Runningfox, Joseph

Seems Like Old Times

An original Neil Simon screenplay makes Seems Like Old Times rise above what would otherwise be a forgettable comedy love triangle. Goldie Hawn (Private Benjamin) plays a good-hearted defense lawyer married to Ira, a politically ambitious district attorney played by Charles Grodin (Midnight Run). The craziness of their everyday lives becomes even more ridiculous when ex-husband Chevy Chase is framed for a bank robbery and seeks refuge with the woman he could never get over. Hawn hides the love of her life under her husband's nose as Chase tries to clear his name. Hawn tries to protect him and Grodin just tries to keep from going insane. A slapstick romance that's very often hit-and-miss, the dialogue saves this comic farce and provides wonderful moments between the three stars. Seems Like Old Times also has going for it winning supporting players and some half a dozen drooling, unruly dogs. --Robert Lane

Porky's the Ultimate Collection

No Description Available.
Genre: Feature Film-Comedy
Rating: UN
Release Date: 22-MAY-2007
Media Type: DVD

Porky's
Reviled by critics and embraced by the public during its initial run (1981), Porky's is interesting to watch after all these years. What holds up about this horny coming-of-age tale is remarkable. Writer/director Bob Clark has little more than sex and practical joking on his mind, and his high school seniors from Angel Beach, Florida, rapidly move from one to the other. Clark displays a sense of timing and, perhaps rarer still, a sense of male friendship--its brutalities and its bonds--that feels right, not artificial. Surprisingly, the showcase practical jokes are still funny: the Everglades encounter with Cherry Forever, the hole in the girls' shower, and Beulah Balbricker, the humongous gym teacher. The comedic set-ups and payoffs surprisingly still work. Clark's insistence on a subplot about anti-Semitism, however, still sticks out as A MESSAGE. Kim Cattrall really got her start here (although almost no one else did) as Ms. Honeywell, a.k.a. "Lassie." Clark later distanced himself from the irritating Porky's sequels and went on to make the wonderful Christmas Story, the tale of a little boy who wants a BB gun for Christmas. --Keith Simanton

Porky's II: The Next Day
The inevitable sequel to the surprise hit movie marks a noticeable change in tone, as the horny kids from the first film fight religious fanatics in order to put on a stage show. Though the gang is still as mischievous as they were the night before, most of the raunchy humor from the first film has been dropped. In its place are some surprisingly effective passages dealing bluntly with sex, love, anti-Semitism, and religious tolerance in the repressed South of the 1950s. It's this turn that makes the sequel a surprise and something distinctive from its predecessor. --Robert Lane

Porky's Revenge
Bare breasts, practical jokes, greaser hairdos, and cars with big fins--it must be another Porky's movie! Porky's Revenge continues to fuse sexploitation and 1950s nostalgia, though by this point the adolescent hijinks feel a bit rote. On the verge of graduation, Pee Wee, Meat, and the other three interchangeable guys (winnowed down from the larger gang of the first two movies) try to help their basketball coach out of a jam by revealing to the authorities that fat, foul-tempered Porky has rebuilt his illegal casino/whorehouse--but when they get caught, they promise Porky they'll throw the state championship to save their lives. This flimsy plot is intertwined with other disconnected bits about Pee Wee having the hots for a foreign exchange student (Playboy Playmate Kim Evenson), Meat being forced to marry Porky's daughter, a contraband stag film, a biology teacher with a sideline as a dominatrix, and of course the eternal presence of women's coach Beulah Balbricker (Nancy Parsons), that towering mixture of prudery and repressed lust. Writer/director Bob Clark had nothing to do with this sequel, so it's unsurprising that the genuine fondness he brought to the characters is long gone; now they're just generic horndog teenagers. Still, most fans of the series rate this one higher than Porky's II: The Next Day. --Bret Fetzer

Ravenous

When was the last time you saw a new movie set during the 1840s? The era is the first oddball thing about Ravenous, though by no means the last. This provocatively weird movie is essentially a vampire film crossed with the Donner party, that unfortunate band of hungry pioneers who got stuck in the wilderness with only themselves to eat. The setting here is Fort Spencer, a dismal collection of shacks huddled in the snows of the Sierra Nevada mountains. Mid-winter, a nearly dead Scotsman (Robert Carlyle, from The Full Monty) staggers into camp with a story of desperate cannibalism. The skeleton crew (so to speak) manning the fort sets out to investigate, when... ah, but the twists and turns of this dark yarn should remain shocking. Be assured, however, that the cannibalism has just begun; this movie has cannibalism like Titanic had an iceberg. Director Antonia Bird (Mad Love, Priest) blends some humor into this scenario, especially in the final reels, but otherwise this is a fairly serious gore picture; a confused Twentieth Century Fox tried to market it as a black comedy, and the movie flopped anyway. It deserves a better fate--at the very least, it's not quite like anything else out there. The music, a brilliant collaboration between Michael Nyman (The Piano) and Blur's Damon Albarn, is an offbeat blend of period twang and modern drone. Carlyle and Guy Pearce (of L.A. Confidential) are fascinating in the lead roles--their sunken faces would look at home in Civil War photographs--and the eccentric supporting cast, including Jeremy Davies and David Arquette, adds flavor to the dish. --Robert Horton

It's a recipe for nonstop action and excitement when the inhabitants of an isolated military outpost go up against a marauding band of cannibals in a deadly struggle for survival.

A Thief of Time

Porky's / Porky's II: The Next Day

A Thief of Time

Navajo tribal policemen Joe Leaphorn and Jim Chee are back for a third thrilling MYSTERY! case, based on the bestselling novels of Tony Hillerman. An archaeologist turned pottery poacher thinks she has cracked the secret of the vanished Anasazi culture, when she herself vanishes. As other poachers start dropping dead, Leaphorn and Chee must piece together a case as complicated as the mysteriously decorated pots that seem to motivate the killer.

Ravenous

When was the last time you saw a new movie set during the 1840s? The era is the first oddball thing about Ravenous, though by no means the last. This provocatively weird movie is essentially a vampire film crossed with the Donner party, that unfortunate band of hungry pioneers who got stuck in the wilderness with only themselves to eat. The setting here is Fort Spencer, a dismal collection of shacks huddled in the snows of the Sierra Nevada mountains. Mid-winter, a nearly dead Scotsman (Robert Carlyle, from The Full Monty) staggers into camp with a story of desperate cannibalism. The skeleton crew (so to speak) manning the fort sets out to investigate, when... ah, but the twists and turns of this dark yarn should remain shocking. Be assured, however, that the cannibalism has just begun; this movie has cannibalism like Titanic had an iceberg. Director Antonia Bird (Mad Love, Priest) blends some humor into this scenario, especially in the final reels, but otherwise this is a fairly serious gore picture; a confused Twentieth Century Fox tried to market it as a black comedy, and the movie flopped anyway. It deserves a better fate--at the very least, it's not quite like anything else out there. The music, a brilliant collaboration between Michael Nyman (The Piano) and Blur's Damon Albarn, is an offbeat blend of period twang and modern drone. Carlyle and Guy Pearce (of L.A. Confidential) are fascinating in the lead roles--their sunken faces would look at home in Civil War photographs--and the eccentric supporting cast, including Jeremy Davies and David Arquette, adds flavor to the dish. --Robert Horton

The Last Yahi

Porky's II: The Next Day [Region 2]

The inevitable sequel to the surprise hit movie marks a noticeable change in tone, as the horny kids from the first film fight religious fanatics in order to put on a stage show. Though the gang is still as mischievous as they were the night before, most of the raunchy humor from the first film has been dropped. In its place are some surprisingly effective passages dealing bluntly with sex, love, anti-Semitism, and religious tolerance in the repressed South of the 1950s. It's this turn that makes the sequel a surprise and something distinctive from its predecessor. --Robert Lane

Geronimo [Region 2]