Tamba, Tetsuro

The Cat Returns

The Cat Returns (2002) brings back Muta, the cranky fat cat, and Baron von Gikkingen, the elegant statue, from the feature Whisper of the Heart (1995). On her way home from school, Haru, a confused 17-year-old, prevents an elegant gray cat from being hit by a truck. She's inadvertently saved the life of Lune, Prince of the Cat Kingdom, and his royal father decides to thank her. He fills her locker with gift-wrapped mice and decides she should come to his kingdom and marry Lune. Haru seeks help from the Cat Bureau, and eventually returns to relatively normal life, with the assistance of Muta and the Baron.

The Cat Returns recalls Whisper of the Heart and Takashi Nakamura's Catnapped, but it offers neither the wistful charm of the former nor the bold visual imagination of the latter. Hayao Miyazaki has been seeking young directors for Studio Ghibli for several years. After preparing the script and storyboards for Whisper, he turned the film over to Yoshifumi Kondo, who died tragically shortly after the film's release. The Cat Returns was directed by Hiroyuki Morita, who shows promise, but lacks Kondo's elegant sensibility. The DVD extras include a fulsome making-of documentary, Morita's voluminous storyboards, and mini-interviews with the vocal cast that includes Tim Curry, Cary Elwes, Peter Boyle, and Elliott Gould. (Rated G: minor scary imagery and cartoon violence) --Charles Solomon

From the creators of the Academy Award(R) winning SPIRITED AWAY (Best Animated Feature Film, 2002) comes the visually stunning THE CAT RETURNS, a spectacular animated journey to a world of magic and adventure. Haru, a schoolgirl bored by her ordinary routine, saves the life of an unusual cat, and suddenly her world is transformed beyond anything she ever imagined. The Cat King rewards her good deed with a flurry of presents, including a very shocking proposal of marriage to his son! Haru embarks on an unexpected journey to the Kingdom of Cats where her eyes are opened to a whole other world and her destiny is uncertain. To change her fate, she'll need to learn to believe in herself and appreciate her everyday life. Featuring the sensational voice talents of Anne Hathaway, Cary Elwes, Tim Curry, and Elliot Gould, THE CAT RETURNS is a magical animated adventure that will delight and inspire everyone.

You Only Live Twice

The film boasts the best of the Bond title songs (this one sung on a dreamy track by Nancy Sinatra), but the movie itself is one of the weaker ones of the Sean Connery phase of the 007 franchise. The story concerns an effort by the evil organization SPECTRE to start a world war, but the not-so-super villain behind the plot is the awfully civilized Donald Pleasence. The thin script is by Roald Dahl (shouldn't we have expected a better Bond nemesis from the creator of mad genius Willy Wonka?), and direction is by British veteran Lewis Gilbert (Alfie). But the movie can't hold a candle to Dr. No, From Russia with Love, or Goldfinger. --Tom Keogh

Kwaidan - Criterion Collection

A masterpiece of filmmaking artifice and mood-setting atmosphere, Kwaidan consists of four ghost stories adapted from the fiction of Greek-born Lafcadio Hearn (a.k.a. Yakumo Koizumi, 1850-1904), who assimilated into Japanese culture so thoroughly that his writings reveal no evidence of Western influence. So it is that these four cinematic interpretations--perhaps more accurately described as tales of spectral visitation--are sublimely Japanese in tone and texture, created entirely in a studio with frequently stunning results. There are painterly images here that remain the most beautiful and haunting in all of Japanese cinema, presented with the purity of silent film, sparsely accompanied by post-synchronized sounds and music (by Toru Takemitsu) that enhance the otherworldly effect of director Masaki Kobayashi's meticulous imagery. When viewed in a receptive frame of mind, Kwaidan can be intensely hypnotic.

Each of the four stories find their protagonists confronted by spirits that compel them to (respectively) make amends for past mistakes, maintain vows of silence, satisfy the yearnings of the undead, or capture phantoms that remain frightfully elusive. As each tale progresses, their supernatural elements grow increasingly intense and distant from the confines of reality. With careful use of glorious color and wide-screen composition, Kwaidan exists in a netherworld that is both real and imagined, its characters never quite sure they can trust what they've seen and heard. Vastly different from the more overt shocks of Western horror, the film casts a supernatural spell that remains timelessly effective. --Jeff Shannon

Winner of the Special Jury Prize at Cannes, Kwaidan features four nightmarish tales in which terror thrives and demons lurk. Adapted from traditional Japanese ghost stories, this lavish, widescreen production drew extensively on Kobayashi's own training as a student of painting and fine arts. Criterion is proud to present Kwaidan in a new ravishing color transfer.

Battle of Okinawa

Beverly Hills hasn't been the same since the Clampetts moved to town! Now you can own 20 classic episodes of this hit show which remained in the top ten for nine straight seasons. These hilarious hillbillies will keep you laughing hours with their backwoods antics. And you thought your family was crazy!System Requirements:Running Time: 149 Mins. Genre: DOCUMENTARIES/MISC. Rating: NR UPC: 737187011504 Manufacturer No: ANM-DV1150

Gozu

From the acclaimed director Takashi Miike comes a Yakuza/ horror film to shock and amaze audiences everywhere! When Minami is sent to kill his mentor Ozaki who is in the midst of a nervous breakdown he embarks on a journey of unexplained natural phenomenon that only the director of such films as Audition Dead or Alive and Ichi the Killer can provide in this surreal Lynchian/Cronenberg-like odyssey!Special features16x9 anamorphic video transfer letterboxed Audio Commentary with film critics Andy Klein & Wade Major** Interview with Takashi Miike featuring directors Guillermo Del Toro ("Hellboy") and Eli Roth ("CabinFever")** Making of featurette** Still Gallery Biographies FilmNotes by author Tom Mes - **Unrated version onlySystem Requirements: Running Time 129 MinFormat: DVD MOVIE Genre: HORROR Rating: NR UPC: 825307911497 Manufacturer No: PH-91149

Harakiri - Criterion Collection

Dramatically compelling and emotionally intense, Harakiri is a certified classic of Japanese film, and a riveting study of samurai codes of honor. Unlike Kurosawa's rousing samurai epics, this is an uncompromisingly tragic tale, exposing the hypocrisy of 17th-century Japanese society with its story of a family destroyed by the cruelty of feudalism toward warriors in peacetime. The film is truly Shakespearean in its emotional scope, embodied by the unforgettable performance of Tatsuya Nakadai (star of Kurosawa's Ran) as an elder warrior seeking revenge for the unnecessary seppuku (ritual suicide) of his beloved son-in-law. Director Masaki Kobayashi begins at story's end, then recounts the narrative (adapted from a novel by Yasuhiko Takiguchi) as told by Nakadai's character. The effect is almost unbearably suspenseful, leading to an explosive climax of supreme defiance and samurai swordplay, erupting from a battle of wills, called bluffs, and hotly defended honor. For connoisseurs of samurai action, Harakiri is not to be missed. --Jeff Shannon

Following the collapse of his clan, unemployed samurai Hanshiro Tsugumo (Tatsuya Nakadai) arrives at the manor of Lord Iyi, begging to commit ritual suicide on his property. Iyi's clans men, believing the desperate ronin is merely angling for charity, try to force him to eviscerate himself - but they have underestimated his honor and his past. Winner of the 1963 Cannes Film Festival's Special Jury Prize, Masaki Kobayashi's Harakiri is a scathing denouncement of feudal authority and hypocrisy.

Riki-Oh - The Story of Ricky

A young man with superhuman strength is incarcerated at a prison run by corrupt officials and seeks to use his martial arts to clean up the system. The story is set in the year of 2001 in a prison owned by a major company. A new prisoner sees his friends being harassed and killed by the guards and seeks his revenge.System Requirements:Run Time: 90 minutesFormat: DVD MOVIE Genre: ANIMATION/ADULT SWIM Rating: R UPC: 631595008623 Manufacturer No: TSDVD-0086

One of the most absurdly violent films ever made, this outrageous comic book of a movie is short on style but makes up for it in sheer audacity and excess. Brooding street kid Ricky Ho (Fan Siu Wang, playing the part of avenging angel with self-righteous earnestness) walks into the corrupt corporate prison system with superpowered martial arts skills and proceeds to punch his way through every bullying thug and sadistic guard who comes his way. Literally. His fist puts a gaping hole through the stomach of a giant sumo-wrestler-sized thug and the jaw of a pompadoured bully, and turns the skull of a pathetic guard into a bloody stump. As Ricky becomes a hero to the downtrodden prisoners, the assistant warden (who keeps breath mints in his removable glass eye) organizes the dreaded "gang of four," the cell block gang leaders, to take Ricky down. Fat chance!

There's nothing realistic about the bone-shattering, blood-splattering spectacle of crushed heads and snapped limbs, but the unrestrained display becomes so preposterously grotesque it hardly matters. You'll be convinced that the "Oh" in Riki-Oh stands for "Oh my God, did I really see that?" Yes, Ricky really does tie a sliced tendon with his teeth, a thug cuts open his gut and uses his own intestines to strangle Ricky, and the warden (for no apparent reason) puffs himself up into a giant rubber ogre. Ricky's curvy, feminine nemesis Rogan is played by Yukari Oshima, the butt-kicking, all-woman star of Angel and others. --Sean Axmaker

Zero Woman: Red Handcuffs

Agent Zero (Miki Sugimoto) is a cop that uses her own methods for dealing with criminals. After she unlawfully kills a rapist in a violent fashion, she is sent to prison and stripped of her badge. But very soon after, a rich politician's daughter is kidnapped by a ruthless gang. Agent Zero is let out of prison with the mission of going undercover to find the politician's daughter and return her safely. Using her deadly red handcuffs, she disposes of the criminals one by one. Fast paced and highly entertaining, Zero Woman Red Handcuffs is a 70's exploitation masterpiece.

Goyokin

A samurai, Magobei, returns to face the clan he abandoned when he learns that they intend to instigate another massacre. Protecting the last survivor of that massacre, a woman called 'Taken by the Gods,' Magobei absorbs a truly phenomenal amount of punishment before taking down his brother-in-law, the clan leader.

Under the Flag of the Rising Sun

Of the many fine films by Kinji Fukasaku to be released on DVD throughout 2004-05, Under the Flag of the Rising Sun is arguably the most unforgettable. As Japanese film scholar Tom Mes observes in an accompanying essay, it is also an important milestone in Fukasaku's prolific career, since it departs from the director's popular Yakuza films (most notably the epic Yakuza Papers series) while angrily exploring Fukasaku's dominant theme of post-World War II trauma and its anguished effect on Japanese society. Fukasaku claimed this was the film that crystallized his signature visual style, employing color, black and white, freeze-frames, negative images, documentary photographs, and shocking violence to tell the powerful story of a long-grieving widow in contemporary early 1970s Japan (Sachiko Hidari), still struggling to determine the truth behind her husband's court martial and execution on the New Guinea front during the final days of World War II. As she interviews surviving members of her husband's garrison in an effort to clear his name, a Rashomon-like tapestry of conflicting testimony unfolds to form a harrowing, collage of wartime atrocity, endurance, and survival by any means necessary. The cumulative impact of the widow's quest turns this into one of Fukasaku's most intensely focused dramas, leading to a devastating conclusion that qualifies Under the Flag of the Rising Sun as an unflinching classic, ripe for rediscovery as a searing indictment of war and its long-term emotional aftermath. As she did for The Yakuza Papers, Fukasaku expert and ace translator-subtitler Linda Hoaglund provides an insightful commentary that will greatly enhance anyone's appreciation for this and all of Fukasaku's films. --Jeff Shannon

Sachiko Hidari gives a towering performance in Kinji Fukasaku's devastating anti-war drama as Mrs.Togashi, a war widow determined to clear the name of her disgraced husband, who was court-martialed for desertion and executed. Official records have been destroyed, and the ministry that distributes benefits continues to deny her a pension. Twenty-six years after the war, she seeks out four survivors of her husband's garrison. Each tells a dramatically different story about her husband's conduct, but she is determined to learn the truth. "Until my husband can rest in peace," she proclaims, "I'll have no comfort." Thus begins a Rashomon-like mystery that unfolds in harrowing flashbacks, punctuated by archival still combat images that convey the brutality and absurdity of war.