Vaughn, Robert

The Magnificent Seven (Special Edition)

Spectacular gun battles epic-sized heroes and an all-star cast that includes Academy Award winners Yul Brynner and James Coburn together with Steve McQueen Eli Wallach and Charles Bronson make The Magnificent Seven a legend among westerns. Spawning three sequels and a successful television series and featuring Elmer Bernstein's Oscar-nomiated score this stunning remake of The Seven Samurai is a "hard-pounding adventure" (Newsweek) and "an endruingly popular" (Leonard Maltin) cinematic classic.Merciless Calvera (Wallach) and his band of ruthless outlaws are terrorizing a poor Mexican village and even the bravest lawmen can't stop them. Desperate the locals hire Chris Adams (Brynner) and six other gun fighters to defend them. With time running out before Calvera's next raid the heroic seven must prepare the villagers for battle and help them find the courage to take back their town... or die trying!System Requirements:Starring: Yul Brynner Eli Wallach Steve McQueen Charles Bronson Robert Vaughn Brad Dexter James Coburn and Horst Buchholz. Directed By: John Sturges. Running Time: 128 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 MGM Studios.Format: DVD MOVIE Genre: WESTERN/MISC. Rating: NR UPC: 027616861078 Manufacturer No: M108736

Akira Kurosawa's rousing Seven Samurai was a natural for an American remake--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. Thus The Magnificent Seven effortlessly turns samurai into cowboys (the same trick worked more than once: Kurosawa's Yojimbo became Sergio Leone's A Fistful of Dollars). The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all. The gunmen are cool and capable, with most of the actors playing them just on the cusp of '60s stardom: Steve McQueen, James Coburn, Charles Bronson, Robert Vaughn. The man who brings these warriors together is Yul Brynner, the baddest bald man in the West. There's nothing especially stylish about the approach of veteran director John Sturges (The Great Escape), but the storytelling is clear and strong, and the charisma of the young guns fairly flies off the screen. If that isn't enough to awaken the 12-year-old kid inside anyone, the unforgettable Elmer Bernstein music will do it: bum-bum-ba-bum, bum-ba-bum-ba-bum.... Followed by three inferior sequels, Return of the Seven, Guns of the Magnificent Seven, and The Magnificent Seven Ride! --Robert Horton

Bullitt

San Francisco has been the setting of a lot of exciting movie car chases over the years, but this 1968 police thriller is still the one to beat when it comes to high-octane action on the steep hills of the city by the Bay. The outstanding car chase earned an Oscar for best editing, but the rest of the movie is pretty good, too. Bullitt is a perfect star vehicle for cool guy Steve McQueen, who stars as a tenacious detective (is there any other kind?) determined to track down the killers of the star witness in an important trial. Director Peter Yates (Breaking Away) approached the story with an emphasis on absolute authenticity, using a variety of San Francisco locations. Jacqueline Bisset and Robert Duvall appear in early roles, and Robert Vaughn plays the criminal kingpin who pulls the deadly strings of the tightly wound plot. --Jeff Shannon

BASEketball

Gross-out comedy reached its peak (or nadir, if you will) when this celebration of juvenile crudeness was released in the summer of 1998. There's Something About Mary was a surprise box-office smash at the same time, and it's a much funnier and (dare we say it?) more intelligently conceived comedy, but there's something to be said for a couple of dudes who blissfully embrace bad taste and improper decorum. As they proved with their popular cartoon series South Park, Trey Parker and Matt Stone are shameless purveyors of scatological humor, and no bodily function escapes their baser instinct for gutter-level guffaws. Here they play a couple of guys who are fed up with the hyper-commercialism of professional sports, so they invent "baseketball"--a hybrid of baseball and basketball--and soon find themselves in the middle of a booming national craze. As baseketball leagues thrive, so does the movie's appetite for puerile shock-jokes and disgusting gags. There are some great throwaway lines and a lot of funny cameos by the likes of Bob Costas, Al Michaels, Jenny McCarthy, Robert Stack, Reggie Jackson, and others, but let's face it--a little of this stuff goes a long, long way. If you laugh a lot, you may be suffering (as Parker and Stone clearly do) from an acute case of arrested development. --Jeff Shannon

Columbo - The Complete Fourth Season

The bumbling homicide detective returns in the fourth season of the tv mystery series.System Requirements:Running Time: 539 MinFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025192925221 Manufacturer No: 29252

The Glass Bottom Boat

Doris Day stars as a widowed writer who is mistaken for a spy when she is hired to write a biography of handsome research scientist Rod Taylor. A frolicking comic adventure packed with celebrities (including Paul Lynde in drag).Running Time: 110 min.System Requirements:Length: 110 minsFormat: DVD MOVIE Genre: COMEDY UPC: 012569519220

Pootie Tang

Pootie Tang pushes blaxploitation to the point of surrealism. The title character--who first appeared on The Chris Rock Show--speaks a kind of slang on steroids, an incomprehensible stream of nonsense syllables that nonetheless makes him irresistible to women and a threat to evildoers everywhere. Pootie is part movie star, part superhero, righting wrongs with the slap of his daddy's belt. But when an evil corporation uses a super-ho named Ireenie (Jennifer Coolidge from Best in Show and Legally Blonde) to steal this magic belt, Pootie must find himself again. In the title role, Lance Crouther glides through the movie like Isaac Hayes's skinny younger brother, while Chris Rock lends his trademark bark to multiple roles, including Pootie's father. Crazed editing and a great soundtrack give Pootie Tang a little extra oomph. A bizarre comedy, likely to develop a cult following. Cameos by Missy Elliot and Bob Costas. --Bret Fetzer

The Ray Bradbury Theater - Complete Series (65 Episodes)

Featuring 65 Episodes! Entranced by magicians, comic strips, and science-fiction magazines, Ray Bradbury began "educating" himself at the Los Angeles Library three to five times a week. By twenty-seven years of age he "graduated," having written over several million words. In his early twenties, he supported himself by selling newspapers on street corners and writing for radio programs such as Suspense, Escape, CBS Radio Playhouse, and X Minus One. Bradbury has now written over one thousand short stories--400 of which have been published in such magazines as The New Yorker, The New Republican, The Saturday Evening Post, Amazing Stories, Colliers, Dime Detective and McCall's. He has also written for Alfred Hitchcock Presents and for Rod Serling's The Twilight Zone. And now, showcased in this 5 DVD set are some of Ray Bradbury's finest works.

Bullitt (Two-Disc Special Edition)

Peter Yates's 1968 cop drama has its existentialist pretensions, but there is something seductive about its strained seriousness and Steve McQueen's intentionally stoic performance as a San Francisco police detective on the trail of a murderer. A couple of key action sequences boost the film's stature, the most memorable of which is a vertiginous car chase that Yates almost approaches as a dance. Jacqueline Bisset provides window dressing as Bullitt's girlfriend--worried about how much his job strips away his humanity--and Robert Vaughan is almost reptilian as an opportunistic politician. --Tom Keogh

San Francisco has been the setting of a lot of exciting movie car chases over the years, but this 1968 police thriller is still the one to beat when it comes to high-octane action on the steep hills of the city by the Bay. The outstanding car chase earned an Oscar for best editing, but the rest of the movie is pretty good, too. Bullitt is a perfect star vehicle for cool guy Steve McQueen, who stars as a tenacious detective (is there any other kind?) determined to track down the killers of the star witness in an important trial. Director Peter Yates (Breaking Away) approached the story with an emphasis on absolute authenticity, using a variety of San Francisco locations. Jacqueline Bisset and Robert Duvall appear in early roles, and Robert Vaughn plays the criminal kingpin who pulls the deadly strings of the tightly wound plot. --Jeff Shannon

His new assignment seems routine: protecting a star witness for an important trial. But before the night is out, the witness lies dying and cool, no-nonsense Detective Frank Bullitt (Steve McQueen) won't rest until the shooters and the kingpin pulling their strings are nailed. From opening shot to closing shootout, Bullitt crackles with authenticity: San Francisco locations, crisp dialogue and to-the-letter police, hospital and morgue procedures. An Oscar winner for Best Film Editing (1968), this razor-edged thriller features one of cinema history's most memorable car chases. Buckle up and brace for unbeatable action.

DVD Features:Audio Commentary:Commentary by Director Peter YatesDocumentaries:The Cutting Edge: The Magic of Movie Editing Steve McQueen: The Essence of CoolFeaturette:Vintage Featurette -- Bullitt: Steve McQueen's Commitment to Reality

The Towering Inferno (Special Edition)

Disaster movies used to work because there was little certainty as to who would survive. Not so in this film, really an amalgam of two original stories, about a group of well-to-do celebrants at the top floor of a skyscraper. Cheapo electrical wiring and bad construction management cause an enormous blaze at the lower floors, steadily rising to consume the revelers. Newman's an architect, McQueen a firefighter, and Fred Astaire a kind old gentleman, for which he was Oscar-nominated. O.J. Simpson plays a security guard who rescues a cat. Now that's a disaster. --Keith Simanton

A dedication ceremony at the world's tallest skyscraper turns into a high-rise catastrophe when a defective wire in its systems-control panel causes an electrical flare-up. Within minutes the gala event turns into a hellish inferno, as a raging fire traps

Backstairs at the White House

From the golden age of television miniseries comes this prestigious 1979 production based on Lillian Rogers Parks's memoir, My Thirty Years at the White House, a real-life American Upstairs/Downstairs that chronicles her family's tenure on the White House servant staff through eight presidential administrations. Emmy nominee Oliva Cole stars as Maggie, a proud matriarch with "indomitable spirit and unfailing spunk," and who is determined that her children "are not going to have street ways." She becomes the first colored maid on the presidential family floor, beginning with the William Howard Taft administration. Her polio-stricken daughter, Lillian (portrayed as an adult by Leslie Uggams) eventually joins her during Herbert Hoover's administration and likewise rises through the ranks to to become a trusted confidante of the First Families.

Backstairs at the White House works on several levels. It is the inspiring personal story of two extraordinary women who had a unique and privileged perspective of the people and events that shaped the first half of the 20th century. It also presents vivid snapshots of the presidents and their families in all their quirks (Mrs. Taft felt that bearded servants brought bad luck), failings, and greatness, as well as such now-obscure personages as New York critic Alexander Woolcott. The stellar cast is comprised of stage and screen veterans and TV favorites. Robert Vaughn (as Woodrow Wilson), Celeste Holm (as Florence Harding), and Ed Flanders (as Calvin Coolidge) were nominated for Emmys, as was Roots costar Louis Gossett Jr. as houseman Levi Mercer. Also notable are a pre-Airplane Leslie Nielsen as chief White House usher Ike Hoover, Cloris Leachman as the chilly supervising housekeeper Mrs. Jaffray, Victor Buono and Julie Harris as reluctant president William Howard Taft and his more formidable wife "Nellie," Eileen Heckart as energetic Eleanor Roosevelt, and Harry Morgan, giving 'em hell as Harry Truman. Backstairs at the White can be melodramatic ("You're not married to me, you're married to the White House," Lillian's estranged husband tells her at one point), but it never descends to soap opera. The Emmy-winning makeup is convincing, and the Emmy-nominated screenplay does an admirable job of compressing more than 50 years of history. "What is heard within the walls of the White House is to be forgotten," Maggie is instructed early in her employ. Luckily, daughter Lillian ignored this directive to create a compelling document that puts a human face on the occupants of the real West Wing. --Donald Liebenson

The classic miniseries about two remarkable women and the eight First Families they served
Their unrivaled behind-the-scenes access gives White House staff a uniquely personal view of history in the making. Two remarkable women in one family served as White House maids over a period spanning five decades and eight administrations—from Taft to Eisenhower. Their story and a half-century of American history unfold in this star-studded drama, nominated for 11 Emmy® Awards.