tragedy for MTV junkies, pushing every scene to adrenaline-pumping extremes; when his camera isn't caressing a spectrum of nitrous oxide-enhanced dream machines, it's ogling countless slim 'n' sexy race babes. The undercover-cop scenario cheaply borrows the split-loyalty theme perfected in Donnie Brasco; a rival Asian gang adds mystery and menace; and digital trickery is cleverly employed to explore the fuel-injected innards of the day-glo racecars. It's about as substantial as a perfume ad, but just as alluring, and for heavy-metal maniacs of any age, Diesel's superblown '69 Charger proves that Detroit muscle never goes out of style. --Jeff Shannon
Home of the Brave
by Irwin Winkler
from MGM (Video & DVD)
The fact that Home of the Brave is about soldiers coming home from a war that isn't even over is just one of the things that's off in this film; director Irwin Winkler and screenwriter Mark Friedman's 2006 tale of the problems faced by the men and women returning from Iraq is also hampered by thoroughly predictable storytelling, sub-par acting, and sometimes painfully on-the-nose dialogue, reducing what could have been a provocative and challenging effort into so much TV movie fodder. When Army medic Will Marsh (Samuel L. Jackson, who does his best to rise above the level of the material) and soldiers Vanessa Price (Jessica Biel) and Tommy Yates (Brian Presley) return to Spokane, Washington, major readjustment problems loom, mostly due to a chaotic ambush in a small Iraqi town (occurring less than two weeks before they were to be sent home, the incident is so unsurprising that anyone could have seen it coming). Will and his angry teenage son wage their own war, while Dad takes to the bottle; Vanessa's learning to cope with a prosthetic hand, while Tommy's grieving over the best buddy who died in the ambush and the loss of his job, girlfriend, and self-respect. Those matters and the clichéd, unconvincing way in which they're handled, along with the film's refusal to take a strong stand either for or against the war, obscure the potentially much more interesting issues. Are these soldiers patriots, or merely pawns? Were they doing their righteous duty by serving in this conflict, or were they victims sent off to suffer and perhaps die by a bunch of men in suits who never saw a minute of combat themselves? Other home-from-war films, from 1946's The Best Years of Our Lives to 1978's Coming Home to 1989's Born on the Fourth of July, have dealt with these and other issues a good deal more effectively than the earnest and well-intentioned but not very compelling Home of the Brave. --Sam Graham
When a humanitarian mission in Iraq is derailed by an explosive ambush, a small band of American soldiers find themselves fighting for their lives.
Cliffhanger (Collector's Edition)
by Renny Harlin
from Sony Pictures
Cliffhanger was a 1994 comeback of sorts for action hero Sylvester Stallone, this time thanks to director Renny Harlin (Die Hard 2 and Nightmare on Elm Street 4: The Dream Master) and some spectacularly rugged and vertigo-inducing high-mountain terrain. The opening sequence alone delivers what the title promises, and there's a doozy of an airplane stunt that was later reprised, with modifications, in Air Force One. Stallone, looking as tough and craggy as the mountains themselves, is a rescue climber who finds himself going after a gang of crooks (headed by John Lithgow in his bad-guy mode) who've hijacked a U.S. Treasury plane and crash landed in the Rockies (played by the Italian Dolomites) with millions of bucks. --Jim Emerson
A mountain climber who has lost his nerve finds himself on a rescue mission involving millions of stolen Treasury dollars and ruthless criminals.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 2-MAY-2006
Media Type: DVD
The Fast and the Furious (Widescreen Tricked Out Edition)
from Universal Studios
A guilty pleasure with excess horsepower, The Fast and the Furious efficiently combines time-honored male fantasies (hot cars, hot women, hot action) into a vacuous plot of crystalline purity. It's trash, but it's fun trash, in which a hotshot Los Angeles cop named Brian (Paul Walker) infiltrates a gang of street racers suspected of fencing stolen goods from hijacked trucks. The gang leader is Dom (Vin Diesel), ex-con and reigning king of the street racers, who lives for those 10 seconds of freedom when his high-performance "rice rocket" (a highly modified Asian import) hurtles toward another quarter-mile victory. Racing is street theater for a lawless youth subculture, and Dom is a star behind the wheel--charismatic, dangerous, and protective toward his sister Mia (Jordana Brewster), who's attracted to Brian as the newest member of Dom's car-crazy team.
Director Rob Cohen treats this like Roman tragedy for MTV junkies, pushing every scene to adrenaline-pumping extremes; when his camera isn't caressing a spectrum of nitrous oxide-enhanced dream machines, it's ogling countless slim 'n' sexy race babes. The undercover-cop scenario cheaply borrows the split-loyalty theme perfected in Donnie Brasco; a rival Asian gang adds mystery and menace; and digital trickery is cleverly employed to explore the fuel-injected innards of the day-glo racecars. It's about as substantial as a perfume ad, but just as alluring, and for heavy-metal maniacs of any age, Diesel's superblown '69 Charger proves that Detroit muscle never goes out of style. --Jeff Shannon
Broken Arrow
by John Woo
from 20th Century Fox
A bitter Air Force major steals two nuclear warheads to hold for ransom while his former partner and a national park ranger try to stop him.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 6-FEB-2007
Media Type: DVD
John Travolta is Vic Deakins, a bomber pilot who launches a devilish plan to hijack two nuclear missiles for big-time extortion. Vic never sweats, spews out great one-liners, knocks off money men with glee, toys with killing half a million people... he even smokes!
If you giggled at his "Ain't it cool" line from the trailer, you're in the right frame of mind for this comedic action film. Never as gritty or semi-realistic--or for that matter as heart-thumping--as the original Die Hard, Broken Arrow still delivers. If Travolta is cast against type, everyone else is by the numbers; Christian Slater as Hale, the earnest copilot looking to foil the plot, Samantha Mathis as the brave park ranger caught in the middle, Frank Whaley as an eager diplomat, Delroy Lindo as a right-minded colonel. As with his previous script (the superior Speed), writer Graham Yost moves everything quickly along as Hale and the ranger try to cut off Deakins's plan over a variety of terrains. We have plane crashes, car chases, a pursuit through an abandoned mine, a helicopter-train shootout, and lots of fighting between boys. Each time Hale finds himself perfectly in place to foil Deakins. You're suppose to laugh at the unbelievable situations. That's where Arrow is deceptive: its tone is right for the laughter compared to the mean-spirited Schwarzenegger and Stallone action films with labored jokes. Hong Kong master director John Woo (The Killer, Hard Target) pulls out all the stops--slow motion of Hale and Deakins's gymnastic gun play, nifty stunts, countdowns to doomsday. Woo may know action, but he needs more guidance in creating unique and stunning special effects. This is action entertainment at its cheesiest. Travolta and Woo later reteamed for Face/Off. --Doug Thomas
The Glass House
by Daniel Sackheim
from Sony Pictures
Domestic tensions turn intimately sinister in this pulpy potboiler, which develops a steely sense of menace. The trouble begins when Mr. and Mrs. Glass (Stellan Skarsgård, Diane Lane) are appointed legal guardianship of 16-year-old Ruby (Leelee Sobieski) and her 11-year-old brother (Trevor Morgan) after their parents are killed in a car accident. As trusted former neighbors, the Glasses welcome the orphans into their luxurious Malibu home, but the all-glass structure turns into a gilded cage when Mr. Glass's motivations are revealed to be anything but friendly. With plot-thickening roles for Bruce Dern and Kathy Baker, the film builds considerable suspense before tailspinning into absurdity, and veteran TV director Daniel Sackheim takes full advantage of his prismatic setting and Sobieski's burgeoning sex appeal. The rickety script by Wesley Strick (echoing his rehash of Cape Fear) eventually veers toward self-parody, at which point The Glass House qualifies as a high-gloss slasher pic. --Jeff Shannon
A Thousand Acres
by Jocelyn Moorhouse
from Walt Disney Video
Jessica Lange and Michelle Pfeiffer are quietly dazzling in this underrated adaptation of Jane Smiley's best-selling modern version of King Lear. The two play sisters of a stubborn, alcoholic Iowa farmer (Jason Robards), who decides to leave his fertile farm to them and their youngest sister (Jennifer Jason Leigh). It is a decision that rends the family, setting siblings against one another and forcing long-held secrets out of their guilty closets. The family dynamics become ever more destructive, and the refuge of sanity the two older sisters have created may be their only salvation. It's a tragedy not quite on a Shakespearean scale, but anyone who appreciates the difficulties of a dysfunctional family will relate to the heartbreak--and the promise of redemption. Pfeiffer especially is breathtaking as the good housewife Rose, whose rage at her father and her husband is never far from her placid surface. --Anne Hurley
When an aging father retires, he passes the family farm on to his three daughters, igniting an explosive series of events that threaten to tear the family apart forever.
Genre: Feature Film-Drama
Rating: R
Release Date: 9-DEC-2003
Media Type: DVD
+++
