Vigran, Herb

The Band Wagon (Two-Disc Special Edition)

The Band Wagon (1953) marked the culmination of a series of near-autobiographical pictures Fred Astaire made for MGM following his return from premature retirement in the late '40s. Astaire plays Tony Hunter, a fading film star (his big hit: Flying Down to Panama) who decides to return to his former glory, the Broadway stage. (In 1931, Astaire had starred on Broadway with sister Adele in The Band Wagon, a revue that lent some of its songs to this film.) His playwright-songwriter friends (Nanette Fabray and Oscar Levant) hook him up with Broadway's hottest director, Jeffrey Cordova (a nicely hammy Jack Buchanan), who proves that the "new" theater traditions can be an awkward fit with the old. Hunter also finds himself at odds with his prima ballerina leading lady (Cyd Charisse), one of his chief worries being that she seems a little tall. Along the way, producer Arthur Freed, director Vincente Minnelli, choreographer Michael Kidd, and songwriters Howard Dietz and Arthur Schwartz treat us to some quintessential MGM numbers: Astaire's solo ode "By Myself," the flashy arcade romp "A Shine on Your Shoes," Astaire and Charisse's romantic duet "Dancing in the Dark," the faux-German drinking song "I Love Louisa," the manic trio "Triplets" (with Astaire, Fabray, and Buchanan in matching baby outfits), the Mickey Spillane-esque "Girl Hunt Ballet," and the classic show-biz anthem "That's Entertainment." Even if its ending and obligatory romance fall a little flat, The Band Wagon is one of the classic backstage musicals, a grandiose MGM spectacle that also manages to poke some fun at how grandiose MGM pictures had become. --David Horiuchi

Support Your Local Gunfighter/Support Your Local Sheriff

Blackbeard's Ghost

In the moody prologue, amid a raging storm that evokes Hollywood golden-age high-seas swashbucklers, a foreboding scroll recounts the legend of one of the bloodiest pirates in the history of the Caribbean. Leave it to Disney to turn him into a fun-loving old prankster with a whimsical side. Peter Ustinov mugs shamelessly as the bombastic but harmless apparition who renounces his wicked ways to become the mischievous school spirit of the local college, much to the annoyance of straight-arrow track coach Dean Jones. Made in the heyday of Disney's live-action family comedies, Blackbeard's Ghost is all haphazard but high-energy slapstick and squeaky-clean romance (courtesy of contemporary schoolmarm Suzanne Pleshette) performed with more gumption than grace, but there's a nostalgic innocence to the whole overplayed affair. --Sean Axmaker

Award-winning actor Peter Ustinov stars in this hilarious fantasy as the ghost of the legendary pirate Blackbeard. The once blackhearted scoundrel materializes in a small New England town, cursed to wander in limbo until he performs a good deed. He gets his chance when he decides to help a local college track team--that hasn't a ghost of a chance of winning! Blackbeard finds himself full of team spirit, and dispensing his own brand of invisible coaching--in this warmhearted comedy that will have you laughing from his first fade-in to his final fade-out!

The Band Wagon (Two-Disc Special Edition)

The Band Wagon (1953) marked the culmination of a series of near-autobiographical pictures Fred Astaire made for MGM following his return from premature retirement in the late '40s. Astaire plays Tony Hunter, a fading film star (his big hit: Flying Down to Panama) who decides to return to his former glory, the Broadway stage. (In 1931, Astaire had starred on Broadway with sister Adele in The Band Wagon, a revue that lent some of its songs to this film.) His playwright-songwriter friends (Nanette Fabray and Oscar Levant) hook him up with Broadway's hottest director, Jeffrey Cordova (a nicely hammy Jack Buchanan), who proves that the "new" theater traditions can be an awkward fit with the old. Hunter also finds himself at odds with his prima ballerina leading lady (Cyd Charisse), one of his chief worries being that she seems a little tall. Along the way, producer Arthur Freed, director Vincente Minnelli, choreographer Michael Kidd, and songwriters Howard Dietz and Arthur Schwartz treat us to some quintessential MGM numbers: Astaire's solo ode "By Myself," the flashy arcade romp "A Shine on Your Shoes," Astaire and Charisse's romantic duet "Dancing in the Dark," the faux-German drinking song "I Love Louisa," the manic trio "Triplets" (with Astaire, Fabray, and Buchanan in matching baby outfits), the Mickey Spillane-esque "Girl Hunt Ballet," and the classic show-biz anthem "That's Entertainment." Even if its ending and obligatory romance fall a little flat, The Band Wagon is one of the classic backstage musicals, a grandiose MGM spectacle that also manages to poke some fun at how grandiose MGM pictures had become. --David Horiuchi

That Funny Feeling

Charlotte's Web (Full Screen Edition)

This animated feature based on the popular E.B. White book for children--about the special relationships between Wilbur the pig, Charlotte the spider, and Templeton the rat--is a straight adaptation from the page, with songs added. Endearing, heartbreaking, and ultimately wise, it may not please all of those with a strong attachment to the book, but it works all the same. --Tom Keogh

The Reluctant Astronaut

The Fugitive Kind

Oscar ® winners Marlon Brando (On the Waterfront) Anna Magnani (The Rose Tattoo) Joanne Woodward (The Three Faces of Eve) and Maureen Stapleton (Reds) lead the stellar cast of this Southern Gothic "sizzler" (Los Angeles Times) based on the Tennessee Williams play Orpheus Descending. Thanks to "brilliant" (The Film Daily) performances The Fugitive Kind "sets one's senses to throbbing" (The New York Times). Valentine "Snakeskin" Xavier (Brando) is a handsome drifter with a guitar and a past. Taking a job as a store clerk in Two Rivers Mississippi his strong and silent demeanor attracts not only the local party girl (Woodward) but also the shopkeeper's exotic wife (Magnani). Soon this explosive love triangle will ignite a powder keg of fury that could rock this small town to its very core. System Requirements: Running Time 121 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 027616125378 Manufacturer No: 12537

Support Your Local Gunfighter

James Garner returns for this pseudosequel to Support Your Local Sheriff, this time as a gigolo con man mistaken for a legendary killer. Escaping matrimonial entanglements, he lands in the town of Purgatory in the midst of a raging war between gold miners racing for the mother lode. In a play right out of Maverick, he quickly casts drifter Jack Elam into the gunfighter role and names himself the man's agent, selling his services to the highest bidder and pocketing a sizable commission. Garner double-talks his way through one deal after another with a wink and a smile while Elam growls and swaggers and rolls his eyes, playacting the role of the cold-blooded gunslinger like a wild-eyed clown. Suzanne Pleshette shoots up the town as Garner's romantic interest, a tomboy in buckskin with an itchy trigger finger and lousy aim, and Chuck Conners walks tall as the real bald-as-a-billiard-ball killer. Apart from the tongue-in-cheek tone and returning cast members (Elam, Harry Morgan, Henry Jones, and Gene Evans are among the familiar faces joining Garner), the film has little in common with Sheriff and never quite recaptures the clever twists and low-key hilarity, but this is a cast who knows how to deliver a gag, and Kennedy's laid-back direction keeps an even, affectionately spoofing tone throughout. --Sean Axmaker

The wild west just got wilder and a whole lot wackier! James Garner is back in the saddle again in Support Your Local Gunfighter, a powder keg of laughs in which the most dangerous gunslinger in the west isn't the fastest but the funniest! Gigolo con man Latigo Smith (Garner) needs to get something off his chestthe tattooed name of his most recent ex-fiancÃ(c)e. But while he's waiting for the local doctor to sober up and perform the operation, Smith overhears that local mining baron Taylor Barton (Harry Morgan) is looking to shut down his mining competition by hiring the notorious gunman, Swifty Morgan. Seizing the opportunity for an easy con, Smith passes off a reprobate cowhand (Jack Elam) as the dreaded Swifty and pockets the cash. Bankroll in hand, he plans to head for the hills until he falls for Barton's pistol-packin' daughter, Patience (Suzanne Pleshette). But when the real Swifty shows up looking for blood, Smith comes up with an outrageous scheme to save his hide, stop the mining feud and win over Patience and it might just work if it doesn't blow up the entire town!

Send Me No Flowers