Tambor, Jeffrey

Heavyweights

From the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing, but these hungry kids have a plan of their own. They unite to turn the tables, take back their woodsy hideaway, and challenge the rival camp to the most outrageous summer games of all! You'll laugh out loud with these HEAVYWEIGHTS -- they're big, loud, and proud, and ready to win their way into your heart!

Hellboy (Two-Disc Special Edition)

In the ongoing deluge of comic-book adaptations, Hellboy ranks well above average. Having turned down an offer to helm Harry Potter and the Prisoner of Azkaban in favor of bringing Hellboy's origin story to the big screen, the gifted Mexican director Guillermo del Toro compensates for the excesses of Blade II with a moodily effective, consistently entertaining action-packed fantasy, beginning in 1944 when the mad monk Rasputin--in cahoots with occult-buff Hitler and his Nazi thugs--opens a transdimensional portal through which a baby demon emerges, capable of destroying the world with his powers. Instead, the aptly named Hellboy is raised by the benevolent Prof. Bloom, founder of the Bureau for Paranormal Research and Defense, whose allied forces enlist the adult Hellboy (Ron Perlman, perfectly cast) to battle evil at every turn. While nursing a melancholy love for the comely firestarter Liz (Selma Blair), Hellboy files his demonic horns ("to fit in," says Bloom) and wreaks havoc on the bad guys. The action is occasionally routine (the movie suffers when compared to the similar X-Men blockbusters), but del Toro and Perlman have honored Mike Mignola's original Dark Horse comics with a lavish and loyal interpretation, retaining the amusing and sympathetic quirks of character that made the comic-book Hellboy a pop-culture original. He's red as a lobster, puffs stogies like Groucho Marx, and fights the good fight with a kind but troubled heart. What's not to like? --Jeff Shannon

Girl, Interrupted

Based on Susanna Kaysen's acclaimed journal-memoir, Girl, Interrupted bears inevitable resemblance to One Flew Over the Cuckoo's Nest, and pale comparison to that earlier classic is impossible to avoid. The mental institution settings of both films guarantee a certain degree of déjà vu and at least one Oscar winner (in this case, Angelina Jolie), since playing a loony is any actor's dream gig. Unfortunately, director James Mangold seems to have misplaced the depth and delicacy of his underrated debut, Heavy, despite a great deal of earnest effort by everyone involved. It's easy to see why Winona Ryder chose to star in (and executive-produce) this nearly worthy adaptation of Kaysen's book, since it's a strong vehicle for female casting and potent drama. Mangold certainly got the former; whether he succeeded with the latter is not so clear.

To be sure, Ryder conveys the confusion and chaos that signified Kaysen's life during nearly 18 months of voluntary institutionalization beginning in 1967. But the film seems too eager to embrace the cliché that the "crazies" of the Claymoore women's ward are saner than the war-torn world outside, and lack of narrative focus gives way to semipredictable character study. Susanna (Ryder) is labeled with "borderline personality disorder," a diagnosis as ambiguous as her own emotions, and while Jolie chews the scenery as the resident bad-girl sociopath, Ryder effectively conveys an odyssey from vulnerable fear to self-awareness and, finally, to healing. The ensemble cast is uniformly superb, making this drama well worthwhile, even as it treads familiar territory. If it ultimately lacks dramatic impact, Girl, Interrupted makes it painfully clear that the boundaries of dysfunction are hazy in a world where everyone's crazy once in a while. --Jeff Shannon

Pollock

The long road to Pollock began when actor Ed Harris received a biography of Jackson Pollock from his father, who noticed that his son bore an uncanny resemblance to the artist. Harris's fascination with Pollock matched his physical similarity; the actor chose to direct and star in this impressive film biography. And his devotion assured a work of singular integrity, honoring the artist's achievement in abstract expressionism while acknowledging that Pollock was a tormented, manic-depressive alcoholic whose death at 44 (in a possibly suicidal car crash) also claimed the life of an innocent woman. The film also suggests that Pollock's success was largely attributable to the devotion of his wife, artist Lee Krasner, played with matching ferocity by Marcia Gay Harden in an Oscar®-winning performance.

In many respects a traditional biopic, Pollock begins in 1941 when Pollock meets Krasner, who encourages him and attracts the attention of supportive critic Clement Greenberg (Jeffrey Tambor) and benefactor Peggy Guggenheim (Amy Madigan). As Pollock rises from obscurity to international acclaim, Harris brings careful balance to his portrayal of a driven creator who found peace during those brief, sober periods when art brought release from his tenacious inner demons. The film offers sympathy without sentiment, appreciation without misguided hagiography. As an acting showcase it's utterly captivating. As a compassionate but unflinching exploration of Jackson Pollock's intimate world, there's no doubt that Harris captured the essence of a man whose life was as torturous as his art was redeeming. --Jeff Shannon

City Slickers

Three middle-age buddies (Billy Crystal, Daniel Stern, Bruno Kirby) facing personal crises decide to sign up for a two-week cattle run for a change of pace. The trail proves a tougher place than anyone thought, and the boss (Jack Palance) is a grizzled taskmaster who doesn't cotton to tenderfoot urbanites. Popular in theaters, the film is both funny and moving, with Crystal giving one of his most complete performances and Palance (who won a Best Supporting Actor Oscar) a lot of colorful fun. Director Ron Underwood (Heart and Souls) subtly shifts the tone of the film from broad comedy to poignancy over its running time, and he makes the story's end a bittersweet victory that feels like life as most people know it. --Tom Keogh

Comic genius Billy Crystal (When Harry Met Sally) stars in this hilarious film about cowboys, careers and mid-life crises. Co-starring Daniel Stern, Bruno Kirby and Jack Palance in an Academy AwardÂ(r)-winning* role, City Slickers is "the rowdiest western jokefest since Blazing Saddles" (Rolling Stone). It'll rope you in...and keep you laughing from first frameto last! New Yorker Mitch Robbins (Crystal) is 39 and miserable. He's tired of his job andbored with his life. And his two best friends Ed, (Kirby) and Phil (Stern), aren't doing much better. So when they all decide to chase their troubles away with a fantasy vacation, Mitch and his pals trade their briefcases for saddlebags and set out to find freedom and adventure herding cattle underthe wide New Mexico sky. But what they discover instead is scorching sun, sore backsides...and moreinsight into themselvesand each otherthan they ever thought possible! *1991: Supporting Actor

The SpongeBob SquarePants Movie (Widescreen Edition)

How many movies offer the rare spectacle of a parasailing pink starfish flying over a crowd with a congratulatory pennant clenched between his buttcheeks? And that's only the tip of the iceberg--The SpongeBob SquarePants Movie is a freewheeling goof of a cartoon, full of surreal twists as its diminutive heroes head down a dangerous road to rescue the lost crown of King Neptune. SpongeBob (voiced by Tom Kenny), an arrested adolescent in the mold of Pee-wee Herman, works at a fast-food restaurant that serves something called Krabby Patties (as the restaurant owner is himself a crab, it's not clear what exactly they're made of). His best friend Patrick Starfish (Bill Fagerbakke) lives under a rock and has an IQ in the lower digits. Still, their friendship carries them through many a tight spot as they strive for manliness. Anyone seeking a coherent world will be disappointed; in this undersea adventure, things catch on fire or seem to be surrounded by air whenever it's convenient for a gag. The jokes are often more silly than actually funny, but there's an undeniably energetic joviality to the proceedings. Featuring the voices of Scarlett Johansson, Jeffrey Tambor, Alec Baldwin, and a fully fleshed appearance by David Hasselhoff. --Bret Fetzer

In THE SPONGEBOB SQUAREPANTS MOVIE SpongeBob SquarePants takes leave from the town of Bikini Bottom to track down King Neptune's stolen crown. Why? Because when the main suspect turns out to be Mr. Krabs, SpongeBob stands by his boss and vows to find the real culprit, even after just being passed over for the promotion of his dreams. SpongeBob and Patrick travel for the first time on land to retrieve the crown and clear Mr. Krabs' name.

Mr. Mom

When Jack Butler (Michael Keaton) loses his job at an auto factory, he expects to quickly find another. But instead, his wife Caroline (Teri Garr) starts working for an ad agency and Jack ends up taking care of the house and kids. He soon runs afoul of shopping etiquette, a voracious vacuum cleaner, and he can't even drop his kids off at school properly. He starts losing his pride and letting himself go. He stops shaving, drinks at all hours, and watches soap operas. And not only does a predatory divorcée (Ann Jillian) have her eye on him, Caroline's new boss (Martin Mull) has more than business on his mind. Will their marriage survive? What makes Mr. Mom work isn't its role-reversal premise, but its clever off-the-main-plot scenes like the obstacle course at the company picnic, where a footrace with swim fins is set to a variation on the theme to Chariots of Fire; a poker game using discount coupons for money; or a traumatic, soap-opera-influenced dream Jack has when he realizes his life is going down the toilet. This is the first starring role for Michael Keaton, who went on to star in Beetlejuice and Batman; he makes the most of both its comic and sentimental side. The script, incidentally, is written by John Hughes, who later went on to write and direct The Breakfast Club and Home Alone. --Bret Fetzer

Funnyman Michael Keaton (Beetlejuice) teams with Teri Garr (Tootsie in this "fresh and funny audience pleaser" (Boxoffice) that's all housework and no pay! Jack and Caroline Butler (Keaton and Garr) are perfectly happy with their roles in life until a layoff makes him a househusband and her a working wife! And while she wrangles with charts, graphs and an all-too-eager-to-be-wrangled boss, he has to contend with their hyper kids, a ravenous vacuum cleaner, an angry washing machine and an oversexed neighbor (Ann Jillian of TV's "It's A Living")! From late nights in the boardroom to lonely nights in the bedroom, the biggest challenge for both Jack and Caroline is learning to trust one another with their reversed roles which they'd better do quickly before Mr. Mom becomes Mr. Single Mom!

Eloise at the Plaza

Kay Thompson's literary classic comes to life in this TV movie starring a free-spirited 6-year-old living in New York's Plaza Hotel. Sofia Vassilieva lights up the screen as Eloise, bearing an uncanny resemblance to Hilary Knight's illustrated namesake, from her bright red ribbon to her dainty designer shoes. Equal parts irrepressible imp and cherubic charmer, Eloise has the run of the hotel under the (mostly) attentive eye of beloved Nanny, played "rawther" marvelously by the timeless Julie Andrews. As the Plaza prepares for its debutante ball, a young prince arrives incognito, who Eloise befriends in her usual dervish style. The cast's comic timing transforms otherwise seeming clichés into a masterful romp through several stories-within-a-story, whether it's Eloise matchmaking a romantic liaison for Nanny, or orchestrating reconciliation between the prince and his estranged father. A making-of featurette and art lesson by Hilary Knight round out this heartwarming package, a fitting tribute to Eloise's creator. (Ages 5 and older) --Lynn Gibson

Based on the best-selling children's classic, ELOISE AT THE PLAZA brings one of literature's most beloved characters to life in a new heartwarming and hilarious movie that "is reason for celebration" (Orlando Sentinel). Eloise (Sofia Vassilieva) is a fun-loving little girl with a knack for finding adventure every place she looks. While under the care of her "rawther" wonderful nanny (Julie Andrews), Eloise tries to play matchmaker to a lonely prince and wrangle an invitation to the society event of the season. Join New York City's most adventurous six-year-old in this charming new family film. It's "as bright and quick-witted as its high-spirited heroine" (Newsday).

There's Something About Mary (Widescreen Edition)

There's Something About Mary is one of the funniest movies in years, recalling the days of the Zucker-Abraham-Zucker movies, in which (often tasteless) gags were piled on at a fierce rate. The difference is that cowriters and codirectors Bobby and Peter Farrelly have also crafted a credible story line and even tossed in some genuine emotional content. The Farrelly brothers' first two movies, Dumb and Dumber and Kingpin, had some moments of uproarious raunch, but were uneven. With Mary, they've created a consistently hilarious romantic comedy, made all the funnier by the fact that you know that they know that some of their gags go way over the line.

Cameron Diaz stars as Mary, every guy's ideal. Ben Stiller plays a high-school suitor still hung up on Mary years later; the obstacles standing between him and her include a number of psychotic suitors, a miserable little pooch, and, oh yeah, a murder charge. The Farrellys' admittedly simplistic camera work, which adapts easily to a TV screen, and the fact that you'll likely laugh yourself so silly over certain scenes you'll want to replay them to see what you were missing while you were busy convulsing, make this a perfect video movie. --David Kronke

Ted (Ben Stiller) is still in love with his high school prom date, Mary (Cameron Diaz), even though it's been years after the humiliating incident that cut their date short. Ted hires Pat, a private detective (Matt Dillon) to track her down, but Pat ends up falling in love with her too, starting a battle for Mary's heart.

Not Just the Best of the Larry Sanders Show

Garry Shandling wraps up the run of his groundbreaking HBO comedy series in definitive yet nostalgic fashion in this boxed set, wryly titled Not Just the Best of The Larry Sanders Show. Now there's truth in advertising. Along with 23 of what Shandling felt were the best episodes of the show's run (89 episodes from 1992-98) comes eight hours of newly produced material, including a feature-length "making of" documentary, cast and star interviews, deleted scenes, commentaries, and footage of Shandling on personal visits with stars like Alec Baldwin, Jon Stewart, and Jerry Seinfeld. The personal visits are some of the most interesting moments (a breakfast with Sharon Stone is so strained and forced it's hard not to laugh) and the new features bring so much of Garry's personal thoughts and feelings into play that maybe this set would have been better named Being Garry Shandling. But it seems only fair to get such a subjective and in-depth personal view on the series from the man who made awkward self-consciousness a comedic art form.

The Larry Sanders Show was at the forefront of changing the genre of TV comedy, and influenced the development of many shows to follow, like Curb Your Enthusiasm, Arrested Development, and both versions of The Office. The source of that inspiration is on full display here, as talk-show host Larry Sanders (Shandling) along with his producer Artie (Rip Torn) and his "poor deluded bastard" sidekick Hank (Jeffrey Tambor), struggles to keep his late-night talk show on the air despite dropping ratings, absurd notes from the network, and a hilarious tendency to self-sabotage his personal life. His guest stars, including some of the biggest names in show business, seem to enjoy lampooning their images and provide some of the sharpest comic moments. It's great stuff, and it's too bad all six seasons are not scheduled to be released on DVD. Shandling reportedly went this route with the release, rather than continuing with complete seasons, because of a desire to wrap it all up at once after a long legal battle with producer Brad Grey. While many fans might bemoan the fact that there will be no complete-season sets of The Larry Sanders Show released after this, there are episodes from all six seasons here to enjoy, including the first and the double-part finale. With a gem like this, it's better to savor what's available than to lament what might have been. --Daniel Vancini

Undeniably the hippest show to air on cable in the 1990s, The Larry Sanders Show takes you backstage at a fictional late night talk show with real-life guests from movies, music and television. The Larry Sanders Show was ahead of its time, becoming an immediate critical and audience hit for its satirical, tongue-in-cheek look at Hollywood. The series that combined documentary-like camerawork with a clever blend of fact and fiction set the standard of quality for HBO and influenced the development of shows like Sex and the City, Six Feet Under, The Sopranos, Curb Your Enthusiasm, and The Office.

Not Just the Best of the Larry Sanders Show features more than 8 hours of newly-produced material including Garry Shandling in personal and intimate visits with friends like Alec Baldwin, Tom Petty, Sharon Stone, Jerry Seinfeld, and Jon Stewart and including the compellingly entertaining, feature-length documentary, "The Making of The Larry Sanders Show."