Tyson, Cathy

The Serpent And The Rainbow

Eight years before he scored a phenomenal hit with Scream, horror master Wes Craven made a worthy effort to "legitimize" horror with this chilling supernatural thriller, based on the best-selling book by Wade Davis. More ambitious than most horror films, this one allowed Craven to generate compelling plausibility with the fact-based story of a Harvard researcher (Bill Pullman) who travels to Haiti to procure a secret voodoo powder that places people into a state of simulated death. His investigation into the hidden world of black magic grows increasingly dangerous until he's caught in a living nightmare--a potentially deadly predicament that inspired the film's advertising tag line: "Don't bury me... I'm not dead!" Craven pays particular attention to authentic details of Haitian society and the role voodoo plays in Haitian culture, and the film gains additional atmosphere from location shooting in Haiti and the Dominican Republic. Craven would, of course, continue to thrive by making more "conventional" horror films including Scream, but this remains a fascinating departure for one of the genre's most celebrated directors. - -Jeff Shannon

Priest

Despite its title, forget about finding this controversial drama on the Vatican's screening list. The film explores a provocative checklist of religious taboos--celibacy, incest, sexual abuse, homosexuality, the debatable secrecy of the confessional--as director Antonia Bird delivers a bold condemnation of what she views as the outdated politics and harmful nature of Catholic doctrine. The story concerns the ideologically strained relationship between two clergymen, the misleading conservative Father Greg (Linus Roache) and his older and more practical colleague, Father Matthew (Tom Wilkinson). Upon arriving at his new Liverpool parish, Greg is shocked to learn that Matthew ignores celibacy and openly sleeps with his black housekeeper. Greg chooses to satisfy his earthly desires in a more secretive way. Sometimes, he likes to lose the cloth, grab a leather jacket, and pick up guys at the local gay pub. He's got other problems as well. While torturing himself with his own moral dilemma, he's hit with another, as during confession a young girl confides that her father is sexually abusing her at home. While this drags out the old "bound by secrecy" cliché of many religious melodramas, Bird uses it to bolster her theme of unwarranted secrecy in the face of faith and social scorn. Ultimately, both the priest and the girl are victims of their own fear, and must find courage to destroy it. Thankfully, Bird's wicked sense of humor keeps the film's tone from slipping into saccharine sentimentality, while Roache's intense performance and a honest, shattering finale rescue the film from swerving too far into shallow TV movie-of-the-week sensationalism. --Dave McCoy

Critics everywhere declared PRIEST to be one of the best films of the year! The deeply held religious convictions of an idealistic young priest are challenged when he must face extraordinary events within his own congregation. Soon, he is forced to make the impossible choice between keeping the faith and exposing the truth! A gripping and powerful story -- see this unforgettable big-screen hit for yourself!

Mona Lisa

You'll have to listen hard to catch all the dialogue in this dark, romantic film by director Neil Jordan. The Cockney accents are thick enough to spread on a crumpet. But it's worth the effort to plunge into the London underworld with tough but lovable thug Bob Hoskins. Just out of prison, he's given a job by his old boss (Michael Caine) as chauffeur to a gorgeous but chilly call girl (Cathy Tyson). For all his criminal experience, this guy is surprisingly innocent; when he develops a crush on the woman he's driving, it leads inevitably to tragedy. Hoskins is heartbreakingly good as this poor, thick sod, while Caine projects an oily malevolence. Tyson is also fine as a woman who has secrets of her own. --Marshall Fine

Bob Hoskins in the once-in-a-lifetime role that earned him an Oscar® nomination and won both the Cannes Film Festival and British Academy Awards for Best Actor stars as George a brutish mob soldier in the London underworld who has just been released from prison. Anxious for work he s given the job of chauffeuring elegant prostitute Simone (Cathy Tyson in her stunning film debut) by gangster boss Mortwell (an unforgettable performance by Michael Caine). What follows is the film CBS Morning News calls "vivid and astonishing" a remarkable combination of uncommon love story and shocking thriller that remains one of the most startling dramas of the decade. Robbie Coltrane(OCEAN S TWELVE) Clarke Peters (THE WIRE) and Sammi Davis (HOMEFRONT) co-star in this internationally acclaimed smash directed and co-written by Neil Jordan that was nominated for 6 British Academy Awards including Best Actor Best Actress Best Direction and Best Film. System Requirements:Running Time 104 Mins.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR UPC: 013131234398 Manufacturer No: DV12343

The Lost Language of Cranes

The damage caused by long-kept secrets lies at the heart of The Lost Language of Cranes. Rose (Eileen Atkins) believes that "keeping certain secrets secret is essential to the general balance of life," but her son Philip (Angus Macfayden) disagrees. He decides to tell his parents that he is gay, and his honesty precipitates a crisis that threatens to tear the family apart.

Philip's father Owen (Brian Cox) leads a secret life, hiding his own homosexuality from Rose while spending his Sundays in porn cinemas. Owen has been crippled emotionally by years of deceit, and he is incapable of having an honest relationship with his wife, his son, or any of the men whom he meets. When he learns that Philip is gay an emotional dam breaks, years of self-loathing pour out, and he decides to tell the truth.

This powerful drama does a wonderful job of portraying a family undergoing catastrophic change. Philip and Owen find a kind of freedom when they unburden themselves, but in many ways Rose's dilemma is the key to this film. Philip's revelation helps her to understand that on some level she has known about her husband's homosexuality all along, and that keeping secrets is far more damaging than revealing them. Yet she is left feeling "like the punch line of some terrible joke" even as her husband and son are set free. The Lost Language of Cranes is a compelling examination of the consequences of honesty, both good and bad. --Simon Leake

The damage caused by long-kept secrets is at the heart of this moving drama adapted from David Leavitt's acclaimed novel. Confronted with his son's confession that he is gay Owen (Brian Cox) realizes that he can no longer live a lie. Although he still loves his wife Rose (Eileen Atkins) he abandons the safe world of the heterosexual for the difficult but rewarding journey of "coming out." But as he begins to explore his sexuality more fully the marriage inevitably breaks down despite Rose's efforts to continue as normal. And thought there is pain and suffering for all involved this is also an opportunity for everyone to start their lives over this time based on the truth.Running Time: 87 min.Format: DVD MOVIE Genre: DRAMA UPC: 794051267429 Manufacturer No: E2674

The Serpent and the Rainbow

Eight years before he scored a phenomenal hit with Scream, horror master Wes Craven made a worthy effort to "legitimize" horror with this chilling supernatural thriller, based on the best-selling book by Wade Davis. More ambitious than most horror films, this one allowed Craven to generate compelling plausibility with the fact-based story of a Harvard researcher (Bill Pullman) who travels to Haiti to procure a secret voodoo powder that places people into a state of simulated death. His investigation into the hidden world of black magic grows increasingly dangerous until he's caught in a living nightmare--a potentially deadly predicament that inspired the film's advertising tag line: "Don't bury me... I'm not dead!" Craven pays particular attention to authentic details of Haitian society and the role voodoo plays in Haitian culture, and the film gains additional atmosphere from location shooting in Haiti and the Dominican Republic. Craven would, of course, continue to thrive by making more "conventional" horror films including Scream, but this remains a fascinating departure for one of the genre's most celebrated directors. - -Jeff Shannon

A Harvard anthropologist is sent to Haiti to retrieve a strange powder that is said to have the power to bring humans back from the dead. In his quest, the cynical scientist enters the rarely seen netherworld of walking zombies and ancient curses.

The Old Man Who Read Love Stories

Spain released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. Languages: o English (subtitles) o Spanish (subtitles) o English (Dolby Digital 5.1) o Spanish (Dolby Digital 5.1) Synopsis: Based on the novel by Luis Sepulveda, this drama stars Richard Dreyfuss as Antonio Bolivar, an elderly man who lives in a small village along the Amazon River. Many years ago, Boliver and his young wife came to the village as part of an effort to colonize the area; the couple was welcomed by Nushino (Victor Bottenbley), leader of the native tribes, but after a fever took the life of his spouse and attacks by fortune seekers caused the natives to turn their backs on the white settlers, Bolivar has been virtually alone, with only one close friend in the village, an aging dentist named Rubicondo (Hugo Weaving). Bolivar passes his time by reading florid romance novels passed along to him by Josefina (Cathy Tyson), Rubicondo's mistress who works as an aide for the village's mayor, Luis Agalla (Timothy Spall). Agalla, not an especially scrupulous man, has been selling illegal hunting permits to visitors hunting big game, and one of his customers made the mistake of killing and skinning a pack of jaguar cubs; the mother of the cats found the hunter, and tore him to shreds. Now likely to attack any human she sees, the mother jaguar is roaming the jungle near the village and must be found before she can kill again, and Bolivar steps forward to help with the dangerous assignment of finding and capturing the vicious cat. Special Features: o Behind the scenes footage o Commentary o Deleted Scenes o Interactive Menu o Photo Gallery o Scene Access

Mona Lisa - Criterion Collection

You'll have to listen hard to catch all the dialogue in this dark, romantic film by director Neil Jordan. The Cockney accents are thick enough to spread on a crumpet. But it's worth the effort to plunge into the London underworld with tough but lovable thug Bob Hoskins. Just out of prison, he's given a job by his old boss (Michael Caine) as chauffeur to a gorgeous but chilly call girl (Cathy Tyson). For all his criminal experience, this guy is surprisingly innocent; when he develops a crush on the woman he's driving, it leads inevitably to tragedy. Hoskins is heartbreakingly good as this poor, thick sod, while Caine projects an oily malevolence. Tyson is also fine as a woman who has secrets of her own. --Marshall Fine

Writer-director Neil Jordan's breakthrough film is a brilliant, noir-infused love story. Bob Hoskins (who snagged an Oscar nomination for his performance) plays George, a small-time loser employed as a chauffeur to an enigmatic, high-class call girl. His fascination with her leads him on a dangerous quest through the sordid underbelly of London, where love is a weakness to be exploited and betrayed. Criterion is proud to present Mona Lisa in a Director Approved special edition.

Band of Gold [Region 2]

The Serpent and the Rainbow [Region 2]

Eight years before he scored a phenomenal hit with Scream, horror master Wes Craven made a worthy effort to "legitimize" horror with this chilling supernatural thriller, based on the best-selling book by Wade Davis. More ambitious than most horror films, this one allowed Craven to generate compelling plausibility with the fact-based story of a Harvard researcher (Bill Pullman) who travels to Haiti to procure a secret voodoo powder that places people into a state of simulated death. His investigation into the hidden world of black magic grows increasingly dangerous until he's caught in a living nightmare--a potentially deadly predicament that inspired the film's advertising tag line: "Don't bury me... I'm not dead!" Craven pays particular attention to authentic details of Haitian society and the role voodoo plays in Haitian culture, and the film gains additional atmosphere from location shooting in Haiti and the Dominican Republic. Craven would, of course, continue to thrive by making more "conventional" horror films including Scream, but this remains a fascinating departure for one of the genre's most celebrated directors. - -Jeff Shannon

The Serpent and the Rainbow [Region 2]

Eight years before he scored a phenomenal hit with Scream, horror master Wes Craven made a worthy effort to "legitimize" horror with this chilling supernatural thriller, based on the best-selling book by Wade Davis. More ambitious than most horror films, this one allowed Craven to generate compelling plausibility with the fact-based story of a Harvard researcher (Bill Pullman) who travels to Haiti to procure a secret voodoo powder that places people into a state of simulated death. His investigation into the hidden world of black magic grows increasingly dangerous until he's caught in a living nightmare--a potentially deadly predicament that inspired the film's advertising tag line: "Don't bury me... I'm not dead!" Craven pays particular attention to authentic details of Haitian society and the role voodoo plays in Haitian culture, and the film gains additional atmosphere from location shooting in Haiti and the Dominican Republic. Craven would, of course, continue to thrive by making more "conventional" horror films including Scream, but this remains a fascinating departure for one of the genre's most celebrated directors. - -Jeff Shannon