Treen, Mary

It's a Wonderful Life (60th Anniversary Edition)

Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton

George Bailey has so many problems he is thinking about ending it all - and it's Christmas! As the angels discuss George, we see his life in flashback. As George is about to jump from a bridge, he ends up rescuing his guardian angel, Clarence. Clarence then shows George what his town would have looked like if it hadn't been for all of his good deeds over the years. Will Clarence be able to convince George to return to his family and forget suicide?

It's A Wonderful Life (Two-Disc Collector's Set) (B/W & Color)

Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton

George Bailey has so many problems he is thinking about ending it all - and it's Christmas! As the angels discuss George, we see his life in flashback. As George is about to jump from a bridge, he ends up rescuing his guardian angel, Clarence. Clarence then shows George what his town would have looked like if it hadn't been for all of his good deeds over the years. Will Clarence be able to convince George to return to his family and forget suicide?

Casanova Brown

Fun in Acapulco

In 1963 Elvis could still be energized by the music in his movies, and the production values hadn't yet descended to budget-crunching level. Thus the breezy pleasure of Fun in Acapulco, which sees the pelvis-swinger coming to life for a rousing "Bossa Nova Baby" and a clutch of faux-Mexican tunes. Nice scenery of the fabled resort, but the movie has a strange disconnect (which becomes weirdly fascinating if you keep track of it): Elvis himself is limited to standing and singing in front of rear-projection Mexican vistas, while his hard-working double bicycles down streets, strides across beaches, etc. The newly hot Ursula Andress keeps Elvis and his double company. Elvis's jobs are among his craziest movie gigs: he begins as a deckhand, is hired as a nightclub entertainer/lifeguard, but is revealed to be a trapeze artist in his former life. By the end, of course, he is also a cliff diver. --Robert Horton

Rocking and rolling south of the border, "Fun in Acapulco" finds Elvis starring as Mike Windgren, a recently unemployed boat hand who finds work as a lifeguard and singer at a local hotel. Clashing with a rival lifeguard who resents Mike's competition of who can impress the women the most. Tempted by a lady bullfighter (Cardenas) and a beautiful temptress (Andress), Windgren must rely on his ability to croon Latin love songs including "You Can't Say No in Acapulco" and "Bossa Nova Baby" to prove his romantic prowess.

Elvis Presley: Paradise, Hawaiian Style

Elvis and Hawaii go together like one of Graceland's peanut-butter-and-banana sandwiches. To be honest, though, Paradise, Hawaiian Style finds the King looking puffier and sleepier than he did in the salad days of Blue Hawaii. Making matters worse is the song selection and the prominence of an allegedly adorable child actor--always a bad thing in an Elvis picture. Despite all that, there's something casually likable about the film: costar James Shigeta is a welcome performer (he plays the island pilot who goes into business with flyboy Elvis), leading lady Susanna Leigh is an above-average companion, and the location shooting is a big upgrade over the cardboard backdrops of many late-career Presley vehicles. Extended musical sequences take place at the Polynesian Cultural Center--nothing wrong with that, but rock & roll has been left pretty far behind. --Robert Horton

In "Paradise, Hawaiian Style," Elvis plays Rick Richards, an ex-airline pilot who starts a charter helicopter sightseeing service in Hawaii and finds himself surrounded with pretty tourists. Co-starring Suzanna Leigh and James Shigeta, "Paradise, Hawaiian Style" features the memorable melodies "A Dog's Life," "Sand Castles" and "Bill Bailey, Won't you Please Come Home."

All In A Night's Work

After the sudden death of magazine publisher Colonel Ryder, his nephew, Tony (Martin) inherits the magazine and has big plans to expand it. While negotiating a loan from the bank, Tony gets a call from a detective surrounding his uncle's death. It turns out Colonel Ryder died in his hotel room with a smile on his face and a young woman (MacLaine) was seen fleeing his room wearing only a towel. Suspicious of this woman and afraid the magazine's wholesome image may be tarnished and their loan denied, Tony asks the detective to stick around and find her. What ensues is a series of misunderstandings.

It's a Wonderful Life

Excellent condition, includes the original DVD, case, and paperwork, fast shipped, ask me for my DVD List! :)

Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton

The Stooge

In THE STOOGE, Bill Miller (Martin) has found modest success as a singer in the off-vaudeville circuit. Teaming up with a comic (Lewis) proves to be the best thing for Bill, as his routine becomes an instant success, but mainly because of the clown he takes on as his partner. Unable to admit it, Bill knows he owes his success to his sidekick, the stooge. Jerry Lewis calls this his favorite of the Martin & Lewis productions.

The Navy Way

Johnny Jersey comes from a tough neighborhood where defying authority is the only rule. He's a pro boxer who hides his real feelings behind the chip on his shoulder and his legendary punch. His sky-rocketing career is stalled when Uncle Sam beckons. Johnn

I Married a Monster From Outer Space

I MARRIED A MONSTER FROM OUTER SPACE tells the story of a race of monster-like aliens from another planet who try to conquer Earth by taking over a small town, inhabiting the bodies of prominent citizens and trying to impregnate the women. After one newlywed woman (Talbott) becomes suspicious of her husband when she sees him turn into a monster, the entire town begins to rise to the threat of conquest by the aliens.