Tanner, Antwon

Coach Carter (Widescreen Edition)

Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve Wiecking

COACH CARTER tells the inspiring true story of controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.

Coach Carter (Full Screen Edition)

Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve Wiecking

COACH CARTER tells the inspiring true story of controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.

Never Die Alone

There's nothing like a violent, foul-mouthed, drug-laden, misogynistic, post-adolescent gangsta fantasy to teach you (heh heh) that crime doesn't pay. Whassup with Never Die Alone, bro? Here's a pulp-driven movie that wants it both ways, glorifying virtually every negative black-male stereotype in the book (illiterates with absentee parents, gold-toothed pimps, hooded gangstas, bling-bling drug dealers, thugs, and assorted hip-hop wannabes) while presenting a gritty neo-noir crime story of an ill-fated heroin dealer and woman-hater (rapper-turned-bad-actor DMX) who seeks redemption but has too much bad karma to survive. Based on the influential 1974 novel by Donald Goines and directed with plenty of dark-city style by Ernest R. Dickerson, this hard-hitting but woefully trashy crime thriller is rather ambitious in its narrative structure, weaving past and present in telling a doomed man's tale. David Arquette brings urgent desperation to his role as a seedy writer whose inner-city research turns into a violent nightmare, and Michael Ealy is equally good as a vengeful gangsta with blood ties to DMX's character. But what's the real lesson here? In a movie with no moral compass, it's no wonder everyone's spinning off in all the wrong directions. --Jeff Shannon

DMX (Cradle 2 the Grave, Exit Wounds) will blow you away as King David, a cunning and charismatic leader of the streets who returns to his home turf seeking redemption... but finds only brutal retribution. Co-starring David Arquette (Scream 1, 2 & 3) as an aspiring reporter, seduced by a culture of drugs and violence, NEVER DIE ALONE is a ?gritty, intense and unforgettable urban tale? (Wireless Magazine) of ruthless gangsters and cold-blooded revenge.

The Wood

It looks like writer-director Rick Famuyiwa started a popular trend with his marriage-jitters comedy about three friends who reminisce about their lives together as one prepares to leave the group when he gets married. Everyone who rushed to see The Best Man should catch this sleeper which also stars Taye Diggs (as Roland, the reluctant groom), as well as Omar Epps and Richard T. Jones, who together provide charming, cheerful performances full of warmth and humor. This buddy story is told through flashbacks to 1986, when the three met at public school. The young men gain our affection in their competition to win the most girls, which enhances the bond of loyalty we see in them as men on the eve of Roland's wedding. The casting of the boy actors is almost spooky in its perfection, especially Sean Nelson (who had already proven his acting acumen in American Buffalo) as the younger version of Epps. Although the cast is African American, there's no color bar to the themes or entertainment the movie offers, providing a salient lesson to network TV producers under attack by the NAACP for their inability to include characters of color in TV shows. Instead of stereotyping the characters by placing them in "the hood," where gang members and tragedy rule, this life-affirming comedy depicts the lives of members of "the wood," which refers to Inglewood, a middle-class suburb of L.A. that general audiences will find easy to relate to. --Lloyd Chesley

Sunset Park

Brothers in Arms

The Wood

It looks like writer-director Rick Famuyiwa started a popular trend with his marriage-jitters comedy about three friends who reminisce about their lives together as one prepares to leave the group when he gets married. Everyone who rushed to see The Best Man should catch this sleeper which also stars Taye Diggs (as Roland, the reluctant groom), as well as Omar Epps and Richard T. Jones, who together provide charming, cheerful performances full of warmth and humor. This buddy story is told through flashbacks to 1986, when the three met at public school. The young men gain our affection in their competition to win the most girls, which enhances the bond of loyalty we see in them as men on the eve of Roland's wedding. The casting of the boy actors is almost spooky in its perfection, especially Sean Nelson (who had already proven his acting acumen in American Buffalo) as the younger version of Epps. Although the cast is African American, there's no color bar to the themes or entertainment the movie offers, providing a salient lesson to network TV producers under attack by the NAACP for their inability to include characters of color in TV shows. Instead of stereotyping the characters by placing them in "the hood," where gang members and tragedy rule, this life-affirming comedy depicts the lives of members of "the wood," which refers to Inglewood, a middle-class suburb of L.A. that general audiences will find easy to relate to. --Lloyd Chesley

Ganked

Mailboy Kel Mitchell gets a job in a record company mailroom while sexy singing sensation Kennedy Ross steals his song and makes it her hit.

Hot Parts

Exotic dancer Passion (Kenya Moore) and her two dancing friends Midnight (Tami Anderson) and Sunshine (Jessica Lugo) find themselves running a car theft ring when Passion's auto-stealing brother Toby (Sticky Fingaz) gets into trouble with his mob boss.System Requirements:Running Time 90 Mins.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 786936701647 Manufacturer No: 5028103

Karaoke Rock Pop, Vol. 2: Modern Women

Hits made popular by your favorite Rock Women: Where Have All The Cowboys Gone made popular by Paula Cole, Fumbling Towards Ecstasy made popular by Sarah McLachlan, Do You Know (What It Takes) made popular by Robyn, Building A Mystery made popular by Sarah McLachlan, Mouth made popular by Merril Bainbridge, Come To My Window made popular by Melissa Etheridge, What I Am made popular by Edie Brickell and The New Bohemians, Stay made popular by Lisa Loeb, Just A Girl made popular by No Doubt, Why made popular by Annie Lennox, Spiderwebs made popular by No Doubt, and Possession made popular by Sarah McLachlan. Includes 12 songs.