Tahir, Faran

A Price Above Rubies

This widely acclaimed motion picture features outstanding performances from Renee Zellweger (JERRY MAGUIRE, BRIDGET JONES'S DIARY) and Julianna Margulies (TV's ER, THE NEWTON BOYS). Sonia (Zellweger) is a young woman who always did just what was expected: she married the right man, moved to the right neighborhood, and had a beautiful baby. And yet, when she discovers an exciting world beyond her tightly knit community, it sparks a growing desire for independence that threatens the security of the perfect life she knows. See A PRICE ABOVE RUBIES for yourself, and learn why critics and audiences nationwide have praised this passionate movie gem!

Manticore

In war-torn Iraq rugged Army soldiers learn that the battles they face every day have only been a warm-up to the unspeakable terror awaiting them. Dispatched to find a missing news crew the squad finds itself facing an ancient evil a mythical clawed-and-winged beast known as the Manticore now unleashed by villainous opponents to keep the land under their control. Starring Robert Beltran (Star Trek: Voyager) Jeff Fahey (Grindhouse) Chase Masterson (Star Trek: Deep Space Nine) and Heather Donahue (The Blair Witch Project) this gritty powerhouse collision of brutal combat and monster-packed action will thrill you with every explosive minute!System Requirements:Running Time: 89 Mins.Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: NR UPC: 014381398120

Anywhere But Here

In Wayne Wang's star-driven adaptation of Mona Simpson's tragicomic bestseller about a mismatched mother and daughter, fortysomething Adele August (Susan Sarandon) is every adolescent's nightmare: over- (or under-) dressed, always and loudly "on," forgetful of mundane matters such as bills, more colorful kid than reliable mum. In contrast, 14-year-old Ann (Natalie Portman) yearns for stability, roots, understated hues. Transplanted from Wisconsin small town and extended family to a Beverly Hills, California, address of choice for American Dreamers like Adele, Ann comes painfully of age--sometimes blighted but also enriched by the fictions of a charismatic parent afraid to be alone in the dark.

Wang has always shown a sure, caring hand when it comes to cross-generational angst (see Dim Sum: A Little Bit of Heart, The Joy Luck Club, Smoke). Here, he encourages Sarandon in a remarkably brave, exposed performance as an aging adventuress whose imagination continually outstrips her ability to make dreams come true, whose charm is both her ticket to ride and a dead end. Portman's pout of strained adolescent distaste soon wears thin, but when The Phantom Menace's kabuki princess momentarily thaws, she projects a lost child's terrible shock and confusion. Hollywood-sized and scripted by the numbers, Anywhere but Here lost ground to Tumbleweeds, a similarly themed but more nuanced indie (with Oscar-nominated Janet McTeer), and it can't hold a candle to Barbara Stanwyck's Stella Dallas (1937), top of the line in this particular genre. But for any daughter who's looked into her mother's face and--yikes!--seen a possible future, this trip's definitely worth taking. --Kathleen Murphy

Adele is flashy, flirtatious dreamer. Her daughter Ann is a quiet, no-nonsense realist. On the surface, they're like oil and water, but deep down there are two of a kind. "Susan Sarandon is show-stopping" (The New York Times) and "Natalie Portman soars" (NY-1) in this funny and touching story about a mother who knows best and a daughter who knows better!

Rudyard Kipling's The Jungle Book

Disney scrapped the songs and talking animals for its second version of Rudyard Kipling's classic novel, an old-fashioned boy's adventure that more resembles the classic Korda brothers' lush original than Disney's own animated musical. In this live-action version, Jason Scott Lee (the hunky star of Dragon: The Bruce Lee Story) is the grown Mowgli, a boy raised by wolves and taught the ways of the jungle by Baloo the bear and Bagheera the panther. Fascinated by Englishwoman Lena Heady, whom he spots marching through the jungle on a safari, he follows her to the city. She teaches him the ways of polite society while a greedy British soldier (a sneering Cary Elwes) plots to discover the fabled lost city, where a fabulous fortune awaits. At this point the film becomes more Tarzan than Kipling. Lee's rippling form, back in the freedom of a loin cloth, is on display running through the jungle, swinging on vines, and going mano a mano with snooty Englisher Elwes. His charm and sex appeal has made this film a favorite of many adult women, but it is a family adventure, after all, with colorful locations, grand sets, and plenty of fun-loving animal moments. Sam Neill is his usual figure of moral strength as Heady's explorer father, and John Cleese imparts a little deadpan humor as the safari's absent-minded professor. Director Stephen Sommers went on to direct the 1999 action fantasy hit The Mummy. Ages 6 and up. --Sean Axmaker

Anywhere But Here (Full Screen)

In Wayne Wang's star-driven adaptation of Mona Simpson's tragicomic bestseller about a mismatched mother and daughter, fortysomething Adele August (Susan Sarandon) is every adolescent's nightmare: over- (or under-) dressed, always and loudly "on," forgetful of mundane matters such as bills, more colorful kid than reliable mum. In contrast, 14-year-old Ann (Natalie Portman) yearns for stability, roots, understated hues. Transplanted from Wisconsin small town and extended family to a Beverly Hills, California, address of choice for American Dreamers like Adele, Ann comes painfully of age--sometimes blighted but also enriched by the fictions of a charismatic parent afraid to be alone in the dark.

Wang has always shown a sure, caring hand when it comes to cross-generational angst (see Dim Sum: A Little Bit of Heart, The Joy Luck Club, Smoke). Here, he encourages Sarandon in a remarkably brave, exposed performance as an aging adventuress whose imagination continually outstrips her ability to make dreams come true, whose charm is both her ticket to ride and a dead end. Portman's pout of strained adolescent distaste soon wears thin, but when The Phantom Menace's kabuki princess momentarily thaws, she projects a lost child's terrible shock and confusion. Hollywood-sized and scripted by the numbers, Anywhere but Here lost ground to Tumbleweeds, a similarly themed but more nuanced indie (with Oscar-nominated Janet McTeer), and it can't hold a candle to Barbara Stanwyck's Stella Dallas (1937), top of the line in this particular genre. But for any daughter who's looked into her mother's face and--yikes!--seen a possible future, this trip's definitely worth taking. --Kathleen Murphy

Adele is flashy, flirtatious dreamer. Her daughter Ann is a quiet, no-nonsense realist. On the surface, they're like oil and water, but deep down there are two of a kind. "Susan Sarandon is show-stopping" (The New York Times) and "Natalie Portman soars" (NY-1) in this funny and touching story about a mother who knows best and a daughter who knows better!

Anywhere But Here / Stealing Beauty

Anywhere but Here: In Wayne Wang's star-driven adaptation of Mona Simpson's tragicomic bestseller about a mismatched mother and daughter, fortysomething Adele August (Susan Sarandon) is every adolescent's nightmare: over-(or under-)dressed, always and loudly "on," forgetful of mundane matters such as bills, more colorful kid than reliable mum. In contrast, 14-year-old Ann (Natalie Portman) yearns for stability, roots, understated hues. Transplanted from Wisconsin small town and extended family to a Beverly Hills, California, address of choice for American Dreamers like Adele, Ann comes painfully of age--sometimes blighted but also enriched by the fictions of a charismatic parent afraid to be alone in the dark.

Wang has always shown a sure, caring hand when it comes to cross-generational angst (see Dim Sum: A Little Bit of Heart, The Joy Luck Club, Smoke). Here, he encourages Sarandon in a remarkably brave, exposed performance as an aging adventuress whose imagination continually outstrips her ability to make dreams come true, whose charm is both her ticket to ride and a dead end. Portman's pout of strained adolescent distaste soon wears thin, but when The Phantom Menace's kabuki princess momentarily thaws, she projects a lost child's terrible shock and confusion. Hollywood-sized and scripted by the numbers, Anywhere but Here lost ground to Tumbleweeds, a similarly themed but more nuanced indie (with Oscar-nominated Janet McTeer), and it can't hold a candle to Barbara Stanwyck's Stella Dallas (1937), top of the line in this particular genre. But for any daughter who's looked into her mother's face and--yikes!--seen a possible future, this trip's definitely worth taking. --Kathleen Murphy

Stealing Beauty: Critics were decidedly mixed about this 1996 drama from Italian director Bernardo Bertolucci, and the movie enjoyed only a brief theatrical release. Now it's best known for its early appearance by Liv Tyler as a 19-year-old beauty named Lucy who summers at a villa in Tuscany with a variety of artistic types who immediately respond to her inspirational innocence. An amateur poet who has decided it's time to lose her virginity, Lucy has come to Italy after the death of her mother, who visited this artist's refuge 20 years earlier. Several young Italian men find Lucy quite heavenly (she is, after all, Liv Tyler), and she's not immune to their attentions, but she'd rather spend time with a playwright (Jeremy Irons) who is dying of AIDS and therefore has something other than sex on his mind. The movie's plot is about as substantial as Tyler's character (she's sexy, all right, but hardly an intellectual muse), but Stealing Beauty creates a serene mood that's so soothing you'll want to book a flight to Tuscany immediately, just to soak up the setting's idyllic atmosphere. If you're in the right frame of mind, this movie is like a balm for the soul, and Tyler and Bertolucci can share the credit for making this two-hour vacation so charmingly relaxing. --Jeff Shannon

ABCD

Krutin Patel's award-winning film ABCD ("American Born Confused Desi") is the story of an Indian family living in suburban New Jersey. Madhur Jaffrey (Cotton Mary) stars as Anju, a widow tugging on tradition and reluctant to accept the mores of North American society. Her main goal in life is to see her two children get married to respectable Indian partners. Raj (Faran Tahir) and Nina (Sheetal Sheth) are polar opposites; Raj is the "good son," engaged to a devoted and traditional Indian girl; and Nina is the wild child, rebelling against her mother and all aspects of Indian custom, including only sleeping with white men. Both of their lives change dramatically when they find themselves attracted to the person who they least expected. With a mix of humor and poignancy, Patel presents a compelling look at the emotional consequences of growing up without a firm cultural identity.

Anywhere But Here

In Wayne Wang's star-driven adaptation of Mona Simpson's tragicomic bestseller about a mismatched mother and daughter, fortysomething Adele August (Susan Sarandon) is every adolescent's nightmare: over- (or under-) dressed, always and loudly "on," forgetful of mundane matters such as bills, more colorful kid than reliable mum. In contrast, 14-year-old Ann (Natalie Portman) yearns for stability, roots, understated hues. Transplanted from Wisconsin small town and extended family to a Beverly Hills, California, address of choice for American Dreamers like Adele, Ann comes painfully of age--sometimes blighted but also enriched by the fictions of a charismatic parent afraid to be alone in the dark.

Wang has always shown a sure, caring hand when it comes to cross-generational angst (see Dim Sum: A Little Bit of Heart, The Joy Luck Club, Smoke). Here, he encourages Sarandon in a remarkably brave, exposed performance as an aging adventuress whose imagination continually outstrips her ability to make dreams come true, whose charm is both her ticket to ride and a dead end. Portman's pout of strained adolescent distaste soon wears thin, but when The Phantom Menace's kabuki princess momentarily thaws, she projects a lost child's terrible shock and confusion. Hollywood-sized and scripted by the numbers, Anywhere but Here lost ground to Tumbleweeds, a similarly themed but more nuanced indie (with Oscar-nominated Janet McTeer), and it can't hold a candle to Barbara Stanwyck's Stella Dallas (1937), top of the line in this particular genre. But for any daughter who's looked into her mother's face and--yikes!--seen a possible future, this trip's definitely worth taking. --Kathleen Murphy

A Price Above Rubies [Region 2]

The Jungle Book [Region 2]

Disney scrapped the songs and talking animals for its second version of Rudyard Kipling's classic novel, an old-fashioned boy's adventure that more resembles the classic Korda brothers' lush original than Disney's own animated musical. In this live-action version, Jason Scott Lee (the hunky star of Dragon: The Bruce Lee Story) is the grown Mowgli, a boy raised by wolves and taught the ways of the jungle by Baloo the bear and Bagheera the panther. Fascinated by Englishwoman Lena Heady, whom he spots marching through the jungle on a safari, he follows her to the city. She teaches him the ways of polite society while a greedy British soldier (a sneering Cary Elwes) plots to discover the fabled lost city, where a fabulous fortune awaits. At this point the film becomes more Tarzan than Kipling. Lee's rippling form, back in the freedom of a loin cloth, is on display running through the jungle, swinging on vines, and going mano a mano with snooty Englisher Elwes. His charm and sex appeal has made this film a favorite of many adult women, but it is a family adventure, after all, with colorful locations, grand sets, and plenty of fun-loving animal moments. Sam Neill is his usual figure of moral strength as Heady's explorer father, and John Cleese imparts a little deadpan humor as the safari's absent-minded professor. Director Stephen Sommers went on to direct the 1999 action fantasy hit The Mummy. Ages 6 and up. --Sean Axmaker