Tamblyn, Russ

West Side Story (Full Screen Edition)

The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, the film stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighborhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colorful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score. --Tom Keogh

This brilliant (The New Republic) film sets the ageless story of Romeo and Juliet against a backdrop of gang warfare in 1950s New York. Directed by Robert Wise and Jerome Robbins and scripted by Ernest Lehman, the film combines Leonard Bernstein and Stephen Sondheim's unforgettable score ( Maria, America, 'somewhere, 'tonight ) with Robbins own exuberant choreography to achieve an exhilarating work of art (Saturday Review). A love affair is fated for tragedy amidst the vicious rivalry of two street gangsthe Jets and the Sharks. When Jets member Tony (RichardBeymer) falls for Maria (Natalie Wood), the sister of the Sharks leader, it's more than these two warring gangs can handle. And as mounting tensions rise, a battle to the death ensues, and innocent blood is shed in a heartbreaking finale.

Seven Brides for Seven Brothers

Well, bless my beautiful hide! Director Stanley Donen invests this rollicking musical with a hearty exuberance. Howard Keel, with his big-as-all-outdoors baritone, stars as a bold "mountain man" living in the Oregon woods who brings home a bride (plucky songbird soprano Jane Powell) to his six slovenly brothers. Taming the rambunctious brood, Jane proceeds to make gentlemen of them so they can woo sweethearts of their own. But old habits die hard: their flirting gives way to fighting in the film's celebrated barn-raising scene, a lively acrobatic dance number exuberantly choreographed by Michael Kidd. Big brother chimes in with his own brand of advice--an old-fashioned kidnapping! Donen manages to get away with such a politically incorrect plot by investing the boys with a innocent sweetness, most notably the youngest brother played with genial earnestness by Rusty (Russ) Tamblyn (pre-West Side Story). This modest production became a huge hit and remains one of MGM's best-loved musical comedies, an energetic, high-kicking classic. --Sean Axmaker

Howard Keel and Jane Powell are rapturous newlyweds who tame his six rowdy bachelor brothers in the wild Oregon backwoods in this Best Score Academy Award(R)-winning song-and-dance-filled comedy.

West Side Story (Special Edition DVD Collector's Set)

A triumph on every level this magnificent achievement set a standard for modern movie musicals that remains unsurpassed to this day. Featuring an unforgettable score ("Maria" "America" "Somewhere" "Tonight") and groundbreaking choreography the film sets the tragedy of Romeo and Juliet against the backdrop of gang warfare in 1950s New York. Starring Natalie Wood Richard Beymer Russ Tamblyn Rita Moreno and George Chakiris West Side Story is "a stunning piece of visual entertainment" (Boxoffice) and "the best film musical ever made" (The New Republic)!System Requirements:Starring: Natalie Wood Richard Beymer Russ Tamblyn Rita Moreno and George Chakiris. Directed By: Robert Wise and Jerome Robbins. Running Time: 152 Min. Color. This film is presented in "Widescreen" format. Copyright 2003 MGM Studios.Format: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: NR UPC: 027616884343 Manufacturer No: 1004353

The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, the film stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighborhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colorful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score. --Tom Keogh

Seven Brides for Seven Brothers (Two-Disc Special Edition)

Well, bless my beautiful hide! Director Stanley Donen invests this rollicking musical with a hearty exuberance. Howard Keel, with his big-as-all-outdoors baritone, stars as a bold "mountain man" living in the Oregon woods who brings home a bride (plucky songbird soprano Jane Powell) to his six slovenly brothers. Taming the rambunctious brood, Jane proceeds to make gentlemen of them so they can woo sweethearts of their own. But old habits die hard: their flirting gives way to fighting in the film's celebrated barn-raising scene, a lively acrobatic dance number exuberantly choreographed by Michael Kidd. Big brother chimes in with his own brand of advice--an old-fashioned kidnapping! Donen manages to get away with such a politically incorrect plot by investing the boys with a innocent sweetness, most notably the youngest brother played with genial earnestness by Rusty (Russ) Tamblyn (pre-West Side Story). This modest production became a huge hit and remains one of MGM's best-loved musical comedies, an energetic, high-kicking classic. --Sean Axmaker

The Haunting

Certain to remain one of the greatest haunted-house movies ever made, Robert Wise's The Haunting (1963) is antithetical to all the gory horror films of subsequent decades, because its considerable frights remain implicitly rooted in the viewer's sensitivity to abject fear. A classic spook-fest based on Shirley Jackson's novel The Haunting of Hill House (which also inspired the 1999 remake directed by Jan de Bont), the film begins with a prologue that concisely establishes the dark history of Hill House, a massive New England mansion (actually filmed in England) that will play host to four daring guests determined to investigate--and hopefully debunk--the legacy of death and ghostly possession that has given the mansion its terrifying reputation.

Consumed by guilt and grief over her mother's recent death and driven to adventure by her belief in the supernatural, Eleanor Vance (Julie Harris) is the most unstable--and therefore the most vulnerable--visitor to Hill House. She's invited there by anthropologist Dr. Markway (Richard Johnson), along with the bohemian lesbian Theodora (Claire Bloom), who has acute extra-sensory abilities, and glib playboy Luke Sanderson (Russ Tamblyn, from Wise's West Side Story), who will gladly inherit Hill House if it proves to be hospitable. Of course, the shadowy mansion is anything but welcoming to its unwanted intruders. Strange noises, from muffled wails to deafening pounding, set the stage for even scarier occurrences, including a door that appears to breathe (with a slowly turning doorknob that's almost unbearably suspenseful), unexplained writing on walls, and a delicate spiral staircase that seems to have a life of its own.

The genius of The Haunting lies in the restraint of Wise and screenwriter Nelson Gidding, who elicit almost all of the film's mounting terror from the psychology of its characters--particularly Eleanor, whose grip on sanity grows increasingly tenuous. The presence of lurking spirits relies heavily on the power of suggestion (likewise the cautious handling of Theodora's attraction to Eleanor) and the film's use of sound is more terrifying than anything Wise could have shown with his camera. Like Jack Clayton's 1961 chiller, The Innocents, The Haunting knows the value of planting the seeds of terror in the mind, as opposed to letting them blossom graphically on the screen. What you don't see is infinitely more frightening than what you do, and with nary a severed head or bloody corpse in sight, The Haunting is guaranteed to chill you to the bone. --Jeff Shannon

A group is introduced to the supernatural through a 90-year old New England haunted house. Be prepared for hair-raising results in this classic horror film!

Peyton Place

Nominated for nine Academy Awards in 1957, Peyton Place has become synonymous with torrid soap opera. Though the novel by Grace Metalious is even more sensational, the movie provides plenty of tantalizing story turns--secrets, adultery, rape, bitter parents, frustrated teenagers, suicide, and murder. Multiple storylines deftly interweave: Allison MacKenzie (Diane Varsi), an ambitious young girl struggling with the neurotic fears of her mother (Lana Turner, in a career-reviving performance) and the neurotic fears of the boy she loves (Russ Tamblyn), while her best friend Selena Cross (Hope Lange) fights off the brutal advances of her drunken stepfather. The movie had to sanitize the novel's New England town in order to get some of the more unsavory plot turns past the censors; ironically, the glossy "normal" surface makes these events all the more shocking, paving the way for David Lynch's Blue Velvet and Twin Peaks. --Bret Fetzer

Peyton Place is the sensitive and poignant story of coming of age in a small New England village whose peaceful facade hides love and passion, scandal and hypocrisy.

Cimarron

The 1960 remake of Cimarron manages a slight improvement on the worst Best Picture (1931) in Academy Award history. Not that Edna Ferber's novel of pioneer Oklahoma was ever a movie natural. There's a plethora of themes--several species of prejudice, capitalism vs. charity, sons unhappily following in fathers' footsteps, and the irreconcilable tensions between a stability-craving wife and her footloose hero-husband--but the action is front-loaded and the husband (Glenn Ford) is offscreen for years at a time. Anthony Mann gets solo directorial credit, yet the movie seems more typical of his replacement, Charles Walters, a maker of pastel musicals. Most of the large cast comes and goes without establishing identities; Maria Schell's Sabra Cravat is tiresome as both ditz and pill. Photographed in CinemaScope and Metrocolor by Robert L. Surtees, the Oklahoma land rush is properly spectacular--though less impressive than John Ford's in Three Bad Men. --Richard T. Jameson

et in Oklahoma from 1890-1915. A quarter century of change is seen through experiences of a pioneering couple determined to succeed in America. Based on a novel by Edna Ferber.

The Long Ships

Looking for a rousing Viking adventure that's cheesy and entertaining? The Long Ships is just the movie for you. As England's greatest color cinematographer, Jack Cardiff had filmed 1958's The Vikings, so he was well-prepared to direct this exciting, occasionally grisly mini-epic (a British/Yugoslavian coproduction, filmed in Yugoslavia), which received mixed-to-favorable reviews when released in 1964. Back then, it was a perfect matinee marvel if you were young and impressionable, and it's still worth its weight in hot buttered popcorn. While that most contemporary of actors, Richard Widmark, is clearly out of place as a maverick Norse warrior, he's sufficiently valiant as he guides his Viking brother (Russ Tamblyn, still hot from West Side Story) and a long-ship full of warriors in search of a huge, solid-gold bell coveted by Mansuh (Sidney Poitier), a Moorish prince obsessed with retrieving the legendary bell at any cost. Treacherous maelstroms, lovely damsels, corny battles, and casual humor make The Long Ships a lot of fun--like a Ray Harryhausen adventure without the animated creatures. (Oh, and Mr. Poitier? James Brown called... he wants his hair back.) --Jeff Shannon

Father of the Bride (Snap case)

"I would like to say a few words about weddings" a weary man says from the middle of a muddle of rice and scattered bottles. What follows is a warm witty look at what it means to be Father of the Bride. Spencer Tracy is the father and Elizabeth Taylor the bride in this lively Vincente Minnelli-directed classic. Taylor is glowingly showcased - and reflected in three mirrors when first seen in a wedding gown. Tracy's performance captures every loving father's exasperations and joys as the day approaches. It also captured the fourth of his nine* Best Actor Academy Award* nominations. The film also earned nominations** for Best Picture and Screenplay. Here comes the bride there goes dad's wallet - and everyone's heart. What sparkling fun!Running Time: 93 min.System Requirements: Running Time 93 MinFormat: DVD MOVIE Genre: COMEDY Rating: NR UPC: 012569508224

This 1950 Vincente Minnelli classic may show its age here and there, but it's still a far sturdier movie than the 1991 Steve Martin vehicle. Spencer Tracy earned yet another Oscar nomination for his wonderfully well observed portrayal of Stanley Banks, a decent (if occasionally long-winded) fellow who gets caught up and cut up in the rudderless spectacle that is the wedding of his only daughter (Elizabeth Taylor, of course). It's a sage commentary on the class mores of the day--how much does one spend? (Or, more accurately, when does one quit spending?) Does one invite one's work colleagues, even if they don't know the bride? Tracy is simply magnificent, gruffly warm and funny, whether he's getting sloppy drunk and discoursing at length or simply sitting by, silently amazed, as his daughter and her beau make up after a spat. The film inspired a sequel (1951's Father's Little Dividend--try getting that title made nowadays), a remake, and a remake of its sequel, as well as a TV series--all in all, almost as many incarnations as Taylor had weddings. --David Kronke

Cabin Boy

Get ready for over-the-top hilarity when comedy original Chris Elliott (THERE'S SOMETHING ABOUT MARY, SCARY MOVIE 2) goes overboard in this hysterical high-seas misadventure that's sure to keep everyone laughing! Elliott stars as Nathanial Mayweather, a spoiled rich kid whose plans for a ritzy Hawaiian cruise backfire, finding him lost at sea with a gang of salty old sailors. And when his crusty cabin mates get a whiff of his highfalutin attitude, they give him every rotten chore on the boat -- and take him on the wackiest adventure yet to sail the Seven Seas! Chart a course for fun with CABIN BOY -- a truly wild comedy!