Vargas, Jacob

Romy and Michele's High School Reunion

Lisa Kudrow and Mira Sorvino play ditzy best friends who decide to attend their 10-year high school reunion, but they completely make over their styles and identities first in order to impress the people who tormented them. The two stars keep the film going despite various lapses and potholes in David Mirkin's direction and despite a sneaking sense that the idea can't sustain the length of an entire feature. A midsection dream sequence underscores the latter problem through blatant padding, but Sorvino and Kudrow--both of whom became established stars playing airheads on other projects--are worth the weaknesses. --Tom Keogh

Big laughs and hot stars make this a can't-miss comedy in the hilarious tradition of CLUELESS and DUMB AND DUMBER! Romy (Mira Sorvino) and Michele (Lisa Kudrow) are carefree party girls who reinvent themselves for their 10-year high school reunion. With new wardrobes and wild stories of success, they make a big impression ... until a former classmate Janeane Garofalo -- CLAY PIGEONS) blabs their real story to everyone! But that's when Romy and Michele let loose with a surprise of their own ... and outrageous results! Featuring a sizzling hit soundtrack of favorite hits from the '80s, it's the comedy treat The New York Times calls "cheerful, giddy fun!"

The Hills Have Eyes 2 (Unrated Edition)

National Guard soldiers stop at a New Mexican outpost only to find the isolated camp mysteriously deserted. Little do they know that these are the very hills that the ill-fated Carter family once visited and that a tribe of cannibalistic mutants lies in wait.System Requirements:Running Time: 89 Mins.Format: DVD MOVIE Genre: HORROR Rating: R UPC: 024543444534 Manufacturer No: 2244453

For die-hard horror fans, The Hills Have Eyes 2 is a knock-off remake/sequel that delivers a few queasy thrills. While it represents a minor improvement over the 1985 sequel to Wes Craven's 1977 original (you know, the one with the notorious "canine flashback"), it's yet another cookie-cutter exercise in death by stupidity, focusing its Aliens-in-the-desert plot on a scrappy, ill-tempered unit of National Guard soldiers who've been sent to investigate the first remake's hellish aftermath in the bomb-tested wastelands of Nevada. (Like its far-superior 2006 predecessor, this sequel was shot on location in Morocco.) Unfortunately these bickering recruits are an embarrassment to their inauthentic-looking uniforms, and their reckless inexperience (not to mention a tired, uninspired screenplay by Craven and his son Jonathan) makes them easy targets for the ravenous, irradiated mutants who dwell within a treacherous network of tunnels and caves. As the generically good-looking cast is reduced to a few terrorized survivors (which somehow doesn't stop costars Jessica Stroup and Daniella Alonso from looking like fashion models), music-video director Martin Weisz switches to auto-pilot in his dubious feature debut, serving up a basically plotless succession of grisly makeup FX by Howard Berger and his crack team of gore-mongers. The gross-out factor is sufficiently amusing (including one soldier pulled through a hole with one leg in the totally wrong direction), but even devoted horror connoisseurs will have to admit this is pretty lame stuff. --Jeff Shannon

Beyond The Hills Have Eyes 2

All Hills Have Eyes Movies

The Hills Have Eyes: The Beginning

Wes Craven: The Art of Horror

Stills from The Hills Have Eyes

Are We Done Yet?

Newlyweds Nick (Ice Cube) and Suzanne (Nia Long) decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor (John C. McGinley) with a bizarre approach to businessSystem Requirements:Running Time: 92 Mins.Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 043396177437 Manufacturer No: 17743

If, 18 years ago, you had told rapper Ice Cube he'd have a hit family movie called Are We There Yet?, he would have sneered in your face. Yet here he is with that movie's sequel, Are We Done Yet?, in which Nick Persons (Cube, Barbershop, Friday) takes his new wife Suzanne (Nia Long, Big Momma's House) and her two cantankerous kids out to an old house in the country. Unfortunately, the house proves to have a few problems, and Nick finds himself at the mercy of a real estate agent/contractor/house inspector/midwife Chuck (John C. McGinley, Scrubs), who before long is turning Nick's house--and his life--inside out. The script for Are We Done Yet? is based on an classic (though little remembered) Cary Grant movie, Mr. Blandings Builds His Dream House. While Cube doesn't have Grant's comic skills, he has grown into a comfortable and charming screen presence, and he gives this ramshackle entertainment a decent foundation. But it's McGinley who steals the movie with his truly bizarre yet mesmerizing performance; aside from some pratfalls, Cube spends most of the movie staring in horror or astonishment at McGinley as the tall lanky white man walks a very fine line between comedy and schizophrenia. --Bret Fetzer

Selena

Gregory Nava (Why Do Fools Fall In Love?) directs this more-or-less official film biography of the late Mexican-American singer, Selena Quintanilla Perez (the film is coproduced by her father), which emphasizes sentimentality over conflict and plays down the star's horrific death at the hands of a deranged fan. Jennifer Lopez is quite good as Selena, whose roots we come to know through the story of her father (Edward James Olmos), a Corpus Christi singer who was rejected by white audiences. The script focuses primarily on Selena's inspiring rise, and it tries to muster some sense of urgent conflict over not-particularly-contentious issues (such as her relationship with a guitarist). But Olmos does a fine job portraying the elder Perez as a possessive sort, and the music and general buoyancy of Lopez's performance are infectious. The unavoidable subject of Selena's killer--a woman who happened to be the president of her fan club--is considerably and oddly downplayed. --Tom Keogh

The nuts and bolts of the irresistibly danceable music called Tejano are pop, rock, polka, R&B and Latin influences. To millions of fans there's another vital ingredient: the dynamic singer Selena. Vibrant and tuneful, Selena is the story of the Grammy Award-winning South Texas singer whose life tragically ended just as she was taking Tejano where it had never gone-into mainstream America. Pulsating with Selena's voice on the soundtrack and made with the participation of her family, the film brims with authenticity. It excitingly recreates the early life of a little girl who dreamed big, hit the road in the band bus named Big Bertha and whose concerts became electrifying events. In the title rose, Jennifer Lopez is herself electrifying. Edward James Olmos, Jon Seda and others also shine in "a poignant, heartwarming movie that deserves a standing ovation" (Jules Peimer, WKDM-Radio/New York).

Dragonfly (Widescreen)

"Belief gets us there," explains nun Linda Hunt to grieving widower Kevin Costner, an emergency room doctor whose ordered world is startled by "messages" from his dead wife. She's talking about the journey from life to death, but it describes the doctor's road from fact to faith equally well as he puzzles out the otherworldly events of his life. Costner's mourning comes off less lost and sad than simply emotionless and inert, but he finds good support from Kathy Bates as his sassy neighbor. Her appearances, along with a few startling horror-movie-type shocks, energize a film otherwise shrouded in loss, grief, and the hushed mood of supernatural spookiness. It's like a fusing of Ghost, The Sixth Sense, and The Mothman Prophecies, a New Age melodrama in a sentimental key that works through a rather contrived mystic mystery to a glowing climax. This is less a ghost story than a modern twist on the old-fashioned miracle. --Sean Axmaker

My Family

Three-generational epic saga of the Sanchez family as told by the eldest son.

Mi Vida Loca (My Crazy Life)

A rare and harsh gem of a film, Mi Vida Loca tells the story of young Hispanic women in Los Angeles and the struggles they have in a life of gangs, drugs, and personal betrayal. Mousie (Seidy Lopez) and Sad Girl (Angel Aviles) are best friends from childhood, growing up in gang-infested Echo Park and remaining loyal to each other. But when Sad Girl sleeps with Mousie's boyfriend (a drug dealer who is killed) and becomes pregnant, their friendship is ruptured. As the violence of their neighborhood erupts around them, they must try to stay together as friends despite their betrayals. This is an unforgiving look at a world where women seem to have no choice but to raise their children, deal drugs, and survive by whatever means necessary. Director Allison Anders (Gas Food Lodging) structures the film as a series of unflinching and vivid anecdotes, bringing insight to a tragic side of modern society. --Robert Lane

Traffic

Featuring a huge cast of characters, the ambitious and breathtaking Traffic is a tapestry of three separate stories woven together by a common theme: the war on drugs. In Ohio, there's the newly appointed government drug czar (Michael Douglas) who realizes after he's accepted the job that he may have gotten into a no-win situation. Not only that, his teenage daughter (Erika Christensen) is herself quietly developing a nasty addiction problem. In San Diego, a drug kingpin (Steven Bauer) is arrested on information provided by an informant (Miguel Ferrer) who was nabbed by two undercover detectives (Don Cheadle and Luis Guzmán). The kingpin's wife (Catherine Zeta-Jones), heretofore ignorant of where her husband's wealth comes from, gets a crash course in the drug business and its nasty side effects. And south of the border, a Mexican cop (Benicio Del Toro) finds himself caught between both his home country and the U.S., as corrupt government officials duke it out with the drug cartel for control of trafficking various drugs back and forth across the border.

Bold in scope, Traffic showcases Steven Soderbergh at the top of his game, directing a peerless ensemble cast in a gritty, multifaceted tale that will captivate you from beginning to end. Utilizing the no-frills techniques of the Dogme 95 school, Soderbergh enhances his hand-held filming with imaginative editing and film-stock manipulation that eerily captures the atmosphere of each location: a washed-out, grainy Mexico; a blue and chilly Ohio; and a sleek, sun-dappled San Diego. But Traffic is more than a film-school exercise. Soderbergh and screenwriter Stephen Gaghan (adapting the British TV miniseries Traffik to the U.S.) seamlessly weave the threads of each separate plotline into one solid tale, with the actions of one plot having quiet repercussions on the other two. And if you needed more proof that Soderbergh takes unparalleled care with his actors, practically all the members of this cast turn in their best work ever, the standout being an Oscar-worthy Del Toro as the conflicted moral conscience of the film. While no story is fully resolved in the film, you'll be haunted by these characters days after you've seen the film. By far one of the best movies of 2000. --Mark Englehart

Next Friday (New Line Platinum Series)

Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out to get revenge. To protect Craig, Craig's father (John Witherspoon) sends his son to stay with his Uncle Elroy (Don "DC" Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the suburbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines--though funny lines abound. He writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughly enjoyable. --Bret Fetzer

Ice Cube returns as Craig Jones, a streetwise man from South Central Los Angeles in this smash hit sequel to the comedy, Friday. Trouble ensues this time out as Craig relocates to the suburbs in order to hide from the neighborhood bully, Debo.

DVD Features:
Alternate endings
DVD ROM Features
Gag Reel
Music Video
Theatrical Trailer

Bobby (Widescreen Edtion)

(Drama) A re-telling of the assassination of Senator Robert F. Kennedy at the Ambassador Hotel in 1968. The film follows 22 individuals who are all at the hotel for different purposes but share the common thread of anticipating Kennedy's arrival at the primary election night party, which would change their lives forever. This historic night is set against the backdrop of the cultural issues gripping the country at the time, including racism, sexual inequality and class differences.