The Warriors (The Ultimate Director's Cut)
by Walter Hill
from Paramount
The Warriors combines pure pulp storytelling and surprisingly poetic images into a thoroughly enjoyable cult classic. The plot is mythically pure (and inspired by a legendary bit of Greek history): When a charismatic gang leader is shot at a conclave in the Bronx meant to unite all the gangs in New York City, a troupe from Coney Island called the Warriors get blamed and have to fight all the way back to their own turf--which means an escalating series of battles with colorful and improbable gangs like the Baseball Furies, who wear baseball uniforms and KISS-inspired face make-up. Pop existentialism, performances that are somehow both wooden and overwrought, and zesty, kinetic filmmaking from director Walter Hill (Southern Comfort, 48 Hrs.) result in a delicious and unexpectedly resonant operatic cheesiness. The Ultimate Director's Cut doesn't radically alter the movie--some of the editing is tighter, the Greek legend has been added as an introduction--with one exception: in transitions, scenes begin and end as scenes from a comic book. While The Warriors always had a comic book flavor (and Hill, in an interview, says he deliberately pursued that sensibility), this device--similar to The Hulk--seems a bit overkill. But it's a minor problem; the movie holds its own, even 26 years later. The dvd has no audio commentary, but there are four short documentaries (really, one documentary in four parts). These include excellent interviews with Hill, actors Michael Beck, James Remar, David Patrick Kelly, and Deborah Van Valkenburgh. The producers, the cinematographer, the costume designer, the stunt coordinator, and many others give lively and in-depth descriptions of how the movie came to be. One of these documentaries includes portions of a deleted scene that was used when The Warriors was screened on television; no other deleted scenes are included. --Bret Fetzer
A battle of gigantic proportions is looming in the neon underground of New York City. The armies of the night number 100000; they outnumber the police 5 to 1; and tonight they're after the Warriors - a street gang blamed unfairly for a rival gang leader's death. This contemporary action-adventure story takes place at night underground in the sub-culture of gang warfare that rages from Coney Island to Manhattan to the Bronx. Members of the Warriors fight for their lives seek to survive in the urban jungle and learn the meaning of loyalty. This intense and stylized film is a dazzling achievement for cinematographer Andrew Laszlo.System Requirements:Running Time 93 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: RP UPC: 097360313840 Manufacturer No: 031384
Streets of Fire
by Walter Hill
from Universal Studios
Walter Hill's updated (1984), highly stylized take on biker movies still looks like a determinedly eccentric project that happens to work at times, but not at others. Michael Paré plays a biker who agrees to rescue his ex-girlfriend (a rocker played by Diane Lane) from kidnappers (led by Willem Dafoe). The ensuing battle against a nocturnal background of industrial blight, chrome, and loud music is like some fever dream of a Springsteen fan who listened to the song "Born to Run" far too often. The audacity of the film carries it a long way even after it becomes clear that Hill's experiment is crumbling under its own weight. Dafoe, who looked even spookier back then than he does now, is memorable, as are Amy Madigan and Rick Moranis. Music is by Ry Cooder, with an appearance by the Blasters. The DVD release has a widescreen presentation, optional French soundtrack, optional Spanish subtitles. --Tom Keogh
Mystery Woman: Mystery Weekend
by Mark Griffiths
from Echo Bridge Home Entertainment
She's an avid mystery lover and bookseller, for whom crime has been comfortably confined to the pages of her favorite novels -- until a real-life murder turns a weekend of fun and games into a chilling whodunit... The quaint mystery bookshop bequeathed to Samantha Kinsey may be struggling, but the idea she's concocted for the weekend should drum up some killer publicity -- a book signing by three very popular and very competitive mystery writers; Maura Hobbs, Angela Cooke, and the reclusive Clare Beckman. Unbeknownst to Sam, Clare is using this "mystery weekend" to make the shocking announcement of her retirement. Just as Clare poses for a final career photograph, an ear-shattering gunshot rings out. Clare manages to dodge the bullet, but later falls victim to a cleverly planted poison. Wading through a long list of suspects and motives, Sam manages to uncover a convoluted plot of blackmail, greed, and deceit -- a real-life mystery that would have thrilled Clare...had she lived to see it unfold.
The Warriors
by Walter Hill
from Paramount
The Warriors combines pure pulp storytelling and surprisingly poetic images into a thoroughly enjoyable cult classic. The plot is mythically pure (and inspired by a legendary bit of Greek history): When a charismatic gang leader is shot at a conclave in the Bronx meant to unite all the gangs in New York City, a troupe from Coney Island called the Warriors get blamed and have to fight all the way back to their own turf--which means an escalating series of battles with colorful and improbable gangs like the Baseball Furies, who wear baseball uniforms and KISS-inspired face make-up. Pop existentialism, performances that are somehow both wooden and overwrought, and zesty, kinetic filmmaking from director Walter Hill (Southern Comfort, 48 Hrs.) result in a delicious and unexpectedly resonant operatic cheesiness. The Ultimate Director's Cut doesn't radically alter the movie--some of the editing is tighter, the Greek legend has been added as an introduction--with one exception: in transitions, scenes begin and end as scenes from a comic book. While The Warriors always had a comic book flavor (and Hill, in an interview, says he deliberately pursued that sensibility), this device--similar to The Hulk--seems a bit overkill. But it's a minor problem; the movie holds its own, even 26 years later. The dvd has no audio commentary, but there are four short documentaries (really, one documentary in four parts). These include excellent interviews with Hill, actors Michael Beck, James Remar, David Patrick Kelly, and Deborah Van Valkenburgh. The producers, the cinematographer, the costume designer, the stunt coordinator, and many others give lively and in-depth descriptions of how the movie came to be. One of these documentaries includes portions of a deleted scene that was used when The Warriors was screened on television; no other deleted scenes are included. --Bret Fetzer
Criminal
by Gregory Jacobs
from Warner Home Video
Richard Gaddis (John C. Reilly) catches young Rodrigo (Diego Luna) conning some casino waitresses out of chump change and decides the guy is just the right chump to help him run other local scams. The slyest thing about this diverting remake of the 2000 Argentinian heist flick Nine Queens is, in fact, how much everybody seems to have a scam in the works--there isn't a single honest soul in sinful, sunbeaten Los Angeles. Richard and Rodrigo soon get caught up in a big swindle concerning some counterfeit currency, a game that ensnares Gaddis' angrily estranged sister Valerie (Maggie Gyllenhaal), the concierge of the hotel that's hosting the guys' main mark (Peter Mullan, coolly brutish). What happens next isn't really anything new--The Sting, anyone?--and the requisite final twist might not hold up to closer inspection, but director Gregory Jacobs knows how to lie back and it keep it gliding affably along (he served as an assistant director on nearly all of Steven Soderbergh's films). The performers all hook into the low-key vibe: Reilly's schlub persona fits snugly into his small-time grifter role, while Luna and Gyllenhaal seem more simmering and sexy in each new shot. The movie is as entertaining and inessential as L.A. itself. --Steve Wiecking
John C. Reilly, Diego Luna and Maggie Gyllenhaal navigate the con-or-be-conned world of the L.A. grift in a clever caper directed by Gregory Jacobs and produced by Jacobs, George Clooney and Steven Soderbergh. A $750,000 one-night score awaits Richard and Rodrigo if they can flimflam an antique-currency collector (Peter Mullan) - a ruse soon packed with more twists than a box of pretzels. For suspense, surprise and a wow ending, catch this Criminal!
Mean Guns
by Albert Pyun
from Lions Gate
The world's most dangerous criminals are summoned to a new prison on the eve before its grand opening by Moon (Ice T) the ruthless leader of the world's most powerful crime syndicate. Chaos ensues when weapons and ammunition are passed around and the group. Including low three men standing by midnight have been promised $10.000.000 in cash by Moon. Who watches from his surveillance camera as gunfire and bodies fly. Rivalries develop between friends and the lines of loyalty are crossed as each criminal attempts to outwit outrun and outlive the other in this action packed game of elimination.System Requirements: Running Time 110 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 031398683933 Manufacturer No: VM6839D
Direct-to-video stylist Albert Pyun sets this plotless, gun-crazy frenzy to the mambo beat of Prez Prado and runs with it. Mobster Ice-T calls dozens of associates to a newly built prison the day before it's dedicated, locks them in, and pits them against one another for a prize of $10 million, which the last three survivors will split. Bleached blond Christopher Lambert is a grinning psycho having a little too much fun, while the soul of the group belongs to the craggy-faced Michael Halsey, a ruthless killer with an odd sense of purpose and a code of honor. The story is merely an excuse for unending gunplay and giddy violence and Pyun rises to the occasion, executing everything from riotous free-for-alls to elaborate chases to Western-style standoffs (complete with a haunting spaghetti Western style guitar and trumpet theme). The video titles, dingy lighting, and dusky color give away the low budget and ultimately the script doesn't make any sense, but Pyun wisely avoids the confusing plot (which he himself sometimes loses) and concentrates on his particular strength: wild, wicked, practically nonstop action driven by a restless camera and rat-a-tat editing. --Sean Axmaker
+++




