Russell, Rosalind

Auntie Mame

Remember darlings, "Life's a banquet, and most suckers are starving to death." That tag line sums up this exuberant and immensely amusing 1958 comedy that can be seen repeatedly, as it never grows stale. Rosalind Russell plays the flamboyant aunt who takes in poor, orphaned Patrick, played with sophisticated ease by Jan Handzlik. Mame, all glitter and martinis, raises her nephew in a world filled with acceptance and her oddball literati friends. Nothing is too bohemian. This unfolds in colorful episodic segments that allow us to watch Patrick grow as Mame oversees his unusual upbringing while she juggles a few spouses and an extended household. Russell, who created the title role for the stage, simply shines. She is bright and brassy, but never goes too far over the top. Peggy Cass is a comedic delight as her befuddled secretary, and Coral Browne brings class to the production as her best friend. This was based on the exuberant stage play, which in turn was based on Patrick Dennis's humorous, bittersweet novel. The screen version was written by the clever duo of Betty Comden and Adolph Green. Not to be confused with the pathetically lackluster musical version starring Lucille Ball (1974), simply entitled Mame. --Rochelle O'Gorman

Rosalind Russell recreates her hallmark stage role as the accentric grande dame of highlife, briging up a 10-year-old nephew. A banquet of laughter, nominated for 6 Academy Awards(R).

The Trouble with Angels

Actress-writer-director Ida Lupino got one of her unfortunately rare opportunities behind a camera making this 1966 family comedy about two mischievous students (Hayley Mills, June Harding) making life difficult for the nuns at a girls' convent school. Rosalind Russell has a fine part as a mother superior vexed by their pranks and outwardly chilly until the girls catch her in a more private moment of emotional release. The script has an anecdotal structure--it's sort of one thing after another with Mills's and Harding's troublemakers--but there is a rising sense that these two kids gradually develop some awareness of the pain and sacrifices of others. A fun and touching movie all around, with a nice twist at the end. --Tom Keogh

Hayley Mills and June Harding act up in this affectionate comedy as two juvenile pranksters at the St. Francis Academy for Girls. It is up to Rosalind Russell, starring as the patient and understanding Mother Superior, to show them the right path. Starring Rosalind Russell and Hayley Mills.

The Women (Keepcase)

George Cukor, Hollywood's legendary "woman's director," had his hands full with the all-female cast of this 1939 film adaptation of the Clare Boothe play. The story finds a group of catty, competitive friends destroying reputations at social gatherings. The dialogue sparkles, Joan Crawford's performance as a husband stealer is still a classic, the film looks wonderful in Cukor's hands, and the Technicolor fashion-show scene is a one-of-a-kind Hollywood experience. --Tom Keogh

Be careful what you say in private. It could become a movie. Some gossip overheard by Clare Boothe Luce in a nightclub powder room inspired her Broadway hit that's wittily adapted for the screen in The Women. George Cukor directs an all-female cast in this catty tale of battling and bonding that paints its claws Jungle Red and shreds the excesses of pampered Park Avenue princesses. Joan Crawford, Rosalind Russell, Joan Fontaine, Mary Boland and Paulette Goddard are among the array of husband snatchers, snitches and lovelorn ladies.

Gypsy

Widely considered, top to bottom, one of the finest musicals in Broadway history, Gypsy got lucky in its film version. Granted, Rosalind Russell doesn't have the bell-ringing voice one craves for in "Everything's Coming Up Roses," but as a domineering stage mom, she's truly fearsome. Trouping through vaudeville with her is her daughter, the future celebrity stripper Gypsy Rose Lee, played by Natalie Wood in all her youthful lusciousness. The production is studio-bound, but this actually fits the unreal show-biz world depicted. The Jule Styne-Stephen Sondheim score has no weak spots, and some of the burlesque numbers ("Let Me Entertain You" and the riotous "You Gotta Get a Gimmick") are so authentic, you'd swear they were at least 100 years old. Gypsy is one of those big, somewhat stately musicals that does satisfying credit to its stage origins; no cinematic ground-breaking here, but a swell way to spend a rainy afternoon. --Robert Horton

Everything comes up roses when you let Rosalind Russell Natalie Wood and Karl Malden entertain you in the lavish movie musical of the Broadway hit about Gypsy Rose Lee and her formidable mother. Year: 1962 Director: Mervyn LeRoy Starring: Rosalind Russell Natalie Wood Karl MaldenRunning Time: 143 min.Format: DVD MOVIE Genre: MUSICALS/MUSICALS UPC: 085391675525

Picnic

William Holden is the hunky drifter who rides the rails into a small Midwest town with dreams of landing a "respectable" job with his rich college buddy (Cliff Robertson). Kim Novak is the small-town beauty queen engaged to Robertson who falls for the cocky dreamer, as do repressed schoolmarm spinster Rosalind Russell and Novak's tomboyish kid sister Susan Strasberg. Their unleashed passions reach a crescendo at the Labor Day picnic.

Joshua Logan directed William Inge's play on Broadway and carried it to Hollywood, earning Oscar nominations for Best Picture and Best Director in his screen-directing debut. Holden is years too old for the role but oozes sex appeal and makes a swoony stud when he takes his shirt off (or when, better yet, it's ripped from his back by a boozing Russell), and Novak is a lovely lost girl yearning for something she can't quite grasp. Arthur O'Connell earned an Oscar nomination as Russell's tippling boyfriend. The film was a huge popular and critical hit, but Logan's stiff and strident direction hasn't dated well. He makes his points in big capital letters--subtlety was never his strong point--and loses the natural beauty of the Kansas locations when he takes the climactic picnic scenes into an obviously artificial soundstage. Picnic remains a loved American classic, largely for Holden's tough-guy vulnerability and James Wong Howe's brilliant widescreen color photography. --Sean Axmaker

Drama on the impact of a virile, egotistical drifter on the lives of 5 women in a small Kansas town.
Genre: Feature Film-Drama
Rating: PG
Release Date: 18-APR-2000
Media Type: DVD

Where Angels Go... Trouble Follows

High-spirited sequel to The Trouble with Angels, starring Rosalind Russell reprising her role. Stella Stevens stars as a modern nun who convinces the Reverend Mother to take the girls on an unforgettable bus trip to a California peace rally. All-star cast: Rosalind Russell, Stella Stevens, Susan St. James, Van Johnson and Milton Berle.

His Girl Friday

The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.

Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.

His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson

His Girl Friday [Remastered] (1940)

His Girl Friday

The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.

Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.

His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson

A newspaper editor and his ex-wife star reporter exchange verbal insults in his effort to keep her on the job by offering her a prison story scoop.
Genre: Feature Film-Comedy
Rating: UN
Release Date: 21-NOV-2000
Media Type: DVD

China Seas

Sea captain Clark Gable has his hands full on the Hong Kong-Singapore route: secret gold hidden below decks, pirates, a typhoon. None of which truly matters, since the real action here is animal attraction: Gable can't believe the one classy lady (Rosalind Russell) he ever loved has come on board the same time as his bawdy mistress (Jean Harlow). Director Tay Garnett does well by the storm at sea and the marauding pirates, but he knows the real fun is when Gable and Harlow trade smoldering glances and caustic one-liners. And if more deliciously vulgar dialogue is needed, Wallace Beery is there to spray it around. However preposterous all this may seem, it's so spicily written (script by James Kevin McGuinness and the gifted Jules Furthman) and perfectly cast that it satisfies on pretty much every level. Gable was at his prime here, a bullheadedly confident example of machismos americanus in his natural habitat, and in Harlow he found his perfect unpretentious sparring partner. China Seas is essentially a rehash of their teaming in Red Dust, but absolutely nobody minded. --Robert Horton

Rugged Captain Alan Gaskell (Clark Gable) sails the perilous waters between Hong Kong and Singapore with a secret cargo: a fortune in British gold. That's not the only risky cargo he carries. Both his fiery mistress (Jean Harlow) and his refined fiancee (Rosalind Russell) are aboard! With their wisecracking banter gutsy glamour and dynamic physicality Gable and Harlow prove once again that they were the '30s most scorching screen pair in this rough-and-tumble tale of the sea. Highlights include a raging typhoon a battle with bloodthirsty Malay pirates and Harlow's drinking contest with bluff villain Wallace Beery who wants the gold and the platinum blonde. Adventure (and Golden Era allure) dead ahead on China Seas.Running Time: 87 min.System Requirements:Run Time: 87 minutesFormat: DVD MOVIE Genre: DRAMA UPC: 012569792159 Manufacturer No: 79215