Vereen, Ben

All That Jazz - Music Edition

Part tragic part comic this outrageous look at life in the fast lane in the Academy Award-winning musical about Bob Fosse's excessive life in show business. Played by Roy Scheider Fosse's alter-ego drives himself over the edge and soon finds he is caught between a recurring fantasy about his death and the reality of a near-death experience. Dazzlingly presented this electrifying story about the perils of pushing yourself too hard is filled with Fosse's legendary song-and-dance choreography.Episodes-Bonus Features:**Widescreen Feature**Audio Commentary with Film Editor Alam Heim**Portrait Of A Choerographer**Perverting The Standards**Making of the Song 'On Broadway'**Movie-oke 'Take Off With Us'**Music Machine (access musical numbers through scene selection)**Bob Fosse Gallery**Production Snapshots GallerySystem Requirements:Run Time: 123 minsFormat: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: R UPC: 024543434795 Manufacturer No: 2243479

Choreographer-turned-director Bob Fosse (Cabaret, Lenny) turns the camera on himself in this nervy, sometimes unnerving 1979 feature, a nakedly autobiographical piece that veers from gritty drama to razzle-dazzle musical, allegory to satire. It's an indication of his bravura, and possibly his self-absorption, that Fosse (who also cowrote the script) literally opens alter ego Joe Gideon's heart in a key scene--an unflinching glimpse of cardiac surgery, shot during an actual open-heart procedure.

Roy Scheider makes a brave and largely successful leap out of his usual romantic lead roles to step into Gideon's dancing pumps, and supplies a plausible sketch of an extravagant, self-destructive, self-loathing creative dynamo, while Jessica Lange serves as a largely allegorical Muse, one of the various women that the philandering Gideon pursues (and usually abandons). Gideon's other romantic partners include Fosse's own protégé (and a major keeper of his choreographic style since his death), Ann Reinking, whose leggy grace is seductive both "onstage" and off.

Fosse/Gideon's collision course with mortality, as well as his priapic obsession with the opposite sex, may offer clues into the libidinal core of the choreographer's dynamic, sexualized style of dance, but musical aficionados will be forgiven for fast-forwarding to cut out the self-analysis and focus on the music, period. At its best--as in the knockout opening, scored to George Benson's strutting version of "On Broadway," which fuses music, dance, and dazzling camera work into a paean to Fosse's hoofer nation--All That Jazz offers a sequence of classic Fosse numbers, hard-edged, caustic, and joyously physical. --Sam Sutherland

Sweet Charity

After several years as the hottest musical director on Broadway, Bob Fosse made his film directorial debut with this movie version of his Broadway hit, which was based on Fellini's Nights of Cabiria. Shirley MacLaine is terrific as the proverbial hooker with the heart of gold, one who is convinced that she will find the right man if she just turns enough tricks. The Cy Coleman score is a solid one; the film is at its best when Fosse lets his cast of singer-dancers (which includes Chita Rivera, Paula Kelly, and Sammy Davis Jr.) unleash his leggy brand of choreography. While the film suffers from stylistic excesses of the period, you can see the seeds being planted for Fosse's future musical film forays in Cabaret and All That Jazz. --Marshall Fine

Pippin

Here's a Broadway musical about a young man who sets out to discover true meaning in his life, dabbling in war, sex, and politics before finding love. That may sound conventional, but it isn't. The title character of Pippin is the son of Charlemagne, the 9th-century emperor of the Holy Roman Empire, and when Bob Fosse directed the original Broadway production in 1972, he transformed what had begun as a fairly innocent college project for composer-lyricist Stephen Schwartz into a burlesque filled with broad comedy, bawdy characters, and magical but dark situations. Pippin (played by William Katt, of TV's The Greatest American Hero) embarks on his quest, all the way coaxed and goaded by a narrator figure known as the Leading Player (Ben Vereen) while his stepmother (Chita Rivera) schemes.

Schwartz's pop-rock score may not be as recognizable as his work for Godspell and various animated films (The Prince of Egypt, Disney's Pocahontas), but it does include the soul-driven opener "Magic to Do" (showing off Fosse's signature white gloves), the soaring "Corner of the Sky," the lovely ballad "With You" (indelicately presented in a brothel), and the romping "No Time at All" (by Martha Raye as Pippin's grandmother). Not as technically polished as newer shows preserved on video (Into the Woods, Joseph and the Amazing Technicolor Dreamcoat), this live 1981 performance of Pippin is probably of greatest interest to Fosse fans as a record of his striking vision. (The original show won five Tony Awards, including for Fosse's direction and choreography and Vereen's performance.) Note, however, that this Canadian television production was supervised, not directed, by Fosse, and is missing some numbers from the original show. --David Horiuchi

Pippin is a pip of a Broadway musical that is not only a contemporary classic but also the play that made director choreographer Bob Fosse a famous name long before "Cabaret" and "All That Jazz". Using the medieval legend of Charlemagne's son, Pippin, heir apparent to the Holy roman Empire, the musical pageant called "Pippin" is a parable about a young man's search for meaning and truth. With the show's masterful master of ceremonies, Ben Vereen, jumping the time barrier from the 1980's to the Middle Ages and back again, while the music and costumes go through similar time and space warps, young "Pippin" embarks on an odyssey to discovery whether there really is "something worthwhile I can do with my life." William Katt plays-sings-and-dances the title role with a freshness and exuberance rarely seen in today's entertainment on stage or screen. Broadway's virtuoso baritone, Ben Rayson, is as regal as they come as Charlemagne. The sheer intensity of Vereen's many-faceted talents steals the show again and again, but he never upstages his co-stars. Martha Raye brings her boisterous energy to the role of Berthe, Pippin's 67 year old grandmother, while Chita Rivera ignites sparks every time she prances into a scene as Pippin's stepmother. The success of "Pippin," wining five Tony Awards and playing to sellout houses for six years is also what brought recognition to its star, Ben Vereen, long before his acclaimed portrayal of "Chicken George" in "Roots". With all of its distinctions, "Pippin" has never existed anywhere but Live, on stage, until this videotape production, supervised by Mr. Fosse, and produced and directed for television by David Sheehan. It's the one video experience you'll always treasure! Bonus Features: Bonus Interview with Bob Fosse| Actor Bios| Scene Selection. Specs: DVD5; Dolby Digital Stereo; 112 minutes; Color; 1.33:1 Aspect Ratio; MPAA - NR; Year - 1981; SRP - $19.99.

Once Upon a Forest

In this rousing, magical adventure filled with whimsy, laughter and charm, a host of fun-loving characters takes you on an unforgettable journey in a land called Dapplewood. One day, three Furling friends, Abigail the wood mouse, Edgar the mole and Russell the hedgehog, find their tranquil lives greatly disrupted. A chemical spill has destroyed Dapplewood and their young friend Michelle becomes seriously ill from the toxic fumes. Counting on their own ingenuity and the skills they learned from thier teacher Cornelius, they take off on an exciting, but dangerous journey to find help for their friend. Their wisdom soon pays off and they set about to restore Dapplewood to its original splendor.

Funny Girl/Funny Lady

Barbra Streisand won the 1968 Best Actress Oscar ® for her screen debut as rising Ziegfeld Follies star Fanny Brice in FUNNY GIRL which was also nominated for Best Picture and remains one of the most popular movie musicals ever made. Co-starring Omar Sharif the film features the now-classic songs People and Don t Rain on My Parade. She reteamed with Omar Sharif in 1975 for the sequel FUNNY LADY which featured an all-star cast and was nominated for 5 Academy Awards® including Best Original Song for How Lucky Can You Get. System Requirements:Running Time: 100 Min.Format: DVD MOVIE Genre: COMEDY UPC: 043396102637 Manufacturer No: 10263

Fosse

The 1999 Tony Award winner for Best Musical, Fosse celebrates the work of director-choreographer Bob Fosse, one of Broadway's and film's truly innovative and distinctive talents. While Fosse's protégé Ann Reinking (also the co-choreographer) and frequent collaborator Ben Vereen are the headliners, the dance revue was conceived as an ensemble piece, so the 32-member cast gets plenty of chances to shine. The nearly two-hour performance features re-creations of dazzling numbers from such milestones as Cabaret ("Mein Herr"), Chicago ("Nowadays"), Sweet Charity ("Big Spender"), The Pajama Game ("Steam Heat"), Dancin' ("I Wanna Be a Dancin' Man"), and All That Jazz ("There'll Be Some Changes Made," among others, but not the stunning "On Broadway" sequence). Reinking, Vereen, and another Fosse collaborator, cast member Dana Moore, also share their memories in interview segments. Filmed in live performance, Fosse stands as a memorial to one man's striking vision, an essential record of many classic routines, and simply a whole lot of fun to watch. --David Horiuchi

The electricity of one of Broadway's greatest talents springs to life in Fosse, a tribute to the man behind such favorites as Cabaret, Chicago, Sweet Charity, and Pippin. A seductive mixture of physically aggressive dance moves and dazzling visual style, Bob Fosse's approach to theater revolutionized how we experience music and dance, while his mixture of cynicism and sentiment remains timely decades after his death. Join one of Fosse's most gifted collaborators, Ann Reinking, as she and a wild, gyrating cast take you through such memorable standards as "Life Is Just a Bowl of Cherries," "Steam Heat," "Mein Herr," and the unforgettable "Big Spender." So pull up a seat, put on your dancin' shoes, and get ready for a tune-studded show guaranteed to deliver plenty of "Razzle Dazzle!" Songs: Life Is a Bowl of Cherries, Bye Bye Blackbird, From the Edge, Percussion 4, Big Spender, Crunchy Granola Suite, From This Moment On, Transition/Dance Elements, I Wanna Be a Dancin' Man, Shoeless Joe Ballet, Dancing in the Dark, Steam Heat, I Gotcha, Rich Man's Frug, Silly Thoughts, Cool Hand Luke, Nowadays, The Hot Honey Rag, Glory, Manson Trio, Mein Herr, Take Off with Us/Three Pas de Deux, Razzle Dazzle, Who's Sorry Now, There'll Be Some Changes Made, Mr. Bojangles, Life Is Just a Bowl of Cherries (reprise), Sing Sing Sing. 118 minutes.

Feast Of All Saints

Anne Rice's The Feast of All Saints is a tale set in 1840's New Orleans about "free people of color", who formed their own class at a time when the predominant role of blacks in society was as slaves. The film focuses on the ordeal of one young man named Marcel Ste. Marie (Ri'chard), who searches for the truth about his heritage. As he finds his individual path into the future, Marcel is fully aware that he is a child of African and European descent, but his story is uniquely American.

Idlewild (Widescreen Edition)

The eclectic, pell-mell energy of hip-hop maestros Outkast gives a jolt to Idlewild, their first movie as a team (both have acted independent of each other: Andre Benjamin, a.k.a. Andre 3000, has previously appeared in Four Brothers and Be Cool, and Antwan "Big Boi" Patton was in ATL). Young bootlegger Rooster (Patton) and undertaker's son Percival (Benjamin) are best friends from childhood, but adult life has become woefully complex: Rooster's wife despises his life at the nightclub Church, Percival is stuck taking care of his depressed father, and an ambitious gangster (Terrence Howard, Hustle & Flow, Crash) kills Rooster's mentor (Ving Rhames, Rosewood) to take over the gangster's bootlegging operation. The arrival of a high-handed cabaret singer (Paula Patton, Hitch) may help Rooster save Church, but when she and Percival fall in love, troubles multiply. Idlewild's musical numbers are packed with dynamic spectacle--not surprising, given that director Bryan Barber previously directed music videos for Outkast. Unfortunately, Barber's script is lackluster, taking some particularly cliche turns toward the end. Still, there are plenty of pop-out performances--singer Macy Gray turns up the heat in the opening number--that put Idlewild a step above such pop-star-driven flicks as Under the Cherry Moon and Glitter. --Bret Fetzer

Why Do Fools Fall in Love

Music-based romantic drama about the late singer/songwriter Frankie Lymon, who was responsible for many hit records but whose self-destructive life ended early, with many relationships left unresolved. three women, each claiming to be his wife, each with

Funny Lady

When Barbra Streisand played Fanny Brice in Funny Girl, she brought to life a sympathetic yet strong-headed performer of stage and radio. In the sequel, Funny Lady, Brice comes off as a harsher woman, slightly bitchy, without the tremendous charm she possessed in the first film. Herbert Ross takes over as director (William Wyler oversaw Funny Girl), and the film just seems to get away from him. This sequel picks up during the Great Depression, when even the great star Fanny Brice is suffering. Along comes Billy Rose (James Caan), a small-time hustler who's out to make it big in show biz. The two pair up, both professionally and romantically, although things are uncertain when her first husband, Nick Arnstein (Omar Sharif), reappears on the scene. Much to the movie's detriment, Funny Lady concentrates more on Brice's professional life than on her personal life, as the first film does. The songs are elaborately staged numbers that Brice performs in the theaters, and while they are visually lush and spectacular, they lack conviction. Caan is solid in his role as the bumbling producer, but overall, the film is a disappointment. If you want more Barbra and Brice, rewatch Funny Girl. --Jenny Brown