Troughton, Patrick

Doctor Who - The Five Doctors (25th Anniversary Edition)

THE FIVE DOCTORS - "I am being diminished, whittled away piece by piece. A man is the sum of his memories you know, a Time Lord even more so." Someone is taking the Doctor's past selves out of time and space, placing in a vast wilderness - a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti - and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.The Five Doctors was originally broadcast to celebrate the Twentieth Anniversary of Doctor Who in 1983. This new version of the story features extended scenes, previously unseen sequences, new visual effects and a stereo soundtrack. Not intended as a replacement for the original edition of the story, this is an alternative version which uses state-of-the-art technology to embellish and enlarge one of the greatest Doctor Who adventures ever.
THE KING'S DEMONS - "We sing in praise of total war; against the Saracen we abhor" It is thirteenth century England, and King John is visiting the castle stronghold of Sir Ranulf Fitzwilliam. Ranulf's personal fortune has dwindled away, freely donated to Kin John to help fund the Crusade. While staying with Ranulf, the King's greed is criticized by the baron's head-strong son, Hugh. As a result, Hugh is challenged to a duel by the monarch's enigmatic French Knight-at-Arms, Sir Giles Estram, a duel the young Englishman has little hope of surviving.When the TARDIS materializes and disturbs the joust, the Doctor's party are proclaimed friendly demons by the King, who seems strangely interested in their "blue engine." Before long the Doctor becomes embroiled in court politics, and he realizes that there is far more to the situation than a simple battle of honor between nobles.

DVD Features:
Audio Commentary
Documentaries
Outtakes
Photo gallery
Production Notes

Jason and the Argonauts

Arguably the most intelligently written film to feature the masterful stop-motion animation of Ray Harryhausen, Jason and the Argonauts is a colorful adventure that takes full advantage of Harryhausen's "Dynarama" process. Inspired by the Greek myth, the story begins when the fearless explorer Jason (Todd Armstrong) returns to the kingdom of Thessaly to make his rightful claim to the throne, but the gods proclaim that he must first find the magical Golden Fleece. Consulting Hera, the queen of gods, Jason recruits the brave Argonauts to crew his ship, and they embark on their eventful journey. Along the way they encounter a variety of mythic creatures, including the 100-foot bronze god Talos, the batlike Harpies, the seven-headed reptilian Hydra, and an army of skeletons wielding sword and shield. This last sequence remains one of the finest that Harryhausen ever created, and it's still as thrilling as anything from the age of digital special effects. Harryhausen was the true auteur of his fantasy films, and his brilliant animation evokes a timeless sense of wonder. Jason and the Argonauts is a prime showcase for Harryhausen's talent--a wondrous product of pure imagination and filmmaking ingenuity. The DVD contains an informative interview with Harryhausen by filmmaker John Landis. --Jeff Shannon

Fantastic special effects by Ray Harryhausen and exciting mythological adventure make this a film that is fun for everyone. It is the story of Jason (Todd Armstrong) a fearless sailor and explorer who returns to the kingdom of Thessaly after a 20-year voyage to make his rightful claim to the throne. But to do so Jason must first find the magical Golden Fleece. He selects a crew and with the help of Hera Queen of the Gods sets sail in search of the Fleece. Jason and his crew must overcome incredible obstacles including a 100-foot bronze giant the venomous Hydra--a huge creature with the heads of seven snakes--and a spectacular battle with an army of skeletons.Starring: Todd Armstrong Nancy Kovack Gary Raymond Laurence Naismith Niall MacGinnisDirector: Don ChaffeyCopyright: 1963 Columbia Pictures Produced by Ray Harryhausen; written by Beverley Cross & Jan Read; Running time of 104 minutes; Closed Captioned. System Requirements:Widescreen (1.85:1 aspect ratio) and Standard format versions Languages: English (Dolby Mono) Spanish and French Subtitles: English Spanish and French Theatrical trailer and interview with Ray Harryhausen by John Landis Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: G UPC: 043396002593

The Fantastic Films of Ray Harryhausen - Legendary Monster Series (Jason and the Argonauts / The Seventh Voyage of Sinbad / The Golden Voyage of Sinbad / Sinbad and the Eye of the Tiger / The 3 Worlds of Gulliver)

The Sinbad Collection (7th Voyage / Golden Voyage / Eye of the Tiger)

A skeleton grabs a sword and slashes viciously at Sinbad. A 9-foot-tall Neanderthal man fights to the death with a saber-toothed tiger. All the while, the boys and girls in the fourth row forget about their popcorn and are hypnotized by the images on the screen. It's hard to believe so many years have passed since the last Sinbad movie held kids spellbound at Saturday matinees. The movies were never perfect, with stories that were sometimes little more than frameworks to drape Ray Harryhausen's special effects over. The performances left a bit to be desired at times, and the direction could be a bit choppy. What they did accomplish, however, was to give countless 8- and 10-year-olds their first taste of the magic that motion pictures were really capable of. Those grade-schoolers, of course, took with them an appreciation of that movie mojo that would extend to films like 2001, Star Wars, and countless other movies in the sci-fi and fantasy genres.

Ray Harryhausen was the preeminent special effects wizard in Hollywood for decades. With credits that date back to 1949's King Kong remake Mighty Joe Young, Harryhausen brought his creatures to life with painstaking stop-motion animation, with a realism that no one else's work could touch. Computers now do all the heavy lifting for cinematic special effects, and although the techniques of CGI are often time-consuming and tedious, they can't match the artistry and warmth of a Harryhausen Cyclops or troglodyte creature. Too often it's tempting to see beyond the eyeball-dislodging effects of a CGI dinosaur and picture a technician toiling away in front of a computer. Considering the tedious frame-by-frame repositioning of stop-motion figures, something like the six-armed Kali figure in The Golden Voyage of Sinbad is astonishing in the untold hours of labor that went into giving it life. Even more mind-boggling is the fact that it comes alive with grace and fluidity, without a trace of abruptness or jerkiness.

It's always a good time to revisit the Sinbad series, for all its imperfections and flaws. The movies are still tremendously entertaining escapist fare, still capable of inspiring new generations of budding movie buffs to create imaginary worlds with the magic of movies. --Jerry Renshaw

Hamlet - Criterion Collection

In the opening scene of Hamlet (1948), Laurence Olivier's voice-over describes the play as "the tragedy of a man who couldn't make up his mind." But Olivier's screen adaptation is considerably more thoughtful and complex than this thesis would suggest. Drawing on his experience playing the prince on stage at Elsinore in 1937, the legendary thespian provides the film with the patina of greatness and shows how the constitution of the formerly cheerful prince weakens increasingly under the burden of his own thoughts and inability to accept his mother's hasty marriage to uncle Claudius (Basil Sydney). As Ophelia, Jean Simmons captures the character's early spirit better than her gradual disintegration. Purists may bemoan the loss of Fortinbras, Rosencrantz, and Guildenstern, but these choices allow Olivier to focus more squarely on Hamlet's plight. The winner of four Oscars^® (Best Picture, Actor, Art Direction, and Costumes), this is a Hamlet for the ages. The rest is silence. --Kevin Mulhall

The Omen (Two-Disc Collector's Edition)

The first film in classic four-part legacy of terror stars Gregory Peck as an ambassador who is talked into switching his wife's (Lee Remick) stillborn baby with an orphaned infant. When young Damien is Five the horror begins with his nanny's dramatic suicide. As the death toll escalates Damien's father realizing his son is the antichrist decides that he must kill the boy and rid the world of the evil.System Requirements:Running Time: 266 minutesFormat: DVD MOVIE Genre: HORROR Rating: R UPC: 024543244868 Manufacturer No: 2234486

After The Exorcist sparked a lengthy trend of supernatural thrillers, this 1976 horror film scored a hit with critics and audiences for mixing gothic horror and mystery into its plot about a young boy suspected of being the personification of the anti-Christ. (No doubt it's a favorite of shock-rocker Marilyn Manson.) Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast." Mysterious deaths and unexplained incidents draw the attention of a photographer (David Warner), whose investigation leads to the young boy--and also to the photographer's shocking decapitation (in a scene that has since been inducted into the horror hall of fame). At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect, and the mood of dread and potential death is masterfully maintained. It's all a bit hokey, with a lot of biblical portent and sensational fury, but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon

Scars of Dracula

Doctor Who - The Tomb of the Cybermen

"The Tomb of the Cybermen" brought the Doctor, Patrick Troughton, into conflict with his silver cyborg nemesis for a third time, following "The Tenth Planet" (1966) and "The Moonbase" (1967). The Doctor, Jamie (Frazer Hines), and Victoria (Deborah Watling) join an archaeological expedition to explore the planet Telos, where they encounter death traps, betrayal, and a waiting army of frozen Cybermen. Scripted by Kit Pedlar and Gerry Davis, who would later write Doomwatch (1970-72), many of the essentials of the plot anticipate James Cameron's blockbuster Aliens (1986): the barren planet with abandoned city, the tense wait for a rescue ship, the human traitors, the implacable, more powerful enemy. There are a few flaws, but this is a superior Doctor Who adventure of its time and a thoroughly entertaining piece of classic television. --Gary S. Dalkin

Aided by his two assistants Jamie and Victoria, the Doctor lands the TARDIS on Telos, last resting place of the infamous Cybermen. There he discovers a band of archaelogists on a secret expedition to unearth the reason for his old enemies' extinction. In the underground shadowy depths, they find the icy tomb. A whole army in hibernation. A threat to no one, if the temperature remains low. But if the traitor in their midst gets his way, things could really heat up. Originally broadcast in 1967 and then lost, this unique four part adventure starring Patrick Troughton - the Doctor's 2nd incarnation - was only recently discovered. It is now available for the first time on this special BBC Video which includes an exclusive interview with director Morris Barry.

DVD Features:
Audio Commentary:by actors Frazer Hines and Deborah Watling
Biographies
Documentaries: Tombwatch (panel of the cast and crew). Behind the scenes at BBC Visual Effects
Outtakes:unused title sequence and 8mm cine footage
Production Notes:Optional caption stream

Doctor Who - The Five Doctors (Episode 130)

Yes, "The Five Doctors" is the one that gathers together Hartnell, Troughton, Pertwee, Baker, and Davison, dumps them on some moorland, and lets some of the Doctor's greatest enemies take potshots at them. Except, of course, William Hartnell had passed on by the time this series was made in 1983 (although his replacement Richard Hurndall does an excellent job), and Tom Baker was only featured as a patched-in cameo, apparently prevented from joining in by a temporal thingummy. However, this kind of creakiness comes with the territory and is soon forgotten. The assorted incarnations of the Doctor (together with a scattering of assistants) are drawn together through time and space to battle Daleks, Cybermen, Yeti--those weird androids that keep jumping into the air and disappearing--and many other old foes. They realize that they're on their home planet of Gallifrey and must eventually deal with the legacy of Rassilon, founder of the Time Lords. --Roger Thomas

THE FIVE DOCTORS - "I am being diminished, whittled away piece by piece. A man is the sum of his memories you know, a Time Lord even more so." Someone is taking the Doctor's past selves out of time and space, placing in a vast wilderness - a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti - and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.The Five Doctors was originally broadcast to celebrate the Twentieth Anniversary of Doctor Who in 1983. This new version of the story features extended scenes, previously unseen sequences, new visual effects and a stereo soundtrack. Not intended as a replacement for the original edition of the story, this is an alternative version which uses state-of-the-art technology to embellish and enlarge one of the greatest Doctor Who adventures ever.
THE KING'S DEMONS - "We sing in praise of total war; against the Saracen we abhor" It is thirteenth century England, and King John is visiting the castle stronghold of Sir Ranulf Fitzwilliam. Ranulf's personal fortune has dwindled away, freely donated to Kin John to help fund the Crusade. While staying with Ranulf, the King's greed is criticized by the baron's head-strong son, Hugh. As a result, Hugh is challenged to a duel by the monarch's enigmatic French Knight-at-Arms, Sir Giles Estram, a duel the young Englishman has little hope of surviving.When the TARDIS materializes and disturbs the joust, the Doctor's party are proclaimed friendly demons by the King, who seems strangely interested in their "blue engine." Before long the Doctor becomes embroiled in court politics, and he realizes that there is far more to the situation than a simple battle of honor between nobles.

DVD Features:
Deleted Scenes
Music Only Track

Sinbad and the Eye of the Tiger

In this last go-round for the Sinbad series, Patrick Wayne plays the legendary sailor. He is betrothed to Farah (Jayne Seymour) and seeks her hand in marriage, but her brother Kassim has been turned into a baboon by the evil Zenobia (Margaret Whiting). Before he can break Zenobia's spell, Sinbad must contend with the Minoton, a bronze statue brought back to life to do her bidding; a trio of flaming skeletons wielding swords; a 9-foot-tall troglodyte; and a saber-toothed tiger. Wayne is the film's weakest point, making a rather wooden Sinbad. Whiting's performance smells strongly of ham, but it's a brand of ham that fits the movie perfectly. As always, though, Harryhausen's work is outstanding. He instills more personality and character into his creatures in this outing, especially for Kassim and his relationship to his sister. The prolonged battle between the troglodyte and saber-toothed tiger is a violent one, generating some real suspense. At times it's difficult to remember that it's not live action with guidance from a director. Though this is an uneven effort for the Sinbad series, it still has its moments. --Jerry Renshaw