Trudell, John

Smoke Signals

Based on a couple of short stories (from The Lone Ranger and Tonto Fistfight in Heaven) by Sherman Alexie, Smoke Signals is a lean and assured feature that speaks well of its lengthy, rich evolution, including a development stint at Sundance. The first feature made by a Native American crew and creative team, the film concerns two young Idaho men with radically different memories of one Arnold Joseph (Gary Farmer), a former resident of the reservation who split years before and has just died in Phoenix. Arnold's strapping, popular son, Victor (Adam Beach), remembers him best as an alcoholic, occasionally abusive father who drove off one day and never came back. By contrast, Thomas Builds-the-Fire (Evan Adams), whom Arnold had saved from certain death years earlier, has chosen to exaggerate the man's life and deeds in a mythmaking fashion that drives Victor crazy. Circumstances bring the two together, however, in a bus ride to retrieve Arnold's ashes. There, in Phoenix, a confrontation with the reality of the dead man's fullest legacy has a profound effect on both characters. Alexie, who wrote the script and was personally involved in all aspects of the production, and first-time director Chris Eyre are so polished in their approach that you can barely feel the cinematic engine at work here. This is the kind of movie in which the characters seem to be driving everything forward, a captivating and pleasant experience that gets a little too tidy at the end (can we call a moratorium on scenes of human ashes lovingly disposed to the winds?), but which is undeniably moving. The cast, including Irene Bedard (the voice of and physical inspiration for Disney's Pocahontas) is outstanding. --Tom Keogh

Critically acclaimed as one of the best films of the year, SMOKE SIGNALS was also a distinguished winner at the Sundance Film Festival! Though Victor and Thomas have lived their entire young lives in the same tiny town, they couldn't have less in common! But when Victor is urgently called away, it's Thomas who comes up with the money to pay for his trip. There's just one thing Victor has to do: take Thomas along for the ride! You're in for a rare and entertaining comic treat as this most unlikely pair leave home on what becomes an unexpectedly unforgettable adventure of friendship and discovery!

Dreamkeeper

A century old storyteller and his grandson a troubled 17 year old boy embarks on a cross country journey toward self-discovery. Like Old Pete's wise tales themselves Dreamkeeper is important and illuminating storytelling for the entire family.System Requirements:Colore/Approx: 180 MinutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR UPC: 707729144199 Manufacturer No: 14419

While it doesn't hold together as a three-hour TV drama, Dreamkeeper should prove enthralling to anyone interested in Native American myths and legends. A variety of tribal folklore provides the episodic thrust of this typical Hallmark production, which relies too heavily on digital effects--and the plodding direction of Hallmark regular Steve Barron--in telling the story of a resentful Lakota teenager (Eddie Spears) who reluctantly agrees to drive his wise old grandfather (August Schellenberg) from their South Dakota "rez" to an All-Nations Powwow in Albuquerque, New Mexico. Along the way, the tradition-bound elder serves as tribal "dreamkeeper" for his initially resistant grandson, who gradually realizes that his grandfather's stories--visualized through effects-laden reenactments involving all manner of magic and mystery--are essential in preserving the fading cultures of the Lakota and the several other tribes whose folklore depends on unbroken generations of oral tradition. While some of the lavishly dramatized tales can stand alone as authentic Native American myth-making, Dreamkeeper lacks the overall structure that could've given the stories a cumulative magical impact. Still, it's an admirable attempt to introduce neglected cultures into the television mainstream. --Jeff Shannon

Thunderheart

Tough but moving, Thunderheart is an unusual story about an arrogant FBI agent (Val Kilmer) who participates in a federal investigation of a murder on an Oglala Sioux reservation. Kilmer's character is part Sioux himself, a detail that leaves him cold as he sets about pushing his way through the community to find facts on the case. In time, however, he begins to feel an ethnic tug and grows increasingly sympathetic to the locals and hostile toward his fellow G-men, much to the dismay of his agency mentor (Sam Shepard). The script is based on real events that occurred on the Pine Ridge Reservation in 1975 in South Dakota (involving an armed standoff between Indian activists and the FBI, an event that prompted Thunderheart director Michael Apted to make a companion documentary, Incident at Oglala). The conclusion of Thunderheart feels like politically charged whimsy, but the real strength of the film is Kilmer's outstanding performance as a man in transformation. Apted's clear-eyed depiction of the Sioux's spiritual and cultural continuity with the past has none of the cloying romanticism of other films about Indians. Produced by Robert De Niro. --Tom Keogh

Lewis & Clark - The Journey of the Corps of Discovery

Another reliably well-crafted, generally engrossing documentary from Ken Burns, Lewis & Clark employs the director's now-familiar approach to his subjects, from its elegant juxtaposition of period illustrations and portraits against newly filmed footage of historic sites to Burns's repertory of accomplished actors to provide gravitas for quotes from the key figures. Granted the formula has become familiar enough to allow parody, but Burns knows how to invest his historical investigations with movement and drama, making this four-hour journey a worthwhile trip.

As narrated by Hal Holbrook, Dayton Duncan's script explicates the agenda presented by Thomas Jefferson to Meriwether Lewis and William Clark, placing it in the context of the young country's gamble in Jefferson's Louisiana Purchase, and the expedition's goals for opening the West. While preserving the heroic scale of the undertaking, Burns also finds time to delve into the politics of the venture and the disparate personalities of the two explorers; in particular, Duncan and Burns look at the career of Lewis, the presidential protégé, his moody demeanor, and his untimely death. The film also looks beyond its titular leaders to examine the personalities of their corps of soldiers, their boatmen, and the Indians they met and depended on, most notably their female Shosone guide, Sacagawea. --Sam Sutherland

Pow Wow Highway

Gary Farmer (Smoke Signals) is the standout in a fine film by Jonathan Wacks about an oversized Cheyenne man-child (Farmer) who decides to go on a spiritual quest, while simultaneously giving a ride to his lifelong Indian activist friend (A. Martinez). The film takes us through some pretty desolate Indian communities, but while Wacks makes a point of revealing harsher aspects of life on some reservations, the emphasis is on Farmer's delightful performance. A bonus: among the cast are Graham Greene (Dances with Wolves) and Wes Studi (The Last of the Mohicans), neither of whom were well-known in 1989, the year this film was released. --Tom Keogh

For the Northern Cheyenne tribe of Lame Deer, Montana, the American Dream has taken a grim detour. Here, Buddy Red Bow (A Martinez) is a committed activist battling a suspicious land-grab. Philbert Bono (Gary Farmer, in a performance Roger Ebert calls "one of the most wholly convincing I've seen") is a serene spiritual warrior guided by sacred visions. But when Buddy's estranged sister is framed and jailed in New Mexico, the two men take Philbert's rust-wrecked '64 Buick `war pony' on a road trip that makes some very unexpected stops along the way. Jonathan Wacks (Producer of REPO MAN) directs and Graham Greene (DANCES WITH WOLVES), Wes Studi (THE LAST OF THE MOHICANS, HEAT) and Amanda Wyss star in this acclaimed comedy/drama about Native Americans understanding the past, fighting for their future and discovering a few surprising truths along the POWWOW HIGHWAY.

Incident at Oglala - The Leonard Peltier Story

Robert Redford is the executive producer (and narrator) of this fine, eye-opening documentary about the violent events that took place in 1975 on the Pine Ridge Reservation in South Dakota. Indian activists ended up in an extended standoff with FBI agents, and the result was several deaths, including two federal men whose killing (according to many people) was never clearly attributed to a specific gunman. Nevertheless, the government laid blame for the tragedy on Leonard Peltier, a Sioux political leader who has long been a focus for supporters believing he took the fall, possibly heroically, for others. Peltier has spent many years in prison, and Apted's film, which is hardly ambiguous in its commitment toward Peltier's hoped-for freedom, is persuasive in both its detail and its case against brutal federal policies toward Indians. Whatever one's position on the Peltier question, this is a compelling piece of work. --Tom Keogh

On Deadly Ground

Oil rigger Forrest Taft uses martial arts and survival skills, as well as skills gained as a CIA operative to oppose the Aegis Oil Company whose activities threaten the environmental conditions in his native Alaska.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 3-AUG-2004
Media Type: DVD

Ken Burns Presents: The West

Trudell

American Experience - The Way West: How the West Was Lost & Won, 1845-1893

Between 1845 and 1893, the American West was lost and won - wound with ribbons of iron and wire and brought within the dominion of the United States - while, along the way, the lives of hundreds of thousands of Native Americans were violently disrupted and all but destroyed. This mesmerizing six-hour documentary series from acclaimed filmmaker Ric Burns (The Civil War, Coney Island, New York), chronicles the final astonishing decades of the American frontier from the time of the Gold Rush until after the last gasp of the Indian wars at Wounded Knee.