His Girl Friday
by Howard Hawks
from Good Times Video
The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.
Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.
His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson
Lillian Russell (Fox Marquee Musicals)
by Irving Cummings
from 20th Century Fox
Her girl-next-door looks combined with a sultry singing voice made Alice Faye one of Hollywood s biggest stars in the Golden Age of Cinema.It s the gay 90 s and headliner Lillian Russell (Alice Faye) is unstoppable! Called The English Ballad Singer her beauty charm and unforgettable voice packed playhouses everywhere. Offstage she was equally amazing with an extravagant lifestyle that included four husbands a jewel-studded bicycle and a wardrobe filled with furs jewels gowns and diamond-decorated corsets. As Russell Faye breathes life into this glamorous icon singing old standards such as After the Ball and new songs including Blue Love Bird. One of Faye s best dramatic roles; she stars with actors Don Ameche Henry Fonda and Edward Arnold.System Requirements:Running Time: 128 minutesFormat: DVD MOVIE Genre: MUSICALS/MUSICALS UPC: 024543403708 Manufacturer No: 2240371
This 1940 biopic of the famed Gay '90s chanteuse was intended as a big dramatic role for Alice Faye, then at the top of her box-office run as the queen of the Twentieth Century Fox studio. And Faye, with her cornfed appeal and mellow singing voice, looks capable of delivering the goods, if only the movie had more real Russell and less romantic-biography formula. Lillian Russell was truly the Madonna of her day, a gigantic star who steered her own tough-minded path through husbands and lovers. This tale is considerably whittled down amid the period trappings and old-timey songs.
Of course, the songs give Faye the chance to wrap her husky voice around some classics, including "After the Ball" and "My Evening Star." The big-time supporting cast includes Henry Fonda, as the somewhat miserable newspaper man who remains loyal to Lillian throughout her life; Edward Arnold, reprising his title role from Diamond Jim Brady; Don Ameche, as the frustrated composer who marries Lillian; and Warren William, as Jesse Lewisohn, another of Lillian's famous suitors. The famous vaudeville team, Weber and Fields, appear as themselves; they toured with the real Russell, and do one of their old routines (which looks like something out of an inscrutable comedy time capsule; funny once, puzzling now). It's all well-dressed and tuneful enough to keep going for over two hours, but the movie rarely breaks into living, breathing life.
The DVD includes a 20-minute documentary about the real Lillian Russell, which most viewers will be curious about once they've watched the movie. The film itself is preceded by a disclaimer referring to best-available print sources; the reason becomes clear after the early reels, as some print damage (especially some obvious tears and holes) is visible. It's probably not enough to ruin the film for the average moviegoer, although purists might be frustrated. --Robert Horton
His Girl Friday
by Howard Hawks
from Sony Pictures
A newspaper editor and his ex-wife star reporter exchange verbal insults in his effort to keep her on the job by offering her a prison story scoop.
Genre: Feature Film-Comedy
Rating: UN
Release Date: 21-NOV-2000
Media Type: DVD
The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.
Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.
His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson
The Adventures of Marco Polo
by John Cromwell
from MGM (Video & DVD)
Marco Polo travels from Venice to Peking where he quickly discovers spaghetti and gunpowder and falls in love with the Emperor's daughter. The Emperor Kublai Khan is a kindly fellow but his evil aide Ahmed wants to get rid of Kublai Khan so he can be emperor and to get rid of Marco Polo so he can marry the princess. Ahmed sends Marco Polo to the West to fight barbarians but he returns just in time to save the day.Run Time: 100 minutesFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 027616075116 Manufacturer No: M107513
Gary Cooper makes a dashing, flirtatious explorer-adventurer in The Adventures of Marco Polo, a twinkling account of Polo's 13th century travels from his home in Venice to China, where he established a new east-west trade route. Nothing comes easy, of course, so the film's script (by author Robert E. Sherwood) finds playboy Polo barely surviving his journey only to be sabotaged in his efforts to forge a relationship with emperor Kublai Khan (George Barbier). Polo's rival for Khan's loyalty (and the affections of the emperor's daughter, played by the exotic Sigrid Gurie) is the scheming Ahmed (Basil Rathbone), who has the ruler's ear and is wont to punish enemies by chaining them down for the benefit of hungry vultures. The story's general outrageousness extends to Polo's banishment to a tribe of rebels, led by a henpecked strongman (Alan Hale) whose shrewish wife takes a shine to the Venetian stud and saves him from execution. Directed by Archie Mayo (The Petrified Forest), The Adventures of Marco Polo is glossy fun, led by Cooper's charming, knowing performance and highlighted by the film's unwillingness to take anything too seriously. Scenes in which Polo is introduced to two Chinese inventions--spaghetti and gunpowder--are priceless. --Tom Keogh
His Girl Friday
by Howard Hawks
from Delta
The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.
Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.
His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson
This hilarious re-working of The Front Page teams Grant and Rosalind Russell. This version adds the twin lures of sex and romance. Undoubtedly Grant's greatest comedic role.
Includes "Cary Grant On Film" - a documentary, an intro by Tony Curtis and the trailer for Gunga Din.
Menus: English • Spanish • Chinese • Japanese
Subtitles: Spanish • Chinese • Japanese
B&W/Color
Running Time: 133 min.
His Girl Friday/Cary Grant on Film: A Biography
by Howard Hawks
from Delta
The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.
Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.
His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson
This hilarious re-working of The Front Page teams Grant and Rosalind Russell. This version adds the twin lures of sex and romance. Undoubtedly Grant's greatest comedic role.
Includes "Cary Grant On Film" - a documentary, an intro by Tony Curtis, and the trailer for Gunga Din.
Menus: English • Spanish • Chinese • Japanese
Subtitles: Spanish • Chinese • Japanese
B&W/Color
Running Time: 121 min.
Private Buckaroo
His Girl Friday
by Howard Hawks
from Westlake Ent. Group
The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.
Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.
His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson
Based on the 1931 play "The Front Page" by Ben Hecht (Notorious Angels Over Broadway) and directed by Howard Hawks (Bringing Up Baby Gentlemen Prefer Blondes) this fast-paced screwball comedy stars the impeccable Cary Grant as Walter Burns the unscrupulous editor of the Chicago tabloid. Rosalind Russell co-stars as Hildy Johnson ace reporter and ex-wife of Burns. Convinced that the newspaper can print an article that will save the life of a man sentenced to hang for a murder he didn't commit Burns needs Hildy to write the front-page story. Unfortunately Hildy has just announced that she's quitting the newspaper business and about to remarry. Witty rapid-fire dialogue replaces sight gags as Burns attempts to charm the conflicted Hildy into returning to her job. . . and to him!System Requirements:Running Time: 92 minutesFormat: DVD MOVIE Genre: COMEDY/CLASSICS UPC: 798622308528 Manufacturer No: WLV3085
His Girl Friday
by Howard Hawks
from D3k
The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.
Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.
His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson
His Girl Friday
by Howard Hawks
from Alpha Video
The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.
Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.
His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson
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