Vaughn, Judson

The Truman Show (Special Collector's Edition)

The whole world is watching--literally--every time Truman Burbank makes the slightest move. Unbeknownst to him, in this hauntingly funny film by Peter Weir, his entire life has been an unending soap opera for consumption by the rest of the world. And everyone he knows--including his mother, his wife, and his best friend--is really an actor, paid to be part of his life. In this intriguing and surprisingly touching 1998 film, writer Andrew Niccol imagines an ultimate kind of celebrity, then sees it brought to life with comic intensity and emotional honesty by Jim Carrey in what may be the performance of his career. Carrey has exceptional support from Laura Linney and Ed Harris, but it's his show, in a portrayal that demonstrates just what kind of range Carrey is capable of. --Marshall Fine

Miss Evers' Boys

Laurence Fishburne helped shepherd this Emmy Award-winning exposé from American medical history books to the small screen. Anchored in the 1973 Senate inquiry into the infamous Tuskegee Study, the film uses a flashback structure to take us back 40 years as Nurse Eunice Evers (played with honest conviction by Alfre Woodard, who also earned an acting Emmy for her powerful performance) describes how a program designed to treat syphilis among blacks in the South was twisted into an inhuman study. Evers's conscience is torn between leaving her position on principle or remaining to give the dying men what comfort she can while they are systematically refused life-saving medicine at every turn. Fishburne costars as Caleb, a easygoing but ambitious young fieldhand who discovers the cold reality of the study while courting Miss Evers. Adapted by Walter Bernstein from a play by David Feldshuh, the film rises above the TV Movie of the Week mold with a complex moral structure that eschews (if you'll pardon the expression) black and white polarities for shades of gray as the doctors' initial compromises become a lifetime of lies. Ultimately that tone becomes the most disturbing facet of the drama: doctors and nurses so enmeshed in what is tantamount to a conspiracy they can find no way out, and a government that searches for scapegoats for its own cold-blooded research. --Sean Axmaker

Based on the shocking true story, Miss Evers' Boys exposes a 40-year government backed medical research effort on humans which led to tragic consequences. It is 1932 when loyal, devoted Nurse Eunice Evers (Alfre Woodard) is invited to work with Dr. Brodus (Joe Morton) and Dr. Douglas (Craig Sheffer) on a federally funded program to treat syphilis patients in Alabama. Free treatment is offered to those who test positive for the disease included Caleb Humphries (Laurence Fishburne) and Willie Johnson (Obba Babatunde). But when the government withdraws its funding, money is offered for what will become known as "The Tuskegee Experiment", a study of the effects of syphilis on patients who don't receive treatment. Now the men must be led to believe they are being cared for, when in fact they are being denied the medicine that could cure them. Miss Evers is faced with a terrible dilemma-to abandon the experiment and tell her patients, or to remain silent and offer only comfort. IT is a life or death decision that will dictate the course of not only her life, but the lives of all of Miss Evers' Boys.

Kalifornia

David Duchovny is a blocked author with a fascination for outlaw killers who hatches a plan to road trip through America's mass-murder landmarks to finish his book. He enlists his frustrated photographer girlfriend Michelle Forbes, who desperately wants to leave the East Coast for L.A., to illustrate the tome, and they advertise for riding partners. Luckily for them, they wind up with a veteran killer, the greasy trailer-park ex-con Brad Pitt, who decides to skip parole with his cowering child-woman girlfriend Juliette Lewis. Duchovny is enamored by gun-toting Pitt's recklessness and lawless disregard for, well, everything; he's simultaneously terrified and thrilled by Pitt's brutal beating of a barfly. Meanwhile, Pitt's leaving a trail of corpses in their wake.

Directed with a cool remove by Dominic Sena (Gone in 60 Seconds 2000), Kalifornia falls somewhere between Badlands and Natural Born Killers. Pitt brings a ferocious magnetism to his part, but it's still hard to buy genial Duchovny's odd attraction; Juliette Lewis conveys a terrifying sense of victimization with her poor dumb creature. Despite the film's best efforts, it never really plumbs the psyche of Pitt's simmering psycho--he's just plain bad, you know--but it does fashion an effective little thriller out of the tensions brewing in the restless quartet. --Sean Axmaker

Excitement, adventure and unimaginable terror await on the road to Kalifornia. "Brad Pitt isoutstanding" (Rolling Stone) and "Juliette Lewis is utterly, heartbreakingly convincing" (Boxoffice) in this chilling psychological thriller co-starring David Duchovny and Michelle Forbes. When urban intellectuals Brian (Duchovny) and Carrie (Forbes) set out on a cross-country trip to research a book about serial killers, they share the ride with a couple they barely knowEarly Grace (Pitt) and his girlfriend, Adele (Lewis). Locked in a car hurtling westward, the four travelers struggle to find some common ground. But when they finally do connect, Early's violent nature abruptly emerges, and the terrified Brian and Carrie realize that they don't need to go very farto learn about ruthless killers...because they're already face to face with one!

Robocop Trilogy

The first Robocop was thrilling, hilarious, and totally original--none of which has as much to do with the film's spawning two sequels (plus two separate television shows) as its $50 million-plus take at the box office. Though the Law of Diminishing Returns inevitably applies to the theatrical trilogy, the central premise is so strong that each of the lesser sequels has at least a few moments worth catching. That's because the original (wherein Detroit cop Peter Weller, killed in the line of duty, gets transformed into a crime-fighting cyborg) set up an entire world. Director Paul Verhoeven spends as much time lampooning television news, commercial products, and big business as he does on the story; however violent or gory things get (and they get quite icky), the tone throughout is comic, even giddy. Robocop 2, helmed by Irvin Kershner of The Empire Strikes Back fame, sobers up considerably. The film is rather underrated; sure, there are fewer ads and newsbreaks this time around, but there are several inventive touches--Robocop is briefly reprogrammed into a homily-spouting Dudley Do-Right; drug dealers step in to bail out the financially strapped city--and the villains (including the most foul-mouthed, amoral 12-year-old in movie history) are less outrageous than in the first installment. Robocop 3, however, is profit-driven hash. Having Robocop (now acted by Robert John Burke) join a citizens' uprising is a nice idea, and even the ninja android could have been fun, but the movie tries too often to be heartwarming, an emotion thoroughly out of place in this wickedly satirical series. --Bruce Reid

Pet Sematary Two

After the death of his wife, veterinarian Chase Matthews (Anthony Edwards, TV's ER) and his 13-year-old son Jeff (Edward Furlong, Terminator 2: Judgement Day) move to Ludlow to rebuild their lives. Antagonized by the neighborhood kids, Jeff befriends another outsider, Drew Gilbert, who lives in fear of his cruel stepfather Gus (Clancy Brown, Highlander). After Gus cold-bloodedly shoots Drew's beloved dog, the boys bury the body in the local Indian burial grounds - a place rumored to have powers of resurrection. When evil is awakened, the boys realize that sometimes you should just led dead dogs lie.

The Truman Show

The whole world is watching--literally--every time Truman Burbank makes the slightest move. Unbeknownst to him, in this hauntingly funny film by Peter Weir, his entire life has been an unending soap opera for consumption by the rest of the world. And everyone he knows--including his mother, his wife, and his best friend--is really an actor, paid to be part of his life. In this intriguing and surprisingly touching 1998 film, writer Andrew Niccol imagines an ultimate kind of celebrity, then sees it brought to life with comic intensity and emotional honesty by Jim Carrey in what may be the performance of his career. Carrey has exceptional support from Laura Linney and Ed Harris, but it's his show, in a portrayal that demonstrates just what kind of range Carrey is capable of. --Marshall Fine

Robocop 3

Early on in Robocop 3, an action figure of our metal hero on the nightstand in a little girl's room informs us that he's now become a children's toy. The image is right on the money; despite following up two of the most violent, hilarious sci-fi/action films ever made, Robocop 3 is strictly for the kiddies. It's not just that the gore has been toned down considerably to make for a PG-13 rating; also excised is the straight-faced portrait of a world run by corporate fascism. When evil corporation OCP, and its even more evil Japanese parent company, plan to raze a Detroit neighborhood to put up the shining new Delta City, the residents (including the aforementioned adolescent, who conveniently happens to be a computer expert) gang up to fight back, just like the angry neighbors in Death Wish V. Robocop (played this time out by Robert John Burke, Peter Weller having wisely passed) could be a hindrance to the companies' plans, so a ninja android is sent in to deal with him. Even all this could have been enjoyable, in a campy sort of way, but nothing pays off as either comedy or action--tellingly, the two big showdowns with the ninja start exhilaratingly (Robocop's clunky movements hilariously counterpoised by the android's acrobatic leaps), only to end just when they're getting good. Director Fred Dekker has some nice stylistic touches scattered about, but not nearly enough to save the film. One high note, though: The animated "Johnny Rehab" spot may be the funniest ad in the whole series. --Bruce Reid

It's Megacop vs. Megacop when Detroit's cyborg crime-fighter hits the streets to protect the innocentthis time from coporate greed! Laced with a sardonic sense of humor (Drama-Logue) and packed with action scenes coming at a deliberate clip (Boxoffice), Robocop 3 is thrilling sci-fi adventure that will have you on the edge of your seat! When the ruthless corporation that runs Motor City begins kicking families out of their homes to clear space for a profitable new real estate project, Robocop (Robert John Burke, Copland) joins forces with a renegade band offreedom fighters to save them. But Robocop must face some deadly foes, including a lethally efficient android and a dangerous gang of thugs. Robocop's latest arsenal of high-tech weaponry only somewhat evens the battlefield as this one lone superhero takes on the entire army of corporate militia inan all-out war to control Detroit!

Consenting Adults

Academy Award(R)-winner Kevin Kline (1988 Best Supporting Actor -- A FISH CALLED WANDA) and Mary Elizabeth Mastrantonio (A PERFECT STORM) heat up the screen in CONSENTING ADULTS, the spine-tingling sexy thriller that seduced audiences and critics alike. When two couples living next door to each other grow too close, one of the husbands risks everything for a passion he can't resist -- his neighbor's wife. His temptation traps the foursome in a shocking web of betrayal and murder. And now accused of a crime he didn't commit, he must race against time to save his family from a shocking fate. Directed by master of suspense Alan J. Pakula (PRESUMED INNOCENT), this erotic thriller twists and turns as tension builds to a sensational heart-stopping climax.

Unshackled

Kalifornia

David Duchovny is a blocked author with a fascination for outlaw killers who hatches a plan to road trip through America's mass-murder landmarks to finish his book. He enlists his frustrated photographer girlfriend Michelle Forbes, who desperately wants to leave the East Coast for L.A., to illustrate the tome, and they advertise for riding partners. Luckily for them, they wind up with a veteran killer, the greasy trailer-park ex-con Brad Pitt, who decides to skip parole with his cowering child-woman girlfriend Juliette Lewis. Duchovny is enamored by gun-toting Pitt's recklessness and lawless disregard for, well, everything; he's simultaneously terrified and thrilled by Pitt's brutal beating of a barfly. Meanwhile, Pitt's leaving a trail of corpses in their wake.

Directed with a cool remove by Dominic Sena (Gone in 60 Seconds 2000), Kalifornia falls somewhere between Badlands and Natural Born Killers. Pitt brings a ferocious magnetism to his part, but it's still hard to buy genial Duchovny's odd attraction; Juliette Lewis conveys a terrifying sense of victimization with her poor dumb creature. Despite the film's best efforts, it never really plumbs the psyche of Pitt's simmering psycho--he's just plain bad, you know--but it does fashion an effective little thriller out of the tensions brewing in the restless quartet. --Sean Axmaker