Tuttle, Lurene

The Ghost And Mr. Chicken

Remember watching this silly little comedy from your childhood? It may not have aged all that well, but is still goofy, good fun. Okay, so you can spot the stunt double, and Don Knotts's twitches are a little more obvious. Still, fans of his familiar routines will be comforted in knowing they can again watch their skinny underdog hero solve the ghost story while winning the prettiest girl in town. Knotts plays a trembling typesetter hoping to become a reporter by cracking the mystery of the local haunted house. To do so, he must spend a night there. Good-hearted, non-threatening, and completely gooey, this is the equivalent of light-weight cinematic junk food. -- Rochelle O'Gorman

Mr. Blandings Builds His Dream House

Cary Grant stars as an advertising executive who dreams of getting out of the city and building a perfect home in the country, only to find the transition fraught with problems. (See the 1980s Tom Hanks comedy The Money Pit for an updated version of the same idea.) The big appeal here are the two leads, Grant and Myrna Loy, who were each in their early 40s and at the peak of their careers. Together with solid support from Melvyn Douglas and a screenplay that might have been tailor-made for their polished brand of comedy, the stars dominate this simple project. --Tom Keogh

Cary Grant is hilarious as a successful New York advertising executive who wants to escape the confines of his family's tiny midtown apartment. So he designs his dream home in the suburbs and discovers the project wasn't as easy as it seemed. The house gets larger. The bills get bigger. The problems just won't go away. Eventually, the whole affair becomes a nightmare-a very funny nightmare-that left audiences laughing in 1948 and will have you in stitches, too. This is the comedic masterpiece that inspired the popular 1987 movie "The Money Pit." It's an adventure in homeowning that strikes a familiar chord with everyone who's ever bought a house. Year: 1948 Director: H.C. Potter Starring: Cary Grant, Myrna Loy, Melvyn Douglas

Psycho (Collector's Edition)

At last--a great American movie available on video for the first time in its original aspect ratio. For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. Psycho gets the masterpiece treatment it deserves on DVD, with extras including newsreel footage surrounding the making and release of the movie; an archive of production stills; the special trailer in which Hitchcock (acting as one of the original Universal Studio tour guides) himself leads viewers around the Bates place; credit designer Saul Bass's original "shower scene" story boards; posters and advertising materials for the movie's William Castle-like publicity campaign (No One Will Be Seated After the Feature Begins!); and a 90-minute documentary on the making of the film! What more could any movie fan possibly want? --Jim Emerson

Psycho (Special Edition) (Universal Legacy Series)

At last--a great American movie available on video for the first time in its original aspect ratio. For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. Psycho gets the masterpiece treatment it deserves on DVD, with extras including newsreel footage surrounding the making and release of the movie; an archive of production stills; the special trailer in which Hitchcock (acting as one of the original Universal Studio tour guides) himself leads viewers around the Bates place; credit designer Saul Bass's original "shower scene" story boards; posters and advertising materials for the movie's William Castle-like publicity campaign (No One Will Be Seated After the Feature Begins!); and a 90-minute documentary on the making of the film! What more could any movie fan possibly want? --Jim Emerson

The Horse in the Gray Flannel Suit (The Kurt Russell Collection)

Dean Jones has a typical '60s occupation: ad man. Widower Fred Bolton is in need of a fantastic campaign to promote the stomach pill Aspercel. And in typical Disney get-a-kid-and-animal-in-there fashion, he makes the contrived decision to accommodate his sweet teen daughter Helen's longing for a horse, and advance the elusive ad campaign. Fred figures if he and Helen (Ellen Janov, in her only film role) can make a champion of the horse (now named, you guessed it, Aspercel), the name will get in the papers and Helen will have her horse. Complications arise when Helen reveals she hates riding in shows. Fortunately, her riding teacher, the beautiful Suzie Clemens (underrated Diane Baker), agrees to take up the cause, and sparks a little romance with the ambitious dad. The trio have a challenging competition and Suzie's ex, the wealthy and conceited Archer Madison (Lloyd Bochner, in a role he played often), to deal with, but as with all Disney films, good and earnest triumphs over smug and self-satisfied. Look for a young Kurt Russell, who has little to do but grace the movie (and Helen) with a little teen idolness. His introduction into the film--driving a red convertible MG--is hilarious. A sweet, easy-to-watch, harmless--if a little forgettable--film. (Ages 4 and older) --N.F. Mendoza

This fast-paced, rollicking Disney adventure combines fatherly love and corporate survival with exciting horseplay and budding romance. The highjinks begin when harassed New York advertising executive Fred Bolton (Dean Jones) acquires a horse for his painfully shy daughter as part of a hurriedly conceived promotional campaign. With help from an attractive riding instructor (Diane Baker), and his daughter's would-be boyfriend (Kurt Russell), Fred hopes the horse will bring his client fame, save his own job, and just maybe finance his daughter's expensive equestrian habit! AS must-see for every Disney fan and lover of good wholesome old-fashioned fun..

Niagara

A neatly enjoyable thriller in the pseudo-Hitchcock mode, Niagara offers great fun on a variety of levels. It has film noir themes (albeit in Technicolor), oodles of location shooting, and Freudian symbolism run amok. And, of course, it has Marilyn Monroe as an unbelievably ripe femme fatale: married to unstable hubby Joseph Cotten and stuck in a cabin at Niagara Falls, she plots a watery escape. Jean Peters (a future Mrs. Howard Hughes) and froggy husband Casey Adams are dragged into the intrigue during their delayed honeymoon. Veteran open-air director Henry Hathaway squeezes the most out of the spectacular scenery and the nail-biting climax, slowing down only for traveloguey interludes; the dialogue, pretty racy for 1953, comes from the civilized pen of producer-writer Charles Brackett (Billy Wilder's longtime partner). The baby-doll murmuring and lazy lounging in motel bed sheets is, well, all Marilyn. --Robert Horton

Set against the dramatic backdrop of Niagara Falls, Marilyn Monroe portrays Rose, a femme fatale possessing two of the most powerful weapons: an erotic body and an evil mind. Planning to murder her troubled husband (Joseph Cotton), rose first uses her double edged sword to drive him t the brink of total insanity. Then she seductively torments a series of stranger while her mysterious lover waits in the shadows. Vastily different from her often comedic roles. Marilyn's classic dramatic performance as this diabolical and scheming woman is at once fascination and frightening, painting a powerful portrait of human sexuality and passion.

The Fortune Cookie

In their first screen pairing Walter Matthau and Jack Lemmon portray a shyster lawyer and a cameraman in this madcap tale of greed and recouping lost love.System Requirements:Starring: Jack Lemmon Marge Redmond Walter Matthau Ron Rich Judi West Cliff Osmond Lurene Tuttle Harry Holcombe Les Tremayne and Lauren Gilbert. Directed By: Billy Wilder. Running Time: 126 Min. B&W. This film is presented in "Widescreen" format. Copyright 2000 MGM Studios.Format: DVD MOVIE Genre: COMEDY Rating: NR UPC: 027616858931

Billy Wilder's insurance-scam comedy, written with partner I.A.L. Diamond, is one of the legendary filmmaker's surlier efforts. Were it not for the star-making performance of Walter Matthau (which won him an Academy Award for Best Supporting Actor), it might not have registered so strongly with audiences. Shot in a grimy black and white, the story begins as CBS cameraman Harry Hinkle (Jack Lemmon) is injured on the sidelines of a football game when Cleveland Browns star Boom Boom Jackson (Ron Rich) accidentally barrels into him. Hinkle's all right, but his ambulance-chasing brother-in-law William Gingrich (Matthau), also known as "Whiplash Willie," has a lawsuit filed before Hinkle even wakes up at the hospital. Hinkle is reluctant to join in on the scheme, which involves staying in a wheelchair, until he realizes it may bring his ex-wife (Judi West) back, even though her eyes practically flash dollar signs at the thought of his case's settlement potential. Working on Hinkle's conscience, however, is a burgeoning friendship with Jackson, who feels horrible about the incident. Not as sure-footed or as brazenly funny as many other Wilder efforts, the film nevertheless boasts a comic turn by Matthau that is deliciously conniving and endlessly inventive. Wilder, Hollywood's most caustically funny blend of pessimist and optimist, doesn't even aim for balance here. He clearly loves Matthau's character above all others and lets him run the show. The Lemmon and Matthau franchise began here and would go on to include their reteaming for Wilder's films The Front Page and Buddy Buddy. --Robert Abele

Don't Bother to Knock

Marilyn Monroe's first bona fide starring role came in the taut, stripped-down film noir Don't Bother to Knock. She plays a recently institutionalized, none-too-stable babysitter, awkwardly tending a little girl in a Manhattan hotel. Richard Widmark, jilted by the songbird (Anne Bancroft) in the hotel lounge ("The female race is always cheesing up my life," he pouts), puts the make on the lonely blonde in room 809, to his regret. The picture benefits by not being a "Marilyn" movie, but just a good little thriller with, as it happens, a terrific performance by the future superstar. Monroe's childlike distraction eerily suits her rattled character, a misfit who can't distinguish her tragic past from the confusing present. Kudos to Daniel Taradash (From Here to Eternity), whose script contains a collection of tart slang that neatly captures the noir feel--all without leaving the boundaries of the hotel. --Robert Horton

While baby-sitting in a hotel, a beautiful woman (Marilyn Monroe) begins a flirtation with one of the hotel's guests (Richard Widmark). Rebounding from a breakup with his girlfriend (Anne Bancroft), he's willingly seduced by the baby-sitter and ends up in bed with her. When the child wakes up and disturbs their lovemaking, the baby-sitter reveals homicidal tendencies and terrorizes them both. A frightening and provocative exploration of a murderer's mind.

Hemo the Magnificent / Unchained Goddess

Manitou

What surgeons thought to be a tumor growing on the neck of patient Karen Tandy (Susan Strasberg of PSYCH-OUT) is actually a fetus growing at an abnormally accelerated rate. But when Karen reaches out to former lover and phony psychic Harry Erskine (Academy Award® nominee Tony Curtis) he discovers that she is possessed by the reincarnation of a 400-year old Native American demon. Now with the help of a modern-day medicine man (Michael Ansara) Erskine must survive this ancient evil s rampage of shocking violence and forever destroy the enraged beast known as THE MANITOU. Stella Stevens Ann Southern and Burgess Meredith co-star in this infamous horror shocker produced and directed by William Girdler (GRIZZLY DAY OF THE ANIMALS) from the best-selling novel by Graham MastertonFeatures:Theatrical TrailerTV SpotFormat: DVD MOVIE Genre: HORROR Rating: NR UPC: 013131332292 Manufacturer No: DV13322

Lurid, ludicrous, and laughable (and those are the good parts), The Manitou is one of those movies that asks more questions that it answers. For instance, were respectable actors like Tony Curtis and Burgess Meredith so in need of a payday that they agreed to take part in this nonsense? Does the film fall into the so-bad-it's-good category, or is this horror story just plain horrid? Viewers will draw their own conclusions, assuming they can get through this 1978 tale about a centuries-old, evil Indian medicine man who returns to wreak all sorts of vengeful havoc on an unsuspecting populace. The setting is San Francisco (a place you'd think would be more tolerant of such alternative lifestyles), where Karen Tandy (Susan Strasberg) seems to have been chosen at random as the host for the manitou's latest regeneration. When she goes to the hospital complaining about a tumor growing on her back (it starts out grapefruit-sized but enlarges at an alarming rate), doctors determine that the thing is in fact a living fetus. But their decision to bombard it with x-rays may not be the wisest course of treatment. When they then fail to cut it out (manitous apparently don't like scalpels), bogus psychic Harry Erskine (Curtis), Karen's love interest and a fellow who spends most of his time duping gullible old ladies, starts investigating alternative methods of extermination, seeking out a fortune teller (Stella Stevens) for a séance that goes very, very wrong, consulting a doddering old professor (Meredith, camping it up), and finally bringing in a contemporary medicine man (Michael Ansara) to try to keep the malevolent Misquamacus at bay. There are a few scary moments and a couple of nice set pieces, but horror fans will find The Manitou extremely tame by new millennium standards; and the climactic battle between good and evil is so silly as to beggar description. "If only we had some authority!" worries the Curtis character when he realizes what they're up against. A good script and better acting, direction, effects work, and all the other elements of a decent movie would have helped, too. --Sam Graham