Tunie, Tamara

Law and Order: Special Victims Unit - The Sixth Year

Return to the scene of the crime with all 23 gripping episodes of the sixth year in a 5 disc set from the Primetime Emmy®-nominated series Law & Order: SVU. Join Primetime Emmy® Award winner Mariska Hargitay and Primetime Emmy® Award nominee Chris Meloni as they and the members of the New York Special Victims Unit hunt down perpetrators and help the emotionally scarred victims of sexually based crimes. With a powerful roster of guest stars including Amanda Plummer (Pulp Fiction) Abigail Breslin (Little Miss Sunshine) Michael O'Keefe (Michael Clayton) Martin Short (TV's Saturday Night Live) Alfred Molina (Spiderman-2) Angela Lansbury (Murder She Wrote) and more SVU's provocative ripped-from-the-headlines stories are unforgettable watching for TV fans everywhere.System Requirements:Running Time: 992 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 025195017060 Manufacturer No: 61102108

Devil's Advocate

Kevin Lomax (Reeves) an ambitious talented young district attorney joins a powerful New York law firm headed by the mysterious and charismatic John Milton (Pacino). as Lomax faces the intense seduction of success and money he is increasingly tempted.Running Time: 144 min.System Requirements:Produced by Arnon Milchan Arnold Kopelson; written by Jonathan Lemkin Tony Gilroy; DVD released on 12/01/1998; running time of 144 minutes; Closed Captioned. Copyright: 1997 Warner Bros.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 085391617228

Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money. Think of the story as a twist on John Grisham's The Firm, with the corporate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, gleefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. The film was directed by Taylor Hackford (Against All Odds, Dolores Claiborne), who provides alternate-track commentary for the movie itself, plus a dozen deleted scenes. Also note: due to a settlement with artist Frederick Hart over the movie's use of a sculpture resembling his Ex Nihilo in Washington's National Cathedral, future releases of the film will be altered. --Jim Emerson

Rebound: The Legend of Earl "The Goat" Manigault

Based on a true story-He is probably the greatest basketball player who never made it to the big time. But Earl Manigault is a living legend on the streets of New York. REBOUND is his story. Shooting hoops in the playgrounds of Harlem young Earl nicknamed "The Goat" discovers he has a special talent for he game a high-speed high-flying agility that soon makes him a champion slam-dunker. As a high school star he reaches the top by pitting himself against future greats like Kareem Abdul-Jabbar but staying at the top proves harder. Seduced by his friends into an easy lifestyle of parties and drug abuse earl soon finds himself slipping from the top-and his battles are just beginning. Confronted by a team that consists of harsher realities-a brutal coach a pregnant girlfriend and a drug habit that won't let go-"The Goat" is about to discover that it will take all his energy and talent if he is to break free and REBOUND.Running Time: 116 min.Format: DVD MOVIE Genre: DRAMA UPC: 026359134821

Wall Street

Michael Douglas won an Oscar for perfectly embodying the Reagan-era credo that "greed is good." As a Donald Trump-like Wall Street raider aptly named Gordon Gecko (for his reptilian ability to attack corporate targets and swallow them whole), Douglas found a role tailor-made to his skill in portraying heartless men who've sacrificed humanity to power. He's a slick, seductive role model for the young ambitious Wall Street broker played by Charlie Sheen, who falls into Gecko's sphere of influence and instantly succumbs to the allure of risky deals and generous payoffs. With such perks as a high-rise apartment and women who love men for their money, Charlie's like a worm on Gecko's hook, blind to the corporate maneuvering that puts him at odds with his own father (played by Sheen's offscreen father, Martin). With his usual lack of subtlety, writer-director Oliver Stone drew from the brokering experience of his own father to tell this Faustian tale for the "me" decade, but the movie's sledgehammer style is undeniably effective. A cautionary warning that Stone delivers on highly entertaining terms, Wall Street grabs your attention while questioning the corrupted values of a system that worships profit at the cost of one's soul. --Jeff Shannon

Michael Douglas won an Oscar for perfectly embodying the Reagan-era credo that "greed is good." As a Donald Trump-like Wall Street raider aptly named Gordon Gecko (for his reptilian ability to attack corporate targets and swallow them whole), Douglas found a role tailor-made to his skill in portraying heartless men who've sacrificed humanity to power. He's a slick, seductive role model for the young ambitious Wall Street broker played by Charlie Sheen, who falls into Gecko's sphere of influence and instantly succumbs to the allure of risky deals and generous payoffs. With such perks as a high-rise apartment and women who love men for their money, Charlie's like a worm on Gecko's hook, blind to the corporate maneuvering that puts him at odds with his own father (played by Sheen's offscreen father, Martin). With his usual lack of subtlety, writer-director Oliver Stone drew from the brokering experience of his own father to tell this Faustian tale for the "me" decade, but the movie's sledgehammer style is undeniably effective. A cautionary warning that Stone delivers on highly entertaining terms, Wall Street grabs your attention while questioning the corrupted values of a system that worships profit at the cost of one's soul. --Jeff Shannon

In this riveting, behind-the-scenes look at big business in the 1980's, an ambitious young broker (Charlie Sheen) is lured into the illegal, lucrative world of corporate espionage when he is seduced by the power, status and financial wizardry of Wall Street legend Gordon Gekko (Michael Douglas). But he soon discovers that the pursuit of overnight riches comes at a price that's too high to pay.

The Peacemaker (Widescreen Edition)

It seems that thrillers these days--even good ones--are all about scene-chewing bad guys, cute retorts fit for the Dennis Miller show, and one big special effect to end the movie. Well, something like The Peacemaker, the first feature film from DreamWorks, puts the record straight. Here is an expertly paced thriller with a sensible villain, smart instead of cute dialogue, and a focus on action instead of special effects. It's not original, just solid. It's the second of these energetic and effective thrillers that writer Michael Schiffer (Crimson Tide) has penned. The White House Nuclear Smuggling Group tracks down 10 stolen nuclear bombs after a suspicious train wreck in Russia. The acting head of the department (Nicole Kidman) and her military field officer (George Clooney) are off to Europe to track down the bombs. Instead of a Gary Oldman-Bruce Dern madman, The Peacemaker's heavy is an unknown Romanian actor (Marcul Iures) playing a Bosnian rebel who works passionately and quietly. This may be a popcorn movie, but it uses the ripe emotions of the Bosnian War to create tension. This is the best film vehicle yet for the overwhelming charisma of George Clooney as a quick witted, generally warm Oliver North type who will seek deadly vengeance without pause. He's matched very well by the professional polish of Nicole Kidman who is showing great flexibility in dividing her roles between serious and fun fare. --Doug Thomas

Snake Eyes

Brian De Palma's 1998 thriller is largely an exercise in airing out his orchestral, oversized visual style (think of his Blowout, Body Double, or Raising Cain) for the heck of it. The far-fetched story features Nicolas Cage as a crooked police detective attending a championship boxing match at which the Secretary of Defense is assassinated. The unfortunate Secretary's right-hand man (Gary Sinise) happens to be Cage's old friend, a fact that complicates the cop's efforts to reconstruct the crime from conflicting accounts--a directorial strategy bearing similarities to Kurosawa's Rashomon. The outrageousness of the scenario essentially gives De Palma permission to construct a baroque cathedral of spectacular camera stunts, which (he well knows) are inevitably more interesting than the hoary conspiracy plot. (The opening scene alone, which runs on for a number of minutes and consists of one, unbroken shot that moves in from the street, following Cage up and down stairs, and in and out of rooms until finally ending ringside at the match, is breathtaking.) The shifting points of view--based on the contradictory statements of witnesses--also give De Palma license to get creative with camera angles and scene rearrangements. The script bogs down in the third act, but De Palma is just revving up for a big, operatic finish that is absolutely gratuitous but undeniably impressive. Yes, it's style over substance in Snake Eyes, but what style we're talking about.--Tom Keogh

The Caveman's Valentine

Samuel L. Jackson gives a virtuoso performance in this intensely visual suspense film. Jackson stars as Romulus Ledbetter, a brilliant musician whose mental demons have driven him onto the streets. When Ledbetter finds a murdered man outside the cave he calls home one morning, he is compelled to find the real killer. While interesting enough to hold the viewer's attention, the mystery of The Caveman's Valentine is a distant third to Jackson's performance and the film's sumptuous visuals. The film is gorgeously shot, and lights and abstract images are effectively used to show Romulus's beautiful but tormented inner world. While the plot does take a silly leap of logic or two, Romulus's illness and the strain it puts on his family are sensitively and realistically handled. His all-too-real run-ins with his policewoman daughter are nicely contrasted with his visions of his ex-wife, who serves as a combination of Greek chorus and muse. If one is willing to suspend a little disbelief here and there, this picture is well worth a look. --Ali Davis

Nefertiti Resurrected

LOVED BY A KING. HATED BY AN EMPIRE. ERASED FROM HISTORY. SHE COULD BE THE BIGGEST FIND SINCE KING TUT. Has the famed Egyptian beauty, Queen Nefertiti, been found in a secret chamber deep in the Valley of the Kings? A Discovery Channel Quest expedition, led by Dr. Joann Fletcher and a team of internationally renown scientists from the University of York Mummy research Team, hopes to find out. If they're right, the finding will be one of the greatest archaeological discoveries since Nefertiti's stepson - King Tutankhamen - was discovered in 1922. "Great Royal Wife" of the "renegade" pharaoh Akhenaten, Nefertiti was a mother of six who helped lead a religious revolution that changed Egypt and the world forever. Yet after her death, her enemies destroyed all evidence of Nefertiti's life. Now, drawing on 13 years of research, Fletcher and her team bring Nefertiti's turbulent reign to life as never before using cutting-edge computer animations to recreate ancient Egypt's great temples; x-rays to reveal the telltale signs of foul play on her mummy; and forensic graphics to recreate the mummy's face. Have they found the ancient world's greatest beauty?

The Peacemaker

It seems that thrillers these days--even good ones--are all about scene-chewing bad guys, cute retorts fit for the Dennis Miller show, and one big special effect to end the movie. Well, something like The Peacemaker, the first feature film from DreamWorks, puts the record straight. Here is an expertly paced thriller with a sensible villain, smart instead of cute dialogue, and a focus on action instead of special effects. It's not original, just solid. It's the second of these energetic and effective thrillers that writer Michael Schiffer (Crimson Tide) has penned. The White House Nuclear Smuggling Group tracks down 10 stolen nuclear bombs after a suspicious train wreck in Russia. The acting head of the department (Nicole Kidman) and her military field officer (George Clooney) are off to Europe to track down the bombs. Instead of a Gary Oldman-Bruce Dern madman, The Peacemaker's heavy is an unknown Romanian actor (Marcul Iures) playing a Bosnian rebel who works passionately and quietly. This may be a popcorn movie, but it uses the ripe emotions of the Bosnian War to create tension. This is the best film vehicle yet for the overwhelming charisma of George Clooney as a quick witted, generally warm Oliver North type who will seek deadly vengeance without pause. He's matched very well by the professional polish of Nicole Kidman who is showing great flexibility in dividing her roles between serious and fun fare. --Doug Thomas

Sweet Lorraine