Valentine, Steve

Crossing Jordan: Season 1

Join a quirky team of misfit coroners willing to put their forensic skills to the test as all 23 Season One episodes of Crossing Jordan, including the memorable pilot, arrive on a 5-disc DVD set for the first time ever! Smart, conflicted and unconventional, Dr. Jordan Cavanaugh (Jill Hennessy) is a forensic pathologist whose obsession for solving homicides goes beyond the autopsy table. But the driving force behind her hard-core, unorthodox investigative style is the one crime she hasn't been able to solve—her mother's murder. Relive some of your favorite Crossing Jordan moments from this first season, including her battles with her boss, Dr. Macy (memorably played by Miguel Ferrer), the first appearance of Detective Woody Hoyt, music by Wendy and Lisa, amazing special effects, and Jordan and her police detective father putting themselves in the roles of victim and killer. From the creator of Heroes comes the fast-paced and funny mystery series that critics rave "is marked by crisp, clever dialogue, and a brassy lead performance" (Steve Johnson, Chicago Tribune).

Panic

When Sarah (Neve Campbell) strikes up a conversation with a sad-eyed man called Alex (William H. Macy) at her therapist's office, she asks, "Are you one of those middle-aged guys who's tired of his marriage and thinking maybe a beautiful young thing could help him out?" She's right, but the source of Alex's depression is far from typical: he's a second-generation hit man who wants out, but his mom and dad won't let him quit.

Donald Sutherland makes Alex's laconic and utterly monstrous father the most frightening parent since John Huston in Chinatown. A series of flashbacks show how he introduced Alex to his trade, beginning with shooting squirrels in the woods. We never find out whether Alex's father has mob connections, and the fact that it's just a business to him ("This one's a big job, lots of moola, I'll buy your mother a Lexus") makes him all the more chilling. Alex's mother (the steely Barbara Bain) knows all about the family business, but his wife (Tracey Ullman) thinks he runs a mail-order company, and the only person he confides in is a therapist (John Ritter). When he meets and falls for Sarah, Alex realizes that he alone can stand up to his father, and he needs to act before his own son becomes the next apprentice.

Henry Bromell's debut film as a writer-director probes the same dark corners of the middle-aged male psyche as American Beauty and The Sopranos. Alex's tormented life is a symbol of the damage that parents can inflict on their children, and Bromell imbues his story with a tragic inevitability. Panic received a shamefully limited theatrical release, in spite of its rare combination of a great script and brilliant performances. It deserves to be rediscovered and appreciated by a much larger audience on home video. --Simon Leake

Dead End

Foreign Correspondents

Panic

When Sarah (Neve Campbell) strikes up a conversation with a sad-eyed man called Alex (William H. Macy) at her therapist's office, she asks, "Are you one of those middle-aged guys who's tired of his marriage and thinking maybe a beautiful young thing could help him out?" She's right, but the source of Alex's depression is far from typical: he's a second-generation hit man who wants out, but his mom and dad won't let him quit.

Donald Sutherland makes Alex's laconic and utterly monstrous father the most frightening parent since John Huston in Chinatown. A series of flashbacks show how he introduced Alex to his trade, beginning with shooting squirrels in the woods. We never find out whether Alex's father has mob connections, and the fact that it's just a business to him ("This one's a big job, lots of moola, I'll buy your mother a Lexus") makes him all the more chilling. Alex's mother (the steely Barbara Bain) knows all about the family business, but his wife (Tracey Ullman) thinks he runs a mail-order company, and the only person he confides in is a therapist (John Ritter). When he meets and falls for Sarah, Alex realizes that he alone can stand up to his father, and he needs to act before his own son becomes the next apprentice.

Henry Bromell's debut film as a writer-director probes the same dark corners of the middle-aged male psyche as American Beauty and The Sopranos. Alex's tormented life is a symbol of the damage that parents can inflict on their children, and Bromell imbues his story with a tragic inevitability. Panic received a shamefully limited theatrical release, in spite of its rare combination of a great script and brilliant performances. It deserves to be rediscovered and appreciated by a much larger audience on home video. --Simon Leake

Gabriela

Gabriela

Return to the Secret Garden

Dead End [Region 2]

Gabriela