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Tani, Yoko

 
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The Quiet American

The Quiet American by Joseph L. Mankiewicz from MGM (Video & DVD)

    A love triangle brews amidst a growing political tempest in this "brilliantly intellectual" (Los Angeles Times) film in which nothing is quite as it seems. Adapted from the acclaimed novel by Graham Greene, Academy Award-winning writer-director Joseph L. Mankiewicz's screenplay "delivers dialogue that not only sparkles but bites deep with the irony of truth" (Citizen-News). In 1952, Saigon is caught between the corrupt colonial powers and the Communist uprising. An idealistic young American (Audie Murphy) champions a shadowy Third Force, but cynical British journalist Thomas Fowler (Michael Redgrave) is concerned only with the American's interest in his mistress. When jealousy forces Fowler to take sides at last, the personal and political consequences are devastating.

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    My Geisha

    My Geisha by Jack Cardiff from Paramount

      That's no movie star that's my wife! To win a role in her husband's new film an American actress disguises herself as a geisha girl and tries the hard way to convince her husband-director that she's right for the part. Filmed on location in Japan. Academy Award Nominations: Best (Color) Costume Design.System Requirements:Run Time: 119 minsFormat: DVD MOVIE Genre: COMEDY Rating: NR UPC: 097360611847 Manufacturer No: 061184

      The charming Shirley MacLaine seems to be having a ball as Lucy Dell, a comic actress whose professional pride is wounded when her husband, film director Paul Robaix (Yves Montand), tells her that his next project, an adaptation of Madame Butterfly, is "outside your range." She secretly follows him to Japan, where, masquerading as a geisha named Yoko Mori, she lands the plum part. Further complicating matters is Lucy's costar (a miscast Bob Cummings), who falls in love with Yoko. Edward G. Robinson adds a touch of class as the film's producer who is in on Lucy's secret. My Geisha is part Tootsie and part I Love Lucy, but there is a surprising dark side to this "rollicking comedy romp" (as the film is hyped on the DVD box). Lucy and Paul are both struggling to redefine themselves. She wants to prove she is more than a comedienne, while he wants to prove he can succeed without his popular wife. The scene in which he discovers his leading lady's true identity has an unexpected dramatic punch. The lushly photographed film itself, an Academy Award nominee for Best Costume Design, looks great in this widescreen presentation. --Donald Liebenson

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      The Prisoner

      The Prisoner by Peter Glenville from Sony Pictures

        Alec Guinness stars as an outspoken cardinal from an Eastern Bloc country who's jailed for his rebellious beliefs and subjected to the relentless interrogation of a psychologist (Jack Hawkins). After months of grilling, Hawkins finally finds a crack in Guinness's façade.

        The Savage Innocents

        The Savage Innocents by Nicholas Ray from Suevia

          Spain released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. Languages: o English (subtitles) o Spanish (subtitles) o Spanish (Dolby Digital 5.1) o English (Dolby Digital 2.0) o Spanish (Dolby Digital 2.0) Synopsis: Anthony Quinn added Eskimo to the many ethnic types he portrayed on film with this drama about a clash of cultures from director Nicholas Ray. Inuk (Quinn) is a typical Eskimo hunter, living proudly as his ancestors did, eking out an existence on the frozen Canadian tundra. When Inuk takes his wife and mother-in-law to a trading post to exchange furs, the family meets a friendly priest (Marco Guglielmi). In time-honored Eskimo custom, Inuk offers the missionary his wife's sexual favors. Offended by the man's rejection, Inuk kills him. Having broken Western law, Inuk is pursued by two Mounties (Peter O'Toole and Carlo Giustini). Slowed down by his wife's elderly mother, he sends the woman out on the ice to perish, another of his people's ancient traditions. The police capture Inuk, but the lawmen and their prisoner encounter severe weather. The Savage Innocents (1959) was the feature debut of actor O'Toole, who objected to the overdubbing of his voice in the finished film. Special Features: o Interactive Menu o Scene Access

          First Spaceship on Venus

          First Spaceship on Venus by Kurt Maetzig from St Clair Vision

            In a utopian future of universal peace and brotherhood--1985 to be specific--a mysterious artifact found in Siberia is discovered to be a message from Venus. While the recording is studied, an international team of scientists is rocketed off to make contact with the mysterious planet. It takes the film some time to get going (worldwide harmony makes for a beautiful future but pallid drama when everyone gets along so nicely), but things begin to cook once they land on the misty wasteland of Venus. Swarms of metal bugs hop from glassy mutant trees and bubbling black mud oozes after our astronaut heroes, but no Venusians can be found amidst the geodesic architecture and buzzing power plants. What they discover instead is a terrifying conspiracy wrapped in an anti-war parable. Based on a novel by Polish science fiction legend Stanislaw Lem (whose work also inspired Andrei Tarkovsky's Solaris), this German science fiction adventure is a visual treat, from the sleek, grand, silver spaceship and a funky purple Venus landscape of alien ruins and crystalline bubbles. Decently (if prosaically) dubbed and trimmed down to a brisk 78 minutes, it's an entertaining triumph of psychedelic art direction and desolate alien weirdness presented in all its brightly colored, widescreen glory. --Sean Axmaker

            The DEFA Sci-Fi Collection

            The DEFA Sci-Fi Collection by Kurt Maetzig from First Run Features

              Newly remastered and packed with fascinating bonus materials, this collection features three seminal works from the legendary DEFA film studio: The Silent Star, Eolomea and In the Dust of the Stars.=20

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              First Spaceship on Venus

              First Spaceship on Venus by Kurt Maetzig from Image Entertainment

                In a utopian future of universal peace and brotherhood--1985 to be specific--a mysterious artifact found in Siberia is discovered to be a message from Venus. While the recording is studied, an international team of scientists is rocketed off to make contact with the mysterious planet. It takes the film some time to get going (worldwide harmony makes for a beautiful future but pallid drama when everyone gets along so nicely), but things begin to cook once they land on the misty wasteland of Venus. Swarms of metal bugs hop from glassy mutant trees and bubbling black mud oozes after our astronaut heroes, but no Venusians can be found amidst the geodesic architecture and buzzing power plants. What they discover instead is a terrifying conspiracy wrapped in an anti-war parable. Based on a novel by Polish science fiction legend Stanislaw Lem (whose work also inspired Andrei Tarkovsky's Solaris), this German science fiction adventure is a visual treat, from the sleek, grand, silver spaceship and a funky purple Venus landscape of alien ruins and crystalline bubbles. Decently (if prosaically) dubbed and trimmed down to a brisk 78 minutes, it's an entertaining triumph of psychedelic art direction and desolate alien weirdness presented in all its brightly colored, widescreen glory. --Sean Axmaker

                Samson and the Seven Miracles of the World

                Samson and the Seven Miracles of the World by Riccardo Freda from Alpha Video

                  The Silent Star

                  The Silent Star by Kurt Maetzig from First Run Features

                    In a utopian future of universal peace and brotherhood--1985 to be specific--a mysterious artifact found in Siberia is discovered to be a message from Venus. While the recording is studied, an international team of scientists is rocketed off to make contact with the mysterious planet. It takes the film some time to get going (worldwide harmony makes for a beautiful future but pallid drama when everyone gets along so nicely), but things begin to cook once they land on the misty wasteland of Venus. Swarms of metal bugs hop from glassy mutant trees and bubbling black mud oozes after our astronaut heroes, but no Venusians can be found amidst the geodesic architecture and buzzing power plants. What they discover instead is a terrifying conspiracy wrapped in an anti-war parable. Based on a novel by Polish science fiction legend Stanislaw Lem (whose work also inspired Andrei Tarkovsky's Solaris), this German science fiction adventure is a visual treat, from the sleek, grand, silver spaceship and a funky purple Venus landscape of alien ruins and crystalline bubbles. Decently (if prosaically) dubbed and trimmed down to a brisk 78 minutes, it's an entertaining triumph of psychedelic art direction and desolate alien weirdness presented in all its brightly colored, widescreen glory. --Sean Axmaker

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                    First Spaceship on Venus / Voyage to the Prehistoric Planet

                    First Spaceship on Venus / Voyage to the Prehistoric Planet by Kurt Maetzig from Diamond Ent. Corp.

                      In a utopian future of universal peace and brotherhood--1985 to be specific--a mysterious artifact found in Siberia is discovered to be a message from Venus. While the recording is studied, an international team of scientists is rocketed off to make contact with the mysterious planet. It takes the film some time to get going (worldwide harmony makes for a beautiful future but pallid drama when everyone gets along so nicely), but things begin to cook once they land on the misty wasteland of Venus. Swarms of metal bugs hop from glassy mutant trees and bubbling black mud oozes after our astronaut heroes, but no Venusians can be found amidst the geodesic architecture and buzzing power plants. What they discover instead is a terrifying conspiracy wrapped in an anti-war parable. Based on a novel by Polish science fiction legend Stanislaw Lem (whose work also inspired Andrei Tarkovsky's Solaris), this German science fiction adventure is a visual treat, from the sleek, grand, silver spaceship and a funky purple Venus landscape of alien ruins and crystalline bubbles. Decently (if prosaically) dubbed and trimmed down to a brisk 78 minutes, it's an entertaining triumph of psychedelic art direction and desolate alien weirdness presented in all its brightly colored, widescreen glory. --Sean Axmaker

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