Russo, Rene

The Thomas Crown Affair

For the Hollywood remake rule, which dictates that an update of an older film be inferior to the original in almost every aspect, The Thomas Crown Affair stands as a glorious exception. The original 1968 film, starring a dapper Steve McQueen and a radiant Faye Dunaway, was a diverting pop confection of mod clothes and nifty break-ins, but not much more. John McTiernan's new version, though, cranks up the entertainment factor to mach speed, turning what was a languid flick into a high-adrenaline caper romance. Thomas Crown (Pierce Brosnan) is now a man of industry who likes to indulge in a little high-priced art theft on the side; Catherine Banning (Rene Russo) is the insurance investigator determined to get on his tail in more ways than one. If you're thinking cat-and-mouse game, think again--it's more like cat vs. smarter cat, as both the thief and the investigator try to outwit each other and nothing is off-limits, especially after they start a highly charged love affair that's a heated mix of business and pleasure.

What makes this Thomas Crown more enjoyable than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the developing romance, the witty and intelligent script by Leslie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote the action scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but bends it to her will. Beautiful, stylish, smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker. With Denis Leary as a police detective smitten with Russo, and Faye Dunaway in a throwaway but wholly enjoyable cameo as Brosnan's therapist. --Mark Englehart

Thrill-seeking billionaire Thomas Crown (Pierce Brosnan) loves nothing more than courting disaster - and winning! So when his world becomes too stiflingly "safe" he pulls off his boldest stunt ever: stealing a priceless painting - in broad daylight - from one of Manhattan s most heavily guarded museums. But his post-heist excitement soon pales beside and even greater challenge: Catherine Banning (Rene Russo). A beautiful insurance investigator hired to retrieve the artwork Catherine s every bit as intelligent cunning and hungry for adventure as he is. And just when Thomas realizes he s finally met his match she skillfully leads him into a daring game of cat and mouse that s more intoxicating - and dangerous - than anything either of them has ever experienced before!System Requirements:Starring: Pierce Brosnan Rene Russo and Denis Leary. Directed By: John McTiernan Running Time: 1 hrs. 53 mins. This film is presented in both "Widescreen" and "Standard" format. Copyright 1999 Warner Home Video.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 027616745224

Major League (Wild Thing Edition)

A baseball comedy and slob comedy rolled into one, this one actually works as entertainment, if not as a piece of cinematic mastery. James Gammon is the has-been manager hired to lead the last-place Cleveland Indians whose owner wants them to lose so she can sell them. But the team of has-beens and never-wases that he assembles (including Tom Berenger, Charlie Sheen, Corbin Bernsen, and Wesley Snipes) develops a sense of pride and turns the team around. There's plenty of rowdy humor about sex, race, and whatever else they can make fun of. Look for Rene Russo (in her first film role) as Berenger's romantic interest; Snipes also had his first showy role as Willie Mays Hayes, the team's base-stealing ace. --Marshall Fine

She s beautiful smart goal-oriented and she just inherited the Cleveland Indians. Unfortunately she wants to move the franchise to Miami and a losing season is her only ticket to Florida. So she signs the wildest gang of screwballs that ever spit tobacco. They re handsome but they re hopeless! Her catcher (Tom Berenger) is a washed-up womanizer who struck out in life. Her ace pitcher (Charlie Sheen) is a punked-out crazy who struck out with the law. And her third baseman (L.A. Law s Corbin Bernsen) is more concerned fielding endorsements than grounders. Throw in a busload of other misfits and you ve got yourself a hilarious line-up that s destined for disaster! Or is it?System Requirements:Run Time: 106 minsFormat: DVD MOVIE Genre: COMEDY Rating: R UPC: 097361207544 Manufacturer No: 120754

Tin Cup

An unreachable shot to the green. A hopeless romance. Driving-range pro Roy McAvoy can't resist an impossible challenge. Each is what he calls a defining moment. You define it. Or it defines you. With lady-killer charm and a game that can make par with garden tools, Kevin Costner rejoins Bull Durham filmmaker Ron Shelton for another funny tale of the games people play. For Costner's Roy, golf is a head-and heart-game. On both counts, that's where shrink Molly Griswold (Rene Russo) comes in. She's big city, Roy's small time, and he believes only the grandest of gestures can lure her away from a slick touring pro (Don Johnson) and earn her love. So Roy and his dutiful caddy (Cheech Marin) set out to do the impossible: win the U.S. Open. With laughs, clever battle-of-the-sexes banter and a handy way with a 7-iron, Tin Cup winningly defines the moment and contemporary romantic comedy

One of the better romantic comedies of the 1990s, this quirky love story stars Kevin Costner as washed-up golf pro Roy "Tin Cup" McAvoy, who has the singular misfortune of falling in love with the girlfriend (Rene Russo) of his arch rival (Don Johnson). Although he is inspired to re-ignite his golf career, challenge his opponent in the U.S. Open, and win the affection of the woman of his dreams, McAvoy has just one flaw: he's a show off when he should just focus on playing the game. Reunited with his Bull Durham writer-director Ron Shelton, Costner fits into his role like a favorite pair of shoes, and costar Cheech Marin scores a memorable scene-stealing comeback as McAvoy's best buddy, Romeo Posar. Mixing his love of sports with his flair for fresh, comedic dialogue, Shelton takes this enjoyable movie down unexpected detours (although some may find it a bit too long), and his characters are delightfully unpredictable. --Jeff Shannon

Outbreak

When Warner Brothers was unable to secure the rights to Richard Preston's terrifying nonfiction book The Hot Zone (purchased by a rival studio), they took the basic idea of a fatal virus on the loose in the U.S., added Dustin Hoffman and director Wolfgang Petersen (Das Boot), and produced an unusual thriller--a surprise hit--called Outbreak. The other picture, slated to star Robert Redford and Jodie Foster, fell through. The premise of Outbreak, which owes something to Elia Kazan's 1950 plague-scare movie, Panic in the Streets, is as terrifying as it is timely. As developers slash their way deeper into the previously unexplored tropical rainforests, they are exposed to radically new forms of life, including diseases, that in these days of commonplace international travel could turn into deadly epidemics almost before we know it. Hoffman's character and his estranged wife (Rene Russo) are disease experts called in to identify the unknown killer, which was carried into the country by an illegally smuggled monkey. The best sequence shows the disease spreading--through recycled air on a passenger jet, or a sneeze in a crowded movie theater. The final chase is pretty conventional, but the cast is terrific, including Morgan Freeman, Kevin Spacey, Donald Sutherland, Cuba Gooding Jr., J.T. Walsh, and Zakes Mokae. --Jim Emerson

Catch the fever of "one of the great scare stories of our time" (Roger Ebert) as Dustin Hoffman, Rene Russo and Morgan Freeman race to save life on earth when an unstoppable killer virus hits our shores.

In the Line of Fire (Special Edition)

This smart, tautly directed thriller from Wolfgang Petersen is about the cat-and-mouse games between a Secret Service agent named Horrigan (Clint Eastwood) and the brilliant, psychopathic assassin (John Malkovich) who's itching to get the President in his cross hairs. The back-story--Horrigan is haunted by his inability to prevent John Kennedy's assassination (Eastwood is computer-generated into archival footage)--is more than a little hokey, but the plotting itself is smartly, even ingeniously, constructed. Petersen manages a viselike grip on the tension and Eastwood even gets to deliver an ever-more-timely lecture on the diminished nature of the office of President. Eastwood's as gruff and as infuriating to the by-the-book Powers That Be as ever, and Malkovich oozes delightful menace. Renee Russo capably costars as a colleague with whom Horrigan gets friendly. --David Kronke

Haunted by his failure to protect President Kennedy, a secret service agent is now tormented by a psychopath threatening the current president.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 2-AUG-2005
Media Type: DVD

Lethal Weapon 4

In the fourth and reportedly final film of the Lethal Weapon series, director Richard Donner reunites with Mel Gibson and Danny Glover, who reprise their roles as Martin Riggs and Roger Murtaugh for one last hurrah in a film that is decidedly better than the third and first chapters. This time the pair are pitted against Jet Li, who plays the leader of a Chinese organized crime unit. Li, a veteran of hundreds of Hong Kong action films, more than holds his own against the more established team of Gibson, Glover, Renee Russo, and Joe Pesci with his subtle yet strong portrayal of the quietly irrepressible Wah Sing Ku. As always with the Lethal series, the plot is incredibly simple to follow: someone steals something, someone gets killed, and Murtaugh is reluctantly thrown into the mix while Riggs dives into the case with gleeful aplomb. As with the previous movies, we watch for the sheer action and chemistry alone. The action sequences throughout the fourth installment are exquisite, from the opening scene involving a flamethrower, a burning building, and a half-naked Murtaugh strutting like a chicken (don't ask, just watch), to the climactic showdown that pays genuine tribute to Jet Li's masterful martial art skills. As for chemistry, the bond between these characters is so strong by now that you sometimes feel like you're watching a TV series in its sixth season, such is the warm familiarity between the audience and the personalities on the screen. The humor is more fluid than ever, aided immeasurably by the casting of comedian Chris Rock, who like Li does a great job of making his presence known in some memorable verbal tirades that would bring a smile out of the Farrelly brothers. But it's the verbal and emotional jousting between Glover and Gibson that makes this fourth episode especially appealing; both are in peak form with great physical and verbal timing. One can only hope that if this is indeed the last of the Lethal films, that it won't be the last time we see Glover and Gibson together on screen. --Jeremy Storey

This sequel involves an action packed battle with a Chinese ganglord.

Big Trouble

The frantic pacing of Big Trouble is surely intentional, but the movie leaves you wanting more of... something. Not more characters--it's got plenty of those--but more room for them to breathe in a top-heavy plot that recalls Get Shorty (also directed by Barry Sonnenfeld) without reaching those heights of ingenuity. Based on the bestseller by syndicated Miami Herald columnist Dave Barry, this Miami-based mayhem bears the distinct imprint of Barry's humor, in which absurdities pile up like rush-hour traffic, involving a former journalist (Tim Allen) connected by circumstance to a wealthy schemer (Stanley Tucci), his bored wife (Rene Russo), Russian mobsters, mismatched cops (Janeane Garofalo, Patrick Warburton), power-crazed FBI agents (Heavy D, Omar Epps), a Frito-loving drifter (Jason Lee), cretinous criminals (Tom Sizemore, Johnny Knoxville), and a gigantic toad that shoots hallucinogenic saliva. Culminating in an airport bomb smuggling (prompting the film's delayed release after the tragedy of September 11, 2001), Big Trouble needs the brilliant cohesion of Dr. Strangelove; what it gets is Sonnenfeld's knack for sustained chaos, and a few decent belly laughs. --Jeff Shannon

Ransom (Special Edition)

When it comes to ramping up to vein-bursting levels of tormented anxiety, Mel Gibson has a kind of mainstream intensity that makes him perfect for his heroic-father role in director Ron Howard's child-kidnapping thriller. When you think of Ransom, you automatically think of the scene in which Mel reaches his boiling point and yells, "Give me back my son!" to the kidnapper on the other end of several torturous phone calls. Trapped in the middle of any parent's nightmare, Mel plays a self-made airline mogul whose son (played by Brawley Nolte, son of actor Nick Nolte) is abducted by a close-knit group of uptight kidnappers. But when a king's ransom is demanded for the child's safe return, Mel turns the tables and offers the ransom as reward money for anyone who provides information leading to the kidnappers' arrest. Thus begins a nerve-racking battle of wills and a test of the father's conviction to carry out a plan that could cost his son's life. The boy's mother (played by Rene Russo, reunited with Gibson after Lethal Weapon 3) disapproves of her husband's life-threatening gamble, and a seasoned FBI negotiator (Delroy Lindo) is equally fearful of disaster as the search for the kidnappers intensifies. Through it all, Howard maintains a level of nail-biting tension to match Gibson's desperate ploy, and the plot twists are just clever enough to cancel out the overwrought performances and manipulative screenplay. Ransom may not be as sophisticated as its glossy production design would suggest, but it's a thriller with above-average intelligence and an emotion-driven plot that couldn't be more urgent. Adding to the intensity is a superior supporting cast including Gary Sinise, Lili Taylor, and Liev Schreiber as the kidnappers, who demonstrate that even the tightest scheme can unravel under unexpected stress. Remade from a 1956 film starring Glenn Ford, Ransom is diluted by a few too many subplots, but as a high-stakes game of cat and mouse, it's a slick and satisfying example of Hollywood entertainment. --Jeff Shannon

When a wealthy executive's son is kidnapped, he takes matters into his own hands in an effort to rescue the boy.
Genre: Feature Film-Drama
Rating: R
Release Date: 10-JAN-2006
Media Type: DVD

Mr. Destiny

Imagine if one day, out of the blue, your wildest dreams came true! That's exactly what happens to junior executive Larry Burrows (James Belushi -- TAKING CARE OF BUSINESS) when he bumps into a mysterious stranger (Michael Caine -- MISS CONGENIALITY, CIDER HOUSE RULES). Instantly, Larry's ho-hum life becomes his ultimate fantasy -- huge mansion, beautiful wife, cars galore. But before long, his new lifestyle isn't so enchanting. Ultimately, Larry discovers it's going to take a lot more than wishful thinking to get back to where he once belonged! Co-starring Linda Hamilton and comedian Jon Lovitz, MR. DESTINY is a delightful rags-to-riches comedy brimming with totally magical entertainment!

Yours, Mine & Ours (Full Screen Edition)

Dennis Quaid and Rene Russo, the sexiest adults in Hollywood, anchor Yours, Mine and Ours, an enjoyably traditional family film. Frank Beardsley (Quaid, In Good Company, The Rookie), a Coast Guard admiral, runs his brood of eight kids like a military squad; Helen North (Russo, Tin Cup, Get Shorty), a designer, keeps her multicultural family of ten together with a more free and creative hand. The two run into each other and rekindle their high school romance, getting married before the kids even have a chance to meet. The two families naturally experience a bit of culture clash. After squabbles, disputes, and outright fights, the kids agree on one thing: They have to split up Frank and Helen so they can return to their old lives. Yours, Mine and Ours doesn't hold any surprises, but after a rushed beginning, the movie settles into a series of brisk, cheerful skirmishes among the kids and some truly sweet interludes between Quaid and Russo, who handle their mature romance with graceful, seasoned aplomb. This straightforward movie cruises by on energy and enthusiasm, and sometimes, that's enough for a good time. --Bret Fetzer

When Frank Beardsley (Dennis Quaid), a widower of 8 children runs into his high school sweetheart, Helen North (Rene Russo), it's as if thirty years never passed! Helen, also a widow with ten kids of her own that include the six she and her husband adopted, feels the attraction as well. It's no wonder they rush into marriage without telling their kids. True love can conquer all—right? Unfortunately for Frank and Helen, the families don't mesh quite as easily as the newlyweds had hoped. They probably should have seen the culture clash coming: the disciplined Beardsleys run things by the book; for the energetic and vivacious Norths, there is no book. Helen's kids aren't pleased about moving and sharing rooms with a bunch of uptight strangers. Frank's children have nothing in common with the Norths. Since both sets of kids aren't happy, they devise a plan to undermine the marriage and team up to plot the breakup. East meets west as the two families finds a way to work together—in order to separate. Just when it appears that the kids have succeeded, they realize they like each other despite their differences—they don't want their families to split up! Can they save Frank and Helen's marriage after they so brilliantly split them up? It's up to Frank and Helen!